Marina Stewart
„Dawn Raised With A Gesture Of Submission“
(Music For Silence, Synthesizer & Voice)
The four parts of this composition are titled as follows:
I: This Ov That (Can Be Heard)
II: Dawn Raised With A Gesture Of Submission
III: Irchin
IV: Piano Rage (Nod2TerreThaemlitz)
Editorial remarks:
Part II is an electroacoustic rendition of fragments taken from »Odyssey To Anyoona« by Jam & Spoon (JAM!/Dance Pool, 1994), fully developed on the harmonium as a sole instrument.
Part III is based on microtonal synthesizer excerpts, whereas Part IV is an unreleased screwed edit of an sample loop taken from a live recording by Margitt Holzt.
Joewee Love!
Track list:
1. Cinta (Love)
2. Mengharapkanmu (Hoping you)
3. Selamanya (Forever)
Shortwave will be familiar to some, after appearing on our Boards of Canada inspired VA last year, but check out Between for one of the most catchy subtle analogue sounds I’ve heard for quite some time.
Bad Girl
(based on Florence – Italy) is the solo project of Leonardo Granchi.
Started playing electronic music with the band Downward Design Research he approaches to continue the expression of their imaginary sound through the use of the machines.
We fear this stuff is not bad enough. We have to make something worse, so your contributions are still welcome for next volumes. Don’t be shy and send us your most disastrous sounds : https://eg0cide.com/info/contribution-call-the-perfect-failure/
Martin Hoogeboom: objects, guitar, electronics / Juan Miñana: electronics
All tracks written and produced by Martin Hoogeboom and Juan Miñana.
Theo Calis: electronics (OLK 3), mastering / Paulo Chagas: oboe (GLIMM 1, 2 & 3)
The romantic idea I’m referring to is the existence of an actual performer (in the more traditional sense performer – instrument) for the music itself to have value.
To which we respond with this tracks.
Autómatas Sonoros was first and foremost an acousmatic music concert presented at the Adolfo Prieto school in Monterrey Mexico on September 2 2017.
The concert was part of a series of retribution events organized by Raúl Guerra Jimenez as a winner for the 2015 PECDA Jovenes Creadores prize.
credits
released February 12, 2018
All music composition and production is that of their respective composer.
Compiled and directed by: Jesús Antonio Vergara
Tracks Leveling: Charles Leal.
Design: Bryan Garcia
license
Music by Artem Bemba
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Tracklist:
301. Arturo Fonzarello
302. Con tutto l’odio che posso
303. Cigno nero (lui l’eroina)
304. Natan
305. Negli abissi
306. Italia amore mio
307. Tortura anemica
308. The man that has no face
309. Anime perse
310. Requiem aeternam (El sueño de la razón produce monstruos)
+ Bonus Track. Odia! (Faster bootleg)
Canciones / Tracks:
1. Adira
2. Texturas
3. Tribal
4. De La Rue
5. Masai
6. X2
Track list:
1. My Lai, 1968
2. Yes, Vomit Comet.
3. Possibilities are Endless; Train Stations, Airports, Foreign Lands
So much had happened since my last collection of sounds. I decided to “embark” to new, unfriendly shores with drones, noises, and a bit of pseudo free-jazz. Not as melodic as “Travel,” I reckon, but no less fun.
As far as subject matter goes, “Mira, la bruja no esta quemada” (which means “look, the witch is unburnt” in english, by the way) rolls around things that can’t go away no matter how hard we wish them to disappear; maybe the mundane (desire to travel) or the somewhat heavy (massacre and cover-ups).
Please, do use headphones/headsets while listening to the tunes. There are some interesting movements there. Don’t forget to drink some water and watch the witch go unburnt.
Achmad Luthfi
