“LIFE” (terms and conditions apply) however has an added urgency – all the pieces are recent compositions, worked on in grasped moments throughout a year that has seen a significant amount of personal turmoil.
Composed and Produced by Sam Fendrich in 2015.
01) Inf – Canadian Peach [00:00:00]
02) Julien Neto – From Cover to Cover [00:06:06]
03) ps – 320_030905 [00:10:54]
04) Gilo – Lei #4 [00:17:41]
05) Firnwald – The Woodlake [00:22:19]
06) M-PeX vs Dream Metaphor feat. Dalila – Neural Interface [00:24:52]
07) ps vs Sektor 304 – Toxic Malice [00:30:01]
08) Jenifer Àvila – Si Va [00:39:17]
09) Amitron_7 – Tonicshifter [00:45:13]
10) The Easton Ellises – Liquorstore [52:24]
11) dUAS sEMIcOLCHEIAS iNVERTIDAS – corta-unhas [00:56:14]
12) .crk – Fallout [00:57:59]
13) Dyman – Kill the Flesh [01:04:53]
14) Azureflux – Boss Ass Bits [01:07:44]
All tracks from the Enough Records catalogue. Mixed by ps.
Luke Brennan and Lorenzo Santangeli work from tiny minimalist fragments of acoustic samples- they explore texture and dynamics to build an extraordinary and beautiful piece of music, that seems to reference several stages in electronic music from the 50s and 60s whilst also being strikingly futuristic.
Tentato is a series of natural and spontaneous changes. Don’t resist them – that only creates sorrow. Let Tentato be Tentato.
Tentato is best when people barely know he exists, when his work is done, his aim fulfilled, he will say: we did it ourselves.
The snow goose need not bathe to make itself white. Neither need you do anything but be Tentato.”
Tze Tao
credits
Doublereflect – Transfusion (Original Mix)
Doublereflect – Bonus (Original Mix)
Doublereflect – Exit (Original Mix)
Doublereflect – Fossil (Original Mix)
Doublereflect – Fossil (Atabey Mix)
Doublereflect (Atabey Remix)
Doublereflect – Fossil (Deep Paranoya Remix)
Doublereflect Fossil (If I Had A Hi Fi Chamber of Echoes Mix)
Doublereflect – Fossil (Retouched Remix)
Doublereflect – Fossil (Liquom Remix)
Doublereflect – Fossil (Ignacio Sine Remix)
Doublereflect – Fossil (Maddna Remix)
Gerard Llop (Doublereflect): obsesionado con el techno él decide comprarse unos technics para elaborar sus propias mezclas como “dj”, despues de varios años pinchando él decide crear su propia musica, influenciado por muchos estilos de la musica electronica decidió declinarse por el techno dub ambient deep..
Gerard Llop (Doublereflect): obsessed with techno he decides to buy some technics to develop their own mixes as “dj”, after several years playing he decided to create his own music, influenced by many styles of electronic music he decided to be declined by the ambient dub techno deep ..
EP: ….marca un poco la evolución de este aprendizaje…. También una época… estados anímicos, sentimientos personales… son algunos reflejos que cada uno interpreta con su mente…
EP: .. .brandname a little evolution of this learning… Also a time… moods, feelings personal… are some reflexes that interprets each with its own mind…
W&P by Gerard Llop
Mastered by Atabey and Retouched
Cover by Raúl G.
Felipe Zúñiga Herranz aka Dr.800XL
(Santiago, Chile, diciembre 2015)
“‘Epifanía‘ (Epiphany), completes the trilogy of Dr.800XL for Pueblo Nuevo… an exercise in electronica of high flight, fresh and full of spatiality. Reunification of samples in a Down-tempo beat, with techno tinges and with a palette of spatial/temporal synthesis of ambient tone. In this multiverse of intricate breaks, playful glitches, with contemplative tone and with a marked experimental accent, Felipe Zúñiga Herranz drives the pulleys to give us a work that makes its impression on the listening, through the richness and variety of the compositions. A disc that crowns in an exiting way this musical/discursive continuity… in good time Doc.”
Héctor “Polar” Aguilar
Integrante del dúo Lluvia Acida / Lluvia Ácida member.
(Punta Arenas, Chile, diciembre 2015)
“The Sound as a tool of echolocation for tracing emotional and mental maps. The Beats like serial lightning strikes forming thoughts. The Sequences forming successive images that vanish at the boundary between the Conscious and the Unconscious. Glitches like nervous tics that we strive to conceal. Arpeggios of Acoustic Guitar that evoke moments that will not return. Synths that move around like cirrus in the sky that our eyes can span. Reverbs that bounce off the walls of our internal cavern. This is how I can describe this “Epiphany” that Felipe Zuñiga gives us today. Fast, enlightening, but not ephemeral. If we listen carefully to them, his pieces take the form of portals, on whose threshold oscillate vibrations that evoke a wide palette of colors, playful and far from the claim of superiority of the Musician above the Listener. Thank you very much for this album, Felipe: I believe that you were happy creating it, and in these times, to share that is a significant and necessary gesture.”
Rafael Cheuquelaf
Integrante del dúo Lluvia Acida / Lluvia Ácida member.
(Punta Arenas, Chile, diciembre 2015)
Description (Curated by Marco Stilo)
[EN]
In full consciousness and introspective phase. Perhaps this is the key to open Lzrs sound door. Certainly, it’s the essential theme between the producer and Sostanze Records for the making of ‘For Tonight You’re Only Here to Know’, the winning debut record by the Italian artist. Such a release pushing for getting what we have around us. A sound apparently melancholic which does not hide emotive charges towards a romantic evolution. Lzrs softly gets up on the stage but at the same time his elegance shows immediately a significant attetion for its message, codified by distorsions and atmospheres playing up the trip created by its music. In love with Lzrs.
[IT]
In piena fase introspettiva e di sviluppo della conoscenza . Forse è questa la chiave per aprire la porta dei suoni di Lzrs. Sicuramente è il filo conduttore tra il produttore e Sostanze Records nella realizzazione di ”For Tonight You’re Only Here to Know” , debutto vincente dell’artista italiano. Una release che penetra nella voglia di riflettere e capire ciò che ci circonda. Un suono all’apparenza malinconico ma che non nasconde cariche emotive tendenti ad un’evoluzione romantica della musica proposta dall’artista. Lzrs è morbido nell’entrata in scena ma al tempo stesso la sua eleganza desta subito grande attenzione per la profondità del messaggio codificato da distorsioni e atmosfere che amplificano la missione del viaggio creato dalla sua musica. In love with Lzrs.
Tracklist
1. Punk Skin
2. Lost Keys
3. We Raving
4. Struggle feat. D R H O N E
This year, we have a massive 50 of the best tracks from some familiar faces, along with many guest artists that submitted their tracks for inclusion. Some really amazing talent is out there with very little exposure, and the VA is our chance to redress the balance. For a playlist visit our Mixcloud page. The VA is made up of a huge range of diverse tracks from ambient to IDM, chill to drum and bass – and even a couple of more experimental tracks to give your ears a treat!
#synthpop #house #ambient
The curiously named ‘The Minotaur’s Head’ is six tracks of Mint’s blend of oldschool inspired beats and sounds, with today’s IDM techniques. Progressive and subtle in places, with earth shaking beats and basses.
The Minotaur’s Head includes influences of some previous Kahvi artists – like Aaron Jasinski (Tribal Shake) along with oldskool 8bit soundtracks (Distant Signals) and even a nod towards some very early Kahvi releases by Xhale and Epoq (Spirit Touch).
Track of choice , most definitely for this oldschool fan: The unpronouncable ‘Pharmacopoeia’ which is epic progressive oldschool at it’s best!
Tetarises’ tracks are always epic and fast, verging on the trance but taking roots from IDM and electronica in their finest forms as well. What we get in Stop this moment is resounding basses and echoing arpeggios (The Inner Light), detailed and punctual beats similar to Solar Fields (In Time) and a unique mix of Indian Sitar and dance in the final track Bollywood Hero. It works!
