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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: Drone

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

Steven Leak, LR Friberg, Marco Lucchi

“Storlien – Åre – Järpen”

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

The train moved like breath held just below the surface. Its low hum vibrated through the bones of the carriage, steady and almost imperceptible. More rhythm than sound, more presence than noise. Outside, the world passed in dissolving layers.

Norway, then Sweden. But no hard border. Just a slow merging of landscape, a quiet shift in the light.

Forests, thick with pine rose like sleeping giants, then opened without warning into lakes, still, black, mirror-like. They caught the last threads of evening like secrets too soft to speak aloud. In the water, the sky folded back into itself, perfect and inverted. Hills floated upside-down. Trees had double roots. It was hard to tell what was reflection and what was real.
Now and then, a village blurred past. Red-painted houses. Green, damp gardens. Fences wrapped in ivy. Curtains drawn halfway closed, as if the dusk were something to be filtered rather than embraced. Smoke curled faintly from chimneys that looked too delicate for fire.

Golden light moved across the train windows. Not from inside, not from any lamp, but from the outside world gilding the glass. It cast halos where there should be none. The air inside the carriage thickened.

And then…

Chris blinked. A flash of confusion passed over his face like a short-circuited dream. His accent, all Texan resonance tempered by too many books and long thinking hours, rose into the stillness.

“Okay… how the hell did I end up here?”

His voice cut the silence but didn’t break it.

Fabian turned in his seat, slow, like someone coming up from underwater.

“I thought this was a dream,” he said quietly, mostly to himself. He rubbed his palms together absently. As if trying to verify the texture of the moment.

Across the aisle, Elin and Linn met eyes. It wasn’t recognition, it was confirmation. Something in them both said: “this again.”

Elin shrugged first. Small, almost imperceptible. Shoulders barely moved. Linn mirrored it, but hers was more calculated. A shrug that meant “I have no idea but I’ve already started parsing it.”

Chris let out a single half-laugh. Not humor. Friction.

“Well,” he said, glancing out the window, “I always wanted to see the fjords.”

Elin didn’t smile. She was still watching the landscape slide by.

“There are no fjords in Sweden,” she said dryly.

Linn turned to her. “What about Gullmarn?”

Elin frowned slightly. “Where even is that?”

“Bohuslän,” Linn said, the word folding easily into the quiet. “Never been there. But I know.”

Chris exhaled slowly and leaned forward, elbows on his knees.

“Okay, enough. There should be a baseline to this. A rule. A reason. Something to pin it to. Why did it happen again?”

Elin looked around the carriage. Her gaze landed on the folded seats, the patterned upholstery, the soft overhead lighting that didn’t flicker. The soft sway of the train as it curved slightly left, following the contours of a lake she didn’t recognize.

“I’m home right now,” she said, carefully. “Or, obviously…” she paused, took in the unfamiliar timbre of the train “…not.”

Fabian leaned his head back, closed his eyes for a second, then opened them again.

“Maybe,” he said, slowly, “we’re being pulled together. By something.”

The sentence hung there. Unfinished, but trembling with implication.

All four of them fell quiet. Not a stunned silence. A listening one.

The train rolled on. Outside, the light kept folding over itself, oranges into purples, sky into lake into sky again. Inside, four people sat in the pulse of something too big to name. Each of them thinking the same thought, the same question, in slightly different words.

And somewhere deep in the hum of the rails, it almost felt like the question had already been asked.

Not to them.

But through them.

Button: by-nc-sa
posted 22 November 2025

Invisible Illusion – Altered Signal

Invisible Illusion – Altered Signal
[LCNLP228]

Invisible Illusion

“Altered Signal”

Invisible Illusion – Altered Signal

The Necrophile Hummingbird netlabel presents Altered Signal by Invisible Illusion.

“Mystical Post-Industrial Music for Experimental Music Lovers”

Sometime you need to go back to something more rough more free more spontaneous. This album was unplanned it just birth from one session using a lot my electric frequencies generator mix later with several field recordings. I chose to deal with my very outsider music voice on several tracks. And added a few of related single experiment to achieve them.

For the artwork I used a head paint by my great-grandfather and next I changed it for a portrait made in wax by him too, because in this album I dig the origin of my life and its singularity to understand why the lines between my monikers are tangling so much these days. I mean CorteX and Yoshiwaku as well as Invisible Illusion have no more any real difference… Perhaps it’s related to the longtime stuck with rADio eNd which was an attempt to eradicate all them.

My great-grandfather was an orthodox believer, he made a lot of icons is whole life during, but he was also studying hypnosis and magnetism already in the 1920s years, so I hope he understood before is death in 1978 that all churches are against spirituality. Religion is a plague, especially in Europe where so many people have been massacred during several centuries, just because of being different, or more human than these god’s bureaucrats, do I say, these mobsters addicted to power. My great-grandmother was organizing spiritism meetings at home. I’ve always seen them together till her death in 1981. My first years I thought he was very impressive despite being quite silent, like only watching the people and indeed later I learnt he was already dead before my birth. Now I’m running a museum with the handcraft and paints they did as well as my art. Because I enjoy self sabotage I wrote the handcraft room is still not open, but in reality it’s already set, so if you travel by france, feel very free to visit the place https://soloist.ai/atelierkol/musee-hors-norme

A shorter version of Makeshift Bandage is available on this album https://archive.org/details/Jeff_Sampson_Ed_End_Tian_Keng

Dedicated to those mediums who turn the signals they receive into music.

Button: by-nc-sa
posted 09 November 2025

Nuno Pires – Animal Sintético

Nuno Pires – Animal Sintético
[mi347]

Nuno Pires

“Animal Sintético”

Nuno Pires – Animal Sintético

Recorded during the lockdown period, Animal Sintético is the result of an intensive exploration of a Novation Peak synthesizer, temporarily loaned by a friend.

The work unfolds through real-time recordings and modulations over the course of a week, with compositions built track by track and captured in single takes.

This release explores ambient and drone territories, progressing toward more rhythmic and percussive pieces at its conclusion.

Each track corresponds to a distinct synthetic textile material, evoking the idea that sonic filaments gain meaning through interconnection.

The title — born from a spontaneous joke about a faux fur coat — precisely reflects the EP’s aesthetic: artificial, textured, interwoven.
Animal Sintético is an exercise in material and conceptual synthesis, where instrumental limitation becomes language.

Button: by-nc-nd
posted 06 November 2025

VelgeNaturlig – 2500

VelgeNaturlig – 2500
[mi346]

VelgeNaturlig

“2500”

VelgeNaturlig – 2500

The artist VelgeNaturlig (real name Ivo São Bento) combines dense, improvised sound environments and the use of analog machines to explore introspective audiovisual landscapes.

This work, released by MiMi Records, carries the listener through industrial and ephemeral soundscapes, where metallic drones and subtle pulses narrate without words. Its intimate, ritualistic atmosphere reveals a rare aesthetic — austere beauty and constant tension.

A demanding yet rewarding work — for those who seek deep immersion and creative silence.

Recorded live on December 22nd, 2023, at KIC (Kulturno informativni centar) in Zagreb, during ‘Ambientalika’.

Music, recording, mixing and mastering by Ivo São Bento
Photography by Bianca Stanea, taken on Patmos Island
Layout by Nanna Cartis
Ambientalika curated by Miljenko Rajakovic

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posted 22 October 2025

HiNoGar – ReSearch At

HiNoGar – ReSearch At
[ACP 1460]

HiNoGar

“ReSearch At”

HiNoGar – ReSearch At

Rácz Mihály (HR+, Hideg Roncs – ambient, drone revisions)
Sipos Róbert (ROBotron, NoiseSculptor – techno, noise, drone revisions)
Jäger Ádám (jagarin – artwork, vocals, samples from Search At)

„ReSearch At” is HiNoGar’s second full-length manifestation, created at 2025 spring from the first album, „Search At” tracks and a compilation track with some new sounds. The performers on the re-worked, but absolutely new album are HiNoGar members – but under other aliases.

Button: by
posted 17 October 2025

Substak – Σφαῖρα

Substak – Σφαῖρα

Substak

“Σφαῖρα”

Substak – Σφαῖρα

Σφαῖρα, an EP inspired by ancient Greece, wasn’t just a geometric shape, it influenced their understanding of both the Earth and the universe.

What begins as light ambient soundscapes slowly transforms, drawing you into a world of resonant drones. It’s an exploration of sonic depth, from the subtle to the profound.

Button: by-nc-sa
posted 09 October 2025

jofi – ochre walls of heft

jofi – ochre walls of heft
[mi345]

jofi

“ochre walls of heft”

jofi – ochre walls of heft

It is yet another debut by a portuguese artist in the MiMi Records catalog.

The neck’s contortion, the hand flung into the void, the chest opening to a silence that rises from beneath the skin and folds perception inward—the introspection of not quite knowing what the body itself is feeling.

As a kind of retrospective, “ochre walls of heft” strips away the final layers of what this project has been: an exploration of abstract, unbound sonorities. Here, everything takes form and culminates in the electric and/or acoustic guitar, sent on a journey through three distinct soundscapes, equally indebted to Tangerine Dream’s expansive atmospheres and Merzbow’s abrasive intensity.

When he’s not unsettling his neighbors with new recordings, jofi is also a poet, painter, and photographer.

Button: by-nc-nd
posted 02 October 2025

Friberg, Fialkiewicz, Strasser – Field Repairs

Friberg, Fialkiewicz, Strasser – Field Repairs

Friberg, Fialkiewicz, Strasser

“Field Repairs”

Friberg, Fialkiewicz, Strasser – Field Repairs
Elin shifted again. Not quite moving, more like settling further into her own skin. “For me… I think home isn’t a destination. It’s not about finally arriving somewhere perfect. It’s…” She paused, eyes softening, searching the air for language that wouldn’t betray the feeling. “It’s what happens in the space between arrivals. The in-betweens. The moments no one curates. Where you’re not being watched. Where nothing is being proven. Just… the next step, taken without performance.”
Her breath caught, barely audible, then continued.
“It’s the field repairs,” she said. “It’s the coffee. It’s the pulse of continuity. Presence, not spectacle. Not grand gestures. Just… rhythm. The kind you don’t notice until it’s missing.”
Linn felt something loosen in her chest. Not release, just recognition. The words didn’t land on her. They moved through her. As if they’d already been there, just waiting to be named.
Then, quieter, Elin added, “And maybe… I ran out of places to escape to. I don’t want to be in motion anymore.”
She opened her eyes and met Linn’s. Unshielded. Steady.
“Being here with you, it feels like that. Like maybe home isn’t a structure, or a city, or an address.”
She exhaled, slow. “It’s you. It’s this. A moment I don’t have to edit, or narrate, or earn.”
Linn swallowed, something heavy and luminous catching in her throat.
“I think I’ve been searching for that longer than I want to admit,” she said. “The kind of presence that doesn’t ask for performance. Just… stays.”
Elin smiled then. Soft, warm, unrushed. A kind of answer that didn’t need to be spoken.
“Then maybe,” she said, “we’re already there.”
Button: by-nc-sa
posted 27 September 2025

Woods Mattress – Hypertension

Woods Mattress – Hypertension
[GoH-840]

Woods Mattress

“Hypertension”

Woods Mattress – Hypertension

GoH-840: Woods Mattress – Hypertension

An over half an hour long harsh noise navigation with definitely atmospheric, hypnotic and dark approach slightly marked with traces of distorted ambient, far from violent sonic abuse typical for the genre. A psychedelic, noisy journey with the Illinois artist.

all rights reserved
posted 11 July 2025

Polarlicht – Search for All Viewers

Polarlicht – Search for All Viewers
[GoH-838]

Polarlicht

“Search for All Viewers”

Polarlicht – Search for All Viewers

GoH-838: Polarlicht – Search for All Viewers

A haunted industrial ambient navigation, where pulsating sound waves of distorted heavy drones evoke the dark, dreamy atmosphere. A soundscape of a nightmare, in which you dwell in the everlasting confusion. Truly a disturbing work!

all rights reserved
posted 09 July 2025

Filipe Miranda – RōSHI

Filipe Miranda – RōSHI
[[mi339]]

Filipe Miranda

“RōSHI”

Filipe Miranda – RōSHI

A reflection on a world of feeling—human, artistic, and political—through the natural dynamic of the master-disciple relationship.
RōSHI explores the ineffable within this bond, emphasizing a chain of transmission where the hidden essence is perpetually renewed.

The installation (Dec 2022):
Music and video engage with Francisco Trabulo’s work in a timeless dialogue, suggesting a continuous, universal essence where death holds no meaning.

The performance (17 Dec 2022):
Ephemeral sonic elements are added to this ongoing flow, marking a unique moment that complements the installation. Life stories intersect, and transmission occurs.

Recorded live at the Vila Nova de Cerveira International Art Biennial, by Marco Lima (Hertzcontrol)

Note/Thanks:
The performance includes excerpts of Francisco Trabulo’s voice from a 2006 academic documentary by Joana Ferreira, Ana Maria Silva, and Bruno Costa (ESE-IPVC), produced within the Olhar o Real workshop – Ao Norte.

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posted 08 July 2025

Ritual Heaps – Deep Harm 4 Masterless Hearts

Ritual Heaps – Deep Harm 4 Masterless Hearts
[GoH-833]

Ritual Heaps

“Deep Harm 4 Masterless Hearts”

Ritual Heaps – Deep Harm 4 Masterless Hearts

GoH-833: Ritual Heaps – Deep Harm 4 Masterless Hearts

Two flowing smooth but often transforming industrials full of pulses and machine-like drones mixed with blurry ambience and oniric melodies. Like a soundtrack for a dream, where pleasant parts shift with disturbing tension. Another unique work of high artistic value from New Zealand’s Ritual Heaps.

all rights reserved
posted 03 July 2025

Jazzaria – Incalculable Gumbo

Jazzaria – Incalculable Gumbo

Jazzaria

“Incalculable Gumbo”

Jazzaria – Incalculable Gumbo

There is an argument that, regardless of complexity, all is theoretically knowable from prior conditions. Cause and effect explain all that was, is, and will be – if only we could gather and compute with the data. But even proponents of this argument will generally acknowledge that such a feat is unlikely – we come from, and are going to, an incalculable gumbo.

Featuring reverb, modulated by volume, accompanied by synthesized drums and effects, all triggered by a minimal infinitely-growing pattern in Conway’s Game of Life.

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posted 23 June 2025

Jazzaria – Incalculable Gumbo

Jazzaria – Incalculable Gumbo

Jazzaria

“Incalculable Gumbo”

Jazzaria – Incalculable Gumbo

There is an argument that, regardless of complexity, all is theoretically knowable from prior conditions. Cause and effect explain all that was, is, and will be – if only we could gather and compute with the data. But even proponents of this argument will generally acknowledge that such a feat is unlikely – we come from, and are going to, an incalculable gumbo.

Featuring reverb, modulated by volume, accompanied by synthesized drums and effects, all triggered by a minimal infinitely-growing pattern in Conway’s Game of Life.

Button: by-nc-nd
posted 20 June 2025

ECHOPRAXIA – Hysteria Titanum

ECHOPRAXIA – Hysteria Titanum
[GoH-822]

ECHOPRAXIA

“Hysteria Titanum”

ECHOPRAXIA – Hysteria Titanum

GoH-822: ECHOPRAXIA – Hysteria Titanum

After two years since mighty “TALAS” has been unleashed, ECHOPRAXIA provides a new, eclectic and powerful full length album, where death industrial foundation of fluctuating, discordant drones is constantly completed by variety of atmospheric means of mind-bending, hallucinatory sonic delights. A monumental work and an instant classic – just check by yourself.

all rights reserved
posted 17 June 2025

Fritz Gessler – POLYPHEM

Fritz Gessler – POLYPHEM
[GoH-819]

Fritz Gessler

“POLYPHEM”

Fritz Gessler – POLYPHEM

GoH-819: Fritz Gessler – POLYPHEM

Based on the story of Ulisses, Fritz Gessler waives a conceptal dark ambient worked filled dreadful atmosphere reflecting the encounter of the cyclope Poliphem. A complex, opening composition shifts into progressive, hypnotic minimalism of completing it zyklopian lullaby. Nearly an hour of dreamy, dark pleasures to be best served with a headset during a nap.

all rights reserved
posted 12 June 2025