Just Hmm.. it [0kbps069]
01 – dUnn0
02 – hi John hi Hank
03 – Sc_cusI
04 – freeHmm…ler
MAV [0kbps] Records, September 2014
>From Germany’s rough bank capital Frankfurt comes machine-musician Chris Geschwindner. The affiliate of the young label polen.rec woves «40h»’s pads and samples together with a shuffled house groove. His remix develops over eight minutes, leaving smiles everywhere with its airy and sunny atmosphere.
A totally different interpretation of «40h» comes from Llyphon. Terrorrhythmus’ mate from Bremen already released on his imprint Betonblume and DubKraftRecords. With stumbling bassdrums, flirring hi-hats and washed-out samples he transforms Terrorryhthmus’ trap track into a lush and varied piece of contemporary electronic music.
Also from Bremen comes producer and DJ in demand Tobs who just dropped his first vinyl on Drowned Records. His «Leaving Home»-version of «Post Smack» is full of warm pads and synths, unfolding sentimental feelings over a pretty straight house beat.
Uprising Belgian producer Take Away The Noise seems to have hardcore in his blood. His seven minute long adaption of «Post Smack» utilizes the original’s vocals in a stumping techno garment. Breaks and shuffled bassdrums penetrate the rough track which is designed to destroy dancefloors.
This work, like his others; and many other things that I have enjoyed in concert, has its own peculiar character, the detail that blows the mind and that eccentricity carries it to work every detail like a careless tide, but he has the control, so many years on the path have not made him aloof, and he applies every consciousness, every experience.
It shows in the quality of the sound and in the domain of reaching the very edge of the break, without breaking.
Tiny pearls invade each of the tracks, and yes, he is one of the masters in this sense, in showing us that heavy noise with delicate sonic touches, that are not lost, on the contrary, he makes them be noticed.
In “Drupas migrantes” we hear from the beginning with “Zaxsibulan”, mantric drones that invade, and leave us almost perplexed to wait any longer.
We pass through quasi organic states like those in “Drupa” and “Ralokhao”, cyber-robotic moments like “Aeasxoolar” and “Drirl” to descend to the shamanic poetry of “Xeticanteral”.
Can this work be classified? It cannot – you can only listen and enjoy- qualifications do not count, just immerse yourself or be engulfed by it.
.Zigo without a doubt “is” in past, present and he shows the future, and all this comes together for capture us to hear.
———————
.Zigo tiene el apocalipsis Bladeraniano (de “Blade Runner”) en su concepción del sonido. Se hamaca cómodamente entre amaneceres sulfúricos y atardeceres románticos a lo cyberpunk.
Este disco, como otros y muchas otras cosas que he disfrutado en vivo, tiene su peculiar sello, el detalle de la voladura de cabeza y esa excentricidad que lo lleva a trabajar cada detalle como en una descuidada marea, pero él tiene el control, tantos años de carrera no le son esquivos, y aplica cada conocimiento, cada experiencia.
Se nota en la calidad del sonido y en ese dominio de llegar hasta el borde mismo del quiebre, sin llegar a quebrarse.
Diminutas perlitas invaden cada uno de los tracks, y si, es uno de los maestros en este sentido, en mostrarnos ese heavy noise con delicados toques sonoros, que no se pierden, al contrario, los hace notar.
En “Drupas Migrantes” oímos desde el comienzo con “Zaxsibulan” drones mántricos que se nos vienen encima para invadirnos y dejarnos casi perplejos para esperar más.
Pasamos por estados cuasi orgánicos como en “Drupa” y “Ralonkhao”, ratos cyber-robóticos como “Aeasxoolar” y “Drirl” para descender a la poesía chamánica de “Xeticanteral”.
¿Cómo podemos calificar este disco señores? No se puede, solo se puede escuchar y disfrutar, los calificativos no cuentan en una obra tan completa, solo meterse en ella o ser engullida por ella.
.Zigo sin duda está en el pasado, el presente y nos muestra el futuro, y todo conjugado para que lo tomemos, para que lo oigamos.
Luis Marte
(Buenos Aires, agosto 2014)
The unlistenable dub project [0kbps067]
01 – Once again (Emanuele Fais, Stefano Balice, Tommaso Busatto)
02 – Ti fai le canne di droga (Tommaso Busatto)
03 – Mi si è rotto il funk (Emanuele Fais)
04 – La cosa fatta (Stefano Balice)
05 – Heavy dub cunt destroyer (Tommaso Busatto)
06 – Ansia da dub (Emanuele Fais, Stefano Balice, Tommaso Busatto)
07 – Little Duppy Girl (Emanuele Fais)
08 – Tattilofonia e relativi ornamenti vocali dub (Stefano Balice)
09 – Nigga taught me how to reggae (Tommaso Busatto)
MAV [0kbps] Records, August 2014
the music on entoptic landscape is “slow moving, partially entering into ‘view’ and then gone again. the attempt to focus has the effect of obscuring it. all of the performances of this music respond in some way to open notation. as such, no two performances of this music are alike, but all hold much in common. open notation has been employed not for reasons of accessibility but as a means of inviting the performers into the specific soundworld of the piece.”
Having collaborated for many years now, Badrutt and Kocher play improvised music. Through this practice they explore the relation between the very electronic sounds of the accordion and the instrumental potential of the electronics.
There is no electronic processing of the accordion, more the opposite: the acoustic sounds tend to influence the machine, creating accidents and random behavior of the electronics.
Badrutt and Kocher also take care of the acoustic specificities of the spaces where they play, taking it as a fundamental element of the performance. Through this subtle tuning between the playing and the space, every sound performance becomes site specific.
The concert at Rex was the last of a small tour in the Balkan region. Hours of travelling around on bad roads with old albanian taxis and public buses, fastidious border crossings and concerts in very different venues: a quiet basement in Athens, an old industrial building in a no man’s land area in Tirana, a very small bar in the middle of a fancy bars area in Skopje and the beautiful old cinema REX in Belgrade.
Our music evolved quite a lot during the tour, the context as well as all the people we met and the places we stayed, having definitely an influence on our playing. This recording aims to document our practice in a specific context at a specific time. No concept before playing, no edits or re-composing after. It is just what it is, improvised music.
Rogue [0kbps066]
01 – Discourse
02 – Golden Ghetto
03 – Descriptivist Perscriptivist
04 – Conversation
05 – Futurosity
06 – Disrupted
07 – The Message
08 – Fettine Panate
09 – The Universe Is Under No Obligation To Make Sense To You
MAV [0kbps] Records, June 2014
Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic;
Creative Commons license: Attribution 3.0
Adrian Northover- Alto and Soprano Saxophones
Tasos Stamou – Prepared Zither, Cassette Loops, Digital Horn and Test Generator
Artwork by Marta Jimenez-Saicedo
1. 8CYM (d’incise, 2013)
2. For percussions perhaps, Or… (night)(James Tenney, 1971)
Johnny Chang: viola, pre-recorded background (also featuring Derek Shirley, double bass)
d’incise: melodica, objects, pre-recorded background
Recorded in Berlin, november 2013
Unalog [0kbps064]
. Unalog – 00
. Unalog – 01 (feat. LiZetta)
. Unalog – 02 – Oh mia Rosina
. Unalog – 03 (feat. LiZetta)
. Unalog – 04 – Wood
. Unalog – 05
. Unalog – 06
. Unalog – 07
. Unalog – 08 (short)
. Unalog – 09
. Unalog – 10
. Unalog – 11
. Unalog – 12
MAV [0kbps] Records, April 2014
on embossed tales of throats the duo continues to develop a strong improvised language that pushes and pulls at sound playing in and outside of each other, at the acoustic resonances of their instruments and bodies, at their shared performance histories and at creating electrified playing experiences. the duo also investigates the use of both tape and digital recording technologies and various microphones to create changing impressions of their sounds and inspiration for new gestures.
the first album from john collins mccormick released under his own name (he has previously released albums as sky thing), is a collection of his sound sculptures that he has created and performed between 2012 and 2014. it is a patient collection. ten pieces, just over two hours of sound. it is released in conjunction with mccormick’s m.f.a. exhibition at herron school of art and design.
SUNSHINE [0kbps063]
1. Sunshine Youth
2. Untitled
3. Non vivo senza delay
4. Il rumore delle cose che si deteriorano
MAV [0kbps] Records, April 2014
The Music and Art you find here will ALWAYS be given out completely free of charge…
Now and Forever More.
∆∆ƒ® aims to change the world through Soundwaves…
It aims to Heal this Earth with Waveforms
and it aims to Awaken the creative within YOU using vibrations.
It will set the platform for a new Music Indsutry.
One that is fair. One that treats the artists like the true creative architects they are, not like prisoners the way so many true artists are treated by their current ‘Labels’.
Many of the artists here will be signed to other labels, so if you want to Pay Money for their music, you are perfectly entitled to do so and I hope that you do that, because the arists here deserve every penny they can get for the amazing art their have created and shared with us.
So without further ado, please delve further.
Explore this ∆∆ystical ∆∆agical Wonderland of ∆∆arvellous ∂elights…
And please… tell ALL your friends.. Tell ALL your family…
Good Heavens…. Tell The Entire World
Everyone deserves to Know How To Love Again.
Peace, Light, Love and Blessings to ALL Beings of the UNiverse.
Always.
in All Ways.
Yours truly, faithfully, loyally…
∆∆agic ƒind
This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels
Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: I.Z. aka IDzeroNo; TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic;
Creative Commons license: Attribution-Noncommercial-Share Alike 3.0
Confusione post-depressiva [0kbps060]
1. Escitalopram
2. Distorsione cognitiva
3. La dispersione del Caos e la quiete che ne consegue
MAV [0kbps] Records, March 2014
Trasfusione EP [0kbps059]
01 – Stomaco a pezzi
02 – Trasfusione
03 – Un porto sicuro
04 – Fuggo dalle responsabilità
05 – Adotta un artista
MAV [0kbps] Records, March 2014
This release is the first from Sound Interpretation series dedicated to cities.
We believe that each city has its own unique air. But anyone who works with the sound knows that every city has a inimitable soundscape and rhythm. So let’s make a musical journey through the cities. Cities you’ve been or would like to visit.
