Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”
music in category:netaudionews
At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.
The concept of ‘Inside The Rain’ started life with growth and the fragility of life. That space between life and death. The sound of fragility, growth, disintegration and ultimately failure are key to the sonic text of this album.
In terms of instrumentation I had begun to experiment with percussion again as well electronic rhythmic expression set again dark ambient soundscapes. Another significant character of this album was acousmatic masking of instruments evolving them into new sonic entities. Minimalism was also central to these works and focusing on less helped these sound objects breath.
Though all the sound objects were constructed using Apple Logic I still utilised the concepts depicted by Brian ENO of sound painting. Therefore, these works are presented often as in the moment sound collage happenings fused together with different elements to create the whole.
The Necrophile Hummingbird presents A Doll Lost In A Ghost World by reFUGeeS From Beyond
“Deathwave for Apocalypse Listeners”
Improvisation recorded the 9th September 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole https://www.soloist.ai/atelierkol. Like Art of Sabotage this is a double album under the same title. I mean, different tracks for two albums with the same title. This one is the second part of the session.
Members https://unclassable.tumblr.com/ :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed only electronic devices) : Yoshiwaku Mushotoku
Artwork by Seebille.
Thanks to her because we did this session for her.
So this is dedicated to everyone who refuses to believe in the idea of “artists.”
I mean — every being can create outside the spectacle society, and nothing else matters.
Technical skill, artistic “levels” — they’re just academic propaganda or capitalist competition cult.
Anyone who calls themselves an artist steals the creative power that belongs to everyone.
Art business sucks.
Cabarets are the real temples of creation, where we can really learn it — everyone takes a turn, on stage or in the audience.
Make noise or make music — but don’t let the artistic undergods rule the world.
The artist VelgeNaturlig (real name Ivo São Bento) combines dense, improvised sound environments and the use of analog machines to explore introspective audiovisual landscapes.
This work, released by MiMi Records, carries the listener through industrial and ephemeral soundscapes, where metallic drones and subtle pulses narrate without words. Its intimate, ritualistic atmosphere reveals a rare aesthetic — austere beauty and constant tension.
A demanding yet rewarding work — for those who seek deep immersion and creative silence.
Recorded live on December 22nd, 2023, at KIC (Kulturno informativni centar) in Zagreb, during ‘Ambientalika’.
Music, recording, mixing and mastering by Ivo São Bento
Photography by Bianca Stanea, taken on Patmos Island
Layout by Nanna Cartis
Ambientalika curated by Miljenko Rajakovic
Music and lyrics by BearCloud
Mastering by Kryštof Kříček
Recorded, mixed and produced by Šimon Havelka at home studio in 2025
Cover art by Šimon Havelka
22825 constituye el cuarto material solista publicado por Jus Recondo, y el segundo a través del sello Fuego Amigo Discos.
Se trata de una improvisación grabada en una sola toma, sin edición, que se desarrolla con un clima denso y por momentos agobiante. Los bucles y samples están presentes como en trabajos anteriores pero en este caso se suman elementos melódicos que contribuyen a la espesura del ambiente creado.
El arte de tapa forma parte de una serie de imágenes creadas con inteligencia artificial, continuando lo propuesto en la portada de 19225, anterior lanzamiento por Fuego Amigo Discos.
——
22825 is the fourth solo release by Jus Recondo, and the second through the label Fuego Amigo Discos.
It is an improvisation recorded in a single take, without editing, that unfolds in a dense and at times overwhelming atmosphere. Loops and samples are present, as in previous works, but this time melodic elements are added, contributing to the thickness of the created environment.
The cover art is part of a series of images created with artificial intelligence, continuing the concept introduced on the cover of 19225, Recondo’s previous release with Fuego Amigo Discos.
Luboš Fidler – classical guitar, bass guitar, field recording, mix & remix
Matěj Fidler – handpan
guests:
Zdeněk Konopásek – drums and cymbals, trumpet
Štěpán Pečírka – voice
Jan Štolba – sax
music:
Luboš Fidler, Matěj Fidler
played and recorded 2022 – 2024 at Studio Albern, Albeř (cz)
sax recorded at Dvacítka, Prague (cz), díky Jano
trumpet and drums recorded by Zdeněk in Zadní Třebaň (cz)
CLONK! started off as a collaboration between myself and Socool, attempting to capture the sound of the golden era of Drum & Bass. It then suddenly grew into a full EP when I created a dubby half-speed version with scratching courtesy of DJ Soo and managed to rope in some of my favourite producers from the Fediverse to do remixes.
We use cookies to optimize our website and our service.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
