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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Federico Dal Pozzo – Untitled_SaMeK

Federico Dal Pozzo – Untitled_SaMeK
[ACP 1133]

Federico Dal Pozzo

“Untitled_SaMeK”

live @ re:flexions ° villa, Augsburg, 08.12.17
photography by Dan Penschuck
recording, mastering and design by EMERGE

FEDERICO DAL POZZO (Venice,1976) lives in Turin, Italy.
Concrete Composer and Musician, studied drumming with Mario Bracco and Vittorio Panza. In 1999 he joined the DADADANG (percussion parade in motion) with he has playing around the biggest festivals in Europe and beyond (Moscow, Paris, London, Graz,…).

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https://emerge.bandcamp.com/album/untitled-samek
http://attenuationcircuit.de/
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posted 01 March 2018

Jam’s – Le Temps d’un Rêve

Jam’s – Le Temps d’un Rêve
[51bts55]

Jam’s

“Le Temps d’un Rêve”

Jam’s marks the 51beats’ 10 years anniversary with a touching piano-based ambient release of unique deepness and melancholy. In 2010, during the first quite exceptional participation of 51beats to the Qwartz Electronic Music Awards in Paris, we got in contact with Jam’s, which later released his debut-album “Homeless Soul” with us. It is an immense pleasure to host Jam’s again on 51beats to celebrate our first 10 years. Sit down, relax and enjoy.

Music by Jam’s
Cover art by Thierry Castanier

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http://www.51beats.net/2018/03/01/51bts055-jams-le-temps-dun-reve/
http://www.51beats.net
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posted 01 March 2018

Baltazar – After Kansai

Baltazar – After Kansai
[pn128]

Baltazar

” After Kansai”

“When listening to a sound work, the first thing that presents itself is the sound as a mass; however, in this work of Baltazár, it is the space that is defined around these masses which constitutes an equal or greater presence. I do not mean the silence, but the wake that each sound wave leaves when it is diluted in the process that produces a particular effect or modulation. The sum of these sonic wakes composes a new plane that is separated from the melodies and blocks of noise that make up this work. From “reading between the lines” one passes to “hearing between layers”. It is a constant game of associating and linking what is happening between these, entering the rhythm from the multiple directions through which reality appears to us on a daily basis.

As for sound, it oscillates between acoustic melodic parts and granules of noise that collapse in a cloud of digital processing; in the range of phrases composed of saturated coupling and the reverberation of pure tones.

If we had to make a parallel with painting, we could say that the figure and the background are clearly defined in each piece of “After Kansai” and both alternate in order to approach and move away from the plane in which we inhabit as listeners. The first tending to have few elements with clearly defined lines and the second like a great density of volumes that move in independent directions and sensations that come together and disentangle themselves.

Silence exists in the form as well as the emptiness in the background, but never between them. The sound leaves traces and these traces are those that are structured as the fundamental component of this work.”

Óscar Santis
Noise musician & visual artist.
(Concón, Chile. February 2018)

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https://pueblonuevo.cl/after-kansai.htm
https://pueblonuevo.cl
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posted 28 February 2018

Dislocations – Planetary Dislocations

Dislocations – Planetary Dislocations
[AR_076]

Dislocations

“Planetary Dislocations”

Planetary Dislocations” is a journey through space, from lush garden worlds to barren exoplanets. It is a sonic landscape intent on portraying inconceivably far away places and unimaginable circumstances, a dream about intelligence, technology and the future.

Simulations of random behaviour lead us through an artificial organic space. The machines become our nature, as we venture into the abyss.

Freee download at: https://archive.org/details/AR-076

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https://www.abstraktreflections.net/releases/dislocations-planetary-dislocations
https://www.abstraktreflections.net
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posted 28 February 2018

Deltahedron – Generation of Power

Deltahedron – Generation of Power
[EEM030]

Deltahedron

“Generation of Power”

Energy is harnessed from natural elements by the use of power plants and this industrial EP shines a light on the inner workings of such places. Each power plant has a different feel and process but heavy basslines and tight rhythms will ensure a continuous operation.
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http://www.electronemitter.net/releases/deltahedron-generation-of-power/
http://www.electronemitter.net
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posted 26 February 2018

Marina Stewart – Dawn Raised With A Gesture Of Submission

Marina Stewart – Dawn Raised With A Gesture Of Submission
[ACP 1132]

Marina Stewart

“Dawn Raised With A Gesture Of Submission”

ive @ re:flexions – silent series
Ganze Bäckerei, Augsburg, 06.01.18
photography by Dan Penschuck
recording, mastering and design by EMERGE

Marina Stewart
„Dawn Raised With A Gesture Of Submission“
(Music For Silence, Synthesizer & Voice)

The four parts of this composition are titled as follows:

I: This Ov That (Can Be Heard)
II: Dawn Raised With A Gesture Of Submission
III: Irchin
IV: Piano Rage (Nod2TerreThaemlitz)

Editorial remarks:
Part II is an electroacoustic rendition of fragments taken from »Odyssey To Anyoona« by Jam & Spoon (JAM!/Dance Pool, 1994), fully developed on the harmonium as a sole instrument.

Part III is based on microtonal synthesizer excerpts, whereas Part IV is an unreleased screwed edit of an sample loop taken from a live recording by Margitt Holzt.

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https://emerge.bandcamp.com/album/dawn-raised-with-a-gesture-of-submission
http://attenuationcircuit.de/
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posted 22 February 2018

Joewee Love! – Joewee Love!

Joewee Love! – Joewee Love!
[01]

Joewee Love!

“Joewee Love!”

Only two personel of this band, Jose a.k.a Pepenk dan his wife. the materials ideas are based on his life journey, start from dating until married. even now, they have kids!. Enjoy three disco track from them

Joewee Love!

Track list:
1. Cinta (Love)
2. Mengharapkanmu (Hoping you)
3. Selamanya (Forever)

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https://archive.org/details/HS01JoeweeLove_201802
https://hotsaucerecord.wordpress.com
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posted 22 February 2018

fascinating earthbound objects – eelahoo

fascinating earthbound objects – eelahoo
[nvr049]

fascinating earthbound objects

“eelahoo”

My second release under the guise of ‘fascinating earthbound objects’ finds it’s way to your ears in the form of this 20 track album. Running the gamut of unrestricted genre exploration, expect a little bit of everything.
Enjoy!
-c. ‘transient’ martin
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https://archive.org/details/nvr049
https://noisyvagabond.wordpress.com/
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posted 21 February 2018

Spacebirds – Spacebirds-1 (2010) Deluxe Edition

Spacebirds – Spacebirds-1 (2010) Deluxe Edition
[LV001-Rd]

Spacebirds

“Spacebirds-1 (2010) Deluxe Edition”

The Spacebirds project was born in 2008 in Moscow. The composition of the group is an ironic understanding of synth dance music 1980-1990-ies and, in the first place, from genres such as New Wave, Synthpop, Spacesynth, Disco, Synthdance. Most of the songs Spacebirds recorded using children’s musical instruments (synthesizers Casio SA-21, SA-46, etc.), mobile analog gadgets (Volca Series from Korg) and even software based on Android (Caustic-3, SunVox, etc.). Spacebirds music is upbeat, ironic “toy synthwave / post new-wave” with a strong sci-Fi and space themes and, of course, with nostalgia for 80 years. The project exists as in the format of One-Man-Band and a full lineup of three or four musicians.
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https://archive.org/details/lv001-rdSpacebirds-Spacebirds-12010DeluxeEdition
https://laservisarec.blogspot.de/
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posted 21 February 2018

Rephazer – Sketches in between the Noise

Rephazer – Sketches in between the Noise
[399]

Rephazer

“Sketches in between the Noise “

Rephazer appeared on Kahvi with a similar styled release previously last year, created on a single instrument but with all the hallmarks of what makes nostalgic idm so great. And he’s back, with what could be a sequel with some new tracks making up a seven track EP.

Shortwave will be familiar to some, after appearing on our Boards of Canada inspired VA last year, but check out Between for one of the most catchy subtle analogue sounds I’ve heard for quite some time.

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http://www.kahvi.org/releases.php?release_number=399
http://www.kahvi.org/
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posted 18 February 2018

BAD GIRL – live 171117

BAD GIRL – live 171117
[ACP 1131]

BAD GIRL

“live 171117”

live @ re:flexions ° villa, Augsburg, 17.11.17
photography by Dan Penschuck
recording, mastering and design by EMERGE

Bad Girl
(based on Florence – Italy) is the solo project of Leonardo Granchi.
Started playing electronic music with the band Downward Design Research he approaches to continue the expression of their imaginary sound through the use of the machines.

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https://emerge.bandcamp.com/album/live-171117
http://attenuationcircuit.de/
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posted 18 February 2018

The Perfect Failure (?) – The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir

The Perfect Failure (?) – The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir
[Eg0_170]

The Perfect Failure (?)

“The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir”

Le cadavre du chat noir is the 5th volume of the perfect failure (?) / l’échec parfait (?)
featuring Antropik, Ayato, Benoît Rouits, Charles premier, Deltanik, Delikbeyin, Doc Demagol, Doedelzak, Extrasystole, Half Evidence, Herr DJ Deppenhorst, Janne Nummela, Jeremy from Boise, Natalia Kamia, psph.S, roger mpr, Siu, Slo-blo, Torbill, Sysma, Kecap Tuyul , XtetX Ensemble, Yoshwaku, 3HNT- and some anonymous contributions

We fear this stuff is not bad enough. We have to make something worse, so your contributions are still welcome for next volumes. Don’t be shy and send us your most disastrous sounds : https://eg0cide.com/info/contribution-call-the-perfect-failure/

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https://wp.me/pcVRA-WT
https://eg0cide.com/
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posted 17 February 2018

KIRCHHEIM vs. N​(​S​)​N vs. POEMBEAT vs. EMERGE – same

KIRCHHEIM vs. N​(​S​)​N vs. POEMBEAT vs. EMERGE – same
[ACEK 1002]

KIRCHHEIM vs. N​(​S​)​N vs. POEMBEAT vs. EMERGE

“same”

photography by Reiner Heidorn
recording, mastering and design by EMERGE
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https://emerge.bandcamp.com/album/kirchheim-vs-n-s-n-vs-poembeat-vs-emerge
http://attenuationcircuit.de/
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posted 17 February 2018

Martin Hoogeboom & Juan A. Mi̱ana РOLK / GLIMM

Martin Hoogeboom & Juan A. Mi̱ana РOLK / GLIMM
[ET121]

Martin Hoogeboom & Juan A. Miñana

“OLK / GLIMM”

We are more than happy to release the new collaborative work of Hoogeboom and Miñana.

Martin Hoogeboom: objects, guitar, electronics / Juan Miñana: electronics

All tracks written and produced by Martin Hoogeboom and Juan Miñana.

Theo Calis: electronics (OLK 3), mastering / Paulo Chagas: oboe (GLIMM 1, 2 & 3)

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http://www.etchedtraumas.net/2018/02/16/et121_hoogeboomminana_olk_glimm/
http://www.etchedtraumas.net
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posted 17 February 2018

Various – Autómatas Sonoros

Various – Autómatas Sonoros

Various

“Autómatas Sonoros”

The content of this work is a response to what I consider to be one of the main myths about music, in the context of my (and the rest of the composers in this compilation) current hometown.
This Idea primarily circulates around the people, projects, groups and etc. that best adhere to a popular music paradigm.

The romantic idea I’m referring to is the existence of an actual performer (in the more traditional sense performer – instrument) for the music itself to have value.

To which we respond with this tracks.

Autómatas Sonoros was first and foremost an acousmatic music concert presented at the Adolfo Prieto school in Monterrey Mexico on September 2 2017.
The concert was part of a series of retribution events organized by Raúl Guerra Jimenez as a winner for the 2015 PECDA Jovenes Creadores prize.
credits
released February 12, 2018

All music composition and production is that of their respective composer.

Compiled and directed by: Jesús Antonio Vergara
Tracks Leveling: Charles Leal.
Design: Bryan Garcia
license

https://sonomancy.bandcamp.com/album/aut-matas-sonoros
https://sonomancy.bandcamp.com
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posted 12 February 2018

Turvia – Entropia

Turvia – Entropia
[ET120]

Turvia

“Entropia”

Born in Sgo del Estero, Argentina, Daniel Abdala is an electronic musician, composer, producer, guitar/bass player, and singer.
Turvia is his main project. It began in 2005, as an industrial-rock oriented band but it evolved forward to become an electronic solo project, with influences of noise, ambient music, synth-pop, experimental and a touch of gothic/esoteric art. His music is trippy, with elements such as mid-tempos, raw landscapes, and twisted voices, but all warped in ethereal melodies.
Some lyrics are in English and other in Spanish. Some tracks have no lyrics and contain only “intentions” or “crucial” words, looking forward to a cryptic although to a concept easy that it is easy to understand.
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http://www.etchedtraumas.net/2018/02/12/et120-turvia-entropia/
http://www.etchedtraumas.net
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posted 12 February 2018

Massimo Ruberti – Granchite Yumtruso PT 2

Massimo Ruberti – Granchite Yumtruso PT 2
[NN_EP033_02_18]

Massimo Ruberti

“Granchite Yumtruso PT 2”

Nostress Netlabel is proud to release ” Granchite Yumtruso PT 2″, the new digital EP by Massimo Ruberti, an artist from Livorno (Italy) who usually define himself as a “Trafficker of sounds and images”. The album is the second part of the EP “Granchite Yumtruso PT. 1 “, released by Nostress Netlabel exclusively for Netlabel Day 2016 organized by the Chilean netlabel M.I.S.T. and which involves Netlabels from all over the world. EP “Granchite Yumtruso PT 2” closes a cycle of sounds that gradually stratify with exotic and colored atmospheres, with distant echoes that rest on long carpets with an antique flavor. The voice of Ada Doria in “Wilderness Falling” and “Cosmic egg traveling blues” seems to come out of an 1870 gramophone as it disperses vibrations in the Sahara desert. The sax of Fabio Leonardi paints well-defined shades of color. Notable orchestral arrangements of Roberto Mangoni in “Cosmic egg traveling blues”. The songs were recorded at Dogana D’acqua Studio. The disc has been mixed and burned from Francesco Landucci to Poderino Recording Studio.
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http://www.nostressnetlabel.net/NN_EP033_02_18.html
http://www.nostressnetlabel.net/index.html
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posted 12 February 2018

Kri Tik – North Capital

Kri Tik – North Capital
[398]

Kri Tik

“North Capital”

The perfect release for the cold winter and deep snow is North Capital from Kri Tik. A minimalist and delicate nine track album consisting of cold icy sounds reminding of ice crystals hanging in the air, and deep snow all around.
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http://www.kahvi.org/releases.php?release_number=398
http://www.kahvi.org
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posted 12 February 2018

Pigeon Hole – INVASION EP

Pigeon Hole – INVASION EP

Pigeon Hole

“INVASION EP”

Thick with West Coast flavor and head-nodding basslines, Pigeon Hole delivers a monster mini EP that beautifully reflects the duo’s hiphop roots and production prowess.
https://sleevelessrecords.bandcamp.com/album/pigeon-hole-invasion-ep
https://sleevelessrecords.bandcamp.com
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posted 12 February 2018