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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electronic

Max Scordamaglia – This is not a Tape Vol.3

Max Scordamaglia – This is not a Tape Vol.3
[0kbps103]

Max Scordamaglia

“This is not a Tape Vol.3”

Max Scordamaglia

This is not a Tape Vol.3 [0kbps103]

A01-Solo 05 – Piano Clusters 1
A02-Raw Material V – 02 – OtherSounds
A03-EEtudes V-14 PMin-2
A04-No-Is II – 17 Myray (short)
A05-Solo 04 – Bleep
A06-EEtudes V-01 Serie12-Alg1
A07-Raw Material V – 07 – Inst1
A08-Raw Material IV – 13 – AstraNoise (short)
A09-EEtudes On The Run 17 – MultiKey
A10-What’s Normal – E01 – VHF 3
B01-EEtudes IV-03 GminKey-2VoicesAlt
B02-Raw Material V – 08 – RF+
B03-Noisam 04 – Fx_03-04-05
B04-EEtudes V-16 PMin-4
B05-Ratio III -04-Myyms (short)
B06-EEtudes On The Run 18 – SerialBackwChorus
B07-Noisam 02 – Cry and rain (short)
B08-Dead Tunes – E1 – Slow
B09-14-EEtudes IV-12 FromCmajToFmin+bridge
B10-EEtudes III-20 1Key-1expand-2NewTriads

MAV [0kbps103] Records, September 2016

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https://archive.org/details/0kbps103
http://mavrecords.webs.com
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posted 05 September 2016

Nobody’s Nail Machine – Нет равномерности (Re-Mastered)

Nobody’s Nail Machine – Нет равномерности (Re-Mastered)
[picpack244]

Nobody’s Nail Machine

“Нет равномерности (Re-Mastered)”

01-Nobody’s Nail Machine – Вакуумная АБ(11:12)
02-Nobody’s Nail Machine – Пролёт(5:40)
03-Nobody’s Nail Machine – Неравномерная Деформация(6:04)
04-Nobody’s Nail Machine – Нет Равномерности(11:11)
05-Nobody’s Nail Machine – Подземная Атомная Электростанция(17:57)
06-Nobody’s Nail Machine – Heat Absorber(15:50)
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https://archive.org/details/05.NobodysNailMachineNobodysNailMachine-Re-Mastered
http://picpacklabel.tumblr.com/
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posted 04 September 2016

Organism – Blik

Organism – Blik
[PZO004]

Organism

“Blik”

ORGANISM – project playwright and musician Paul Rassolko from Minsk. Formed in 2002, the year with the acquisition of the analog synthesizer “Polivoks”, broken deck “Vega” and the Soviet equalizer. The advent of the computer in 2003 and it “embellish” the sound of music. Favorite software – “FL Studio 9” and “Adobe Audition 1.0” – that is, no “apples” and all that fashionable. ORGANISM is another Pavel’s project that is the most “listenable” and “poppy” compared to his own project [mikra].

Album “Blik” recorded mostly in the “live” via MIDI keyboard. The concept of old: music software, film fragments and other “sound”, randomly snatched from the Internet.

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http://pz104orbit.com/index.php/en/releases-en/item/26-organism-blik-en
http://pz104orbit.com
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posted 31 August 2016

Митрий Гранков – Отступление

Митрий Гранков – Отступление
[SCL184]

Митрий Гранков

“Отступление”

«Эти песни записывались в 2014-2015 годах и были опубликованы в интер­нете тремя частями: сначала первые четыре песни (обложка с птицей), следующие три песни о кислом (и картинка с лимоном) и отдельно — последняя песня (с фотографией).»
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https://southerncityslab.bandcamp.com/album/–26
http://www.southerncitylab.net
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posted 30 August 2016

Jorge Grela – Expande

Jorge Grela – Expande
[pn110]

Jorge Grela

“Expande”

“Jorge Grela invites us to explore three landscapes in these compositions. The triad ‘Expande‘ (Expand), selected for dance, contains atmospheres from the cavernous to the aqueous, giving use to – among other resources – field recordings, bass pulses, abrasive textures and melodies realized with samples and synthesizers. The use of panning marks dissimilar spaces that converge and establish themselves in the perception of the audience, giving to this disc a characteristic that is of utmost importance in works composed for the stage: that of stimulating the subjectivity and imagination of the spectators, in order to promote a state of immersion in the presentation”.

Miguel Jauregui (aka Basstk)
(Valparaíso, Chile. Agosto / August 2016)

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http://pueblonuevo.cl/expande.htm
http://pueblonuevo.cl
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posted 29 August 2016

Nova deViator – Turns Me On EP

Nova deViator – Turns Me On EP
[KAM016]

Nova deViator

“Turns Me On EP”

The intro does not leave you hanging: here comes an electro beat, lined with a relentless bassline and supported by a mix-up of samples from a well-known house track and a rhythmic litany by a male voice.

The title track has no refrain, no breakdown, just two long verses that keep on going and going. At first, the lyrics seem to be about those almost “stereotypically sexy” female adornments. The assumption that they are exclaimed with possible sexual aims is soon affirmed, but the lyrics of the second part of the track subverts the arousing into other daily phenomena not so typical of sexual hints.

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http://kamizdat.si/releases/turns-me-on/
http://kamizdat.si/
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posted 29 August 2016

Wings of an Angel – Philistine Troubadour Forgot To Discover The World

Wings of an Angel – Philistine Troubadour Forgot To Discover The World
[Self Release ]

Wings of an Angel

“Philistine Troubadour Forgot To Discover The World”

Musing over the threshold of time,
I was an endless azure horizon
Crying out in ecstasy on the wretched earth;
Endless inspiration had forsaken our thorns

Desolate mountains with a philistine angel on top
The heavens’ pale lights terminally wielding;
White scapular with odorous jasmine wings,
Must undress of
Lush glimmering fire.

Innumerable blazing hallucinations;
The grey earth with its fathomless midnights
Forsaken and drunken of the blues
With a white philistine angel expiring above lesser fields – – –

Reality is the biggest enemy we’ve ever had.

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https://wingsofanangel.bandcamp.com/album/philistine-troubadour-forgot-to-discover-the-world
http://wingsofanangel.bandcamp.com/
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posted 23 August 2016

John Novak – Laments of a Chess Automaton

John Novak – Laments of a Chess Automaton
[373]

John Novak

“Laments of a Chess Automaton”

Laments of a Chess Automaton is the newest work of John Novak, whose turned into a Kahvi regular it seems.

A ten track album with a large array of different styles, deep basses and airy beats in Brightly lit shores to the muted and subtle Sixty Dragons. Listening carefully you could understand a few influences such as Tangerine Dream and Air but also some of the classic electronic work from the 90s.

Heck, there may even be a touch of some older Chemical Brothers in here somewhere, so listen for some pretty serious beats and tight basslines!

Tracks of choice for me are: Brightly Lit Shores, Sixty Dragons and Ganymedean Factory Visit with its cool lounge feel. #

Cover artwork by India-Lee
Mastering by Mnemonic

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http://kahvi.org/releases.php?release_number=373
http://www.kahvi.org
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posted 19 August 2016

Dirch Blewn – Capacity and Resistance

Dirch Blewn – Capacity and Resistance
[LOR082D]

Dirch Blewn

“Capacity and Resistance”

Dirch Blewn is the project of musician David Bloor. He records and performs the instruments of Peter Blasser. Recorded live with a few overdubs this music is the sound of capacitors charging and dissipating, of gesture with no finesse, of fish guts and physical connection with wires. Flexing wood and the smell of tung oil. It’s about the drum of Tommy Lee added to some drama from Pamela, the heady mix of surfboards and silicon. The remnants of squeezing jelly ass signal into 8 bits and ultrasound. The sound of woodpile, chaos theory, kiri with a cardboard box, industrial components and paradox.

Linear Obsessional is delighted to release this mesmeric work as a free download as a precursor to an album of shorter works to be released later in the year…
credits
released July 17, 2016

Capacity & Resistance was recorded on two plumbutters, cocoquantus, sidrax and tetrax.

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https://archive.org/details/CapacityAndResistance
http://www.linearobsessional.org
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posted 08 August 2016

Luis Marte – Routier

Luis Marte – Routier
[pn109]

Luis Marte

“Routier”

“When the diverse tendencies of electronic sound are combined, they create style. The form in which the style is crafted provides variety to the listener. As such, it is natural for the inspired musician to suddenly perceive the different forms of noise and interpret it in relation to a work. Luis Marte establishes the union of rhythm and sonic experimentation in a persistent manner, wide and fleeting, with passages (and/or landscapes) “from other worlds” injected from minimal percussion, clear and at the same time deep beats, synthesizers strange for the neophyte and beloved for the initiated.

I have no doubt that Routier (pn109) was composed for the most part with hardware; its sound betrays it. Each beat has its own personality, every glitch, strike, synthesizer and noise in general is carefully aleatoric (Is it possible for the casual to be meticulously cultivated also?) and fits perfectly.

The experience of the autor is also important when it comes time to produce. The broad musical baggage of Luis Marte, the production of numerous festivals, collaborations, and his constant research with new media allows him to interpret through his own prism tendencies that are raw, that do not tend to sail together in the ocean of electronic sound.

What do we have then?

Seven sessions riddled with singular concepts , rhythmic and minimalist, analog and digital, interlaced into a whole and conforming parity, exquisite and of good taste when it comes to relating each noise, beat, glitch, synthesizer, machine, module and who knows what other gadget worthy of praise between the jumble of cables and connections in the studio of Luis Marte.”

Eduardo Yáñez (aka Gozne)
(Quilpué, Chile. Agosto / August 2016)

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http://pueblonuevo.cl/routier.htm
http://pueblonuevo.cl
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posted 07 August 2016

See Pereria – Bodies

See Pereria – Bodies
[SE073]

See Pereria

“Bodies”

Stato Elettrico presents Bodies by See Pereria from Sheffield, UK.

“An electronic blend of sounds, with bubbled up basslines, funky acid looniness and a sensual voice that sings as if she is one human synthesizer”. (‘Yeah I Know it Sucks’, Oct 2015)

See Pereria has a process led approach to making experimental electronica. Preset loops are used as set parameters with the addition of vocals as a further instrument. These limits and boundaries allow for See Pereria to really experiment with the software to create new sounds. Each track in the song is manipulated and sculpted by being layered, cut up and/or looped. Songs are made with heavy emphasis on synths, beats, harmonies and repetition.

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http://statoelettrico.net/netlabel/release/see-pereria-bodies/
http://statoelettrico.net/
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posted 05 August 2016

The Cream Canteens – Moderate Peril

The Cream Canteens – Moderate Peril
[djummi.005]

The Cream Canteens

“Moderate Peril”

The Cream Canteens bring you ‘Moderate Peril’

Feast your ears! This eagerly-awaited EP is a musical summit in all respects: a meeting of minds returned from remote audio peaks with a knapsack of treasure.

The Canteens fuse their digital experiments with the wiles of ancient folklore, creating a palette that is all their own. Each track is a bittersweet quest, moving from melodic flute ditties to sonic fuzz barrage, from lo-fi tinkering to laser-synth pyrotechnics. These warm-hearted tunes are guided by a firm hand on the tiller, with a daydream nod to the darker shores…

So, lay back and relax on this trans-Europa express and immerse your lobes in a mildly-threatening aural treat!

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http://www.djummi-records.de/2016-07/the-cream-canteens-moderate-peril/
http://www.djummi-records.de
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posted 31 July 2016

Linguaggio Macchina – Linguaggio Macchina v.1.3

Linguaggio Macchina – Linguaggio Macchina v.1.3
[SE072]

Linguaggio Macchina

“Linguaggio Macchina v.1.3”

Stato Elettrico presents Linguaggio Macchina v.1.3 by Linguaggio Macchina. If you like Alva Noto and Raster Noton’ sound here you can find some really good satisfaction for your ears. All songs are composed with databent/sonified data files.
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http://statoelettrico.net/netlabel/release/linguaggio-macchina-linguaggio-macchina-v-1-3/
http://statoelettrico.net/
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posted 28 July 2016

V.A. – Access Frame: Property

V.A. – Access Frame: Property
[KAM015]

V.A.

“Access Frame: Property”

Democratization potential of online distribution of music has disrupted the landscape of music industry. While life is moving into information networks and capital and desire for profit are creating unregulated attention economies, an artist is able to create her own production, distribution and communication channels. By using Creative Commons licenses she ensures that the listeners and users are not criminalized for sharing. “Some rights reserved” also supports the idea that without free culture we are doomed to corporatization and control of all culture and art. The commons might cease to exist. Perhaps the role of the netlabel in the neo-liberal late-capitalist landscape is to help with curation, filtering, distribution, promotion and communication of unfettered and uncompromising artistic sonic output and making sure it is properly archived for future generations. A netlabel, an entity that is objectively external, allows the author to be critical about her work, while making sure that her work is published, shared, heard and archived.

With all that in mind Kamizdat is joining the celebration of low-barier D.I.Y. music publishing revolution, the annual celebration day called The Netlabel Day on 14. July.

The title of this collection of Slovenian artists refers to an idea that the debate around free, libre and open access enabled almost costlessly by the Internet is framed by the understanding of the concept of property. This seems almost an historical point, a disruption that has marked almost two decades since the appearance of the MP3, but we believe it is still one of main roots of the many problems regarding online culture and art today.

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https://kamizdat.bandcamp.com/album/access-frame-property
http://kamizdat.si
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posted 24 July 2016

Svann Langguth – Drei- und Vierstimmige Interventionen & Polymorphe Vivisektion

Svann Langguth – Drei- und Vierstimmige Interventionen & Polymorphe Vivisektion
[wuerfel 19]

Svann Langguth

“Drei- und Vierstimmige Interventionen & Polymorphe Vivisektion”

Over a couple of months, Svann Langguth soldered numerous electronic tone and noise generators and finally packed them in lunch boxes (Tupperware, anyone?). Therein, boards with the following chips are used:

40106 Schmitttrigger / 4093 Quad NAND / 4006 18-stage Shift Register / 555 Timer IC

The recordings are experiments with DIY tone and noise generators, with Svann working systematically, exploring the unique features of the specific circuits of his lunchboxes on a track-by-track basis.

Track titles should be understood according to this classification, and consequently also the separation into part A and B. A number of rhythmical and enriched Bass’n’Noise tracks are mixed in between pure complementary metal–oxide–semiconductor tracks.

The release is conceived as a classic double album, with two covers, two titles and two chronologies regarding the tracks on the respective album. Please consider these chronologies.

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http://www.derkleinegruenewuerfel.de/en/releases/svann-langguth-interventionen/
http://www.derkleinegruenewuerfel.de/en/
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posted 23 July 2016

Jan Strach – Jan Pierwszy Starszy

Jan Strach – Jan Pierwszy Starszy
[UPL 069]

Jan Strach

“Jan Pierwszy Starszy”

The title could suggest that this is a debut, [“Jan the first the elder”], but it is far from the truth – this album is JS’s 60th (sixtieth!) release overall and 8th under his own name. But at the same time, after years of refining, meandering and looking for his “own sound”, the sworn-lofi experimental casio rocker claims to finally have achieved the middle ground between all his influences and interests on this one. And although jumping between many styles, it is in fact his most balanced yet – synth-pop, post-punk, shoegaze, chillwave, experimental tendencies leave enough space to breathe for pop sensibilities and epic synths – and as usual DIY spirit ensures that nothing is ever too calculated and lifeless – things constantly move, snap to place, click and keep the sounds flowing organically. And all Jan Strach trademarks are still here, distorted synths, some heavy guitars, some lovely delayed noodlings, romantic strings, odd time signatures, noisy outbursts, curious samples, and plenty of plain weirdness.

Proudly released on July 14th as part of the global Netlabel Day 2016, on the best Polish place for the homemade DIY lofi weirdness, Underpolen Netlabel.

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https://janstrach.bandcamp.com/album/jan-pierwszy-starszy
http://underpolen.bandcamp.com
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posted 19 July 2016

MegaHast3r – In Progress

MegaHast3r – In Progress
[SLC21]

MegaHast3r

“In Progress”

Aportación de Soisloscerdos al Netlabel Day 2016

Formato: Lp digital
País / Ciudad: España / Barcelona
Fecha Publicación: Julio 2016
Genero: Electrónica
Estilo: Techno
Portada: René Navarrot

Canciones:
1. Acid 2
2. Doping Pong
3. Dragonfly Shadow
4. Sputnik Ok
5. Uff
6. Welcome To The Furure
7. Que Le Diable T’Encule (Feat. Wozsch)

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https://soisloscerdos.com/releases/slc21/
https://soisloscerdos.com/
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posted 18 July 2016

Various – Netlabel Day 2016 Compilation

Various – Netlabel Day 2016 Compilation
[SLC20]

Various

“Netlabel Day 2016 Compilation”

Aportación de Soisloscerdos al Netlabel Day 2016

Formato: Ep digital
País / Ciudad: España / Barcelona / Madrid
Fecha Publicación: Julio 2016
Genero: Electrónica
Estilo: Techno, Electro
Portada: Albertgave

Canciones:
1. Langax – Adrenaline intro
2. Langax – Adrenaline
3. Ángel García – Gugugú
4. Periodo Particular- Isi
5. No Human – Arid Badlands
6. MegaHast3r – Haka

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https://soisloscerdos.com/releases/slc20/
https://soisloscerdos.com
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posted 17 July 2016