Tracks 1 and 2 feature instrument samples by Amir Baghiri and samples from the movie Still Alice.

Track 3 features samples from the series Making a Murderer and the movies Reservoir Dogs, Drunken Master and Zero Theorem.

Tracks 4, 5, 6, 7 and 8 feature spoken word passages read from the book The Vegetarian.

Track 9 features samples from the movie Zero Theorem, Curtis Hoard Videogames, The Straight Road and from a random 80s educational video on Missile Guidance Systems.

Tracks 10 and 11 features samples from the series Fargo.

Track 11 features sample from the movie Deadpool.

All other sounds in this album were conjured by Filipe ‘ps’ Cruz using Jeskola Buzz. Mixed down using Reaper.

In this work, the author passes comfortably through many of the influences that have permeated his creation over time, always with interesting results, from musical movements that have remained in perpetuity due to their importance and teachings, such as the EBM, or the ever present and transformable synth pop, techno and other aspects that coexist within the most welcoming and evocative universe of electronics.

Scenes well built and cemented in electro beats, analog basses of good company, notes suggestive of contemplative feelings, are the basis of several of his compositions, like ‘Pruss Pruss’, ‘Guitar Day’, ‘Ocean’, ‘I Need’, to name a few. A good invitation to explore the electro pop happening outside the limits of our self-absorbed and centralized reality. Certainly, a pleasant experience.”

Francisco Pinto
(Santiago, Chile. Abril / April, 2017)