Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”
When one fears the unknown, the only solution is to investigate – and there’s only one operative for the job. The name’s Craft – Lovecraft. Otherworldly affairs and supernatural concerns are their specialty. Be thankful for what you don’t know you don’t know.
Featuring synthesizer, strings, choir, piano, drums, guitar, church bell, laughter, and effects.
The Lynchian molecules granulate into the now.
Cinematic sand storms into new patterns.
The noise kindly asks you about your situation.
Please keep us posted!
Welcome to another glimpse into the work of an ongoing collaboration between the two electronic music projects Sobria Ebrietas and Iliaque.
«Anamnèse» is part of a current release series spanning four labels. They present their music collab output across many different net labels, linking the net label scene in a creative way.
Please also check out the EP «Carnation» on Enough and «Amberol» on Attenuation Circuit. And a fourth one will be released soon on The Committee For Sonic Research.
Both artists are long active in the electronic music, free and CC net label scene, also collaborate since years. You can find more of their music over at Clongclongmoo.
Elektronische Meuk Vol. 1 is a collection of tracks, of music that I like to make. While at first these tracks don’t seem to have a red line connecting them, by being made by the same artist they inherently share the same sonic palate and feelings that I, the artist, put into them.
This album features electronic music with a focus on texture. Containing feelings ranging from confusion, melancholy, monachopsis, lagging behind everyone else, to restlessness, sudden boosts in energy that you don’t know what to do with and many more.
This album exists because I want to release things, for the sake of creation. To make music, be able to share it with people and thereby share a little piece of me.
The concept of ‘Inside The Rain’ started life with growth and the fragility of life. That space between life and death. The sound of fragility, growth, disintegration and ultimately failure are key to the sonic text of this album.
In terms of instrumentation I had begun to experiment with percussion again as well electronic rhythmic expression set again dark ambient soundscapes. Another significant character of this album was acousmatic masking of instruments evolving them into new sonic entities. Minimalism was also central to these works and focusing on less helped these sound objects breath.
Though all the sound objects were constructed using Apple Logic I still utilised the concepts depicted by Brian ENO of sound painting. Therefore, these works are presented often as in the moment sound collage happenings fused together with different elements to create the whole.
The artist VelgeNaturlig (real name Ivo São Bento) combines dense, improvised sound environments and the use of analog machines to explore introspective audiovisual landscapes.
This work, released by MiMi Records, carries the listener through industrial and ephemeral soundscapes, where metallic drones and subtle pulses narrate without words. Its intimate, ritualistic atmosphere reveals a rare aesthetic — austere beauty and constant tension.
A demanding yet rewarding work — for those who seek deep immersion and creative silence.
Recorded live on December 22nd, 2023, at KIC (Kulturno informativni centar) in Zagreb, during ‘Ambientalika’.
Music, recording, mixing and mastering by Ivo São Bento
Photography by Bianca Stanea, taken on Patmos Island
Layout by Nanna Cartis
Ambientalika curated by Miljenko Rajakovic
22825 constituye el cuarto material solista publicado por Jus Recondo, y el segundo a través del sello Fuego Amigo Discos.
Se trata de una improvisación grabada en una sola toma, sin edición, que se desarrolla con un clima denso y por momentos agobiante. Los bucles y samples están presentes como en trabajos anteriores pero en este caso se suman elementos melódicos que contribuyen a la espesura del ambiente creado.
El arte de tapa forma parte de una serie de imágenes creadas con inteligencia artificial, continuando lo propuesto en la portada de 19225, anterior lanzamiento por Fuego Amigo Discos.
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22825 is the fourth solo release by Jus Recondo, and the second through the label Fuego Amigo Discos.
It is an improvisation recorded in a single take, without editing, that unfolds in a dense and at times overwhelming atmosphere. Loops and samples are present, as in previous works, but this time melodic elements are added, contributing to the thickness of the created environment.
The cover art is part of a series of images created with artificial intelligence, continuing the concept introduced on the cover of 19225, Recondo’s previous release with Fuego Amigo Discos.
We welcome and congratulate Koichiro Okada for his first release on Pertin-nce.
This album has it all; pure techno, house and electronica.
Raw, groovy, moody, fun, dance floor oriented and dj friendly but also appropriate for more relaxed situations.
Post-industrial electronic ambient project Lost In Transmission is the latest collaboration project between artist Astrid Bellefroid (the source for cover-art photography, field-recording, guitar, ukulele, percussion and vocal-Fx sounds) and Doc.AtmosfearCrush (the reactor of sounddesign and beats). The music is an experience in heavy use of modern possibilities in manipulating natural sounds, re-synthesized, sliced and rearranged, to create an organic, quite danceable sonic cinema for the mind. By listening to the “source reactor bootleg e.p.” you will enter a world of sound made of stoner-electro, trip hop, groovy melodies from the synthwave worlds while some acid got poured all over it.
Born from a Mahorka experiment in collaboration, “Phase Memory” is the first full-length release from Scottish producer Nonima (aka Peltiform / Mitoma) and American artist Abdicant. The two were introduced through the label’s “Making things happen” compilation of collaboration tracks, and despite only ever chatting over messenger, something decidedly clicked.
The result is a tightly woven IDM album that nods to the genre’s classic period while embracing modern production sensibilities. Nonima brings his signature glitch-sculpted tension and atmosphere, while Abdicant’s melodic frameworks give the tracks shape and momentum. It’s detailed, propulsive, cohesive, and compelling. This will not be the last you hear from this pair!
Written / Produced by Nonima (Tam Ferrans) and Abdicant (Jeremy Rice)
These ten tracks were inspired by the first ten Haiga by Christina Chin and Takatoshi Goto from a collection of thirty published by The Haiku Foundation.
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■ EPV_211
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Every track on this album features women.
This compilation album is dedicated to the women who survived that era.
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photo by Mitsuru Shimizu
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:: artist ::
zmi
(epv-artists.tumblr.com/post/59673594206/zmi)
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N-qia
(epv-artists.tumblr.com/post/59677278987/n-qia)
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unmo
(epv-artists.tumblr.com/post/59673906376/unmo)
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chloe orin
(epv-artists.tumblr.com/post/82995212601/chloe-orin)
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Marlaja Virta
(epv-artists.tumblr.com/post/59677598949/marlaja-virta)
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Mujika Easel
(epv-artists.tumblr.com/post/59677552633/mujika-easel)
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Violeta Päivänkakkara
(epv-artists.tumblr.com/post/59673835638/violeta-paivankakkara)
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Cor Blanc
(epv-artists.tumblr.com/post/132861023217/cor-blanc)
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iku
(epv-artists.tumblr.com/post/106216646572/iku)
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Peachonfuse
(epv-artists.tumblr.com/post/59674237839/peachonfuse)
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Ai Yamamoto
(epv-artists.tumblr.com/post/186491585467/ai-yamamoto)
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yoko komatsu
(epv-artists.tumblr.com/post/59673736162/yoko-komatsu)
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Biomes by Weldroid is a four-track journey through vast synthetic landscapes, blending epic ambient textures with jagged distortion, industrial grit, and nostalgic echoes of 80s electronic music. Each piece unfolds like a living environment – expansive, atmospheric, and richly layered – immersing the listener in evolving sonic ecosystems both haunting and cinematic.
The Necrophile Hummingbird presents Dadacore Insane Explosion by reFUGeeS From Beyond
“dada music for dada lovers”
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku
Improvisation recorded the 5th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole
It’s real Dadacore because for each track Psyché Pelik randomly chose a word from a page of Tristan Tzara’s anthology. Also during the last song recording the mixing desk went into a gliding flight… And this will be a double explosion…
Dedicated to the freaks those are breaking any rules but under love.
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![Koichiro Okada – [Pertin-nce 108] Koichiro Okada – Aqua](https://f4.bcbits.com/img/a3747681270_10.jpg "Koichiro Okada – [Pertin-nce 108] Koichiro Okada – Aqua")
