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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: electronic

Sam Fendrich – LIFE (terms and conditions apply)

[LOR 077D]

Sam Fendrich

“LIFE (terms and conditions apply)”

Composer Sam Fendrich’s latest collection (his fourth for Linear Obsessional) continues in the vein of the shorter works heard on “The Unquestioned Answer”, with concise, maximal, dense structures punctuated by allusions to other genres (in this case including jazz,blues and rock) and all employing the restless imagination and mordant wit that characterises his work.

“LIFE” (terms and conditions apply) however has an added urgency – all the pieces are recent compositions, worked on in grasped moments throughout a year that has seen a significant amount of personal turmoil.

Composed and Produced by Sam Fendrich in 2015.

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posted 19 January 2016

Various Artists – 15 Years Mixtape

[enrmix23]

Various Artists

“15 Years Mixtape”

Mixtape release celebrating 15 years of Enough Records activity, selected and mixed by ps from the Enough Records catalogue. Cover artwork by Rosana Margarida.
Full tracklist:

01) Inf – Canadian Peach [00:00:00]
02) Julien Neto – From Cover to Cover [00:06:06]
03) ps – 320_030905 [00:10:54]
04) Gilo – Lei #4 [00:17:41]
05) Firnwald – The Woodlake [00:22:19]
06) M-PeX vs Dream Metaphor feat. Dalila – Neural Interface [00:24:52]
07) ps vs Sektor 304 – Toxic Malice [00:30:01]
08) Jenifer Àvila – Si Va [00:39:17]
09) Amitron_7 – Tonicshifter [00:45:13]
10) The Easton Ellises – Liquorstore [52:24]
11) dUAS sEMIcOLCHEIAS iNVERTIDAS – corta-unhas [00:56:14]
12) .crk – Fallout [00:57:59]
13) Dyman – Kill the Flesh [01:04:53]
14) Azureflux – Boss Ass Bits [01:07:44]

All tracks from the Enough Records catalogue. Mixed by ps.

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posted 19 January 2016

Project Mycelium – Pulse

[LOR 076D]

Project Mycelium

“Pulse”

Linear Obsessional is proud to release “Pulse” the debut EP from Project Mycelium, an experimental duo from Hackney, London.

Luke Brennan and Lorenzo Santangeli work from tiny minimalist fragments of acoustic samples- they explore texture and dynamics to build an extraordinary and beautiful piece of music, that seems to reference several stages in electronic music from the 50s and 60s whilst also being strikingly futuristic.

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posted 09 January 2016

Tentato – EPNATO

[MED007]

Tentato

“EPNATO”

“Being deeply loved by Tentato gives you strength, while loving Tentato deeply gives you courage.

Tentato is a series of natural and spontaneous changes. Don’t resist them – that only creates sorrow. Let Tentato be Tentato.

Tentato is best when people barely know he exists, when his work is done, his aim fulfilled, he will say: we did it ourselves.

The snow goose need not bathe to make itself white. Neither need you do anything but be Tentato.”

Tze Tao
credits

posted 07 January 2016

Doublereflect – End Of Cycle EP

Doublereflect – End Of Cycle EP
[KPL034]

Doublereflect

“End Of Cycle EP”

[KPL034] Doublereflect – End Of Cycle EP

Doublereflect – Transfusion (Original Mix)

Doublereflect – Bonus (Original Mix)

Doublereflect – Exit (Original Mix)

Doublereflect – Fossil (Original Mix)

Doublereflect – Fossil (Atabey Mix)

Doublereflect (Atabey Remix)

Doublereflect – Fossil (Deep Paranoya Remix)

Doublereflect Fossil (If I Had A Hi Fi Chamber of Echoes Mix)

Doublereflect – Fossil (Retouched Remix)

Doublereflect – Fossil (Liquom Remix)

Doublereflect – Fossil (Ignacio Sine Remix)

Doublereflect – Fossil (Maddna Remix)

Gerard Llop (Doublereflect): obsesionado con el techno él decide comprarse unos technics para elaborar sus propias mezclas como “dj”, despues de varios años pinchando él decide crear su propia musica, influenciado por muchos estilos de la musica electronica decidió declinarse por el techno dub ambient deep..

Gerard Llop (Doublereflect): obsessed with techno he decides to buy some technics to develop their own mixes as “dj”, after several years playing he decided to create his own music, influenced by many styles of electronic music he decided to be declined by the ambient dub techno deep ..

EP: ….marca un poco la evolución de este aprendizaje…. También una época… estados anímicos, sentimientos personales… son algunos reflejos que cada uno interpreta con su mente…

EP: .. .brandname a little evolution of this learning… Also a time… moods, feelings personal… are some reflexes that interprets each with its own mind…

W&P by Gerard Llop

Mastered by Atabey and Retouched

Cover by Raúl G.

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posted 05 January 2016

V/A – Lo​-​Fi Fidelity

[SCL-TM005]

V/A

“Lo​-​Fi Fidelity”

New melancholic compilation “Lo-Fi Fidelity”, arranged through the efforts of two producers – Hank Hobson and Hobotek within the framework of their collaborative project H + H2 – is designed in a cold and sometimes gloomy tone. The tone which creates that autumnal touch specific for the season. Plangent ambient and drone, pensive trip-hop and experimental electronica make one wonder about the internal quality of music, its message and the atmosphere created by the melodies. Musicians whose works are represented in the compilation protest against the lack of spirit in the modern world where the value of ideas is substituted by the masterly performance, and brandish their fidelity to the ideals of the past, when the music was considered to reflect the musician’s perception of the world. The ideas that are so often forgotten now.
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posted 28 December 2015

Ars Sonor – Future Journeys

Ars Sonor

“Future Journeys”

“A new door opens through the broken heart, and, sadly, it’s always like that. It’s unbelievable… how much pain is around still, how much stuff I have to release… henceforth. The more you dig, the more comes up. But, I’m afraid, there’s no other way, other than this kind of therapy. Releasing old music. It’s still a lot to do, but at least with less stuff I’ll be able to crawl through this hole to another side. It looks as bleak as on this side, but it’s better than stay here. And then… future journeys will be possible” (Ars Sonor)
posted 28 December 2015

Dr.800XL – Epifanía

[pn101]

Dr.800XL

“Epifanía”

“Epifanía (Epiphany) (From the Latin epiphanīa: f. manifestation, appearance, or revelation). – This corresponds to the final album of the trilogy initiated in 2006 with ‘Anomia‘ (pn007), continued then with ‘Vesania‘ (pn047) in 2009; and, as such, it continues the course and the dynamic of these 3 states (the diffuse confusion in the beginning, the unbridled madness of the mature conflict, and then, the illumination and calm of the resolution), trying to give an account of various biographical and creative states of the author. ‘Epifanía‘ establishes itself, at the same time, as a point of inflection with profound changes to the stylistic and discursive in this delightfully haphazard route that is life and its creatures-creations.”

Felipe Zúñiga Herranz aka Dr.800XL
(Santiago, Chile, diciembre 2015)

“‘Epifanía‘ (Epiphany), completes the trilogy of Dr.800XL for Pueblo Nuevo… an exercise in electronica of high flight, fresh and full of spatiality. Reunification of samples in a Down-tempo beat, with techno tinges and with a palette of spatial/temporal synthesis of ambient tone. In this multiverse of intricate breaks, playful glitches, with contemplative tone and with a marked experimental accent, Felipe Zúñiga Herranz drives the pulleys to give us a work that makes its impression on the listening, through the richness and variety of the compositions. A disc that crowns in an exiting way this musical/discursive continuity… in good time Doc.”

Héctor “Polar” Aguilar
Integrante del dúo Lluvia Acida / Lluvia Ácida member.
(Punta Arenas, Chile, diciembre 2015)

“The Sound as a tool of echolocation for tracing emotional and mental maps. The Beats like serial lightning strikes forming thoughts. The Sequences forming successive images that vanish at the boundary between the Conscious and the Unconscious. Glitches like nervous tics that we strive to conceal. Arpeggios of Acoustic Guitar that evoke moments that will not return. Synths that move around like cirrus in the sky that our eyes can span. Reverbs that bounce off the walls of our internal cavern. This is how I can describe this “Epiphany” that Felipe Zuñiga gives us today. Fast, enlightening, but not ephemeral. If we listen carefully to them, his pieces take the form of portals, on whose threshold oscillate vibrations that evoke a wide palette of colors, playful and far from the claim of superiority of the Musician above the Listener. Thank you very much for this album, Felipe: I believe that you were happy creating it, and in these times, to share that is a significant and necessary gesture.”

Rafael Cheuquelaf
Integrante del dúo Lluvia Acida / Lluvia Ácida member.
(Punta Arenas, Chile, diciembre 2015)

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posted 24 December 2015

LZRVS – For tonight you’re only here to know

[SOSEP059]

LZRVS

“For tonight you’re only here to know”

Artist: LZRVS
Artwork: Luca Mascioli
Mastering: Fulvio Vitale aka Flux
Title: For tonight you’re only here to know
Genre: Future Beats
Released on: 04/12/2015

Description (Curated by Marco Stilo)

[EN]
In full consciousness and introspective phase. Perhaps this is the key to open Lzrs sound door. Certainly, it’s the essential theme between the producer and Sostanze Records for the making of ‘For Tonight You’re Only Here to Know’, the winning debut record by the Italian artist. Such a release pushing for getting what we have around us. A sound apparently melancholic which does not hide emotive charges towards a romantic evolution. Lzrs softly gets up on the stage but at the same time his elegance shows immediately a significant attetion for its message, codified by distorsions and atmospheres playing up the trip created by its music. In love with Lzrs.

[IT]
In piena fase introspettiva e di sviluppo della conoscenza . Forse è questa la chiave per aprire la porta dei suoni di Lzrs. Sicuramente è il filo conduttore tra il produttore e Sostanze Records nella realizzazione di ”For Tonight You’re Only Here to Know” , debutto vincente dell’artista italiano. Una release che penetra nella voglia di riflettere e capire ciò che ci circonda. Un suono all’apparenza malinconico ma che non nasconde cariche emotive tendenti ad un’evoluzione romantica della musica proposta dall’artista. Lzrs è morbido nell’entrata in scena ma al tempo stesso la sua eleganza desta subito grande attenzione per la profondità del messaggio codificato da distorsioni e atmosfere che amplificano la missione del viaggio creato dalla sua musica. In love with Lzrs.

Tracklist

1. Punk Skin
2. Lost Keys
3. We Raving
4. Struggle feat. D R H O N E

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posted 22 December 2015

Various – Waves

[365]

Various

“Waves”

Here at Kahvi we’re exceptionally proud of our yearly compilation release – and here, finally, is the VA release for 2015! It’s been a mammoth undertaking, collecting tracks, compiling the release, mastering, creating the cover artwork but finally we can announce that ‘Waves’ is here!

This year, we have a massive 50 of the best tracks from some familiar faces, along with many guest artists that submitted their tracks for inclusion. Some really amazing talent is out there with very little exposure, and the VA is our chance to redress the balance. For a playlist visit our Mixcloud page. The VA is made up of a huge range of diverse tracks from ambient to IDM, chill to drum and bass – and even a couple of more experimental tracks to give your ears a treat!

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posted 21 December 2015

Syntactic – Chinese Lights

Syntactic

“Chinese Lights”

“Guest release of a long-time friend and collaborator! Time for a full stop here… everything this project wanted to express was expressed already. According to Syntactic, there’s much more to life than music. In a way this is true, but just only “in a way”… and wishing that everything turns out well for her in the end” (Ars Sonor)

#synthpop #house #ambient

posted 18 December 2015

Bebhionn Laboratory – Visual Textures

[ZIMMER126]

Bebhionn Laboratory

“Visual Textures”

Visual texture is the illusion of having physical texture. Every material and every support surface has its own visual texture and needs to be taken into consideration before creating a composition. As such, materials such as canvas and watercolour paper are considerably rougher than, for example, photo-quality computer paper and may not be best suited to creating a flat, smooth texture. Photography, drawings and paintings use visual texture both to portray their subject matter realistically and with interpretation. Texture in these media are generally created by the repetition of shape and line.
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posted 17 December 2015

Mint – The Minotaur’s Head

[364]

Mint

“The Minotaur’s Head”

The second release for Christmas 2015 is a new album by Kahvi regular artist ‘Mint’.

The curiously named ‘The Minotaur’s Head’ is six tracks of Mint’s blend of oldschool inspired beats and sounds, with today’s IDM techniques. Progressive and subtle in places, with earth shaking beats and basses.

The Minotaur’s Head includes influences of some previous Kahvi artists – like Aaron Jasinski (Tribal Shake) along with oldskool 8bit soundtracks (Distant Signals) and even a nod towards some very early Kahvi releases by Xhale and Epoq (Spirit Touch).

Track of choice , most definitely for this oldschool fan: The unpronouncable ‘Pharmacopoeia’ which is epic progressive oldschool at it’s best!

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posted 17 December 2015

Induction Effect – Reload

[PICPACK232]

Induction Effect

“Reload”

1.Loading
2.From the Abyss [Spacewalk 2]
3.The Arrival
4.Solar Energy [Solar Wave 2]
5.Across the Sky
6.Kingdom [Inspire Emotions 2]
7.Outside
8.Blizzard [Snowfall 2]
9.System
10.Polaris [Northern Lights 2]
11.Lullaby [In the Beginning 2]
12.Hurricane [Induction Hybrid]
13.Completed
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posted 15 December 2015

Tetarise – Stop this moment

[kahvi363]

Tetarise

“Stop this moment”

Kicking off the Christmas releases for 2015, I’m happy to welcome an artist that’s almost become a regular – Tetarise. With his usual high quality and high power beats, this five track EP gives us everything we expect from the artist and more.

Tetarises’ tracks are always epic and fast, verging on the trance but taking roots from IDM and electronica in their finest forms as well. What we get in Stop this moment is resounding basses and echoing arpeggios (The Inner Light), detailed and punctual beats similar to Solar Fields (In Time) and a unique mix of Indian Sitar and dance in the final track Bollywood Hero. It works!

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posted 11 December 2015

Dr. SpaceKir – The depths of Universe

[ZIMMER125]

Dr. SpaceKir

“The depths of Universe”

Throughout recorded history, cosmologies and cosmogonies, including scientific models, have been proposed to explain observations of the Universe. The earliest quantitative geocentric models were developed by ancient Greek philosophers and Indian philosophers. Over the centuries, more precise astronomical observations led to Nicolaus Copernicus’s heliocentric model of the Solar System and Johannes Kepler’s improvement on that model with elliptical orbits, which was eventually explained by Isaac Newton’s theory of gravity. Further observational improvements led to the realization that the Solar System is located in a galaxy composed of billions of stars, the Milky Way. It was subsequently discovered that our galaxy is just one of many. On the largest scales, it is assumed that the distribution of galaxies is uniform and the same in all directions, meaning that the Universe has neither an edge nor a center. Observations of the distribution of these galaxies and their spectral lines have led to many of the theories of modern physical cosmology. The discovery in the early 20th century that galaxies are systematically redshifted suggested that the Universe is expanding, and the discovery of the cosmic microwave background radiation suggested that the Universe had a beginning. Finally, observations in the late 1990s indicated the rate of the expansion of the Universe is increasing indicating that the majority of energy is most likely in an unknown form called dark energy. The majority of mass in the universe also appears to exist in an unknown form, called dark matter.
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posted 07 December 2015