Adrian Northover (soprano saxophone)
Lukax Santana (percussions)
Daniel Thompson (acoustic guitar)
recorded at oxo studios, London – 05/12/2018
all music by Northover / Santana / Thompson
photo & cover design by Adrian Northover
Originally released by Elemental 95:
elemental95.bandcamp.com
haircuts for men:
haircutsformen.bandcamp.com
released December 20, 2019
saxophone/reeds, recording: Vladimir Luchansky
mastering: Ilia Belorukov
curating: Tiago Morais Morgado
Vladimir Luchansky (b. 1990) – composer and improviser from Saint Petersburg, Russia. He worked with musicians from all over the world such as Oliver Lake, William Parker, Assif Tsahar, Tim Hodgkinson, Glen Hall, Ilia Belorukov, Mia Zabelka, Matt Mottel, Kevin Shea, Alexander Markvart, Roman Stolyar, Sergey Belichenko, and many others. A member of International Society of Improvising Musicians, he performed in North America and Europe with solo gigs and in various combos. He interferes with all kinds of contemporary improvisational music from noise to free jazz and multidisciplinary arts.
Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!Rec label (www.spinarec.bandcamp.com).
Tiago Morais Morgado | Violetista e laptoper, estudou música clássica, musicologia, informática música e sonologia na Artave, na Esart, nas universidades Nova de Lisboa e do Minho e no Conservatório de Haia. Curador da editora Nachtstuck Records, que criou em 2014. Seleção de concertos: Frequency, na final do Termómetro Unplugged 2005, Alfândega do Porto; Orquestra Artave (viola tutti), com António Rosado e Ernst Schelle, Coliseu do Porto, 2006; Quinteto Pedro Lopes, David Filipe, Tiago Morais Morgado, António José Oliveira e Denis Ferreira, Casa das Artes de Famalicão, 2006; Tiago Morais Solo, Teatro a Barraca, 2010; :papercutz, no Inslington Metal Works de Londres (Reino Unido), no SXSW Austin (EUA) e no Exit Festival (Sérvia), 2010; Encerramento do ciclo “Colaborações Improvisações”, Serralves, 2011; Sonology Electroacoustic Ensemble, com Peter Evans, 2011; Com Yedo Gibson e Ofir Klemperer e como Tiago Morais Solo, no Studio Loos Den Haag, Holanda, 2011; Tiago Morais Morgado Solo, Fiber Festival Amsterdam, Holanda, 2012; Visuais, A First Approach to Morgenstra – Juan Marco Albarracin, 2012; Arnold Schoenbergzaal; Com Nicola Casetta, Maskarade Sinzine; Com James Hewitt e Renato Meganha Ferreira, Leo Svirsky House, Holanda, 2012; Tiago Morais Morgado solo, Kees van Barenzaal, Holanda, 2013; Com Teresa Matias, MNS, 2013; Com Stelios Manousakis, Museu de Arte Contemporanea de Vigo, 2014; Festival O Mundo Somos Nos, 2014 e 2017; Festival Dias de Música Electroacústica, 2015 e 2016; Moita Mostra, 2016 e 2017; Serralves em Festa, 2017; Com Marcelo dos Reis e Sérgio Tavares, MNS, 2017; Jose Lencastre Nau Quartet, MNS, 2017; Ocupa #2, GNRation, 2017.
Marco Olivieri – piano
Antonio Valente – vibraphone
Sanjay Kansa Banik – tabla
Photo : Matteo Bellomo
Formed 16 years ago, Lavoura is a reference in future jazz made in Brazil. The group debuted two more songs, after a series of singles started in 2018. “Ayizan” is the first single. Climatic, the track brings in its DNA the Brazilian rhythm and the psychedelia, amplified by the arrangements and the accurate production, that confer a certain epic tone to the sonority, without losing the characteristic groove. The other single, “Bossa Exploitation”, refers to the anthropophagic research involving African music. It is the result of impromptu sessions that the group held between 2017 and 2018. Integrated by composers, producers, arrangers, beatmakers, musicians, visual artists and inventors, Lavoura makes a cinematic sound, referenced by the rhythm science and inspired by the concepts of phusion (fusion of the 21st century) and psychogeography, transform spaces in sensory experiences).
Caleb Mascarenhas (synths, beats)
Fabiano Alcântara (bass)
Fernando TRZ Falcoski (synths, electric piano, beats)
Junião (percussion, beats)
Marcelo Monteiro (sax, flute)
Thiago Duar (guitar, beats)
Paulo Pires (drums, drum machine, beats)
Carlos Pedreanez and Rodrigo ZoomB (visual artists)
Recorded Live at Sala La Fusa (Valparaiso), Chile on March 2019.
Drums: Israel Tenor
Alto Saxophone: Lucas Pizarro
Front cover drawing: MÖÖL
All songs composed and arranged by Diego Lorenzini, but “Valparaisito”, composed by Diego Lorenzini and arranged by Javier Bobbert.
All the lyrics written by Diego Lorenzini but “Introduction to Viva Chillán, Una Crueldad Unnecesaria” written by Diego Lorenzini along with Cristóbal León, and “Viva Chillán, Una Crueldad Unnecesaria”, compiled from different fragments written by anonymous authors and reorganized by Diego Lorenzini.
“Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando” is based on a true story of the actrees and theater director Nicole Waak.
Diego Lorenzini: Vocals, guitars, ukulele, bass, keyboards, percussions, drums, “trumpets” and programming.
Guest musicians:
Erlend Øye: vocals and “trumpets” in “Me Voy a Valparaíso”
Tiare Galaz (Storm Girl): vocals in “Chao Mi Niño”, “Billete de Luca” and “Pony”
Chini Ayarza (Chini.png): voices in “Mierda”, “Pony”, “Billete de Luca”
Rosario Alfonso: vocals in “Sin Otro particular Se Despide”, “Me Voy a Valparaíso”, “Pony” and “Billete de Luca”
Simón Campusano (Niños del Cerro): vocals in “Estamos Fritos”, “Sí Po'”, “Billete de Luca” and “Pony”
Nicolás Lorenzini (The Rapin Brothers): vocals in “Pony” and “Billete de Luca”
Martín Perez Roa (Merci): keyboard in “Me Voy a Valparaíso” and vocals in “Billete de Luca”
Javier Bobbert: guitar solo in “Valparaisito” and in “Me Voy a Valparaíso”
Juan Celofán: vocals in “Billete de Luca”
Juan Manuel Daza: vocals in “Billete de Luca”
Maite Pizarro: vocals in “Billete de Luca”
Alejandro Pino: Flugelhorn in “Spoiler”, “Mierda” and “Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando”
Produced by Diego Lorenzini along with Martín Perez Roa (a.k.a. Merci) in Estudios Niebla.
Mastered on analog tape by Arturo Zegers in Estudios Triana
Этот сборник песен готовился на протяжении последних двух лет. Как всегда Pk jazz Collective обращается к классике музыкального и поэтического наследия 20-го века. В этом альбоме вы услышите новое прочтение творчества мистиков The Doors и не так давно преставившегося легендарного русского поэта Евгения Евтушенко. Пластинка получила название “Аналог”, потому что ее запись сопровождалась использованием кассетной деки, вполне определившей качество звучания в стилистике домашних проектов 80-90-х годов прошлого столетия.
—
This is [SCL203]
www.southerncitylab.net
credits
released September 15, 2019
Cover photo by Lucas Pezeta
All music and lyrics by Pk jazz Collective
except:
«The Spy» — lyrics by The Doors
«Someone’s Calling» — lyrics by Modern English
«Со мною вот что происходит» — lyrics by Evgeny Evtushenko
«Я никто» — lyrics by Alexey Rybin
«Ask Me Why» — lyrics by Lennon-McCartney
У: Гоплит, Коттаб, Пифос. Что это за названия такие?
А.Б.: Это тоже античные термины.
У: Античные, говоришь? Как и «агальма»?
А.Б.: Именно. Такую я выбрал концепцию.
У: Значит, говоришь, в альбоме есть какая то концепция?
А.Б.: Есть, но не четкая. Я её привязал к названиям песен и к самой музыке.
У: Но все таки она есть! Я внимательно слушаю!
А.Б.: Ну в общем как то так. Гоплит – античный пехотинец. Трек звучит грозно. Он о человеке на войне. Коттаб – античная алкогольная игра. Человек возвращается с войны и окунается в мир развлечений и алкоголя. Пифос – античная посуда. Диоген жил в пифосе. Развлечения не приносят человеку радости, и он, подобно Диогену, начинает жить в пифосе и стает кем то вроде мудреца. Что то типа того.
— Из материалов допроса Артема Бембы, проведенного 31.10.2018 уполномоченным Управления Синглов И Альбомов При Министерстве Звука и Музыки по поводу выхода его нового альбома AGALMA.
Bruno Gussoni/Flutes
Adrian Northover/Soprano saxophone
Marcello Magliocchi/Drums
Recorded at Bogliasco-Genova/IT
2019, June 12th
All music by Gussoni/Magliocchi/Northover
Photo & cover design by Adrian Northover
Arranged and recorded on January 2nd and 3rd 2019 in room 1075 at Fredonia University.
“Mela” means to gather. We are a collective of musicians from Buffalo, Chicago and NYC that meet for the purposes of originality in a world of imposed forms.
We’re just happy to share our music. Thanks for your support! Enjoy “Mela Two”!
released June 1, 2019
“Mela Two”
Produced by Paul Sottnik, Frank Valente and Taylor Ford
album art by
Haley Flight
featuring
Paul Sottnik on Piano, Celeste, Vocals and Acoustic Guitar
Frank Valente on Vibraphone, Shaker and Electric Piano
Taylor Ford on Electric Bass and Electric Guitar
Jake Payne on Drumset
recording engineers
Tyler Will and Jaden Zhang
**They built the whole studio from scratch!**
Oldie but goldie!
Tracks list:
Intro From Space
Ghost
NY In Night
Lullaby From The Moon
End of The Ride
Pulse
Summer Tape
Interlude
Frees
Low Emotion
Backstage
Street Art (Bonus Track)
4U (Bonus Track)
Space Outro
Tracklist:
Lounge Track
Me & My Shadow
No More Clouds
Scatterbrain
Intergalactic Sesh
Zephyr
Shadow Of The City
Trust Yourself
Summer Night’s Dream
Valium
Momentary Bliss
Eduardo Vega, cover photo.
