RwaBhineda adalah project sisi lain dari Tri Wahyuliyanto dengan tonguedrumnya. Rekaman ini adalah usahanya untuk self healing dalam menghadapi benturan-benturan yang ada dalam dirinya. Dalam rilisan ini beberapa rekaman dilakukan di alam terbuka untuk merespon yang ada disekitarnya.
Pengisi Suara :
Tongue Drum : Tri Wahyuliyanto
Kendang : Andi Meinl a.k.a Ritual
Antony Coffinot & Alexandre Navarro. French duo from Paris, founded in 2020, Aurora project drifts in between deep electronic sound experimentations, acoustic and fields recordings, spacey & abstract melodic pieces in kind of spiritual & poetic maelstrom.
credits
released February 13, 2021
All instruments, synths, recordings :
Antony Coffinot & Alexandre Navarro
cover art by Jean-Baptiste Sachsé
Tracklist:
1. Calma
2. Devastación
3. Agonía y Renacer
eidoscognitio is Alejandro Betancourt, an electroacoustic performer from Venezuela. Alejandro was born in Barquisimeto, Lara and started to compose, play and perform live on his early 30΄s. In his work he tends to explore the richness and the always interesting evolving atmospheres of all soundscapes he can get: Field recordings, sound libraries and synthesizer/sampler generated ones.
His work is heavily influenced by ambient music. He rarely uses rhythm loops, although he creates the sense of a beat using a virtual effect plug-in that allows him to loop a certain fragment of his performance.
Etched Traumas is happy to release the third work of eidoscognitio titled ‘A Pathetic Lounge Act‘.
Release date: 08-Feb-2021
Tracks list:
Opening
Mistakes And Blemishes
Me, Like A Bird Sick With Pneumothorax
Vacuum (Intro)
Conjunction Of The Planets In 2020
Aloe-Almond Butter And Space Pesto
Emotional Abyss
Liber Al Vel Legis
Coincidentia Oppositorum
Love In Times Of Plague
A Short, Destructive Ballad
Vacuum (Outro)
Closing
Intergalactic Expedition To Breslau To The Jazz Klub Rura (Bonus Track)
For its 48th release, Da ! Heard It Records takes a leak into the unknown.
On the sleeve picture, conceptualized by Pia-Mélissa Laroche, Johann Mazé chooses the bag race to cross what seems to be a rural garden. In simple terms, he thus shows the listener the step to follow: one must jump with feet together in this eccentric universe with blurry borders, as if out of some dream, at the very place where a sleepy memory weaves strange links among things.
Here, enigmatic voices escape a house without walls into which one enters through the roof; improbable ritualistic rhythms form alternately the outlet of an imaginary tribe or a parade of a cannibalistic Yellow Jackets’ batucada; elsewhere, a wobbly walz lulls the ear with soft dissonances; farther still, a piano turns off in the night, a harmonica rises, a metronome sets the tone of a charade of diverse and catchy percussions…
Like an exquisite cadaver on a piece of paper that we unfold little by little, each new piece of the puzzle opens the door onto an unexpected territory. Passing from one thumbnail to the next though, the atmospheres answer each other with a clever sonorous montage, a patchwork of field recordings, of sonorous poetry… more
credits
released February 1, 2021
Johann Mazé & Jihem Rita
paroles, boîtes à rythme, électronique, claviers, piano, cris, rires, chœurs, harmonica, mini-xylophone, mini-métallophone, batterie, grelots, maracas, pads, syntoba, métronome, field recordings, brosse à dent électrique, magimix, rhino horn…
Mastering par Fabien Meunier
Conception graphique par P.M Laroche
Communiqué de presse par Germain
Traduction par Danielle Josset
a soothing translucent ambience
<em>Pink Dream</em> is the third album released by Portland based ambient producer Elijah Knutsen under his new-age imprint <em>Memory Color</em>. The album is an exploration into the ambient side of cemented genres such as Shoegaze and Dream-Pop. Inspired by artists and groups like Harold Budd, My Bloody Valentine, and Cocteau Twins, Pink Dream consists of four translucent soundscapes, washed in reverb and tremolo-like modulation, and melded with subtle field recordings.
Elijah Knutsen: Keyboard, Effects, Guitar.
Orkus returns to the label with a deep, dark atmospheric journey of Ambient and IDM, taking you on a trip through many tracks.
credits
released February 5, 2021
Written, Produced, Mastered By: Orkus
Traded childhood memories for corporate warmth. Nostalgic about discontinued produce, consumerist wanna be from 3rd tier economy.
“All I ever wanted was a Pepsi”
arokin.bandcamp.com/album/-
Remix of the track “One Day The Lake Froze And Then It Never Healed” by Shadow Echo Canyon available here:
Following the steps of his debut album “These Elephants”, Mathieu St-Pierre re-engages with the concept of cyberspace as a means to explore his ambient and drone compositional approaches via the pool of data that is the internet.
As a result, his second album and Mahorka debut “Online Messages in Cardboard Boxes” was constructed solely by scavenging the net for sound textures and later altering and arranging them to create unique soundscapes. So as much as there was lots of time spent designing the compositions, an at least equal amount of time was involved in the research phase. “Online Messages in Cardboard Boxes” is a voyage beyond the keyboard, the monitor and the WWW, it takes us on a trip from the busy streets of a virtual metropolis to the melted ruins of a broken e-map. Each track was conceived as a gateway to the cloud of our mind.
“A special thanks to all my brothers and sisters and people that I love and love me, for all that support me.”
Artwork: Noemi Sgarlata, “Whimsicalities (Arzigogolío)”, Linoleografia, Stato I di II, Versione 3/4, 2021.
Bootleg graphics: Noemi Sgarlata.
Writings: Gabriele Barbarino
sgarlatanoemi97.myportfolio.com
A Big Wave Records “Guest” Release.
Release Date: 25 January 2021
Release Number: BWR/25.
bigwaverecs.wixsite.com/bigwaverecsnetlabel/guests-1
All audio created, produced, mixed and mastered by the artist and remains his intellectual property. Released by Big Wave Records.
recorded at galician comfort mobyle studio° Stryi / UA ° 2016
roman tzukerman – Guitar
olha volohovska – Monotribe
atanas bro – bass
released January 24, 2021
W&P by Orde107
Following the steps of his debut album “These Elephants”, Mathieu St-Pierre re-engages with the concept of cyberspace as a means to explore his ambient and drone compositional approaches via the pool of data that is the internet.
As a result, his second album and Mahorka debut “Online Messages in Cardboard Boxes” was constructed solely by scavenging the net for sound textures and later altering and arranging them to create unique soundscapes. So as much as there was lots of time spent designing the compositions, an at least equal amount of time was involved in the research phase. “Online Messages in Cardboard Boxes” is a voyage beyond the keyboard, the monitor and the WWW, it takes us on a trip from the busy streets of a virtual metropolis to the melted ruins of a broken e-map. Each track was conceived as a gateway to the cloud of our mind.
released January 23, 2021
The failure at the Chernobyl nuclear power plant is one of the most dramatic and tragic pages of the 20th century. This catastrophe is a symbol of the destructiveness of human delusions and the arrogant selfish worldview. Man allowed himself to think that he made nature work for himself, but nature has shown its true indomitable character. This incident also showed the depravity of the socialist authorities, which for a long time tried to hide the real scale of the disaster and the threat of radioactive contamination. This last drop became fatal for the majestic colossus on the clay feet called the USSR, which rapidly began to fall apart before everyone’s eyes. The whole world has learned a difficult lesson, which further led to a slowdown in the construction of new nuclear power plants and forced many developing countries to opt for environmental green technologies. From a social point of view, humanity has begun to rely more on international institutions that carefully monitor the situation around the world to try to avoid similar events. But as we know, this has already been repeated again… However, we should not despair, but it’s worth any experience, first of all negative, to adopt into service. This is the hard way on the stairs of progress.
01 • 3:56 • Derek Nigell • April 26, 1:23 AM
02 • 4:28 • Vortex Mechanic • Broken Dream
03 • 5:06 • Terniev • Carbonized Reflection
04 • 5:16 • Sergey Korzhenevskiy • Stubborn Nature
05 • 4:00 • Vortex Mechanic • Morning Haze
06 • 6:00 • WMRI • Phantom Presence
07 • 7:32 • Astrovia • Sievert Alert
08 • 2:42 • Okkulta • Core Isolation
09 • 3:48 • Vortex Mechanic • Invisible Reason
10 • 7:12 • Pavel Kingdom Graff • Радиоактивная = Radioactive (Kraftwerk Cover)
Musical and visual concept, mastering, artwork – USC-Team
Composition – Derek Nigell (1), Vortex Mechanic (2, 5, 9), Terniev (3), Sergey Korzhenevskiy (4), WMRI (6), Astrovia (7), Okkulta (8), Pavel Kingdom Graff (10)
Writing – Derek Nigell (1), Alexey Markov (2, 5, 9), Roman Terniev (3), Sergey Korzhenevskiy (4), Mike Winchester (6), Alexander Girin (7), Sergey Nxiss Loginov (8), Ralf Hütter (10), Florian Schneider (10), Emil Schult (10)
Synthesizers, programming, effects, arrangement, recording, mixing – Derek Nigell (1), Alexey Markov (2, 5, 9), Roman Terniev (3), Sergey Korzhenevskiy (4), Mike Winchester (6), Alexander Girin (7), Pavel Kingdom Graff (10)
Sampler – Sergey Korzhenevskiy (4)
Vocoder, vocals – Pavel Kingdom Graff (10)
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