Private Collection – Volume One
[AM-002]
Private Collection
“Volume One”
Classic vaporwave journey through NYC
posted 23 October 2018
Achnn – Apparitions
[ACHNN RECORDS 013]
Achnn
“Apparitions”
electroacoustic improvisation. New adventures with prepared zither, cacophonator, glockenspiel, glasses, bells, singing bowl, harmonica, kalimba, voice, objects and computer.
posted 23 October 2018
InO â Magali Albespy – 2017/2018
[Eg0_191]
InO – Magali Albespy
“2017/2018”
InO is the acronym for “Interpenetration and non-Obstruction”, one of the principles that John Cage used to create music that was anarchic (against the structures of most of musical traditions) and in the same time encouraging new possibilities of coexistence. Magali Albespy, a french artist rooted in dance and performance, took inspiration from this for a methodology of real time composition dance practice focused on sound. “2017/2018” is made of excerpts of the sessions recorded during the first year of these weekly events.
These recordings can be considered as documents of this practice. Indeed they are such documents, especially for people who were involved in the sessions. But we think that they also have a fragile and surprising beauty of their own that deserve an independent life for your listening. This unexpected musicality has been discreetly stressed by the editing choices, which we can consider like a delicate work of “a posteriori composition”, a work made with respect for the uniqueness of each sound event and their kind of abstract narrative power. That’s why we hope that you will enjoy these atypical works.
Credits :
Recorded and edited by Magali Albespy.
Pictures by Anne-Catherine Nicoladzé (front cover) and Emmanuelle Huchet (back cover)
Featured performers :
Magali Albespy, Jean Bloch-Laroque, Suzanne Cotto, Antoine Freychet, Chloé Garat, Flora Gaudin, Camilla Gliozzi, Virgine Gouband, Emmanuelle Huchet, Paul Kauffmann, Guillaume Lecamus, Laurence Luminet, Blandine Minot, Stéphanie Moitrel, Martine Muffat-Joly, Anne-Catherine Nicoladzé, Olivier Pelletier, Stéphanie Puechavy, Regina Ramsl, Anne Savelli, Kecap Tuyul, Donata d’Urso, Sig Valax, Mandoline Whittlesey
Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound. As a musician, she also plays in M.A.K.T. Sono and Mesce Basse.
posted 21 October 2018
Gerardo Figueroa Rodriguez – #soloshow
[pn136]
Gerardo Figueroa Rodriguez
“#soloshow”
“Pueblo Nuevo Netlabel is always honored to present. This time it’s my honor -and I really mean it- to present #soloshow, recorded by the very talented Gerardo Figueroa.
The story begins when Lorena López Araya, Chilean artist based in Villa Alemana, gave Gerardo a series of audio files containing readings of poems of her own to “do as he pleased”. This was 2016. A couple of years later, he selected fragments of one of those files and decided experimenting with them at a very special occasion: an improvised live-act in the context of a poetry festival in Padre Hurtado, where he shared his choices using a DJ software (Mixxx).
#soloshow is mainly and strictly organized around the poem, so each and every sound/noise in it is nothing but a mixed-up/looped/reversed/accelerated/paused single female voice. Volume goes up and down sometimes, speed and pitch also swing. Sometimes, words mingle in unison, becoming strange and detached, with no clear message behind.
Inside Inside Inside Inside is repeated several times, while words like hurting, crack, pouring pouring and oscillating are heard louder. Deconstructed and reconstructed verses, ordering/disordering patterns, altering the way we are used to listen to poetry. Words tend to disappear, resurfacing reversed, in seductive, odd-to-listen, hard-to-write utterances.
Sewing machines, a Ford factory with a row of ladies working, alienated; a rusty, slow truck down the countryside, an electric hammer breaking up some hard cement, a plane moving propeller before taking off, a minimal music electronic party or an Atari machine stuck in the middle of a game are some of the sounds this record seems to evoke, in seamless fashion.
It is not an easy record, this one: #soloshow is a poem turning into a sound piece, mixed and remixed using a limited amount of effects, turning prose into a journey through noise, in a deep sea, full of different textures, where voice becomes something so disparate you can’t even trace the source, a poem crowned with an powerful, alluring image:
D I R T Y B L O O D.”
Camila Sierra Madrid
(Santiago, Chile. Octubre / October 2018)
posted 20 October 2018
posted 20 October 2018
D.Y.T – Radj
[DWK366]
D.Y.T
“Radj”
Tracks list:
Balde You
Goodman
Kach
D.Y.T
Immortale
Pyatka
Razdol Yeah
Solist
Nesu Svet
Vnoutri
posted 17 October 2018
Nicholas Mackin – A Journey
[SLC41]
Nicholas Mackin
“A Journey”
New release!
Electronic music, trance, techno, melodic..,
Sweden
Electronic music, trance, techno, melodic..,
Sweden
posted 16 October 2018
António Bizarro – City of Industry: Cruel Devices
[enrmp428]
António Bizarro
“City of Industry: Cruel Devices”
Electronic industrial album by Portuguese project António Bizarro, a follow up release to Slow Gun released earlier this year. Artwork by Sérgio Palma Agostinho.
posted 16 October 2018
Russian Outskirts – Ghettojukebox
[AR_085]
Russian Outskirts
“Ghettojukebox”
All the sound’s fat and the juiciest original groove is always on the periphery. He is born in the backyard, in the underground, on outskirts. Proceeding from this I left Petersburg. For several months I made a number of musical sketches in the industrial Kirovo-Chepetsk and completed this experiment in the border Svetogorsk, among the moist forests of the Karelian Isthmus.
Ghettojukebox is not an album, it’s a finger pointing to what’s going on. Eight compositions – eight metaphors for different, quite specific situations that took place in the Russian reality in the fall of 2017.
If images, such as photography, can reproduce the moment, then the sound restores the experience of the moment itself. Any sound is born in the oscillation, the reality vibrates chaotically, and tongues shake the air of what’s going on, filling the space with feelings, giving birth to a deep, unique vibe, in a tangle of perfectly natural rhythms.
My artistic task was to fix impulses and vibrations of the situation inside the situation and to transform them into the vibrations of your speakers. Using the natural plasticity of sound as a material, I made a kind of map, under which the listener has the opportunity to set foot on the territory woven from the material of paneled five-story building and the blackened boards of forgotten Russian villages. In the ratio of noise and silence to hear the mysticism of the forest, to feel people, dogs and the life of the Russian periphery.
posted 16 October 2018
WHÎLT THISÐEY – This dromocracy
WHΛLT THISИEY
“This dromocracy”
posted 15 October 2018
Caseeno – Feel The Void EP
[STYLSS055]
Caseeno
“Feel The Void EP”
All tracks were written, recorded & performed by Beau Simmons in Melbourne, Australia.
Mastered by Nobi_4
Cover art by Beau Simmons
credits
released October 12, 2018
posted 15 October 2018
A DISEASE CALLED MAN – Getting Darker
[ACP 1158]
A DISEASE CALLED MAN
“Getting Darker”
A Disease Called Man is Djordje Miladinović
Recorded And Produced At Raven’s Nest, March Of 2018.
Recorded And Produced At Raven’s Nest, March Of 2018.
posted 15 October 2018
MALA – Bloom
[MNF030]
MALA
“Bloom”
A new fresh release from Monofonicos Netlabel
posted 14 October 2018
Hamunkansu – Curious Thought EP
[zen176]
Hamunkansu
“Curious Thought EP”
a delicate fine-grained experimental ambience from Iran
posted 13 October 2018
Numatic – Controlled Chaos
Numatic
“Controlled Chaos “
posted 12 October 2018
Bernard Grancher РPleurs Magn̩tiques
[D!HR-38]
Bernard Grancher
“Pleurs Magnétiques”
For its 38th release, Da ! Heard It Records changes your grey matter into black matter.
Just like the too-strong coffee that brings us to work each morning, this cassette album has the dark and bitter taste of a hopeless routine.
With this collection of vague loops whose high unstable notes bring back to the surface daily uncertainties, the Pleurs Magnétiques (“magnetic cries”) of this beverage has the listener drift far away from restorative sleep.
Dented, used, rickety, these rehashed snippets of existence crash into sunless beaches of sound.
In the background, the continuous breath that animates them sometimes gives a glimpse of its author’s, Bernard Grancher.
After pulling out of the forgotten pile the magnetic tapes of a hundred old pieces from the nineties with his stooge, Emmanuel Lautreamont, the Rouen-born tried his hand here at an original exercise in style.
Using the 4 track as an actual instrument, he plays with various effects to denature this initial material.
Between sonorous poetry and industrial music, the result shows an unpublished side of his work, all the while staying close to his habitual obsessions. The accompanying illustration, signed Nicolas Nadé, seems to be just as loyal to this pessimistic vision of our era.
Whether you are familiar with his surrealist pop synth released on Ego Twister and Gonzaï or simply intrigued by obscure atmospheres, you are sure to give in to this little black coffee…Pleurs Magnétiques, the 38th release of Da ! Heard It Records is distributes under a Creative Commons License Y-NC-ND. The album is available for free listening and downloading at the following address: http://www.daheardit-records.net/en/discography/dhr-38
Just like the too-strong coffee that brings us to work each morning, this cassette album has the dark and bitter taste of a hopeless routine.
With this collection of vague loops whose high unstable notes bring back to the surface daily uncertainties, the Pleurs Magnétiques (“magnetic cries”) of this beverage has the listener drift far away from restorative sleep.
Dented, used, rickety, these rehashed snippets of existence crash into sunless beaches of sound.
In the background, the continuous breath that animates them sometimes gives a glimpse of its author’s, Bernard Grancher.
After pulling out of the forgotten pile the magnetic tapes of a hundred old pieces from the nineties with his stooge, Emmanuel Lautreamont, the Rouen-born tried his hand here at an original exercise in style.
Using the 4 track as an actual instrument, he plays with various effects to denature this initial material.
Between sonorous poetry and industrial music, the result shows an unpublished side of his work, all the while staying close to his habitual obsessions. The accompanying illustration, signed Nicolas Nadé, seems to be just as loyal to this pessimistic vision of our era.
Whether you are familiar with his surrealist pop synth released on Ego Twister and Gonzaï or simply intrigued by obscure atmospheres, you are sure to give in to this little black coffee…Pleurs Magnétiques, the 38th release of Da ! Heard It Records is distributes under a Creative Commons License Y-NC-ND. The album is available for free listening and downloading at the following address: http://www.daheardit-records.net/en/discography/dhr-38
posted 11 October 2018
Federico Dal Pozzo – Untitled_PaHaD
[Eg0_190]
Federico Dal Pozzo
“Untitled_PaHaD”
Federico Dal Pozzo is an Italian sound artist , electroacoustic composer and musician. His works are based upon concrete objects and the transfiguration and perception of the sound and audio- spatialization . He works with Max/Msp. He does compositions for dance and theatre companies , audio-Installations and concerts.
Today we are proud to publish his latest piece Untitled_PaHaD , a mysterious and subtly progressive composition, where where liquid textures swirl like a delicate swarm of otherwordly voices. In this new work, once again Dal Pozzo’s use of digital tools is very fluid and organic, completely at the service of a higly personal musical vision.Credits:
Music my Federico Dal Pozzo
Photo by Marco Cianci
Thanx to Lorenzo Abbatoir, Giada Piraccini, Marco Cianci
Today we are proud to publish his latest piece Untitled_PaHaD , a mysterious and subtly progressive composition, where where liquid textures swirl like a delicate swarm of otherwordly voices. In this new work, once again Dal Pozzo’s use of digital tools is very fluid and organic, completely at the service of a higly personal musical vision.Credits:
Music my Federico Dal Pozzo
Photo by Marco Cianci
Thanx to Lorenzo Abbatoir, Giada Piraccini, Marco Cianci
posted 10 October 2018
Steel Drama – Steel Drama
[Nu-Logic092]
Steel Drama
“Steel Drama”
A dense darkness lifts your soul to sink into a velvety oblivion. Perhaps a little exaggerated, but in a way it could approach the definition that Steel Drama would give to their own productions. With this first EP entitled as themselves, Steel Drama are presented with four tracks of dark, epic and cinematic electronic music. Relax, turn off the light, turn up the volume and let yourself go.
posted 09 October 2018
Lorenzo Brusci – Marco Madia – Inkluesives
[ACP 1156]
Lorenzo Brusci – Marco Madia
“Inkluesives”
Written and produced by
Lorenzo Brusci – Marco Madia
Lorenzo Brusci – Marco Madia
posted 09 October 2018
lauren redhead – hearmleoþ—gieddunga
[pyr262]
lauren redhead
“hearmleoþ—gieddunga”
these pieces were created from 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the final tracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.
posted 08 October 2018
303 – Realtime Experiments (2018)
[JAM005]
303
“Realtime Experiments (2018)”
There are occasions when we are jamming together without presetting any genre or style. In real time we choose the wave synthesizer, samples or connected microphones. On the fly we modify the source sound adding equalization, effects chains and compression keeping in mind the arrangement of a noisy musical flow and interacting with each other. We record the master mix and then cut the best parts out of many hours of raw jams, sort them and cut out odd sounds, re-compose track, equalize, normalize and finally publish an album. Proud to share with you selected experimental electronics of 2k15-18 period by 303 / “Trio Three”.
posted 08 October 2018
Floating Mind – Morbida
[monokrak 215]
Floating Mind
“Morbida”
3 free mp3 tracks (deep minimal techno / chillout electronica music)
posted 08 October 2018
Chris Silver T – bd hbt
[SR192]
Chris Silver T
“bd hbt”
Sounds / Photo – Chris Silver T
Cover art by neta
Cover art by neta
posted 08 October 2018
VARIOUS – IN YOUR EARS SHOWCASE VOLUME UNO
[IYE30]
VARIOUS
“IN YOUR EARS SHOWCASE VOLUME UNO “
Our first showcase, some music we made through these years, we love good music with open mind and free for all.
More to come, thanks !
More to come, thanks !
posted 04 October 2018
Rocky Controlo – R.S.A (Rythmes Sévèrement Addictifs)
[LINGE084]
Rocky Controlo
“R.S.A (Rythmes Sévèrement Addictifs)”
A la mémoire de Ana Prr Prr Perdoba
credits
released October 3, 2018Jean Rembarde : Vocals, Lyrics, FL Studio,Composition and Programming,
Claude Biscuit : Vocals, Lyrics, Philosophy, Artwork and respect
credits
released October 3, 2018Jean Rembarde : Vocals, Lyrics, FL Studio,Composition and Programming,
Claude Biscuit : Vocals, Lyrics, Philosophy, Artwork and respect
Ingénieur du Son : Jean Capdevieille
Mixage : Jean Rembarde, except “Justificatif” (no mixage)
Enregistré à New York, USA
DX11 sur Systems Of Love – Jean Rembarde
Enfermé Dans Le Gard – 2013
Systems Of Love – 2012
Des Devoirs Et Des Droits – 2015
On Est Chez Nous – 2011/2018
Jupiter vs DX7 – 2018
RMI Sans Famille – 2018
La Pena – 2010
Tete Dans Le Cul – 2012/2018
Cherchez La Couleur – 1998/2015
“Cherchez La Couleur” contains un sample of “Cherchez La Lumière” by Solar Quest. Le morceau est une réadaptation à la nouvelle sauce Rocky d’un vieux morceau de Rocky Controlo à l’époque de ses premiers essais (1998). Le Morceau s’appellait “Tiger’s Eye”. Réalisé avec Lucy Pons. Il y avait des dessins de pochettes provisoire à ce sujet, il reste encore à les retrouver.
posted 04 October 2018
