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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: contemporary

AAVV – LIVE AND LET LIVER VOL 2

AAVV – LIVE AND LET LIVER VOL 2
0kbps086

AAVV

“LIVE AND LET LIVER VOL 2”

AA.VV.
LIVE AND LET LIVER VOL 2 [0kbps086]
01 – Emanuele Fais – 薔薇の葬列
02 – Lorenzo Squilloni – Grainstep
03 – Tommaso Busatto – M’intrometto
04 – r e d n e c k t e r r o r i s t s o ci e t y – untitled
05 – Tommaso Busatto + Trapianto di Fegato – Base Punk + Paddone
06 – Corkscrew N° 4453556 – Nano Tribale Spaziale Incazzato
07 – Trapianto di Fegato – Chill Bill
08 – Tommaso Busatto – Senti che assoli ti sparo con la pedala nuova che ho comperato
09 – Litchee Chinensis & Zabuba Nevresky – Mammt Boah
10 – Tommaso Busatto – I’ve failed
11 – Trapianto di Fegato – Ciao Mare
12 – Cult Of Terrorism – Untitled #1

Ē̎ ̽̔E͋́͠ ̐ͪ͞E̓ͩ̊ͯ̚ ͘E̶̒̉́̌ Ë̒ ͐ͭ̅͛ͫ̓̚Eͤ̆̿ ̈́ͩ͂͛͢E̽ͤ̃ ̒̾͡E̓̌̓͑ͫ ̂ͬ͗͒E̛͋ͨ̌̃̎ ͦ̒̓ͯ͑̇́̕E͗̓̈́ ͋̆̀͛͋ͯ̄E̽ ̍̽ͯE̢ ͥͩ̎̍ͨͯE̶̊͐ ̌̿ͪEͥ͋͂ ̐̎̌Ȅ̡ͭ ̿͌͋ͨ̒̍E͡ ̿͌͢Ȇ̃ͫ̓̇ͯ ̶̈̂̉ͩEͧͫ͒̑̓̚ E͑͂͐̾̚ Eͯ̓̍̍ ̧ͮ͂̎E̡ͩͨ̀̚ ͒̋̃̀Ĕ̅ ̒̿͋̀E̶ͯ ͥͫ̒̿͂͌̊͏

Second edition of the compilation organized by the network ‘Un altro trapiantato musicale’ made possible by the collaborations between different musicians from different realities working together in a net-collective.
MAV [0kbps] Records, March 2015

posted 07 April 2015

Martin Rach – 4 BACH/2 MF

Martin Rach – 4 BACH/2 MF
01

Martin Rach

“4 BACH/2 MF”

First piece is based on BACH motif, with four blocks of repetitions, interrupted by electronic manipulations of preceding pitches, imagining music of J.S. Bach that is flying in outer space in some Voyager capsule, enlightened and decayed by the astrophysical powers.

Second piece is made of F pitches taken from a harp, M referring to a loose meter they appear in,forming illusion of patterns. Pitches are electronically manipulated to form a level of material that replaces silence. Imagining music of M. Feldman being played/listened buried in the earth.

posted 03 April 2015

Mauro Martinuz – Suez Ep

Mauro Martinuz – Suez Ep
EKR010

Mauro Martinuz

“Suez Ep”

Mauro Martinuz, sound engineer, soundtrack composer for cinema and contemporary theater, owner of the Transfert studio and founder of NEDAC collective.

Written,produced,recorded and enginered by Mauro Martinuz at Transfert studio in Berlin.
Additional musician: Luca Sella.
Artwork by: Michele Servadio ( servadio.com )
Suez Ep by Mauro Martinuz is licensed under a Creative Commons Attribution-
NonCommercial-NoDerivatives 4.0 International License.
Permissions beyond the scope of this license may be available at
ekar-records.tumblr.com/contact.

posted 28 March 2015

hiyohiyoipseniyo – homemadecontactZ

hiyohiyoipseniyo – homemadecontactZ
0kbps08

hiyohiyoipseniyo

“homemadecontactZ”

hiyohiyoipseniyo

homemadecontactZ [0kbps084]

01 – jana’s’mitu
02 – ca_tal_col_onia
03 – alhainen paristo a la radio
04 – heridas incompatibles con la vida
05 – caLonia al poblet
06 – propolio
07 – PolitiKant EduCante
08 – anem-nos-en
09 – AnUs UnkLet
10 – Orgue Mafumetus
11 – singing in the brain
12 – elpoblet
13 – Showering The Dog -primer lladruc-
14 – ultraperiferia macarrónica
15 – no en queda gens. adéu

>From Contact Group of Homemade Experimental Electronic Music and Noise (…2011-2012…):

Compilation produced and compiled by Hal McGee.

Contact Compilation Project logo by Dave Fuglewicz.

http://hiyohiyoipseniyo.blogspot.com.es

MAV [0kbps] Records, February 2015

posted 18 March 2015

Miquel Parera – nxVacuity004 – Inversion

Miquel Parera – nxVacuity004 – Inversion
nxVacuity004

Miquel Parera

“nxVacuity004 – Inversion”

De una forma insospechada, el propio algoritmo conlleva la inversión de los valores iniciales.
Quizá sea porque éstos, ya en el propio momento de su elección, no significaban nada.
Un juego de prestidigitación en el vacío, extrayendo números del caos y buscando, a posteriori,
el sentido que los relaciona.

In an unexpected way, the algorithm itself makes the investment of the initial values.
Maybe because at the time of his election, this values meant nothing.
A game in a vacuum, picking numbers from the chaos and the searching, a posteriori, of the meaning.

posted 07 March 2015

caroline park – less than human

caroline park – less than human
pyr142

caroline park

“less than human”

caroline park is a composer, musician, and artist working within the minimum in experimental electronic music. she creates custom software in max/msp, integrating chance and silence in unique, minimal systems. she collaborates frequently with asha tamirisa in duo situations and also performs as 1/4 of the electro-improv quartet BUMPR (peter bussigel, stephan moore, tim rovinelli). additionally caroline is a founding member of OPENSIGNAL, a providence-based artist collective focusing on the representation of gender and race within experimental electronic music.

her first album for pan y rosas is a brief album of drones that caroline composed and mixed in los angeles, london and providence. she suggests –

play at full volume,
with good speakers
in a nice room.

no head/earphones please (sound needs space).

posted 06 February 2015

VA – From Ritual to Romance

VA – From Ritual to Romance
EdP071

VA

“From Ritual to Romance”

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris

posted 23 January 2015

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica) – NOE’ con OLEO

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica) – NOE’ con OLEO
0kbps081

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica)

“NOE’ con OLEO”

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica)

NOE’ con OLEO [0kbps081]

NOE’_SIDE:
01 – Il risveglio del carrozziere (1)
02 – Il risveglio del carrozziere (2)
03 – Il risveglio del carrozziere (3)
04 – Salivo e respiravo affannosamente
05 – L’orchestra da sogno (1)
06 – L’orchestra da sogno (2)

OLEO_SIDE:
01 – Ambuja (intro)
02 – Blatta Orientalis
03 – The Consistency of Inclusion (part1)
04 – Colias Croceus
05 – Kusumita
06 – Yuezhi

——————————————-
Artwork by Gianfranco Bonadies
——————————————-

LINER NOTES NOE’:
Immaginiamo per un momento un’orchestra timbricamente completa che suona senza direttive, senza partiture, senza determinazioni di alcun genere.
Così, giocando con la sensibilità dei singoli musicisti, nasce NOÈ (Nostra Orchestra Estemporanea).
È noto che l’improvvisazione si nutre delle incredibili connessioni etiche fra coloro che agiscono nell’esatto momento dell’agire.
L’ordinato riferimento estetico cui siamo abituati non conta; suonare nell’orchestra, o semplicemente ascoltarla, significa sospendere, almeno momentaneamente, ogni atteggiamento critico di carattere storico-letterario.
Forse pirati, altroché nipoti del diluvio, navigando in mari sconosciuti e terribili, in quel momento utile si riconosce l’entità di quel viaggio necessario a fissare l’essere, il divenire di questa musica in questa orchestra.
Le persone che ne fanno parte, lo sanno bene: NOÈ prosegue, semplicemente, la strada intrapresa da NED (Nostra Etichetta Discografica) verso l’indefinita ricerca dell’estemporaneità in musica e non soltanto.

Imagine for a moment a full orchestra timbre that rings with no guidelines, no scores, no determinations of any kind.
So, playing with the sensitivity of the individual musician, born ‘Our Extemporaneous Orchestra’.
And ‘well-known that this type of music is nourished by the incredible ethical connections between the musicians in the exact moment of noise.
The orderly aesthetic reference we used does not matter playing in this orchestra, or just listen, you stay, at least temporarily, any aesthetic judgment-mindedness and critical of any historical-literary.
Perhaps pirates, grandchildren of the flood, navigating in unknown seas and terrible, then useful to recognize the extent of the stops on the trip needed to produce this music in this orchestra.
People who are dedicated to do this, know this: NOE continues, simply, the road taken by NED to search indefinite extemporary music.

CORDE: Quinto Fabriziani, Mauro Tiberi, Marco Maurizi, Chris Blazen, Clangore
FIATI: Andrea Tosi, Claudio Nitti, Anna Guidi, Giuseppe Savino, Gaetano Corallo, Pico Sadun, Lorenzo Labagnara
VOCI: Benedetto Fanna, Antonio Saccoccio, Helena Velena, Patrizia Rotonda, Michele Tuozzolo
TASTIERE: Kapitan Mikonos, Luca Miti, Marco Olivieri, Benedetto Fanna, Giuseppe Cubelli
PERCUSSIONI: Simona Verrusio, Dario Nitti, Diego Mazzoni, Patrizio Pica, Marco Ariano, Roberto Dogustan
ELETTRONICHE: Stefano Balice, Tommaso Busatto, Lorenzo Lustri, Cristiano Luciani, Giancarlo Esposito, Alessandro Cerratti
FONICA: Paolo Sinigaglia

LINEAR NOTES OLEO:
Projeto que teve inicio em 23/ agosto/2014d.C
Idéia inicial do projeto era a intenção de usufruir da criatividade e improviso livre que visa em criar novos conceitos e sons(explorando o eletrônico e o orgânico).
Focando musica e artes, mesclando elementos à idéia surgiu.
Criou-se e desenvolveu-se em uma amplitude maior com mais cabeças pensantes, nova idéia de som e atitude.
O que ajudou em tudo isso foi esse tipo de “experimentalismo conceitual, musical” por isso esse projeto foi feito.
Algumas das faixas são de improviso no “flow” e de uma maneira bem despretensiosa, tão despretensiosa que ainda a espaço para novas “instrumentalizações” e participações… Pois o que conta é ultrapassar barreiras e criar novos ambientes e timbres.
(A transcendência).
Todo esse conceito, não seria possível sem o conceito:
“Faça você mesmo!”.
Pois tudo se gera disso o conceito de improvisação é principalmente a habilidade de, simultaneamente, produzir e interpretar, dentro ou não de parâmetros harmônicos ou rítmicos, melodias, ritmos ou vocalizações.

Project that started in 23 / August / 2014d.C
Initial idea of the project was intended to take advantage of free improvisation and creativity aimed at creating new concepts and sounds (exploring the electronic and organic).
Focusing on music and arts, blending elements to the idea arose.
It was created and developed on a larger scale with more talking heads, new idea of sound and attitude.
What helped in all this was that kind of “conceptual experimentalism, musical” so this project was done.
Some of the tracks are improvised on the “flow” and a very unassuming, unpretentious way so that even the space for new “instrumentalist” and shares… What matters is to overcome barriers and create new environments and sounds.
(Transcendence).
This whole concept would not be possible without the concept:
“Do it yourself”.
For everything that generates the concept of improvisation is mainly the ability to simultaneously produce and interpret within or without harmonic or rhythmic parameters, melodies, rhythms and vocalizations.

SAXOPHONE: Nando Souza
TRUMPET: Romulo Alexis
DRUMS: Jeferson Peres
BASS: Marco Antonio
NOISE EFFECTS AND KEYBOARD: Guina
(PARTICIPATION / GUEST) EFFECTS/AMBIENT NOISE: O.s125

MAV [0kbps] Records, January 2015

posted 11 January 2015

Sphere Of Io – Winter Works

Sphere Of Io – Winter Works
SE055

Sphere Of Io

“Winter Works”

Titolo Album: Winter Works
Autore: Sphere Of Io
Etichetta: Stato Elettrico
Cat. : SE055
Free Download: http://statoelettrico.net/netlabel/?p=1629
License: CC BY-NC-SA 4.0

Sphere Of Io è un progetto musicale basato sull utilizzo di software per la sintesi granulare per generare trame musicali al limite tra techno, industriale ed ambient. Tutte le registrazioni sono state eseguite in tempo reale.

http://www.statoelettrico.net

posted 29 December 2014

VA – Sound Interpretation: Reykjavík

VA – Sound Interpretation: Reykjavík
HAZE315

VA

“Sound Interpretation: Reykjavík”

Let’s go for a walk through Reykjavík!
This release is the fifth from Sound Interpretation series dedicated to cities.
We believe that each city has its own unique air. But anyone who works with the sound knows that every city has a inimitable soundscape and rhythm. So let’s make a musical journey through the cities. Cities you’ve been or would like to visit.
posted 18 December 2014

Hank Hobson – Train In The Woods

Hank Hobson – Train In The Woods
[SCL153]

Hank Hobson

“Train In The Woods”

Is it possible to travel not leaving your favourite armchair? Yes, it is, if there is “Train In The Woods” mini-album playing in your headphones. From a desolate railway station lost in the woods, where there is not a living soul present, just the wind whistling in the posts and rare through trains break the silence, an old train will take you around our mighty country, and you will be dreaming about all the places you haven’t visited yet to the rhythmical throbbing of the wheels. And eventually you will find yourself on the coast of the ocean, breaking its waves against the deserted shore, day and night, and this will be the end of your trip.
credits

Music by Hank Hobson

Join Us!
soundcloud.com/hank-hobson
hankhobson.bandcamp.com

posted 09 December 2014

cheon kim – eat dogs drink cats

cheon kim – eat dogs drink cats
0kbps075

cheon kim

“eat dogs drink cats”

cheon kim

eat dogs drink cats [0kbps075]

side a
a1 – Willkommen (synths, drum machine, samples)
a2 – LV (synths, piano, muted drum machine)

side b
b1 – Lautreamont (synths, growls, plug, digital reverb bugs)
b2 – the world means nothing to you (alto sax, fretless bass, guitar, vox)

///ridiculous ridiculous ridiculous enough to be a part of///

cover art by Serko Petrich

september,3 – october,25
MMXIV

MAV [0kbps] Records, November 2014

posted 03 December 2014

Bad Night Moon Shadow – Bad Night Moon Shadow

Bad Night Moon Shadow – Bad Night Moon Shadow
ASR010

Bad Night Moon Shadow

“Bad Night Moon Shadow”

All Songs written and recorded by Jared C. Balogh from 1997 to 2005.

Electric Guitar, Acoustic Guitar, Electric Bass, Keyboard, Mini Organ, Sound Effect and Vocals: Jared C. Balogh

Vocals and Lyrics- Lisa A. Farrow and Jared C. Balogh

All Instruments Played By: Jared C. Balogh

Vocals- Pete Pasko on Track 15 “Wonder”

The band name Bad Night Moon Shadow is a play on the opposite wording of The Beatles song “Good Day Sunshine”.

Songs released on Altered State Reflections in 2008 and 2013

posted 02 December 2014

Pink Hex – Live @ The Old Brick Theater (Scranton, PA) November 23, 2014

Pink Hex – Live @ The Old Brick Theater (Scranton, PA) November 23, 2014
ASR107

Pink Hex

“Live @ The Old Brick Theater (Scranton, PA) November 23, 2014”

Pink Hex live @ The Old Brick Theater in Scranton, Pennsylvania (U.S.A) on November 23, 2014.Jamms 1-4

Jared C. Balogh: Drums, Bass Guitar and Bell Kit
Ed Cho- Guitar/Noise and Bass Guitar
Joel Kromer- Guitar/Noise and Cassette Manipulation

http://www.alteredstateofmine.net/pink-hex/

Released on Altered State Reflections (ASR107)

posted 28 November 2014

Daniele Ciullini – Resti

Daniele Ciullini – Resti
EdP068

Daniele Ciullini

“Resti”

Italian electronic music composer, Daniele Ciullini, is back to EdP – Editora do Porto with a full album of “remains”.
In this thought provoking work you’ll find the vestiges of a plausible life story, left in the open, to the winds…
posted 26 November 2014

http://www.insub.org/images/inub43_w.jpg JEAN-LUC GUIONNET – D’INCISE – At Cave12

http://www.insub.org/images/inub43_w.jpg JEAN-LUC GUIONNET – D’INCISE – At Cave12
insub43

JEAN-LUC GUIONNET – D’INCISE

“At Cave12”

Jean-Luc Guionnet: saxophone
d’incise: laptop

Jean-Luc Guionnet: « My musical work subdivides itself into as many ways as occasions arise for me to think and act with sound. Those occasions have always to do with a strong meeting with an outside element: an instrument (saxophone/organ), a theoretical idea (what is « rumour »?), and mainly a collaborating friend (André Almuro, Éric Cordier, Éric La Casa, Lotus Edde Khouri … Seijiro Murayama) … There then follows a collection of themes which, in turn, influence the evolution of the musical work and define the direction of meetings to come: the thickness of the air, the pidgin (language with neither grammar nor vocabulary), the musical instrument considered as affective automaton, listening dark unto itself, the algebra of and in hearing, sound as a signature of space, signature of objects, signature of what it is not… the fact that French uses the same word – le temps – for time and weather, propagation and spread of forms in time etc. Music is, then, a way to test reality.
Conversely, it’s a test whose experience defines a new distribution of the whole body by artificially localizing it in an unknown and purely physical environment, all the while being able to think, count, make relations or understand places, and so forth. The emotion I look for in music is made out of all these strata and the sliding of one over the other during the act of listening »

d’incise, electroacoustic musician, doing both composed and improvised works. He focuses mainly on generation and manipulation of acoustic sound sources and objects, loves feedbacks and digital glitches as well. He tends to extract the most tiny details of the elements, appreciates slowness and obsessive explorations of simple processes. He coordinates the Insub. label and the Insub Meta Orchestra with Cyril Bondi, with whom he also have the Diatribes duo.
posted 24 November 2014

Jared C. Balogh – Detaching Realities

Jared C. Balogh – Detaching Realities
sPE_0093

Jared C. Balogh

“Detaching Realities”

suRRism-Phonoethics is proud to release ‘Detaching Realities’ by Balogh

“sparkling glamour of grease passing the route of the time’s measurement,-faulty faulty I dare to speak…”-undRess BétonReceive

sPE_0093

posted 20 November 2014

King Imagine & Pankifared – Episodes (Concerto For Two Pianos & String Quartet)

King Imagine & Pankifared – Episodes (Concerto For Two Pianos & String Quartet)
[SCL148]

King Imagine & Pankifared

“Episodes (Concerto For Two Pianos & String Quartet)”

History of creation:
«Once I was chatting with Alexey Micrukov on the Internet and he accidentelly asked me about collaboration with 2 midi-keyboards.” That was the beginning of creation of “Episodes”. Set up was pretty minimalistic so it did not take much time to plug in keyboards, sound cards and speakers. Alexey had an Evolution MK-249C USB MIDI Keyboard and I had an old Cassio, however with dynamic keys, full octave keyboard and pedal! Alexey suggested a great direction. The idea was to mix modern classical music with minimalism, avant-garde, dodekaphonia to make recording interesting for wide range of music lovers.»

About Pankifared:
«He is definitely one of the most flexible and open composers in Kiev. His music is modern and up to date within any context,” – “Afisha” magazine, 2006 about Alexander Kohanovsky. His experience is huge and really impressive. Even the first project was a huge success. He joined the band «Сахар – белая смерть» (formed by Kohanovsky and his fellow mate). After the recording of «Манірна музика» they played at two festivals in Poland at the beginning of 90s. That was a great start. Gigs, performances, collaborations with various artists, recording soundtracks for German mute films such as “NOSFERATU, A SYMPHONY OF HORROR” by Murnau and “Der müde Tod” by Fritz Lang (It was an order of Goethe-Institut). About 12 years ago Alexander started to work in a theatre and he collaborated with a genious, Dmitry Bogomazov. Together they’ve done tens of various projects which were favoured by critics for an excellent composition.»

About King Imagine:
«Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics..and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors. In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom – as remixer, co-author and remastering engineer.»

posted 08 November 2014

Marc Stapleford – Eight Dreams

Marc Stapleford – Eight Dreams
hpr085

Marc Stapleford

“Eight Dreams”

Marc has been in the business for a while, being a member of the recording and touring band Beautiful 2000 but since the breakup of that band, he’s been writing and recording his own material.
This extended EP of eight songs was recorded after a long visit to Kobe, Japan in 2004. Inspired by Akira Kurosawa’s Dreams, ‘Eight Dreams’ was recorded, played, written, mixed, mastered and produced by Marc Stapleford. It has a delightful mixture of laid-back acoustic and electronic-flavoured textures, with the odd turntable and field recording thrown in.
“Eight dreams dreamt in one night. From young to old. This record is in celebration of human spirit and imagination. Long live us.”
posted 15 October 2014

Orquestra Livre Experimental Organica – Sunyata

Orquestra Livre Experimental Organica – Sunyata
0kbps071

Orquestra Livre Experimental Organica

“Sunyata”

Orquestra Livre Experimental Organica

Sunyata [0kbps071]

01 – Kavorkafka
02 – The Clay Tablets
03 – Tetrastigma
04 – Mukesh
05 – Trick
06 – “Codex Seraphinianus”
07 – Flor de Obsessão
08 – Sunyata

Project that began in 23 / ​​August / 2014d.C
Initial idea of the project was intended to benefit from the creativity, free improvisation.
The concept of improvisation is mainly the ability to simultaneously produce and interpret within or without harmonic or rhythmic parameters, melodies, rhythms and vocalizations…. See more
Declaration of authorship:
This page and all the issued and published in it content is of interest, domain and full responsibility of OLEO (Orquestra Livre Experimental Orgânica)
OLEO (Orquestra Livre Experimental Orgânica)
Nando Souza: saxophone
Romulo Alexis: trumpet
Jeferson Peres:drums
Marco Antonio: bass
Guina: efects/noise
cover art: Tor Fröseth (Norway)
participation/vocals on: “the Clay tablets”: Shirin Ny SSan (Tunisia)
MAV [0kbps] Records, September 2014

posted 24 September 2014