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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Soularis – Flat Lands

Soularis – Flat Lands
[DWK340]

Soularis

“Flat Lands”

Tracks list:

The Wrong Directions
Chill Breath
Blind Fury
The Sound Of Love
Steady
Dead Capsul
This Is Reality
Wild Horsemen
Xen
Drowning To Make A Living
Remembering Our Last Day
Fear And Love
Light At The End Of The Struggle
Nature Herself
Always Living
Morning Has Arrived
Keep Me Alive
Everything Is A Game
Rever
Losing Sight
When Dreams Come True
Hope In The Streets Of New York City

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posted 18 January 2017

Jan Strach – Rosknrolmusis E.P.

Jan Strach – Rosknrolmusis E.P.
[UPL 072]

Jan Strach

“Rosknrolmusis E.P.”

As per yearly tradition, Jan presents an ep with material that did not fit the full-length album from previous year, in this case “Jan Pierwszy Starszy”. As with every JS e.p. there are no rules and the diversity of genres is breathtaking. Here we have casio-retro-wave, guitar post rock, noisy guitars overlaying, joyful turkish zurna-pop with broken time signature and an anthem of the priviledged man with a sturdy beat. As always on Underpolen netlabel, the lo-fi and DIY atmosphere is everpresent in spirit and on surface.
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posted 18 January 2017

Luís Antero – Sound Places: Serra do Açor, Vol. 1

Luís Antero –  Sound Places: Serra do Açor, Vol. 1
[PT047]

Luís Antero

“Sound Places: Serra do Açor, Vol. 1”

Este trabalho sonoro foi produzido com base em gravações sonoras de campo realizadas na Serra do Açor, nomeadamente na Mata da Margaraça – Área Protegida da Serra do Açor – e nas aldeias
de Monte Frio, Porto Silvado, Pomares e Gramaça, pertencentes aos concelhos de Arganil e Oliveira do Hospital, respectivamente.
Sound Places: Serra do Açor, Vol. 1, como o nome indica, constitui o primeiro trabalho de uma série dedicada à Serra do Açor e a algumas das suas aldeias.
As paisagens e marcos sonoros que as compõem, que delas
fazem parte e lhes conferem identidade, são a base de trabalho para esta série, no seguimento do trabalho artístico de arquivo e documentação sonora que venho desenvolvendo desde 2008, apelando igualmente à escuta criativa dos lugares que fazem parte deste território e a um conhecimento sensitivo dos mesmos.
Assim, uma vez mais, dá-se a conhecer a Beira Serra através
da arte dos sons, na sua multiplicidade e dinâmica sonora. Uma Ruralidade Sonora, que se sente.

This sound work was produced based on field recordings performed in the Serra do Açor, namely in the Mata da Margaraça – protected area of the Serra do Açor –and in the villages of Monte Frio, Porto Silvado, Pomares and Gramaça, belonging to the counties of Arganil and Oliveira do Hospital, respectively.
Sound Places: Serra do Açor, Vol. 1, as the name indicates, is the first work of a series dedicated to the Serra do Açor and some of its villages.
The landscapes and sound frames that constitute them, which are part of them and give them identity, are the groundwork for this series, following the artistic work of the archive and the sound documentation that I have been developing since 2008, also appealing to the creative listening of the places which are part of this territory and to a sensitive awareness of them.
Thus, once again, one gets to know Beira Serra through the art of sounds, in its multiplicity and sound dynamics. A Sonorous Rurality that one can feel.

‘Please, listen with headphones’

Luís Antero – field recordings, sound composition, photos and text
Locations – Mata da Margaraça, Monte Frio, Porto Silvado e Pomares (Arganil); Gramaça (Oliveira do Hospital) | Portugal
Date of recordings – october and november 2016

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posted 14 January 2017

Jimmy Watt – Capture Emplace Recovery

Jimmy Watt – Capture Emplace Recovery
[SE077]

Jimmy Watt

“Capture Emplace Recovery”

Stato Elettrico presents a brand new release by Jimmy Watt from Santiago, Chile. His work methodology focuses mainly on the capture, extraction, editing and storage of audio samples from different sources:

records on the street
dialogues extracts 
audiovisual edits and converts of radio signals
uses a shortwave radio to capture foreign broadcasts
uses EVP
911 calls 
Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts. 

His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue. 

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology. 

His creative concepts pursues mysticism, the occult, time, religions, the process that leads to contemplation, the silence, the pause, the suspension, death and upstarts. 

Abuse of rhythm and melody is a necessary evil for those who can not handle a drift.
It’s like being in a large room without light. You need to touch the walls and artifacts that fill the room to feel welcome in the position and perspective.

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posted 11 January 2017

SMAV – RIP EP

SMAV – RIP EP
[EE019]

SMAV

“RIP EP”

after a 3-year hiatus, the cover version duo SMAV is back to release their 3rd and last song on their 1st and last EP. 13min of homemade music, with personal favourites and a bonus mashup. but there’s nothing to fear: Rodrigo Socialmedia and Cairo Audiovisual keep on making new music, together and individually, as Mildmilk and Cairo Braga. a toast from here to the future! RIP SMAV.
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posted 09 January 2017

Hypercube + Alwin Van Der Linde – Hylin

Hypercube + Alwin Van Der Linde – Hylin
[0kbps109]

Hypercube + Alwin Van Der Linde

“Hylin”

Hypercube + Alwin Van Der Linde

Hylin [0kbps109]

A collaborative project between Hypercube and Alwin Van Der Linde exploring disorientated fields of morpho-genetic audible elevations and oneiric disrupted patterns.

This project was created processing 10 tracks in one single track.

MAV [0kbps] Records, January 2017

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posted 04 January 2017

V.A. – Cult Classic Records Presents

V.A. – Cult Classic Records Presents

V.A.

“Cult Classic Records Presents “

Cult Classic Records Presents is a compilation of new music from some of our upcoming projects that we will be releasing across 2017.

We hope you enjoy this winter compilation and have a great 2017!

credits
released January 3, 2017
posted 03 January 2017

Wings of an Angel – Argument Lens Decoded

Wings of an Angel – Argument Lens Decoded
[Self Release ]

Wings of an Angel

“Argument Lens Decoded”

Nox Intempesta are Scott Lawlor & Sevenism

You can find other works by Sevenism at
sevenism.bandcamp.com
soundcloud.com/sevenism

You can hear more of Scott Lawlor’s brilliant and prolific creative output at scottlawlor.bandcamp.com

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posted 03 January 2017

Jimmy Watt – Silent Door To The Fall

Jimmy Watt – Silent Door To The Fall
[PZO006]

Jimmy Watt

“Silent Door To The Fall”

His work methodology focuses mainly on the capture, extraction,
editing and storage of audio samples from different sources.

Transforms, relentlessly, curtails, beheads and sews sound works
from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.

His sound works do not drop below 20 minutes for just such narrative,
where there is a development from defined introduction to epilogue.

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.

His creative concepts pursues mysticism, the occult, time,
religions, the process that leads to contemplation,
the silence, the pause, the suspension, death and upstarts.

About mini-album: “Are two works from 2014 which were remixed to form a single track. In both works the main concept was the phenomenologies of the suspended, the aural and the paramelodics.” Jimmy Watt

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posted 03 January 2017

Со мною вот что – Подмосковные вечера /// Училище

Со мною вот что – Подмосковные вечера /// Училище
[SCL-SNG006]

Со мною вот что

“Подмосковные вечера /// Училище”

Группа «Со мною вот что» поздравляет всех с Новым Годом и Рождеством и желает в Новом году поскорее забыть всё то, что мешало жить в прошлом.
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posted 03 January 2017

Cafeina Kid – Neko

Cafeina Kid – Neko
[pn115]

Cafeina Kid

“Neko”

“The album ‘Neko‘ [pn115] from ‘Cafeina Kid‘, the psuedonym of the musician from Concepción Pablo Cornejo, consists of 12 instrumental songs spun into an assemblage that above all resumes coherence in continuity with the treatment of sound, composition, and style with which he has managed to effectively express the legacy of electronic music from the beginning of 2000 to date.

His compositions imbibe of various styles, mainly ‘Electronic Dub’ and ‘Downtempo’, with touches of ‘glitch’ that have been amalgamated with the use of the sampler, a resource with which he takes clips of audio from diverse sources, though mainly of himself. ‘Cafeina Kid‘ presents us with a record in which he looks and listens to himself, collecting sounds and stretches of previous compositions, placing them in an exercise that allows him to re-signify them. It is an exercise in memory, an act that Pablo tranfers in a fluid way and that he has realized since I’ve known him, a very long ago time when we exchanged with Mika Martini – since Ud. No! -, extensive chains of emails, reflexive writings on style, aesthetics, history and anecdotes that did nothing more than connect our work with the true sense of pondering music.

Today we hear the echo of these dialogues in a concrete result, a new album of ‘Cafeina Kid‘ that acts as a happy reminder at the same time as a focus towards what may come with his next creations. This, because ‘Neko‘ [pn115] presents itself as a solid disk with sufficient potential for expecting a possible future discography with the quality of what is left here, a disc in which he references styles that he supports with an undeniable personal imprint, through which he demonstrates timid warmth, a well-developed melodic instinct and a grand tact for presenting, every time you listen to his music, several possible and impossible worlds simultaneously.”

Claudio Pérez
(Santiago, Chile. Diciembre / December 2016)

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posted 31 December 2016

wk[es] – Hz-A001

wk[es] – Hz-A001
[Hz-A001]

wk[es]

“Hz-A001”

Tracklist
01. Abyss
02. Monolith
03. Abyss (Erratic remix)
04. Monolith (DJ蟻 [ari] a.k.a. SoniCouture remix)
05. Abyss (M/D/G remix)
06. Monolith (Positive Centre remix)

Released : 25 JAN 2016

Produced by Hz-records
Masterd by Pakchee
Artwork by Tsubasa Ohtaki
 
abyss (Erratic’s Scramble Mix) on Hyperspace Invaders II: Pixel Edition
the game produced by Erratics’s label “Entity“.

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posted 31 December 2016

David M. Paganin – Pointless Orbits

David M. Paganin – Pointless Orbits
[earS085]

David M. Paganin

“Pointless Orbits”

This debut full-length release of original experimental electro acoustic music is perhaps best described by the very broad range of musical influences from which it draws. These vary from from old-school industrial to musique concrète and contemporary classical, from kosmische musik to minimalism and dada, from power electronics to any form of genuinely experimental music. This ultimately uplifting album explores a range of themes pertaining to human freedom in a postmodern world. Such themes include alienation, psychological repression, the existential vacuum, obsession, rage, absurdity, mourning, regret and the concept of self.
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posted 30 December 2016