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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Crapivva – [Pertin-nce 106] Crapivva – Punkture

Crapivva – [Pertin-nce 106] Crapivva – Punkture

Crapivva

“[Pertin-nce 106] Crapivva – Punkture”

…”I could describe Crapivva’s ”Punkture” ep as a second part of their previous release ”Wick” (2024). Cool experimental techno improvisations mostly (if not completely) done with hardware, machines, etc”…

about Crapivva:
Dance duo of two young electronic musicians,
an engineer-physicist and an architect from Moscow.
The project combines genres in one way or another related with the groove.

crapivva.bandcamp.com
soundcloud.com/crapivva
instagram.com/crap.vibes/
songwhip.com/crapivva

more music:
the-end-is-near.bandcamp.com
soundcloud.com/pertin-nce
archive.org/details/@bleupulp

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posted 07 February 2025

Various Artists – Kosmische Edits by Dubree

Various Artists – Kosmische Edits by Dubree

Various Artists

“Kosmische Edits by Dubree”

Insectorama 200th Release – Various Artists (Dubree – Kosmische Edits)

Insectorama proudly celebrates its milestone 200th release with a special Various Artists compilation that embodies the label’s deep commitment to dub techno. This landmark edition brings together eight exceptional tracks from a roster of visionary producers: Dubtrak, Depthbarhat, Markus Masuhr, Davor Tosovic, Leopoldolll, Lotech_Hijack, and Narcotic303 (Roman Ridder Remix).

Marking this occasion with a fresh perspective, each track has been reinterpreted and reshaped by Dubree into a set of exclusive edits that breathe new life into the originals. The result is a cohesive yet diverse sonic journey, where atmospheric textures, deep grooves, and hypnotic rhythms merge into a timeless dub techno experience.

A tribute to 200 releases of innovation and underground sound, this special compilation stands as a testament to Insectorama’s enduring dedication to the genre—a deep, meditative space where echoes and reverberations sculpt the future of dub techno.

Dive into the sound and celebrate with us!

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posted 07 February 2025

Douglas Fugazi – Mar de la Tranquilidad

Douglas Fugazi – Mar de la Tranquilidad
[MNF 050]

Douglas Fugazi

“Mar de la Tranquilidad”

Douglas Fugazi representa una fascinante fusión entre tecnología y experimentación electrónica en la escena latinoamericana. Este ingeniero colombiano con un máster en ciencias de la computación transformó su pasión por la música electrónica en una aventura creativa entre código y música.

En 2008, desde Medellín, Colombia, Douglas creó junto a varios amigos a Monofónicos Netlabel, una plataforma que se ha convertido en un referente indiscutible de la música electrónica en América Latina. Este proyecto no solo difunde música, sino que representa un movimiento cultural que ha impulsado el arte musical de artistas locales a través de las nuevas tecnologías.

Con más de 20 años de trayectoria, Douglas se ha especializado en el Dub Techno, un subgénero que se caracteriza por sus texturas profundas y atmósferas envolventes. Su trabajo como gestor cultural en Monofónicos Netlabel ha sido fundamental para tender puentes entre los nuevos talentos y la expresión artística, convirtiendo los medios digitales en espacios creativos accesibles para muchos artistas de Medellín, Colombia.

A través de su trabajo en Monofónicos, Douglas se ha consolidado como un embajador de la escena musical independiente, impulsando la creatividad y el intercambio cultural en el contexto latinoamericano.

En un momento importante de su carrera, Douglas Fugazi presenta ‘Mar de la Tranquilidad’, su primer álbum de Dub Techno bajo el sello Monofónicos Netlabel. Esta producción mantiene un energético nivel de experimentación con una atmósfera espacial y envolvente, creando una experiencia de ritmos hipnóticos y bailables. El álbum representa toda una exploración de sonidos y técnica de sus dos décadas de experiencia en la escena electrónica, presentando un sonido innovador que fusiona las texturas características del Dub Techno con la energía pura de la pista de baile.

Mar de la Tranquilidad representa un recorrido por sus mayores influencias y los elementos que han marcado su camino en la música electrónica. A través de este álbum, los oyentes podrán sumergirse en el universo del Dub Techno, experimentar su energía y profundidad, descubriendo la esencia del género a través de las melodías que han inspirado su camino musical.

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posted 05 February 2025

elektrojudas I Tom Simonetti & EMERGE I Gerald Fiebig – Schalltrichter & Scheibentank

elektrojudas I Tom Simonetti & EMERGE I Gerald Fiebig – Schalltrichter & Scheibentank
[ACP 1430]

elektrojudas I Tom Simonetti & EMERGE I Gerald Fiebig

“Schalltrichter & Scheibentank”

cover photos by Susanne Thoma ° design by EMERGE
Scheibentank recording & event photos by Heinz Pichler
light design by Robert Herget
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posted 04 February 2025

Geiger von Müller – Alien Fig Yogurt Incident

Geiger von Müller – Alien Fig Yogurt Incident

Geiger von Müller

“Alien Fig Yogurt Incident”

It takes all of a second to realise that, in terms of guitar instrumentals, Geiger Von Müller’s ‘Alien Fig Yogurt Incident’ isn’t entirely of this world. It opens with a flurry of insanely high pitched harmonics, creating more of a mood than a melody. This immediately catches the ear, but makes the listener wonder where things are actually headed. A saner guitarist might flesh out such a technique with a couple of broad chords to make things palatable, but not this guy…

Müller then adds extra texture by offering a slide note that’s more akin to a quick interjection from a swanee whistle, then drops into a semi-atonal descending melody that uses the slide to add Hawaiian influences. There’s a melody growing, but again, it’s not from your typical school of guitar based instrumentals.
(realgonerocks.com)

Official music video:
youtu.be/dGK6HoSmxco

posted 04 February 2025

REfugEEs From Beyond – Black Sun

REfugEEs From Beyond – Black Sun
[LCNLP202]

REfugEEs From Beyond

“Black Sun”

The Necrophile Hummingbird netlabel presents Black Sun by REfugEEs From Beyond.

“Apocalyptic Punk Folk For NeoFolk Folks”

Improvisation recorded live* in September 2024 at the Cave Heaven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Guitar Hero : McClintic
Disc Jockey : Yoshiwaku Mushotoku

Few months ago I’ve seen that Black Sun painted by Odilon Redon in Amsterdam Van Gogh’s Museum. And Odilon is one of my fav surrealist precursors, so despite I enjoy a lot Coil, the title comes more from this black sun and also from the black sun of Bauhaus on the sleeve of the Sky’s Gone Out. Or also les éditions Soleil Noir.

Except for the Title the artwork is made without computer edit with an argentic photography bleach with javel and other substances…
There is an great exhibition (80 photos) of my photos & Studio112 argentic photographies till the end of february in france more info in french here https://www.horsnorme.org/instanT/

Dedicated to those who are not afraid to cross the darkness to reach the light and go further in the in between.

*What you are listening is a spontaneous improvisation, nothing prepared, no overdub, no mix, no edit except few…

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posted 01 February 2025

Farrux Vekhalayev – Image of Image

Farrux Vekhalayev – Image of Image

Farrux Vekhalayev

“Image of Image”

The cage was perfect. Its six rectangular faces were framed by beams of the finest rays of light–countless lines of all kinds: straight, zigzagging, curved. Each line intersected others at impossible angles and had its own way of being: moments of stillness followed by bursts of vigorous throbbing.
In the center of the room, before a large transparent screen stood two. He was human, or rather whatever was left of him. She was a simulation, immaculate but fragmentary.
“Do you see this?” he asked, pointing to the screen. Only a moment ago, lines like the ones that created the impenetrable boundaries of their space were crawling across it. Now their chaotic pattern transformed into an orderly dance of geometric shapes. Circles, squares, triangles fluttered like dust in the artificial sunlight, subject to an unknown logic.
“This is what music looks like,” her voice shimmered, constantly reassembling itself from the fragments of thousands of other once-heard voices. “A human tool to replay memories—mostly, the ones that never truly existed.”
“I wish I could remember,” he whispered, leaning forward slightly.
Her silhouette trembled, as if shedding a fleeting outline, and then disappeared. A new beam streaked across the screen, rushing into the center of the shifting mass of colors. Сhains of figures collapsed on contact with the foreign element, only to reassemble the moment it moved away.
“It’s an illusion,” she said in her usual expressionless voice, as she regained her form. The lines on the screen were dissolving into a new figure.
“So are we,” he replied, his voice weary, though absent of disappointment.
They stood silently in the room bounded by the geometry of light and emptiness. The music remained a silent vision on the screen.
He, who had forgotten what it meant to remember, and she, who had never known what it meant to be, watched the quiet play of colors and shapes on the virtual canvas without looking away. Somewhere on the other side of the screen, music was playing—a reflection of memories that never existed.
— M. Savintsev, 2025
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posted 31 January 2025

Chang diz – UNFAIR]

Chang diz – UNFAIR]
[[mi329]]

Chang diz

“UNFAIR]”

UNFAIR, is a sonic journey that breaks boundaries, blending elements of electronica, ambient and lo-fi into an immersive experience.

The project captures the essence of modern otaku culture, where digital and physical realities merge. While each track is a sonic landscape that feels both futuristic and nostalgic, they are quite similar, taking the listener on a journey through their most vivid thoughts and memories.

The invitation is extended to explore the fantastic world of Chang Diz.

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posted 28 January 2025

Makunouchi Bento – Saloane SCRUM

Makunouchi Bento – Saloane SCRUM

Makunouchi Bento

“Saloane SCRUM”

Saloane SCRUM

Beneath a ceiling of mechanical quince leather,
children shatter time into triangular shards,
hurling it into the Pestmas tree-
a machine of vegetal organs,
where ornaments weep soft knives.

The fire begins to speak foreign tongues,
a dialect of square ash.
Branches twist into blue tentacles,
wrapping the air like a poisoned ribbon.
The children laugh with TV-bricked eyes,
tossing ice dolls into the orange vortex.

“What does fire taste like?” asks the smallest one,
while a cellophane specter
willingly casts its wings into the imaginary pan.
The smoke devours itself, a loop of hunger,
and on the floor, shadows start feasting on the walls.

The children become the memory of shredded paper,
circling above their incandescent supper.
The fire whispers freshly flavored tales,
and they reply in chorus, without harmony,
embraced by a Celebration seen by no one.

In the end, only ash.
A hoary ocean, calm as a broken mirror,
where the children dive together
to fish out a great cup of kites.

~

Saloane SCRUM

Sub tavanul din piele de gutuie mecanică,
copiii sparg timpul în bucăți triunghiulare,
îl aruncă în bradul de Crăciumă-
o mașinărie de organe vegetale,
din care globurile plâng cuțite moi.

Focul începe să vorbească limbi străine,
un dialect al scrumului pătrat.
Ramurile devin tentacule albastre,
înfășurând aerul ca o panglică otrăvită.
Copiii râd cu ochii tele-zidiți,
aruncând păpuși de gheață în vârtejul portocaliu.

“Ce gust are focul?” întreabă cel mai mic,
în timp ce un spectru de celofan
își aruncă de bună voie aripile în tigaia imaginară.
Fumul se înghite pe sine, o buclă a foamei,
iar pe podea, umbrele încep să mănânce din pereți.

Copiii devin memorie de hârtie forfecată,
zboară în cercuri peste cina lor incandescentă.
Focul le șoptește povești nou aromatizate,
iar ei răspund în cor, fără armonie,
îmbrățișați de o Sărbătoare pe care nimeni nu o vede.

La final, doar scrum.
Un ocean gri, calm ca o oglindă spartă,
în care copiii se aruncă să-și caute împreună
o cană mare de zmee.

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posted 28 January 2025

SkyTwoHigh – Ghost Stories III – Arrival

SkyTwoHigh – Ghost Stories III – Arrival

SkyTwoHigh

“Ghost Stories III – Arrival”

You have arrived, arrived just in time
Not to love me, but to take my life.
I thought we had something special,
And I loved you the whole time.

Sometimes my anger came through me,
Maybe I hurt you too much.
But this is not my fault—
The Devil did this to me.
No, don’t arrive.

It was a mistake searching for you.
Please, don’t take my life away.
Please…
Oh, please…

Finally, the third part of the Ghost Stories album is complete.
As I mentioned before, this chapter dives deeper into ritual sounds, and I pushed myself to get the most out of this sonic journey.
I didn’t want to stick to the usual ritual soundscapes, so I experimented—mixing things up with some Techno kicks and Jungle break samples.

The story is slowly reaching its climax, and the next album will be pure darkness, with a touch of discomfort.
But it has to be that way. You can already catch a glimpse of it in the final tracks of this release.

I’ve been going through some stressful times lately, and this sound feels like a perfect reflection of my current mood.
Thank you for your patience— it took some time to achieve the exact sound I envisioned for Part III.

Enjoy,
SkyTwoHigh

volume II is here:https://underwater-computing.bandcamp.com/album/ghost-stories-volume-ii-awakening

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posted 26 January 2025

LR Friberg – Green Sun

LR Friberg – Green Sun
[ACP 1441]

LR Friberg

“Green Sun”

“Beneath the shimmering dome of Green Sun, a microcosm thrives – a lush, self-contained Eden on an otherwise barren world. Inside, an orchestra of flora stretches skyward, the leaves glowing with bioluminescent hues, breathing in the filtered light of a fading star suspended above. The air is thick with the hum of pollinators, tiny drones weaving between towering ferns and crystalline blossoms, their movements blending with the symphony of rustling vines and cascading water. As the biodome’s automated systems pulse with life, the boundaries between nature and machine dissolve. Roots entangle glowing conduits and algorithms mimic the chaotic patterns of growth, nurturing an impossible diversity of plant life. The dome is not just a sanctuary but a living organism – a dream of renewal in a dystopian future, where the air vibrates with a sound both eternal and unearthly.” (Aria Argento)
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posted 26 January 2025

Electronic Empathy – aMt_A.I.

Electronic Empathy – aMt_A.I.

Electronic Empathy

“aMt_A.I.”

Several albums from Artificial Memory Trace were randomly selected, segmented into 30-second clips and used to fine-tune a MusicGen model. The audio outputs presented here are the result of this fine-tuning process. Technically, the model demonstrates both over-fitting and under-performance, as the generated tracks show little resemblance to the original Artificial Memory Trace material. However, given that the source material primarily consists of field recordings, this experiment provided an opportunity to explore the limits of MusicGen – a model designed for conventional music – when exposed to unconventional input. The key questions raised are qualitative: How does an AI trained on traditional music genres respond to sonic experiments? What does the input represent to the AI? Can it identify or infer any underlying musical structure? Notably, a faint piano-like sound emerged amid the crackles – a curious outcome. Did the AI, in its pattern-seeking process, interpret environmental sounds as traces of conventional melody?
all rights reserved
posted 26 January 2025

Electronic Empathy – A Tribute to the Experimental Underground

Electronic Empathy – A Tribute to the Experimental Underground
[BL108]

Electronic Empathy

“A Tribute to the Experimental Underground”

Every track on this album features NotebookLM-powered discussions about the work of various underground musicians, with their actual music mixed in. It serves as a tribute to these artists and could be a way for newcomers to discover these artists’ work. The selected musicians have collaborated with blockchain-based netlabels Aurora Compilations and Motivational Music, as well as their predecessors like the INTENT compilation series, dating back to before the pandemic.
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posted 26 January 2025

alfa00 & LR Friberg – Aural Vault: Chapter Three

alfa00 & LR Friberg – Aural Vault: Chapter Three
[ACP 1437]

alfa00 & LR Friberg

“Aural Vault: Chapter Three”

The third and final part of the Aural Vault series consists of three expansive, intricate tracks by Slavek Kwi (alfa00, Artificial Memory Trace) and Linn Friberg (LR Friberg, Nimbostrata). The tracks span a period of over a year, with Slavek creating them between 2022 and 2023, and Linn adding her contributions in late 2024. The gap in time was due to personal matters unrelated to the music, but the process remained remarkably consistent. Artistically, the material is highly refined, building on their 2022 collaborative album “Aura Colemount” on Mahorka. The work carries a timeless quality, evolving from the anxiety of 2022 into a more cautiously optimistic mood shaped by the passage of time.
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posted 26 January 2025

Fake Cats Project – Perowo Songs

Fake Cats Project – Perowo Songs
[ACP 1432]

Fake Cats Project

“Perowo Songs”

Alexei Borisov – Guitar
Igor Levshin – Texts, Guitar, Keys (8), Virtual ANS, Voice
Pavel Bannikov – Bass
Suren Akopyan – Drums
Kostya Suhan – Trumpet
Mastered by Artyom Amatuni
Artwork by Natalya Levshina

Music / Performed / Recorded / Mixed : Fake Cats Project, 2021

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posted 24 January 2025

Yoshiwaku – UFO Stalker

Yoshiwaku – UFO Stalker
[LCNLP201]

Yoshiwaku

“UFO Stalker”

The Necrophile Hummingbird netlabel presents UFO Stalker by Yoshiwaku.

“Unearthly Music for Aliens Tribes”

Live improvisation recorded in April 2024 at the Cave Heaven in Foucherans.
Be aware that this Unidentified Audio Phenomena includes real cosmic rays inside (I can’t tell what will happens if your soul stays too much longer exposed).
As well as an extanded critics of the penal colonies from the Katorga to the Laogai. It’s quite amazing that there is still no boycott of all china products till the release of the Uighurs. But is it that much surprising in a world where palestinians are killed in mass for the great profit of the weapon sellers. Also when the workers seem free but don’t earn the real price of their work because the corporations suck it, it may not be that much better. Don’t you think so ?

Dedicated to all the exploited prisoners who create the insane wealth of the world’s rulers.

Don’t be mystified, the artwork is not a photography, but a hybridization of Artificial Intelligence generated images with an editing software. I could use the photography of the Tesla Wardcliff tower instead, but I wanted to show the Siberia trees. This kind of cosmic keyhole is the free energy symbol but also a question mark about what happen in Tunguska, under the funny angle of view of the french serie Ovni(s).

No pink flamingos were harmed in the making of track 6.

Video Art Clips here
youtube.com/watch?v=kH6doLiOxps
youtube.com/watch?v=2QkhWxNoi24

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posted 23 January 2025

AutomatA – Bento EP

AutomatA – Bento EP
[DigitalDiamonds107]

AutomatA

“Bento EP”

AutomatA – Bento EP

Catalogue: DigitalDiamonds107
Format: EP
Released: January 2025

Introducing ‘Bento’, the highly anticipated debut EP from AutomatA on Digital Diamonds! Just like a meticulously crafted bento box, this release is a diverse yet perfectly balanced collection of techno flavors, designed to satisfy your sonic appetite.
‘Bento’ serves up five distinct tracks, each offering a unique auditory experience while maintaining AutomatA’s signature precision and depth. From hypnotic grooves and pulsating basslines to intricate sound design and unexpected twists, every track is a carefully placed ingredient that brings variety and harmony to your speakers.
Whether you’re seeking a main course of driving rhythms or a side of atmospheric textures, ‘Bento’ delivers a rich selection of techno delicacies. Dive in and taste the future of underground techno – prepared and served fresh by AutomatA.

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posted 21 January 2025

nsonicaloid – quantum pilot

nsonicaloid – quantum pilot

nsonicaloid

“quantum pilot”

uplifting melodic electronica bass, from Montreal, Québec, Canada
released July 10, 2024

nsonicaloid is the project name of Nicolas Dion, who is also in groups Citofono, Chimurenga Electroacoustic Ensemble, Intercom, Minibloc. Other aliases are Darcin, Dona Silicon.

all rights reserved
posted 21 January 2025