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the end* of cavern brew records
credits
released July 14, 2022
credits:
pastebin.com/A72BJxXC
. ‘ ,
The modern living environment is fully transmedial. The subject is bound in the functionalities and workings of a cyborg, where the question of her rights becomes especially important. However, oozing through the network of different forces is the patriarchal white hetero cis matrix and the mechanism of disciplining, shaping and cultivating. The trans.fail chapter xenotopic.network relies on the concepts of foreign (xeno), space (topic/topos) and network as the primary sources of inspiration. These concepts can be understood and read in various ways, thus presenting the grounds for a critical reading of the world as a patchwork of possibilities:
“Technology isn’t inherently progressive. Its uses are fused with culture in a positive feedback loop that makes linear sequencing, prediction, and absolute caution impossible. Technoscientific innovation must be linked to a collective theoretical and political thinking in which women, queers, and the gender non-conforming play an unparalleled role. The real emancipatory potential of technology remains unrealized. Fed by the market, its rapid growth is offset by bloat, and elegant innovation is surrendered to the buyer, whose stagnant world it decorates.” (Laboria Cuboniks)
“… what is at stake is nothing less than a global redefinition of the relationship between territory and networks. There are major geopolitical rearrangements taking place right now across the entire stack, from physical infrastructure to information, financial and monetary networks. These are attempts at determining ‘digital territories’ and grappling with how to define and assert some sort of ‘digital sovereignty’ in network space. And cryptographic techniques are at the core of such emerging arrangements.” (Jaya Klara Brekke)
Alberto Bone – Presente distópico
Modismo presenta con orgullo su segundo lanzamiento del 2022, introduciendo a su catálogo el talento del músico chileno Alberto Bone. Jovén artista proveniente de las plácidas zonas rurales que rodean la urbe capitalina. Relocalizado en Valparaíso post-pandemia, la música de Bone encontró su curso de flujo natural hasta los cuarteles centrales de Modismo, en parte, gracias a su destacada participación en “Mala Memoria V”, Concurso Nacional de Música Electrónica organizado por el Museo De La Memoria y Los Derechos Humanos.
“Presente Distópico” funciona como un breve recuento vivencial de la pandemia de Covid-19. En sólo 17 minutos Alberto Bone destila sus experiencias en torno al aislamiento y la sobrecarga de información para cuajar ese inquietante escenario en cuatro contundentes composiciones.
En el plano formal Bone es compositor, bajista, arreglador y productor musical. Con sabiduría incorpora la experiencia de sus estudios formales en composición musical para transformar las canciones de su EP en una gratificante aventura. El breve minutaje de este trabajo está muy bien aprovechado, pues pasan muchas cosas interesantes durante este cuarto de hora. Poder de síntesis, dominio armónico y efectividad rítmica puesta al servicio de cuatro piezas que condensan los duros tiempos que hemos tenido que enfrentar y abordar en este presente distópico. Un inicio que saluda el final de los tiempos, y a los momentos de complicaciones infinitas que volvían pesada el alma. La carga de estímulos e información que padecemos está fielmente reflejada en “Tensión”, que funciona como un clímax distópico. Pero Bone al parecer no pierde aún la fé, y alimenta la esperanza y celebra la liberación en el lumínico cierre de este recomendable debut.
Javier Moraga Salazar
Review:
Alberto Bone – Presente distópico
Modismo very proudly presents its second release of 2022, adding to its catalog talented Chilean musician Alberto Bone, young artist from quiet rural areas that surround the capital city. Relocated to post-pandemic Valparaíso, Bone’s music found its natural flow towards Modismo’s headquarters, partly thanks to his outstanding participation in “Mala Memoria V”, National Electronic Music Contest organized by Museo De La Memoria y Los Derechos Humanos.
“Presente Distópico” works as a brief experiential account of the Covid-19 pandemic. In just 17 minutes, Alberto Bone reveals his experiences around isolation and information overload to shape that disturbing scenario in four forceful compositions.
On a formal level, Bone is a composer, bassist, arranger and music producer. He wisely incorporates the experience of his formal studies in music composition to transform the songs on his EP into a rewarding adventure. The brief minute of this work is very well used, as many interesting things happen during this quarter of an hour. Power of synthesis, harmonic mastery and rhythmic effectiveness serving four pieces that condense hard times and that we have had to face and deal with in this dystopian present. A beginning that greets the end of times and the moments of infinite complications that made the soul heavy. The load of stimuli and information that we suffer is loyally reflected in “Tension”, which works as a dystopian climax. However, Bone apparently has not lost faith yet. He gives hope and celebrates the liberation during the luminous closing of this recommendable debut.
Javier Moraga Salazar
Todos los temas compuestos por Alberto Bone
Masterizado por René Roco
Imagen por Loes Modderman
Reseña por Javier Moraga
Traducción al Inglés por Allyson Penelas
“Todo Lo que Extrañas Ya No Existe!” (“Everything You Miss No Longer Exists!”) is the second release for Pueblo Nuevo by Concepción based artist Eduardo Jofré Carrera aka Eduardo Only. A 4-track Glitch-Hop / Hip-Hop and IDM exercise in which we can enjoy nebulous, random and ethereal melodies, FM synthetic pads of exquisite taste, sampled drum hits and rhythms that combine perfectly with the evocative and cinematic turntable inserts. Possessing the mastery of a grainy, glitch-loving songwriter, this early human Jedi conceived this EP by means hardware-based one-take jam recordings, which were only tweaked with software at the time of mastering. Special mention is the tribute to the Chilean graffiti artist Masek, a personal friend of the musician, in precisely the track that bears his name. In short, if you like artists who sound like the future, who handle downtempo, trip-hop and master their tools with originality and skill, I recommend this work, without any doubt.
Héctor Aguilar aka Polar
(Punta Arenas, Chile. March 2022)
Woop woop! We got a release from LAST ACTION. Thank you LAST ACTION for contributing your sounds to GORUO. Thought that LAST ACTION’S style was different from most noise projects and i wanted to release something of his so here it is.
credits
released March 22, 2022
You can Find More LAST ACTION Here: lastaction.bandcamp.com
All music made primarily with the app Mutant by Ectoplastic UG.
(mazetools.com)
Produced at Futuristic Post-Suburban Dining Room Stud
released January 24, 2022
Cover photo by Ajay Kumar Chaurasiya, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons
upload.wikimedia.org/wikipedia/commons/0/0e/Bacteria_and_pus_cells_in_a_Gram_stained_smear_of_sputum.jpg
Photo remixed by rr.gross under same license.
“A person cannot understand the art they are studying if they only look for the end result without taking the time to delve deeply into the reasoning of the study.”
– Miyamoto Musashi
credits
released November 2, 2021
Music by soundcloud.com/muadeepmusic
Art by instagram.com/therealmueseum
Mastering by fixedmastering.com
Mitoma presents this new release “FRAGMENTS”, compiling some obscure tracks and remixes for friends written between 2011-2020 and featured on various label V.A compilations over the years.
This release also features a remix which (until now) had been previously unavailable.
All tracks by Mitoma, except 3, 6, 9, 10 additional production by the respective artists.
Cover image visual by Stormfield.
Introducing the debut release of glitch infused electronics on S27 from Ukraine’s AlzAlya DrOwL, who has previously appeared on labels such as SUBWISE and Nenormalizm as well as our own “S27-X” and “V8.0” compilations.
credits
released August 19, 2021
Written and produced by Alya Alex, except:
“Edge of the Universe” original by Orgatanatos
orgatanatos.net
“Basscadet” original by Autechre
www.autechre.ws
Sound is a territory suitable for exploring in company, even across the distance. A vast territory where limits can be stretched. Sound is also a way of relating to the other, a dialogue. Materia Signata is the covenant on the intangible. Materia Signata is Kivitog and In Vitro.
All music was recorded between February and July 2021 in Italy and Mexico.
Have a great summer with sounds of the countryside,
the electronics repair shop and the farm equipment garage.
_R_K_ – Broken Hearsht
01/ 210325_06 02:14
02/ 210326_02 10:05
03/ 210325_04 02:04
04/ 210326_01 10:06
05/ 210325_07 02:01
06/ 210326_03 10:10
07/ 210325_05 02:04
All tracks written and produced by the respective artists. For more of their work please visit their Soundcloud / Bandcamp pages and support.
If you love this music please share with like minds. Thank you to everyone who participated.
All material on this compilation album is licensed by a Creative Commons BY-NC-ND 3.0 Unported License. For information about usage rights of this material please refer to: www.creativecommons.org/licenses/by-nc-nd/3.0/
Tracklist curated by S27
Artwork by Mitoma Industries
“27” graphic by Daniel Glaser
Cat No. [S27-181]
We miss you Nat & Ziv.
Inspired by Steven Hawking’s book “A Brief History of Time” and space phenomena, LES sought to create sounds which capture subatomic particles dancing,
“Anisotropic Collapse” was recorded using analog and modular synths and an “anti-radio” instrument that captures electromagnetic fields. Enjoy the voyage!
LES – LunarEscapeSystem – is an Israeli electronic music duo based in Tel Aviv, formed by Elena P. and Genrietta P.
Read more info and artist bio @ Bandcamp!
