In the sampler we go from the pared-down, stripped-down electronics of Art Electronix to the guitar antics of Claudio Quartarone, the idm of Tkns and soundscapes of guitar maestros Gaetano Fontanazza, Cousin Silas and Stephen Briggs, not to forget the improvised musical chasms of Purple Mountain Peal.
A sampler to celebrate but also a door to enter for whoever has stayed on the outside so far. An invitation to come in and discover the, let us say it, musical wonderland that Sucumusic is.
Have a good listening and don’t forget to download the accompanying Podcast, too.
– Tony Colina
Hélder Câmara, 1959
The epic feel of the tracks is still apparent, with the addition of guitar in a couple of the tracks. Think of this ep as a cross between Solar Fields and Boards of Canada and you’ll get an idea of how good it is.
Definately an addition to your permanent playlist, tracks of choice for this avid Tetarise fan are Lucid Dream and Red Yellow Green. They just get better and better! Enjoy this autumn EP from Tetarise.
The word “Libertine” was originally coined by John Calvin to negatively describe opponents of his policies in Geneva, Switzerland. This group, led by Ami Perrin, argued against Calvin’s “insistence that church discipline should be enforced uniformly against all members of Genevan society”. Perrin and his allies were elected to the town council in 1548, and “broadened their support base in Geneva by stirring up resentment among the older inhabitants against the increasing number of religious refugees who were fleeing France in even greater numbers”. By 1555, Calvinists were firmly in place on the Genevan town council, so the Libertines, led by Perrin, responded with an “attempted coup against the government and called for the massacre of the French. This was the last great political challenge Calvin had to face in Geneva”. Charles-Maurice de Talleyrand wrote that Joseph Bonaparte “sought only life’s pleasures and easy access to libertinism” while on the throne of Naples.
Artist : Chrome Pontex
Title : Punctured Space
Catalog # : TXR094
Duration : 35:00
Date of release : October 21, 2014
Genres : dark ambient, drone
Format : digital (FLAC and MP3)
Credits:
Music by Kai Engel
Artwork by Лилейный
Tracklist:
01. – A Neon Flesh
02. – Cutting To The Chase
03. – Tentative Steps
04. – Past The Lanterns
05. – The Burden Of Empathy
06. – Streets As Friends
07. – Comfort In A Bottle
08. – Transcending Heaven
09. – Junction
Join Us!
http://www.kai-engel.com/
https://soundcloud.com/anton-stanislavovich-fedchenkov
https://twitter.com/KaiEngelMusic
http://instagram.com/kai_engel
In reality, in human society as such, he does not find anything like himself. The human being IS NOT what has been programmed into his database. The real human being is practically totally the opposite.
The artificial intelligence with which he is equipped permits him to make the best decisions, to continue as what he is, a robot with human appearance, an autonomous and perfect machine, far from humanity, declaring himself, NON-HUMAN.
The characteristic analog sound of Gozne returns, though this time it seems harder and colder, approaching the sound of EBM (electronic body music) and old-school electro. The voice, already roboticized, serious, strange, paraphrases its own language mixture of English, French, German, Italian, Spanish and Mapudungun, not so unintelligible.
Perhaps because of the concept behind the album, 4 x 4 rhythms do not abound, although this does not separate it from the root of Gozne’s work, which carries a sound with experimental characteristics to the dance floor.
Gozne is my father and knowing his musical works since always, and surely because of my metal roots, this is the album that I like most.
Octavio Yáñez Salinas
(Quilpué, Chile, octubre 2014)
links:
www.gozne.tk
hearthis.at/goznemuzik
credits:
Composed and Mixed by Gozne.
Mastering by Miguel Jáuregui.
Pictures by O. Snake.
Artwork by Gozne / Mika Martini.
Cover illustration by Rafael Cheuquelaf.
English version by Ryan Bodiford. (bodiford@umich.edu)
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Inhale Ashes is a young producer who loves folley sounds and effects. His sound has been influenced by glitchy triphop, electroswing and the like. In his tunes, carefully engineered and complex microstructures are used to assemble pulsating and groovy rhythms. The result is surprisingly direct and intense.
Este tercer podcast viene firmado por nuestro nuevo colaborador MÖ$Q, desde Madrid. Aquí nos enseña sus gustos, gran amante del ruido y de la política subversiva, un avance de lo que nos espera al escuchar su música.
Otro al saco! Gracias!
