Matt Turner – cello
Hal Rammel – amplified palettes
Recorded by Hal Rammel, December 2015.
Mastered by Alex Inglizian at the Experimental Sound Studio, Chicago, IL.
The title of this disc and track titles are drawn from the writings of American journalist and amateur ethnographer Lafcadio Hearn (1850-1904); in particular, his novel Chita: A Memory of Last Island (1889) and the travel diary Two Years in the French West Indies (1890)
“I’ve been listening to this song for a long time, thanks to a compilation my mom owns in CD, and it has always fascinated me for expressing so well feelings of isolation, longing and bewilderment, although with some kind of hope. Whenever I find myself surrounded by those feelings, it always comes to my mind. This time it came to my voice, by choice and by necessity.” Cairo Braga, musician
“The city is an entanglement of grayscale. The colourful boy is no more than a dimmed shadow blending to the bleakness of the concrete and of the hearts he finds. Solitude is palpable, even though there are signs of life amidst the neon light billboards. Where could be all those who promised love, hope, company? Nobody told him how hard it was to grow living in a brotherhood that exists in name only.” Marco Magoga, illustrator
written by Oscar Brown Jr.
produced by Cairo Braga.
artwork by Marco Magoga.
Martinas Rakshtinas returns to Enough Records releases with 5 track tripstep collaboration work between Marrach, Bat Poet and Chtin Mara. Expect raw, dark schizoid off-beats, robotic voodoo, autistic terror, animal instincts, etc.
Guy-Frank Pellerin, Matthias Boss and Marcello Magliocchi
“THE SOUNDING DOOR”
New release on Plus Timbre and our last one for this year. We present Marcello Magliocchi once more as a guest in our home and we feel very happy to have him accompanied by two outstanding musicians: Matthias Boss and Guy-Frank Pellerin.
Here at Linear Obsessional you may have noted we have a fondness for squeezeboxes and free improvisation, which is why we jumped at the chance to release an album by the amazing British accordionist Mike Adcock (once of Accordions Go Crazy amongst others). “Accord” is a collection of improvised duets with a series British improvising musicians – and is a wonderful showcase for Mike’s sensitivity as an improviser and his wonderful musicality as a accordionist.
“Things Left Unsaid” is not only the testimony of a precise moment, but rather the result of a long research, composition and improvisation done by the band: there’s a common area where musical elements from diametrically opposed musical worlds such as jazz and contemporary music, rock and blues coexist without forgetting the melodic vocation in each composition.
Last year we introduced you to 1981 with his acclaimed album debut Neodimia, now we are glad to present Nocturnal, the musical return of one of the best young independent producers from Argentina. Not only with a perfect balance between organic and electronic elements but also a real step forward in the conception of rhythm music. Any pre established label or genre can embrace the universe of 1981.
Unforgettable (feat. Faerytale)
Feeling Low (feat. Sofia Deville)
Phoenix (feat. Tante Meli)
What If The Wind (feat. Lady of The Fire Poetry)
Third Planet Interlude
Bounty Hunter (feat. Concrete Cee)
Who Get Your Love
The End (feat. Klangschwester)
The End (feat. Klangschwester, Fr.om Remix)
SousLePont are characterised by their unusual instrumentation (trombone, marimba & accordion) and their original repertoire which is mainly written for couple dances, but it doesn’t end there!
Recorded and mixed at Studios La Buissonne by Nicolas Baillard and Gérard de Haro between december 2014 and march 2015.
Graphism : Rob Taylor
Breathe retakes his series of eclectic compilations, imprint of the house. Conspiratio is co-inspiration, co-respiratio. A gathering of diverse sonorous personalities. The conspiration of new and well know faces. With music of Fire to the Stars, Zoran, Vela, 1981, Vate, gip, TrianguliZona, In Vitro, Ray Garrido, Eckul, Nathan Jo, Automatic Peacock. Let it go at your own risk.
Controversial producer of the 21st century. A visionary, known for his sod-cutting construction building in electronic music, aleatory composition and sound space.
Follower of the Darmstadt School, his early student compositions remained out of the public eye until the conjunction music experience resolved in the debut album “unsound noisy glitch”.
Mers describes music written in an uncompromising transethnic style with a mixture of recognizable genres.
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