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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: ambient

Gabriele Barbarino – Fissazione

Gabriele Barbarino – Fissazione
[BWR/25]

Gabriele Barbarino

“Fissazione”

“A special thanks to all my brothers and sisters and people that I love and love me, for all that support me.”

Artwork: Noemi Sgarlata, “Whimsicalities (Arzigogolío)”, Linoleografia, Stato I di II, Versione 3/4, 2021.

Bootleg graphics: Noemi Sgarlata.

Writings: Gabriele Barbarino
sgarlatanoemi97.myportfolio.com

A Big Wave Records “Guest” Release.
Release Date: 25 January 2021
Release Number: BWR/25.

bigwaverecs.wixsite.com/bigwaverecsnetlabel/guests-1

All audio created, produced, mixed and mastered by the artist and remains his intellectual property. Released by Big Wave Records.

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posted 28 January 2021

Mathieu St-Pierre – Online Messages In Cardboard Boxes

Mathieu St-Pierre – Online Messages In Cardboard Boxes
[mhrk263]

Mathieu St-Pierre

“Online Messages In Cardboard Boxes”

Following the steps of his debut album “These Elephants”, Mathieu St-Pierre re-engages with the concept of cyberspace as a means to explore his ambient and drone compositional approaches via the pool of data that is the internet.

As a result, his second album and Mahorka debut “Online Messages in Cardboard Boxes” was constructed solely by scavenging the net for sound textures and later altering and arranging them to create unique soundscapes. So as much as there was lots of time spent designing the compositions, an at least equal amount of time was involved in the research phase. “Online Messages in Cardboard Boxes” is a voyage beyond the keyboard, the monitor and the WWW, it takes us on a trip from the busy streets of a virtual metropolis to the melted ruins of a broken e-map. Each track was conceived as a gateway to the cloud of our mind.

released January 23, 2021

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posted 24 January 2021

Various Artists – united:chernobyl.memories

Various Artists – united:chernobyl.memories
[USC-WR-2004.0445]

Various Artists

“united:chernobyl.memories”

The failure at the Chernobyl nuclear power plant is one of the most dramatic and tragic pages of the 20th century. This catastrophe is a symbol of the destructiveness of human delusions and the arrogant selfish worldview. Man allowed himself to think that he made nature work for himself, but nature has shown its true indomitable character. This incident also showed the depravity of the socialist authorities, which for a long time tried to hide the real scale of the disaster and the threat of radioactive contamination. This last drop became fatal for the majestic colossus on the clay feet called the USSR, which rapidly began to fall apart before everyone’s eyes. The whole world has learned a difficult lesson, which further led to a slowdown in the construction of new nuclear power plants and forced many developing countries to opt for environmental green technologies. From a social point of view, humanity has begun to rely more on international institutions that carefully monitor the situation around the world to try to avoid similar events. But as we know, this has already been repeated again… However, we should not despair, but it’s worth any experience, first of all negative, to adopt into service. This is the hard way on the stairs of progress.

01 • 3:56 • Derek Nigell • April 26, 1:23 AM
02 • 4:28 • Vortex Mechanic • Broken Dream
03 • 5:06 • Terniev • Carbonized Reflection
04 • 5:16 • Sergey Korzhenevskiy • Stubborn Nature
05 • 4:00 • Vortex Mechanic • Morning Haze
06 • 6:00 • WMRI • Phantom Presence
07 • 7:32 • Astrovia • Sievert Alert
08 • 2:42 • Okkulta • Core Isolation
09 • 3:48 • Vortex Mechanic • Invisible Reason
10 • 7:12 • Pavel Kingdom Graff • Радиоактивная = Radioactive (Kraftwerk Cover)

Musical and visual concept, mastering, artwork – USC-Team
Composition – Derek Nigell (1), Vortex Mechanic (2, 5, 9), Terniev (3), Sergey Korzhenevskiy (4), WMRI (6), Astrovia (7), Okkulta (8), Pavel Kingdom Graff (10)
Writing – Derek Nigell (1), Alexey Markov (2, 5, 9), Roman Terniev (3), Sergey Korzhenevskiy (4), Mike Winchester (6), Alexander Girin (7), Sergey Nxiss Loginov (8), Ralf Hütter (10), Florian Schneider (10), Emil Schult (10)
Synthesizers, programming, effects, arrangement, recording, mixing – Derek Nigell (1), Alexey Markov (2, 5, 9), Roman Terniev (3), Sergey Korzhenevskiy (4), Mike Winchester (6), Alexander Girin (7), Pavel Kingdom Graff (10)
Sampler – Sergey Korzhenevskiy (4)
Vocoder, vocals – Pavel Kingdom Graff (10)

You are free to playback, copy, distribute, broadcast, adapt and use this work otherwise. Creating a derivative work, you must state the author of original work and provide the source of material any possible way. Publishing a derivative work, you must use the same license. You are not allowed to state that author endorses your use prior to his approval. The licensor cannot revoke these freedoms, while you fulfill the license terms. Some rights reserved.

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posted 24 January 2021

Di Bos – Smailin Ca(r)Ma

Di Bos – Smailin Ca(r)Ma
[LBN048]

Di Bos

“Smailin Ca(r)Ma”

At first the name of this album was Planet B.
These ten short tracks were recorded during the first lockdown and I was imagining music for an alternate planet.
Day after day, however, I realized that this music was born spontaneously to react to the suffering of a separation, my separation.
This music is also perfect for doing daily meditative postural gymnastics exercises. Each track corresponds to an exercise, for a total of ten exercises and twenty minutes of reflection and meditation.

Credits.
Adriano Bossola: everything
Smailin Ca(r)Ma is dedicated to Camilla and Matilde.
Thanks to Luciano Rossi for art-cover.

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posted 20 January 2021

Luís Antero – Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water

Luís Antero – Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water
[mi281]

Luís Antero

“Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water”

After a few years of absence, Luís Antero returns to MiMi Records with another field recording record. “Sound. Earth. Water.” is the main theme that served as the soundtrack for the film made in 2020.

Quoting Carlos Alberto Augusto: “Life, the sounds of life, mark the soundscape. As long as there is life, there is sound.”

A 15 minutes track where we connect to Earth through field recordings by Luís Antero and the mastery with which he manipulates the sounds of Nature.

This is the sound of the Earth that we step on, that we feel, that we live, that we long for … This is the primordial element of the landscape, the sound. And the sound is life.

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posted 17 January 2021

DR – Matrjoschka

DR – Matrjoschka
[mhrk262]

DR

“Matrjoschka”

DR (Dominic Razlaff) is a sound artist from Germany. He uses synthesizers, acoustic instruments (Ukulele, Cavaquinho, Guitar), field recordings, tape loops and granular synthesis to create soaked in melancholy ambient / drone soundscapes.

A bit after debuting on Mahorka with his highly acclaimed collaboration album with Blanket Swimming (“The Lightning Gallery”) he found an old sketch, unfinished Ukulele piece, which was a little bit boring recording, but had something special to it. Out of it he made some tape loops (with a Fostex x-15) to see what can come out and really liked the results. From these tape loops the three “Matrjoschka” compositions were finished. The release title comes from the “matrjoschkas” that have been around him in his living room, the only decoration that links to his ancestry from his father’s side, born and growing up in east Europe and central Asia.

Released December 28, 2020

All music by Dominic Razlaff

Cover artwork photo by Dominic Razlaff

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posted 17 January 2021

Thme – Silesco

Thme – Silesco
[LONTANO-TP07]

Thme

“Silesco”

Cat.#: LONTANO-TP07
Release date: 27/01/2021
Format: Cassette, Digital

Il est scories; bris d’air, gravats poreux – ambiance
Île escortée des mers – flaque rose et salée –
Cratère ou lac – allante éruption de conscience;
Il explore, escalade, érode, laisse aller

Les orbes vaporeux des arcanes ; fumeroles
À percoler des mers – fleurs écloses, étoilées –
Boucles dorées – débris des coraux en corolle;
Il expose, environne, épouse, laisse hâler

Les courants, c’est l’escale attendue : les panaches
Et les vagues en fumées se manègent un couffin;
Marée basse, algues rousses – oursins glacés, ganache
Ou sorbet – voie lactée, lave brume en coussin.

(Poem by Arthur Bonny, co-founder of the literary review “L’Allume-Feu”, inspired by the sound and the cover artwork)

Recorded and mixed in Paris (December 2019 – May 2020) – Synthesizer, guitar, field recordings, piano, tape loops – featuring reworked pieces of Valotihkuu’s beautiful loops, microcassette, Marantz PMD 221, Tascam Portastudio.

An ode to brighter days. Thank you for listening.
credits
releases January 27, 2021

Music by: Théo Martin
Mastered by: Andrea Porcu
Original photography by: Tom Devianne
Record label: Lᴏɴᴛᴀɴᴏ Series
Publisher: ROHS! RECORDS

Copyright © 2021 ROHS! RECORDS, All Rights Reserved

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posted 12 January 2021

Uunslit – terminal season of our irrevocable

Uunslit – terminal season of our irrevocable
[CIOR-454]

Uunslit

“terminal season of our irrevocable”

Uunslit is an experimental, sound art project.
for more music visit:
https://archive.org/search.php?query=creator%3A%22Uunslit%22
https://soundcloud.com/uunslit

All lyrics and vocals by Uunslit
Songs 1,3,4 & 5 music & vocals by Uunslit.
track 2: music by Vantablvck
track 6: music by Filmy Ghost
track 7: music by Filmy Ghost & Confield.

All Cian Orbe releases:
https://humanfobia.jimdofree.com/cian-orbe-netlabel/

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posted 31 December 2020

s.soo(Sistal) / Polygonia – Cihosa

s.soo(Sistal) / Polygonia – Cihosa
[ST025]

s.soo(Sistal) / Polygonia

“Cihosa”

This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2020 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.

Written and Produced by Stas Sursyakov (s.soo) in Solikamsk, Russia.
Polygonia remix made by Lindsey Wang in Munich, Germany.
Mastering by Jorge Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2020 – All Rights Reserved
credits
released December 21, 2020

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posted 25 December 2020

Luka Prinčič – ark​/​d, amorphic

Luka Prinčič – ark​/​d, amorphic

Luka Prinčič

“ark​/​d, amorphic”

“an uninterrupted journey of purely computer music, which moves through diverse sonic fields and eavesdrops on the darker aspects of contemporary human condition”

The newest work by the Slovenian intermedia artist Luka Prinčič, the continued piece ark/d, amorphic is somewhat minimal, but a complex composition and an example of computer music in the new decade. With SuperCollider and computer programming Prinčič has managed to use various sound-generating algorithms to form a lengthy non-linear sound story. Searching for the amorphousness in the absence of form, he programmed the sound generators and transformations using the programming language like a loom, sewing the code into repetitive pulsations and ambiental scenery that eavesdrops on the darker aspects of contemporary human condition.

Deliberately in small initials, the title ark/d, amorphic alludes to a minority philosophy that seeks a world in the shadows of the spectacle and activates against the domination of the majority and the megalomania of post-objectification.

Chapters of ark/d, amorphic:
· be back lighter
· gcdmod
· AKJ
· shippo
· wranglemel
· lcmnoi
· s1dist
· padme
· lorenzp

Source code to album is published free under conditions of Peer Production Licence – available as bonus material in the download, but also currently on this link: git.tmp.si/luka/ark_d.amorphic/src/branch/master/ark_d.scd

Download SuperCollider at supercollider.github.io (it’s free/libre software for majority of platforms)

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posted 25 December 2020

Pedro Maras – Tipping Point

Pedro Maras – Tipping Point
[mhrk261]

Pedro Maras

“Tipping Point”

“The IPCC AR5 defines a tipping point as an irreversible change in the climate system. It states that the precise levels of climate change sufficient to trigger a tipping point remain uncertain, but that the risk associated with crossing multiple tipping points increases with rising temperature.

In the context of climate change, an “adaptation tipping point” has been defined as “the threshold value or specific boundary condition where ecological, technical, economic, spatial or socially acceptable limits are exceeded.

Tipping point behaviour in the climate can also be described in mathematical terms. Tipping points are then seen as any type of bifurcation with hysteresis. Hysteresis is the dependence of the state of a system on its history. For instance, depending on how warm and cold it was in the past, there can be differing amounts of ice present on the poles at the same concentration of greenhouse gases or temperature

In a study inspired by “mathematical and statistical approaches to climate modelling and prediction”, the authors identify three types of tipping points in open systems such as the climate system – bifurcation, noise-induced and rate-dependent. The idea of tipping points in climate science, as indicated by palaeoclimate data and global climate models, suggest that the “climate system may abruptly ‘tip’ from one regime to another in a comparatively short time.

Bifurcation-induced tipping refers to changes in dynamical systems that occur when a small smooth change made to bifurcation parameters of the system causes an abrupt or sudden topological change in the behavior of the system. In the Atlantic Meridional Overturning Circulation (AMOC), slow passage to the bifurcation parameters – the salinity, temperature and density of water – could cause the AMOC to abruptly collapse when it reaches a critical tipping point. Currents of warm, seawater in the upper layers of the Atlantic flow north, while currents of colder, deep waters from the North Atlantic flow south, like a conveyor belt known as thermohaline circulation. Downwelling occurs when the warmer, higher-density seawater accumulates and sinks beneath the colder, lower density less saline water from glacier melt. An AMOC collapse would occur if downwelling was inhibited . [critical slowing down] (CSD) “occurs because a restoring feedback is weakening as a bifurcation-type tipping point is approached.

Noise-induced tipping refers to transitions due to random fluctuations or internal variability of the system, as in the Dansgaard-Oeschger events during the last glacial period, with 25 occurrences of rapid climate fluctuations.

Rate-induced tipping occurs in an “excitable system” – such as peatlands – when one of the systems parameters is “ramped” through a “steady, slow and monotonic change” eliciting a “large excitable response”. In the case of peatlands, the rate-induced tipping point results in an “explosive release of soil carbon from peatlands into the atmosphere” – “compost bomb instability”.”

Released December 19, 2020 as free (cc) download and limited edition cassette.

“Thanks to the Mahorka team and Esther De Laet”.

Cover artwork by Pedro Maras and Ivo Petrov.

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posted 19 December 2020