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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

sevensy – one2one

[mhrk434]

sevensy

“one2one”

released March 16, 2025

sevensy (aka Austin Brooks) creates music that directly facilitates imaginal sojourns, wherein the message is the sound itself. sevensy mixes electronic and natural sounds with processed guitars and acoustic instruments. His musical themes ‘unfold into an unusual landscape’ so that it is often impossible to tell where one ends and another begins. sevensy has released his music with Mahorka from the time of the label’s inception and was featured on the first “Music for Elevators” VA compilation in 2004. His debut full-length “Beacon” was released on the label in 2007.

“one2one” is his new, fifth, solo album on Mahorka, following the “Reckoning (Creation)” masterpiece from 2023. This release represents a change of direction in sevensy’s music. Subtle guitar melodies are once again interwoven with harmonic resonances, but this new work features more unitive orchestration in a denser than ever soundbath that leads the listener into a peaceful and introspective quietude.

“We are one, yet simultaneously we are individuated. “one2one” is a series of contemplative pieces that explore thoughts and feelings of oneness and duality, which comprise the paradoxical nature of being human.”

Cover artwork by Jan Brooks

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posted 19 March 2025

Invisible Illusion – A Hole In The Blast Furnace

[LCNLP207]

Invisible Illusion

“A Hole In The Blast Furnace”

The Necrophile Hummingbird Netlabel presents A Hole In The Blast Furnace by Invisible Illusion.

“Resistance Music for Genocided People”

Saved In The Clouds.
I wish children didn’t die. I wish they would be temporarily elevated to the skies until the war ends. Then they would return home safe, and when their parents would ask them: “where were you?”, they would say: “we were playing in the clouds, we were playing in the clouds…”

Ghassan Kanafani

More than one year after the recording of this album Israel government is still killing people.
I’m sick about this never ending horror, lot of people are just looking elsewhere, like asking “please die in silence”. But it’s a fucking genocide.
And USA & Germany are selling the weapons, in theory France not, but when you dig… You find.

A word about this music, this is an improvised live recording, I mean spontaneous music, there is nearly no edit (mostly few glitches removed), there is no mix and no overdubs. For most of my recording I just descent into the Cave Haven turn on the devices by pressing the energy button and let the music come. But sometime to make it more comfortable to the listener I cut out the tracks to make them shorter. For example for Coexistence track I would have taken the ending part to mix it with the beginning and make a half shorter track, but finally I think it’s a bad habit. I prefer keep it as it is, I mean it’s mantrawave, the repetition inducing a hypnotic trance effect, it’s better to do not mutilate the tracks for a so silly idea than to fit with short attention span… Also for Resistance Is A Struggle and Standing Up Against The Genocide, these tracks could seem overlong but are really relevant that way to make the listener feel how it seems never ending tasks.
Thanks for being You and being different of the mainstream people.

Tracks 1 & 11 with poetry by Ghassan Kanafani.
https://en.wikipedia.org/wiki/Ghassan_Kanafani

Tracks 1 to 11 : A Hole In The Blast Furnace A-Side
Tracks 12 to 18 : A Hole In The Blast Furnace B-Side

An anecdote about the album cover, I took the photo inside a blast furnace and what you don’t see is the dead dog someone had left there. There is always something hidden beneath the surface of things.

Dedicated to the victims killed by Benjamin Netanyahou government, as well as the Armenian or all victims of other genocides.

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posted 18 March 2025

Various Artist – 3pr(iii)12ses

[earS120]

Various Artist

“3pr(iii)12ses”

Guillaume Beauron “Le respadou”
The sound work Le respadou uses one of the first recordings I made as a teenager, around 1993-94 with a walkman cassette recorder and a tiny microphone, no headphones. Please forgive some bad handling noises !
We visited with my family les Bru, a brother and a sister, farmers in Laveyron, in the South of France, where my family is from. I recorded the discussion in their house about the period of transition from patois/occitan to french language.
Various other soundscapes are being used with no treatments other than a bit of equalizing, mixing, and a touch of reverb here and there.

mundosonore.com/

Matías Ygielka “Twang”
Twang, a recording made in 2016 in the vicinity of a cathedral in Berlin.

instagram.com/serviciomagneticodeoccidente/

Philip Mill “Ant munching”
Ants Chewing, Communication, Walking, (background noise of cicadas and people talking)
a recording made in August 2019 in Athens, Greece.

soundcloud.com/phil-mill1

Cover art by Fritz Gessler
deviantart.com/fritzgessler

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posted 15 March 2025

HINOGAR – Search at

[ACP 1436]

HINOGAR

“Search at”

Recorded & Mixed in 2024 by:

Róbert Sipos – composition, mixing, bass guitar, sound samples [Noise Sculptor, Premex Solus, Robotron – creator of many mixes in techno, noise, industrial genres]

Mihály Rácz – composition, mixing, sound samples, ambience [Hideg Roncs, Premex Solus, HYRO; writer, author and editor of Lángoló and his own books, Második Látás / Second Sight fanzine]

Ádám Jäger – sound samples, vocals / throat singing, zither, metal drum, graphics & design
[jagarin, JäGeR; photography & music themed blogger, formerly Blogisztan and Drót]

<

https://emerge.bandcamp.com/album/search-at
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posted 15 March 2025

DJ Scotch Egg – SCOTCH SAMBAL

[YESNO 113]

DJ Scotch Egg

“SCOTCH SAMBAL”

DJ Scotch Egg’s SCOTCH SAMBAL marks an exciting milestone—celebrating 20 years of his boundary-pushing electronic music career. Known for his pioneering work in chiptune and gabba, Scotch Egg captivated listeners in the early 2000s with his high-energy 8-bit sound, often creating brutal, fast-paced music with a Nintendo Game Boy. Over time, however, his sonic palette expanded far beyond chiptune, shifting towards experimental sounds rooted in hip-hop, trap, dancehall, and African-inspired rhythms. Ishihara’s work over the last 5 years has been characterized by insatiable cultural, musical and artistic exchanges with artists across Southeast Asia and Africa.
Now based in Berlin, Scotch Egg’s evolution is also reflected in his collaborations and various aliases, notably as part of the duo WaqWaq Kingdom, blending traditional Japanese music with cutting-edge electronics, and Scotch Rolex.
His work has been released on labels such as Wrong Music, Load Records, Nyege Nyege Tapes and SVBKVLT.

In 2023, Scotch Egg’s collaborator Mo’ong Santoso Pribadi (Raja Kirik, Takkak Takkak) introduced him to the creative haven of Yogyakarta, Indonesia, setting him up with a residency. What followed was an explosive fusion of cultural exchanges, facilitated by Wok the Rock of Yes No Wave Music. Surrounded by local musicians, Mr Egg dove into genres like Dangdut, Funkot and Koplo, and the gamelan that floats in the air of every street. Uncovering these fresh influences infused his signature 8-bit intensity with the sun-soaked psychedelia of Southeast Asia. He collaborated with local artists such as TerbujurKaku and BHKT. Indonesian icon Y-DRA (Raja Kirik) and his partner Asa guided him through the vibrant world of Indonesian TikTok trends, the music of Sumatera, and even sent him on wild, unforgettable trips to witness traditional Jathilan performances in remote villages. All of this brought new energy to his music.

While SCOTCH SAMBAL wasn’t initially intended as an album, the vibrant, unrestrained atmosphere of Yogyakarta helped create something special: a playfully eccentric fusion of high-energy gabber and tropical, upbeat psychedelia. The result is an addictive, multi-layered sound that’s more than just a musical experience—it’s a joyful celebration of cultural fusion, capturing the spirit of the tropical paradise that inspired it.

Now, with SCOTCH SAMBAL, DJ Scotch Egg brings the heat—literally and metaphorically—delivering an electrifying mix with that extra spice you didn’t know you needed.

Releases March 14, 2025

Produced by DJ Scotch Egg
Recorded in Yogyakarta 2023 and Berlin 2024
Additional vocal and percussion on Track 02 by Mo’ong
Track 02 co-produced with Mo’ong
Track 07 and 08 co-produced with BHKT
Track 09 and 10 co-produced with TerbujurKaku
Mixed by DJ Scotch Egg
Mastered by Declared Sound
Artwork by Wok The Rock

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posted 14 March 2025

Humanfobia – Vampire ☥▼Mortuorie

Humanfobia

“Vampire ☥▼Mortuorie”

Vocals / model in the cover: Mist Spectra
All music composed, artwork collage, vocals only in track 15:
Sábila Orbe – /

track1 collaboration with Innocent Darkness.
track4 collaboration with Innocent but Guilty
track6 collaboration with Black Market Brains

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posted 13 March 2025

PARRHESIA Sound System VS Saint Xoemyr Of Hy Brasil – Art is Bleak

[LCNLP206]

PARRHESIA Sound System VS Saint Xoemyr Of Hy Brasil

“Art is Bleak”

The Necrophile Hummingbird netlabel presents Art is Bleak by PARRHESIA Sound System VS Saint Xoemyr Of Hy Brasil.

Special Thanks to Kathy Acker for her poetry & Art Blakey for his Music.
This album wouldn’t be here without Saint Xoemyr of Hy Brasil who woke up this old project, since became, Ubuntu Sound Antisystem and next Vivid Tribe Of Psychics.

Time itself makes loops…

The fire is to be shared.

Open your door and you will understand freedom.

Boycott Spotify, Amazon, Tesla, Airbnb, Meta, amongst other mobs and your stone will kill 3 birds.
You will save Humanity, Earth and your Soul.

Dedicated to all the Luigi of dark arts.

Video Art Clip Intense Sexual Desire is here https://www.youtube.com/watch?v=j-cRJ7xQjaQ

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posted 12 March 2025

N/A – Chakras Complete Frequencies Library

N/A

“Chakras Complete Frequencies Library”

Collection of sound frequencies for chakra meditation, tuning and healing.

There are two versions of tunes available:
short 7 minutes versions for quick tuning of chakras or problem solutions,
and full 20 minutes versions for meditation for selected chakra or problem.

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posted 10 March 2025

Various Artists – Aurora 2025: Nurture

Various Artists

“Aurora 2025: Nurture”

All previous volumes of Aurora 2025 have embodied resilience in its many forms – endurance, determination, courage, strength, and adaptability. The final volume takes a unique approach, reflecting on the intentions set in 2024 while introducing an element of mystery. Selected tracks from Aurora 2024 were remixed by an AI remixer, with both the original and remixed versions – alongside new 2025 tracks from the same artists – analyzed through AI-driven sentiment analysis. Danceability, happiness, and sadness scores were then processed in NotebookLM Audio Overviews, where AI hosts attempted to uncover whether intention-setting for selected artists had a measurable impact. The insights that emerged were unexpected. These remixed tracks were then blended with excerpts from the Audio Overviews, creating a layered experience – almost as if an AI had listened, interpreted, and responded. A few playful mysteries have also been woven into this final release. Which secret words are hidden in the compilation descriptions? Who is the mystery artist? Let us know if you uncover the answers.
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posted 09 March 2025

Various Artists – Aurora 2025: Skyline

Various Artists

“Aurora 2025: Skyline”

Vibrant tones and luminous textures define the fifth volume of Aurora 2025, offering a perspective on resilience that leans toward light and renewal. Inspired by hope and steady progress, each track carries a sense of movement – subtle, evolving, and intentional. Glowing melodies and rhythmic pulses intertwine, reflecting moments of change and quiet optimism. Open spaces within the soundscape allow resilience to emerge not just as endurance, but as growth. Reflecting an ongoing journey, this collection honors the strength found in adaptation and forward motion.
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posted 09 March 2025

Various Artists – Aurora 2025: Passage

Various Artists

“Aurora 2025: Passage”

Shaped by intricate rhythms and evolving textures, the fourth volume of Aurora 2025 explores resilience through a fusion of electronica, IDM, and industrial influences. Underlying each track is a tension between dystopian unease and dreamlike introspection, mirroring themes of passage and change. Resonant beats and fragmented melodies intertwine, visibly shifting between structure and abstraction. Inviting deep listening, it offers a space for voices of the past and future to emerge in layered compositions. Ever-present is a quiet strength – a testament to persistence through transition.
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posted 09 March 2025

Various Artists – Aurora 2025: Currents

Various Artists

“Aurora 2025: Currents”

Merging ambient depth with experimental fluidity, the third volume of Aurora 2025 continues its quiet exploration of resilience. Open-ended long-form compositions unfold gradually, shaped by artists who share a deep, reflective approach to sound. Xenial in its approach, the collection offers a space for deep listening, where sonic textures shift between tranquility and movement. Inviting reflection, each track carries a sense of persistence, embracing the subtle tension between stillness and change. Echoing themes of endurance, this volume invites to engage with sound as a meditative experience.
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posted 09 March 2025

Various Artists – Aurora 2025: Echoes

Various Artists

“Aurora 2025: Echoes”

Guided by the interplay of sound and stillness, the second volume of Aurora 2025 continues its exploration of resilience through ambient compositions. Rooted in a tradition that has shaped the series from 2020 to 2024, it embraces a dreamlike, cinematic quality while offering space for contemplation. Inviting listeners into a world of layered textures and shifting atmospheres, each track carries a quiet strength, reflecting endurance in subtle yet profound ways. Through gentle movements and immersive soundscapes, this volume encourages deep listening and introspection.
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posted 09 March 2025

Various Artists – Aurora 2025: Threshold

Various Artists

“Aurora 2025: Threshold”

Shaped by both natural and otherwordly soundscapes, the first volume of Aurora 2025 immerses listeners in a cinematic exploration of resilience. Interweaving experimentalism and noise textures, it embraces sonic unpredictability. Subtle yet profound, each track reflects on endurance, adaptation, and transformation. Underlying it all is an invitation to listen deeply, to reflect, and to find meaning in the interplay of music and noise.
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posted 09 March 2025

TaUYu DeShiI – MY MEMORY

[MI331]

TaUYu DeShiI

“MY MEMORY”

Japanese electronic and improvisational artist TaUYu DeShiI crafts an atmospheric soundscape inspired by a journey through Okinawa’s remote islands.

“MY MEMORY” was created mid-trip, the album blends ambient electronica with fluid improvisation, evoking a sense of movement and discovery.

Soft synth textures and organic sound elements mirror the islands’ mystique, capturing fleeting moments of travel. The music radiates exoticism, not as a concept but as a lived experience.

Fans of ambient and minimal electronic music will find this release immersive—an invitation to drift through sound, just as the artist drifted through the islands.

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posted 07 March 2025

Jazzaria – All’s Fair

Jazzaria

“All’s Fair”

Step on up, come one, come All! All are welcome (and required) at All’s Fair – a Fair where every tit has its tat. All’s Fair, in love and war, serves the needs of All, whether pliantly or peremptorily.

A carnival of topsy-turvy exchange, All’s Fair provides the circus – though you may pay dearly for the bread.

Featuring alto sax.

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posted 05 March 2025

REfugEEs From Beyond – Spiriting Away

[LCNLP205]

REfugEEs From Beyond

“Spiriting Away”

The Necrophile Humingbird Netlabel presents Spiriting Away by REfugEEs From Beyond.

“Naturecore for Postpunk Lovers”

Improvisation recorded live the 18th October 2024 at the Cave Heaven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Guitar Hero : McClintic
Disc Jockey : Yoshiwaku Mushotoku

“European leaders can’t find money to avoid the climate change but they can find billions for the war defense ? Well, send them on the battlefield !” Mother Earth.

A few days after the session we went mushroom harvesting in the forest, McClintic found the antlers of a deer, which you can see on the cover. It felt symbolic to me, as here in Franche-Comté, hunters and nature lovers alike have been protesting against the National Forestry Office’s mandate to kill so many deer. The supposed reason for this mass culling is the price of oak wood; the deer damage young oak shoots, so the office aims to eradicate them.

This album is dedicated to activists like Paul Watson, who protect animal species against the cruelty of humankind.

Special thanks to someone who passed away this year for her everlasting kindness, we use her soundsystem for the voice.

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posted 04 March 2025

Charles Rice Goff III – Transition Transmission

Charles Rice Goff III

“Transition Transmission”

Transition Transmission

by Charles Rice Goff III

1 Of Pomp And Pulpit
2 I Was Saved By God To Make America Great Again

Process:

Goff produced the recordings presented in this collection from unrehearsed improvisations recorded on January 20, 2025, during the second inauguration of American President Donald John Trump. Using a variety of sound technologies and musical instruments, Goff augmented and embellished the audio feed from Pacifica Radio (KPFA, Berkeley, California) live, as it was being broadcasted. No recorded materials were added nor deleted from the pieces presented here.

“Of Pomp And Pulpit” was captured and mixed on a 4 Track cassette tape. It features political speeches from senators Amy Klobuchar and Deb Fischer, invocations of deities from Timothy Dolan and Franklin Graham, and the swearing of Trump and Vice President James David (JD) Vance by Supreme Court Justices Brett Kavanaugh and John Roberts.

“I Was Saved By God To Make America Great Again” was recorded and mixed on computer software. Donald Trump is the exclusive speaker in this piece, sprinkled with occasional commentary from the Pacifica broadcasters who covered the event.

There is no authorized interpretation of this presentation.

No artificial intelligence was employed in molding this presentation.

All performances, editing, production, cover art, etc. by Charles Rice Goff III.

Instrumentation:

Korg R3 Vocoder/Synthesizer
Micromoog Analog Synthesizer (original 1977)
Yamaha VSS-30 Sampler/Synthesizer
Stylophone
Le Mega IR 1 Internet Radio
Merchsource Sound Generator
Diane The Mannequin Hand
Ibanez DM 1000 Digital Delay
Yamaha FX 500 Effects Unit
Boss RC 20X Loop Station Loop Duplicator
Tascam 424MKIII 4-Track Cassette Recorder

Software:

Cool Edit Pro II Multitrack Recorder
Audacity Multitrack Recorder
Several Plug-In Audio Sound Effects

Copyright 2025 by Taped Rugs Productions
www.tapedrugs.com

……………

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posted 01 March 2025