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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

various artist – Earwax Headspace

various artist – Earwax Headspace
[FS-033]

Various Artist

“Earwax Headspace”

Play this record as frequently as possible. Then, as it becomes easier for you, play the record once a day, or as needed.

47 exclusive songs compiled by Allied Forces for Fuzzoscope.
credits
released December 28, 2019

Produced by Fuzzoscope and Allied Forces Press

Executive Production by Jared Pittack & Christian Riechert

A&R Direction by Christian Riechert

Art & Design by BUSY GRAPHIC HOUSE

Mastered by Gabriel Ente

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https://fuzzoscope.bandcamp.com/album/earwax-headspace
https://fuzzoscope.bandcamp.com/
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posted 28 December 2019

Various – another bean sits tough right ahead controlling tender

Various – another bean sits tough right ahead controlling tender
[ACPS 1035]

Various

“another bean sits tough right ahead controlling tender”

01. PHILIPPE NEAU – oOnhe 10:45
02. SOUND_00 – Metal Kratovo 10:59
03. WALTER FINI – Echoes 09:30
04. BR – A sto ako ti kazam deka ovoj svet e samo obid, verba i cekorenje kon podobroto 10:40
05. THE SUBAQUATIC BULLETIN SERVICES BUREAU – Recent Transmissions 08:31

cover art by Claus Poulsen
design by EMERGE

Button: by
https://emerge.bandcamp.com/album/another-bean-sits-tough-right-ahead-controlling-tender
http://www.attenuationcircuit.de/
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posted 26 December 2019

randomVOLT – Stand Alone Complex

randomVOLT – Stand Alone Complex
[pn148]

randomVOLT

“Stand Alone Complex”

The album “Stand Alone Complex” arises from a reflection on the cyborg and the ideas embodied in the anime film “Ghost in the Shell” by Masamune Shirow, which seeks to reference post-club music from the futuristic dystopia that is currently pursuing us, while dealing with the dilemma of the soul and what or who owns that ghost. The Zeitgeist (this is originally a German expression that means the “spirit” (Geist) of “time” (Zeit) and refers to the current intellectual and cultural climate) generates some shock and reflection on what the body is and the nature of the other.

“Stand Alone Complex” contains music that goes from drone-like structures (“A Structural Point”), through more IDM tracks (“Riding the Noise”) to techno (“Der Inner Geist”, a direct translation of the inner ghost), to more industrial and post rave expressions (“The Harshness Factor” and “TGVBKJGFC”), until the last track (“Surveillance”), which speaks about the issue of surveillance though sounds that are more electronic and less structured by genre labels.

This disc originated with an approximately 20-minute recorded session made in 2014 (https://vimeo.com/105399073) and this subsequently laid the groundwork for a new interpretation of the books of Donna J. Haraway (Simians, Cyborgs and Women: The Reinvention of Nature, 1991) and Kim Toffoletti (Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, 2007).

It was mixed in FBK studios in Barcelona by Jose Jünemann and Joan Lavandeira and mastered by Jose Jünemann (2019).

Joan Lavanderia aka randomVOLT
(Bercelona, España / Spain, diciembre / December 2019)

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https://pueblonuevo.cl/stand-alone-complex/
https://pueblonuevo.cl
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posted 25 December 2019

Ulf Kramer – Nachts Weinen Die Soldaten

Ulf Kramer – Nachts Weinen Die Soldaten
[ZIMMER165]

Ulf Kramer

“Nachts Weinen Die Soldaten”

165.01 – Ulf Kramer – Fentanyl
165.02 – Ulf Kramer – Ficken fuer Tracks
165.03 – Ulf Kramer – Nachts weinen die Soldaten
165.04 – Ulf Kramer – Schlafanzug vertont
165.05 – Ulf Kramer – Seele verkauft
165.06 – Ulf Kramer – Tuerproblematik
165.07 – Ulf Kramer – wenn der Vorhang faellt
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https://archive.org/details/ZIMMER165
http://zimmer-records.org
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posted 25 December 2019

Teeth Of Divine – Act I – Genesis

Teeth Of Divine – Act I – Genesis
[mhrk228]

Teeth Of Divine

“Act I – Genesis”

“This album is a long-standing exploration of the juxtaposition between physical presence and mental boundaries that emerged during the creative process. Our bodies are matter physically present in the present reality, but our psychic capacities can be distanced, reaching parallel inter-temporal spaces. They aim at creating internal and external associative representations between presence – happening – reflection directed at the senses. The immediate primal feeling in one present is lost or renewed, disappears or reappears after nothing is the same again.”

released December 25, 2019

also available as limited edition digipak CD

Artwork painting: Tanyo Pavlov
Artwork and digipak design: Angel Draganov

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http://mahorka.org/release/228
http://mahorka.org
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posted 25 December 2019

Drehton – ini

Drehton – ini
[phokes138]

Drehton

“ini”

Phonocake-Artist Drehton moves the knobs and keys to the next experimental level. With references to trance, IDM, techno and now and then dub, he shapes the sound of a hyperworld: full of jumps, speed, variety, intensity, clear superabundance. This is where the control takes place, this is where the chips glow. Full of details this HiTekk Electronica purrs full of longing in the metropolis of chip design sound.

The 21st century replaces any category concept of ours. The concepts blur and exceed conventions through freer expression. Freed from any category corset, Drehton presents new experiments in tempo, arpeggio & melody, in its very own sound and recognizable style. Partly the stuff is insanely experimental, especially the first tracks. They tempt us to brain explosions that dissolve Koan like. From song 8 it gets a bit straigther.

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http://phonocake.org/ini
http://phonocake.org
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posted 24 December 2019

mousemix092 (December 2019)

Download: https://archive.org/details/MouseMix92

  1. Rita Braga – Banjo + Casio
    https://ritabraga.bandcamp.com/album/her-home-recordings-vol-3
    http://creativecommons.org/licenses/by/3.0/
  2. JOHNNIE THE BULGARIA – Dengerous Motherfucker
    https://tanukineirirecords.bandcamp.com/album/hey-everybody-looks-pretty
    http://creativecommons.org/licenses/by-nc-sa/3.0/
  3. Mournful Skank – The grey monk (W. Blake)
    https://mournful-skank.bandcamp.com/album/the-red-sunset-sad-reggae
    http://creativecommons.org/licenses/by-nc-sa/3.0/
  4. Fields Ohio – The Dark Sphere / Grab That Flag By The P***y
    https://fieldsofohio.bandcamp.com/album/a-quiet-terror-in-the-hearts-of-millions
    http://creativecommons.org/licenses/by-sa/3.0/
  5. Monplaisir – un drapeau fait de jupons
    https://vulpianorecords.bandcamp.com/album/un-jour-je-saurai
    http://creativecommons.org/licenses/by/3.0/
  6. SEC DEF – T.G.A.T.D
    https://tabjerusalem.bandcamp.com/album/tab-ep-09-sec-def
    http://creativecommons.org/licenses/by-nc/3.0/
  7. miragliuolo – i’m the line out
    https://lostfrog.net/
    https://archive.org/details/lf104mp3
    http://creativecommons.org/licenses/by-nc-nd/4.0/
  8. AFA Presents… – Bignonioides w. Nic Bommarito – Simple Stupid
    https://afapresents.bandcamp.com/album/my-invisible-friend-vol-2
    http://creativecommons.org/licenses/by-nc-sa/3.0/
  9. Moki Mcfly – rosy
    https://blocsonic.com/releases/moki-mcfly/addition-hills
    http://creativecommons.org/licenses/by-nc-sa/4.0/
  10. Justin Case – NERI
    https://tabjerusalem.bandcamp.com/album/tab-ep-07-justin-case
    http://creativecommons.org/licenses/by-nc/3.0/
  11. Lately Kind of Yeah – Knight Sword
    https://vulpianorecords.bandcamp.com/album/gastr
    http://creativecommons.org/licenses/by-nc-nd/3.0/
  12. Carl Brown – Crepuscular Lepidoteran Metamorphoses
    https://thecentrifuge.bandcamp.com/album/cf503-continuum-hypothesis-compilation
    http://creativecommons.org/licenses/by-nc-nd/3.0/
  13. Culture Deaf – Autumn’s Rainy Day (Dub Mix)
    https://soisloscerdos.com/releases/slc53/
    http://creativecommons.org/licenses/by-nc-sa/4.0/
  14. Roy of the Ravers – Twilight Zone
    https://thecentrifuge.bandcamp.com/album/cf503-continuum-hypothesis-compilation
    http://creativecommons.org/licenses/by-nc-nd/3.0/
  15. Mitaka Sound – ACID ACID (コバルト爆弾αΩ Remix)
    http://maltinerecords.cs8.biz/b1.html
  16. M.A.L.A. – Deep In Mind
    https://monofonicos.net/mnf017-mala-hive/
  17. 酉川ねむる (Nemuru Torikawa) – 街角サーカス団
    https://tanukineirirecords.bandcamp.com/album/oyasumi-time-capsule
    http://creativecommons.org/licenses/by-nc-sa/3.0/
  18. Tintamare – Caracas
    https://tintamare.bandcamp.com/album/pilogue-lo-fi
    http://creativecommons.org/licenses/by-sa/3.0/
  19. Dj Chemise Brillante – J’ai Mangé Une Pomme Ronde
    https://mwecpp.bandcamp.com/album/remix-de-tout-volume-4-in-progress
    http://creativecommons.org/licenses/by-sa/3.0/
  20. Indian Junglist – Sandala Sandala
    https://archive.org/details/RRR044
    https://creativecommons.org/licenses/by-nc-nd/4.0/
  21. Patricia Taxxon – sd_bestday
    https://patriciataxxon.bandcamp.com/album/the-best-day
    http://creativecommons.org/licenses/by-sa/3.0/
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posted 23 December 2019

Lila – Septimo Continente

Lila – Septimo Continente
[ST009]

Lila

“Septimo Continente”

Argentine producer who has traveled all her life accompanied by Music in all its forms, whether dancing or as an interpreter.
Many years she was a cellist and has gone through several academic music institutions, now is when she begins her journey as a producer to begin to strengthen her stimuli with this new discipline. She does not have a defined genre, her own sound makes rhythmic references to Techno, Environmental Sounds and indie-style musical plans that accompany an intrinsic incorporation into her themes.
His voice is a main instrument in his compositions, both in main planes and in atmospheric environments.
His themes are vintage, as he considers a very personal musical ritual; That is why she does not select genres to work with, but lets her flow through small decisions based on sounds that attract her attention, therefore, she creates music through her emotions.
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https://secuenciastemporales.bandcamp.com/album/lila-septimo-continente-st009
https://secuenciastemporales.bandcamp.com
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posted 23 December 2019

Vladimir Luchansky – Helioglabus

Vladimir Luchansky – Helioglabus

Vladimir Luchansky

“Helioglabus”

saxophone/reeds, recording: Vladimir Luchansky
mastering: Ilia Belorukov
curating: Tiago Morais Morgado

Vladimir Luchansky (b. 1990) – composer and improviser from Saint Petersburg, Russia. He worked with musicians from all over the world such as Oliver Lake, William Parker, Assif Tsahar, Tim Hodgkinson, Glen Hall, Ilia Belorukov, Mia Zabelka, Matt Mottel, Kevin Shea, Alexander Markvart, Roman Stolyar, Sergey Belichenko, and many others. A member of International Society of Improvising Musicians, he performed in North America and Europe with solo gigs and in various combos. He interferes with all kinds of contemporary improvisational music from noise to free jazz and multidisciplinary arts.

Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!Rec label (www.spinarec.bandcamp.com).

Tiago Morais Morgado | Violetista e laptoper, estudou música clássica, musicologia, informática música e sonologia na Artave, na Esart, nas universidades Nova de Lisboa e do Minho e no Conservatório de Haia. Curador da editora Nachtstuck Records, que criou em 2014. Seleção de concertos: Frequency, na final do Termómetro Unplugged 2005, Alfândega do Porto; Orquestra Artave (viola tutti), com António Rosado e Ernst Schelle, Coliseu do Porto, 2006; Quinteto Pedro Lopes, David Filipe, Tiago Morais Morgado, António José Oliveira e Denis Ferreira, Casa das Artes de Famalicão, 2006; Tiago Morais Solo, Teatro a Barraca, 2010; :papercutz, no Inslington Metal Works de Londres (Reino Unido), no SXSW Austin (EUA) e no Exit Festival (Sérvia), 2010; Encerramento do ciclo “Colaborações Improvisações”, Serralves, 2011; Sonology Electroacoustic Ensemble, com Peter Evans, 2011; Com Yedo Gibson e Ofir Klemperer e como Tiago Morais Solo, no Studio Loos Den Haag, Holanda, 2011; Tiago Morais Morgado Solo, Fiber Festival Amsterdam, Holanda, 2012; Visuais, A First Approach to Morgenstra – Juan Marco Albarracin, 2012; Arnold Schoenbergzaal; Com Nicola Casetta, Maskarade Sinzine; Com James Hewitt e Renato Meganha Ferreira, Leo Svirsky House, Holanda, 2012; Tiago Morais Morgado solo, Kees van Barenzaal, Holanda, 2013; Com Teresa Matias, MNS, 2013; Com Stelios Manousakis, Museu de Arte Contemporanea de Vigo, 2014; Festival O Mundo Somos Nos, 2014 e 2017; Festival Dias de Música Electroacústica, 2015 e 2016; Moita Mostra, 2016 e 2017; Serralves em Festa, 2017; Com Marcelo dos Reis e Sérgio Tavares, MNS, 2017; Jose Lencastre Nau Quartet, MNS, 2017; Ocupa #2, GNRation, 2017.

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https://nachtstuckrecords.bandcamp.com/album/vladimir-luchansky-helioglabus
https://nachtstuckrecords.bandcamp.com/
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posted 23 December 2019

Machtdose – Machtdose Podcast December 2019

Machtdose – Machtdose Podcast December 2019
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posted 22 December 2019

♡u∫agi幻覚∀∁ⓛᙌ✬ – ᏕคᏁᎶᎧ

♡u∫agi幻覚∀∁ⓛᙌ✬ – ᏕคᏁᎶᎧ

♡u∫agi幻覚∀∁ⓛᙌ✬

“ᏕคᏁᎶᎧ”

It is with great pleasure that eerik inpuj sound presents ᏕคᏁᎶᎧ, by the secretive and anonymous project ♡u∫agi幻覚∀∁lᙌ✬.

♡u∫agi幻覚∀∁lᙌ✬’s art and music are merged with the purpose of healing the earth and humans, leading them to an extraordinary space experience through this fusion. Usagi collects material from the earth, fuse dynamic lines, and use unconventional materials and music for artistic experiments. You can enter their world through social networks.

“Sango” means ‘coral’ in Japanese. The work expresses mysterious elements of the deep sea, the colorful colors of the corals, and the heartbeat of life symbolized by water.

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https://inpuj.bandcamp.com/album/-
https://inpuj.bandcamp.com
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posted 19 December 2019

Calles de Santiago – A las cacerolas

Calles de Santiago – A las cacerolas

Calles de Santiago

“A las cacerolas”

En octubre de 2019 se generó un estallido social en Santiago, a partir del alza de los pasajes de Metro. Primero fueron los estudiantes secundarios, con las evasiones masivas a este medio de transporte. La represión del gobierno fue creciendo, hasta que un día viernes la crisis estalló. El cierre del tren subterráneo generó que toda la población de Santiago se desbordara a las calles y generara protestas espontáneas y descentralizadas. Sin líderes, sin caudillos, las masas se tomaron las esquinas con barricadas y cacerolas, con la intención de hacerse oír. El gobierno y sus oídos sordos, con sus acciones autoritarias y patriarcales, reprimió fervientemente las acciones de protesta, llamando a estado de emergencia, entregándole el poder a los militares.

El pueblo no se asustó, y esta acción convocó al resto del país a sumarse a la batalla por una vida digna, por el fin del saqueo económico y medioambiental, contra la precarización de la salud, el trabajo y las personas, mientras el sector privilegiado se dedica a manipular los medios de información, a alimentar al gran monstruo del espectáculo, y a intentar hacer enfrentar a la gente contra la gente.

Hoy, 22 de octubre, las protestas no cesan, en medio de un toque de queda publicamos estos registros, como constancia y pequeño sample de la sonoridad que existe en Santiago en estos días, que habla también de lo que sucede en Valdivia, Concepción, Antofagasta, Valparaíso, Temuco, Puerto Montt, Rancagua, y en muchos pueblos más pequeños pero igualmente afectados por la avaricia y el desdén de una clase política al servicio del neoliberalismo.

Los cacerolazos se han convertido en la forma de protesta en las calles o en el interior de las casas, que reverbera por la ciudad, se multiplica y descentraliza, envolviendo a una ciudad, a un país, y que esperamos envuelva también a toda latinoamérica.

¡A las cacerolas!

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https://archivoveintidos.bandcamp.com/album/a-las-cacerolas
https://archivoveintidos.bandcamp.com/
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posted 19 December 2019

Deep Dive Sound – Postcards From The Jungle

Deep Dive Sound – Postcards From The Jungle
[GFR, 128]

Deep Dive Sound

“Postcards From The Jungle”

This is a sound journey into the jungle in Vietnam.

Field recordings made in one single day, from early morning ’till late at night.

This is a sound journey into the unknown. We must listen to these wonderful sound recordings with creative ears.

The unknown is near us now. The unknown have a sound identity.

This is a sound journey.

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http://greenfieldrecordings.yolasite.com/audio-2019.php
http://greenfieldrecordings.yolasite.com
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posted 19 December 2019

The Cherry Blues Project – On the Beach

The Cherry Blues Project – On the Beach
[NN_LP080_12_19]

The Cherry Blues Project

“On the Beach”

Debut in Nostress Netlabel with the digit album “On the Beach” released in the festive month as far as possible from the theme of artistic work. The Cherry Blues Project is an experimental band of Argentine music and sound art formed in 2001. It consists of two original members who use the pseudonyms Cherry and Blues. The “process” is mainly based on playing and listening carefully to the sounds of the reality. The essential points are the creation of soundscapes and the permanent saving of their auditory memory, sometimes registering on some discs in everyday situations. Each album represents a certain stage. In their huge discography there is the presence of humor, noise, everyday life, play, performance, free experiences, ridiculous, absurd, silent, things that should not be taken seriously, lies, satires, unattainable things, champions of talent, integrity and homogeneity concepts, ideas developed up to the concretion, lack of respect for the ears of others, sound terrorism, contemplations of life, skepticism and at the same time religiosity, contradictions, electricity, disconnection, calm, chaos, free time, conversations and dialogues, violence , etc. Their research is not just about the “musical” side, but they try to generate some kind of reaction in the person who listens to them. One of their influences is the Fluxus movement. This means that the albums must not simply be appreciated for sound, but also by all the work that goes from design to its conception, in some conceptual cases. The Cherry Blues Project is a project born of the visual arts, not the interest in “music” itself, which is why they have great influences or “connections” with the Fluxus movement.
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http://www.nostressnetlabel.net/NN_LP080_12_19.html
http://www.nostressnetlabel.net/
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posted 18 December 2019