about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: vocal

iT / Irena Tomažin – Another Crying Game

iT / Irena Tomažin

“Another Crying Game”

(NB: very special hand-made BOX is in the works!)

Some songs on Another Crying Game began to take shape at the very start of the iT project, but as short fragments they did not find their form or place on the first album. After a long period of oscillation between emergence, forgetting, gestation and rewriting, and alongside later songs, at least some have now found their place and form.

Some songs were originally created for specific dance-theatre performances and were later given new lyrics and additional melodies. For instance, The Night of the Soul emerged in 2007 during a creative process at the Grotowski Institute’s Atelier programme in Poland. The simple melody of Vsemu kar je blizu (a short poem by Hafiz) was composed for the performance Rodeo by Maja Delak and Mauricio Ferlin in 2007, while the melody and part of the lyrics for Just the Way It Is were developed during the process and as part of the performance Out of Discord with Joséphine Evrard in 2010. The first audio fragments and drafts of Happiness were written around 2006, as were the drafts for the song Počasi. The rest appeared sporadically, in pieces and fragments, over the following years. Song Realnost iluzij, is based on Anja Novak’s poem of the same name and is part of her interdisciplinary poetry collection Rane rane (Wounds Wounds).

Another Crying Game is an echo of the the first iT album, Crying Games, released in 2011 by rx:tx, Projekt Atol.

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posted 15 December 2025

N-qia – HYPNOTIC

[EPV_213]

N-qia

“HYPNOTIC”


■ EPV_213

all tracks by N-qia
photo by Mitsuru Shimizu

■ artist info
epv-artists.tumblr.com/post/59677278987/n-qia

:: track list ::
01.exit
elementperspective-04.bandcamp.com/album/daybreak

02.shade you
elementperspective-04.bandcamp.com/track/shady-dub

03.sands
elementperspective-04.bandcamp.com/album/daybreak

04.verb
elementperspective-04.bandcamp.com/album/daybreak

05.two
elementperspective-04.bandcamp.com/track/two

06.nico
elementperspective-04.bandcamp.com/track/nico

07.treasure
elementperspective-04.bandcamp.com/album/daybreak

08.exit_bloody_mix
epv-beyond.bandcamp.com/track/exit-bloody-mix
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posted 15 October 2025

V.A – Virgin Suicides

[EPV_211]

V.A

“Virgin Suicides”


■ EPV_211

Every track on this album features women.
This compilation album is dedicated to the women who survived that era.

photo by Mitsuru Shimizu

:: artist ::
zmi
(epv-artists.tumblr.com/post/59673594206/zmi)

N-qia
(epv-artists.tumblr.com/post/59677278987/n-qia)

unmo
(epv-artists.tumblr.com/post/59673906376/unmo)

chloe orin
(epv-artists.tumblr.com/post/82995212601/chloe-orin)

Marlaja Virta
(epv-artists.tumblr.com/post/59677598949/marlaja-virta)

Mujika Easel
(epv-artists.tumblr.com/post/59677552633/mujika-easel)

Violeta Päivänkakkara
(epv-artists.tumblr.com/post/59673835638/violeta-paivankakkara)

Cor Blanc
(epv-artists.tumblr.com/post/132861023217/cor-blanc)

iku
(epv-artists.tumblr.com/post/106216646572/iku)

Peachonfuse
(epv-artists.tumblr.com/post/59674237839/peachonfuse)

Ai Yamamoto
(epv-artists.tumblr.com/post/186491585467/ai-yamamoto)

yoko komatsu
(epv-artists.tumblr.com/post/59673736162/yoko-komatsu)
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posted 08 October 2025

Various Artists – ᐁ Separación de la Realidad ᐁ

Various Artists

“ᐁ Separación de la Realidad ᐁ”

Vocals, lyrics, model in the cover: Mist Spectra.
compiled, cover artwork: Sábila Orbe.-

Music composed by the respective artists. Links:
– The Implicit Order: theimplicitorder.bandcamp.com/
– Thomas Park: archive.org/details/ThomasParkBenchmarkHub
– KΔDΔBRΔ: witchkadabra.bandcamp.com/
– innocent darkness: innocentdarkness.bandcamp.com/
– daVId attic: soundcloud.com/david-attic
– Mean Flow: meanflow.bandcamp.com/
– Blix Six: soundcloud.com/blixsix-1 ///
open.spotify.com/intl-es/artist/0WDS5BcAzi6J8bud78Rjqa
– Black Market Brains: soundcloud.com/blackmarketbrains
– Minimal Sync Pulse: soundcloud.com/blackmarketbrains/sets/minimal-sync-pulse-polymorphic
– Topi Reta: open.spotify.com/intl-es/artist/1f0W5Xo1Hv7XJXzZ48sYnO?si=m-eT555_SIOM9EF2a_apKw
// soundshiva.net/netlabel/kermesse-records
– noxpox: noxpox.bandcamp.com/
– Insatiable Void: insatiablevoid.bandcamp.com/
– {AN} Eel: panpanpanaviandistresscall.bandcamp.com/
– el_masmore: elmasmore.bandcamp.com/
– My Own Cubic Stone: myowncubicstone.bandcamp.com/
– Wilfried Hanrath: wilfriedhanrath.bandcamp.com/
– RDKPL: rdkpl.bandcamp.com/
– The Owl: theowl.bandcamp.com/ // owlripperrecordings.bandcamp.com/
– MubisMusic: mubismusic.bandcamp.com/
– Terbeschikkingstelling: sturmunddrang.bandcamp.com/
– Lunar Eclipse: soundcloud.com/lunar_eclipse5150/tracks
– Vile Brain Samples: keshco.bandcamp.com/ /// bewaretheradio.com/

– Humanfobia: humanfobia-official.bandcamp.com/
/// open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
reemusicarchive.org/music/Humanfobia/
archive.org/details/fav-mist_spectra

Original track “Separación de la Realidad” belongs to Vampire Mortuorie, Humanfobia album:
https://humanfobia-official.bandcamp.com/album/vampire-mortuorie-2025 /// https://archive.org/details/vampire-mortuorie

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posted 16 August 2025

Philippe Neau & Antonella Eye Porcelluzzi – Elephant

[ACP 1452]

Philippe Neau & Antonella Eye Porcelluzzi

“Elephant”

“we are the elephants, the creatures, the humans, the existential cry,
the acceptance of life and of its struggle
even when we correctly state and express our needs, we are indeed
steadily overwhelmed
overwhelmed by our feelings and the feelings of the others
they actually determine the course of the society we are part of” (AEP)
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posted 05 June 2025

Lluvia Acida – Puntarenazo

Lluvia Acida – Puntarenazo
[pncd13]

Lluvia Acida

“Puntarenazo”

The Puntarenazo and the strike of a beast.

We are facing a documentary work capable of communicating an open wound, the slash of a predatory beast that slipped through the cracks of our history. The musical group Lluvia Ácida has offered an account of testimonies and images that document, “El Puntarenazo”, the first demonstration against dictator Augusto Pinochet in his presence, which took place on February 26, 1984, in the main square of the city of Punta Arenas. There, the tyrant in his uniform from uncertain battles and his gray cape encountered the reaction of a people who, behind the bars of the cathedral, accused him of his crimes, baseness, and felonies. All of this led to a series of episodes linked to the political expression of the regime, culminating in the tragic events of October 6 of that same year: the installation of a bomb that destroyed the parish of “Nuestra Señora de Fátima (Our Lady of Fatima)” and which also ended the life of the army lieutenant who placed the explosive.

The music and the progression of the documentary provide the viewer with a significant universe, an eloquence to appreciate, on the one hand, a mark of pain. And in another sense, the beautiful symphony of civic organization. I am aware that as a musical group and also as audiovisual artists, Lluvia Ácida have a long history of developing themes related to the social struggles of our southern community.

“Puntarenazo” is a work where the voices of the past coexist to convey a new pact with history. It goes without saying that many times there is a tendency to emphasize the Coup and the dictatorship as something that mainly happened in Santiago, the political and administrative capital of our country. But there was also Dawson, Tejas Verdes, Isla Quiriquina, Pisagua, and, in the same way, citizens from different areas of the territory protested against tyranny. In this case, the southernmost continental city in the world was the stage for that gesture of rebellion, forged in different town hall meetings held in the heart of the community.

Where do the silenced words and the pains that never healed persist? It is a truth and a certainty that art is often there to interrogate that trauma, to dive into the depths and bring back the lessons of history, sometimes even exposing the matrix of an era. Therefore, Lluvia Ácida has created a unique, impeccable document that unearths a time when horror and infamy were the daily currency. Amid the amnesiac choruses that some propose in our present, they have addressed the need for memory and the epic of a distant community that rose up against the dictates of a hooded and cruel general who betrayed the most elementary principles of a republic.

Oscar Barrientos Bradasic
Escritor / Writer
(Punta Arenas, Magallanes, Chile. December 2023)

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posted 20 December 2023

Valentina Maza and Veronica Zondek – Cantos a la grieta encendida

Valentina Maza and Veronica Zondek – Cantos a la grieta encendida
[pn227]

Valentina Maza and Veronica Zondek

“Cantos a la grieta encendida”

The story of Vagido, the poetry book by Verónica Zondek, is intense and extensive. The first publication in 1990 (Ediciones Embalaje, Colombia) took its author by surprise. The second edition appeared the following year at Editorial Último Reino in Buenos Aires. It wasn’t until 2014 that we encountered it in Chile, thanks to Alquimia Ediciones, in a special release that included a new poem, a work of poetic art, fragments of interviews, and critical texts. A perfect box set, as we might call it in musical terms.

Some of these texts are heard in Cantos a la grieta encendida, ), this album published by Pueblo Nuevo, a label that, while offering its productions for digital download, takes care to surround the music with reviews, credits, and artwork, all those elements that belonged to the album covers of our cassettes and CDs and that have now disappeared inside streaming lists. Thanks to this information, then, we can learn in more detail that, in addition to Verónica Zondek‘s poems, Valentina Maza composed, produced, interpreted the machines and violas, and participated in the mixing. A mix, by the way, in which the author’s voice is predominantly in the foreground most of the time.

In the epilogue to the second edition of Vagido, María Teresa Adriasola (Elvira Hernández) warned of “the phonic redundancy of this poetry (internal rhymes, alliterations, assonances, annomination, etc.), repetitions that also extend in words, verses, without harmonizing. These sounds, producers of a concert of disconcerting internal echoes, beats, clatter, are relentless, and their discord is part of the anguishing migraine that surrounds childbirth and the wails of the newborn.” It is very valuable to read this description in light of the interpretation that unfolds here: fragmented words, detached from their pronouns, where some playful acts stand out, like the “T” of the first track (which, as noted in a footnote of the book, refers to both the dative condition and the “T” of the intrauterine device, as well as the first letter of the name Tamara and “anything else that can be attributed to the sound of that letter that drumrolls and makes itself present”). These repetitions remain rooted in a constant rhythm, where the anxiety of the pulsations that are piling up is perceived.

“She found the rhythm”, Verónica tells me about the music that Valentina Maza created after recording her voice. And she has also created a completely different dimension. If we imagine the interior space as a flow of slow and muted sounds, here the exterior emerges, and we can hear birds, winds, stars, galactic explosions, as real as unreal, populating an immense landscape. A symbol comes to mind, the mandorla, wherein the superimposition of two circles produces an almond shape that, as Juan Eduardo Cirlot explains, represents the “union, the zone of intersection and interpretation” of the upper and lower worlds, of heaven and earth, and also represents “the perpetual sacrifice that renews creative force through the double current of ascent and descent (appearance, life and death, evolution and involution”.

I believe I have heard something of that sacrificial character in some specific moments where the scraping on the viola’s strings sounds with clear definition, those strings that must be sufficiently tense to vibrate. Perhaps in this we can find the point of greatest connection between Valentina Maza ‘s music and Verónica Zondek‘s poetry, for whom the word “must sometimes twist to find the way it returns to be charged with meaning. (…) Poetry estranges the word from its natural habitat to make it speak. The poetic word stretches an unquestioned reality.” Let’s adjust our eyes, our ears, and our bodies to vibrate in sympathy with that same tension.

Felipe Cussen
(Santiago, Chile. November 2023)

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posted 26 November 2023

RAJA KIRIK – Phantasmagoria of Jathilan

RAJA KIRIK – Phantasmagoria of Jathilan
[YESNO 106]

RAJA KIRIK

“Phantasmagoria of Jathilan”

“The Phantasmagoria of Jahtilan” is a music performance by Raja Kirik in collaboration with singer Silir Wangi and performer Ari Dwianto. This project investigate the Jathilan horse dance, a folk trance dance popular in Java, Indonesia, as a way of regaining strength despite defeat. Jathilan is an acronym of “Jarane jan tjil-thilan”, which translates to a horse that dances irregularly. The current form of Jathilan developed after the Java War (fought between Javanese rebels and the colonial Dutch empire from 1825 to1830) as a folk practise to grapple with the defeat by the Dutch Empire and the devastation caused by the civil war between the Javanese population and the Javanese aristocracy who supported the Dutch. In Jathilan people use stick horses made of bamboo as a form of appreciation as well as an expression of support for rebel leader Prince Diponegoro’s horsemens who fought bravely against the Dutch colonial forces. Despite the actual defeat of the rebels, Jathilan itself always depicts an imaginary victory of the local rebel cavalry against demons, monsters, or the colonisers. This heroic performance therefore has multiple purposes: to entertain, to encourage, to heal, and to unite people against oppression.

Raja Kirik’s “The Phantasmagoria of Jathilan” is an artistic exploration of the Jathilan tradition, re-interpreting its musical, vocal, and dance forms. Syncopated electronic rhythms combine with the metallic percussion of homemade instruments that is as trance-inducing as it is bellicose. Beautifully monotonous singing in a captivating repetitive melismatic style weaves through lilting melodies that gust out of makeshift wind instruments. With frantic, seemingly endless forward propulsion, the music of Raja Kirik inhabits a wide emotional breadth, cycling from disappointment to anger to loneliness.

During the piece, the dancer embodies various heroic characters, such as Bujang Ganong, Menak Jinggo, Hanuman, or the non-fictional hero prince Diponegoro. At times the dancer also becomes a dance instructor and MC, who interacts with the audience.

Track list:
01. ACT 1. Sigra Sigra
02. ACT II. Budhal Gumuruh
03. ACT III. Perangan
04. ACT IV. Slompret Slompret
05. ACT V. Waru Doyong

Produced by Raja Kirik
Phantasmagoria of Jathilan:
Yennu Ariendra: Electronics, Voices
Johanes Santoso Pribadi: Handmade instruments
Silir Wangi: Vocals
Ari Dwianto: Dance

Recorded in Yogyakarta and Vilnius by
Yennu Ariendra and Johanes Santoso Pribadi
Mixed and Mastered by Yennu Ariendra

Cover designed by Wok The Rock
Images taken from installation art “Subterranean Thunder #1” by Jompet Kuswidananto at Kohesi Initiatives, Yogyakarta. Curated by LIR.
Photos by Yudha Kusuma Putra

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posted 19 July 2023

Charles Rice Goff III – Heartbreaking Randomness

Charles Rice Goff III – Heartbreaking Randomness

Charles Rice Goff III

“Heartbreaking Randomness”

Heartbreaking Randomness

by Charles Rice Goff III

1 The Least Is Part Of All
2 Late Here
3 Surface Tension
4 Diddly Squat Jackpot
5 Lena Still Lurks Hereabouts
6 In The Stars
7 The Uniforms Will All Be Stained
8 Chop Chop Flip Flop
9 Not Enough Pixels On My Screen
10 Sensing
11 Kind Hearts Butter Others’ Parsnips
12 Holophote

The Following Were Used In The Creation Of This Audio Collection :

Computer OS: Windows XP, Windows 10

Software: Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects, Fruity Loops, Amazing MIDI Wave-To-MIDI Converter, Polysoft MIDI to Mp3 Converter

Instrumentation: Lead Vocals, Backing Vocals, Effected Vocals, Korg R3 Vocoder/Synthesizer, Yamaha VSS-30 Sampler/Synthesizer, Casio AP-24 Electric Piano, Korg Z1 Synthesizer, Fender Hello Kitty Stratocaster Electronic Guitar, Fender Reflector Squire Electronic Guitar, Aklot Electro-Acoustic Soprano Ukulele, Various Analog Foot Pedal Sound Effects, Boss RC 20X Loop Station Loop Duplicator, Various Percussion, Music Boxes, Animal Calls, Cassette Tape Manipulation, Original And Prerecorded Sound Samples, A cheap/4-channel Radio Shack Mixer, Diane The Mannequin Hand

All performances, recordings, editing, production, lyrics etc. by Charles Rice Goff III, except where indicated below.

A-Lex Butler – Baby Voices on “Late Here”
Eric Matchett – Takamine F-360s Acoustic Guitar on “Lena Still Lurks Hereabouts”
Michael LaGrega – Alesis A6 Andromeda Synthesizer on “In The Stars”
LjdB – Yamaha PSR-E263 Synthesizer, Digital Sound Effects, on “Chop Chop Flip Flop”
Justin Jackley – Executive Production, Album Cover Art

Of Possible Interest:

All of Goff’s piano and Matchett’s guitar bits on “Lena Still Lurks Hereabouts” were influenced by the untimely passing of Turkey Makes Me Sleepy member: Michael Adams, in January, 2022. The lyrics of “Lena Still Lurks Hereabouts” are a collage of verbiage extracted from several Michael Adams original recordings.

Goff dreamed the vocal melody for “In The Stars” on February 18, 2021.

Goff dreamed the overall melody for “Holophote” on April 14, 2022.

The following artists provided particular inspiration for creating the unique pieces presented in this collection: Taemin, 2NE1, The Residents, Billlie, Frank Zappa, Everglow, Robert Fripp, Lee Hi, Brian Eno, Todd Rundgren

Heartbreaking Randomness is the first-ever collection of Goff’s recordings to be released in a vinyl record format (that means about 50 years of Goff’s recordings precede this historic release).
Vinyl Distribution by Herby Records – https://herbyrecords.bandcamp.com

This archive post contains scans of inserts which are contained in the vinyl record jackets of the Herby release. Included are:
Handpainted (by Goff) lyric sheets
Album notes with hand-sketched illustration (by Goff)

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posted 09 June 2023

I†† (eyedoublecross) – Pentagrammaton

I†† (eyedoublecross) – Pentagrammaton
[None]

I†† (eyedoublecross)

“Pentagrammaton”

I†† – Pentagrammaton /// ▲░░░ I†† (eyedoublecross) 2023 ALBUM ░░░▲

I†† (eyedoublecross) is a witch house, industrial ghost drone project from Richmond, Kentucky US.

For more music by this artist visit:
– https://eyedoublecross.bandcamp.com/
– http://www.eyedoublecross.com/
– https://www.facebook.com/eyedoublecross

videos:
– https://vimeo.com/user4580516
– https://www.youtube.com/user/eyedoublecross

Full discography info:
– https://www.discogs.com/es/artist/9467677-Eyedoublecross

All music composed by I††.
Mastered by Martin Bowes at The Cages Studios.

Recorded from 2016-2022.
Mastered in summer 2022.

all rights reserved
posted 20 March 2023

Alejandro Albornoz – La Lumiere Artificielle

Alejandro Albornoz – La Lumiere Artificielle
[pncd12]

Alejandro Albornoz

“La Lumiere Artificielle”

The cycle La lumière artificielle

This is an acousmatic octophonic cycle which was composed as part of my PhD Thesis portfolio (Albornoz 2018) between 2015 and 2018 at the University of Sheffield Sound Studios, UK. In this album you can listen to the five pieces of the cycle in stereo binaural versions. The original eight channel version and a coming soon special 5.1 version of the cycle can be downloaded using the link provided by Pueblo Nuevo netlabel.

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posted 25 November 2022

joseph – Utopie 13

joseph – Utopie 13
[1]

joseph

“Utopie 13”

Utopie 13 – A quel monde les adultes de demain rêvent-ils ?

Deux adolescents de 13 ans ont participé à cette création sonore. Durant un entretien improvisé, dans le sous-sol de leur lieu de villégiature estival, loin des autres adultes, sans consigne, sans censure, sans limite, les deux adolescents se plongent dans leurs fantaisies pour mettre les utopies issues de leur imagination à l’épreuve des expériences sensibles qu’ils ont vécues.

Comment se construit l’imaginaire des adultes en devenir ? L’utopie survivra-t-elle au récit qui en est fait ? La matière du rêve peut-elle être explorée, dite, partagée ? Peut-on la mettre à l’épreuve du vécu, des valeurs, des récits et de l’expérience que les adolescents ont acquis au cours de leur début de vie ? L’utopie est-elle amenée à advenir ?

Les mondes imaginaires des deux collégiens laissent deviner les préoccupations et les inquiétudes qui les habitent, mais aussi leurs espérances et leurs espoirs.

Utopie 13, une création sonore de joseph enregistrée en août 2022 au Havre (Seine-Maritime), production, réalisation, mixage en novembre 2022 à Gennevilliers (Hauts-de-Seine).

Toutes les illustrations musicales et visuelles ont été composées, interprétées et dessinées par joseph, explorateur sonore, musicien.

_______________________
The imaginary worlds of the two teenagers reveal the concerns and worries that inhabit them, but also their hopes and expectations.

Utopie 13, a sound creation by joseph recorded in August 2022 in Le Havre (Seine-Maritime), production, production, mixing in November 2022 in Gennevilliers (Hauts-de-Seine).

Domaine public, distribuez et diffusez librement
Public domain, please reuse and broadcast

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posted 22 November 2022

various artist – A Witchy Music Tribute to Siouxsie And The Banshees

various artist – A Witchy Music Tribute to Siouxsie And The Banshees

various artist

“A Witchy Music Tribute to Siouxsie And The Banshees”

Released by Internet Daemon (Post-Witch Music section)
new-age-vapor-witch.bandcamp.com/
archive.org/details/fav-witch_spectra

Compiled, cover artwork design by Sábila Orbe.-

Each track composed by the respective artist. Links:
– Felis Demens: https://soundcloud.com/felisdemens
– Smouldering Embers of Aggression: smoulderingembersofaggression.bandcamp.com/
– Aura en el espejo: auraenelespejo.bandcamp.com/
– Arkana: www.elartistaonline.com/artistas_profile.php?idartista=1074&nombre=Nayadeth%20Leon
– Kell Kill: https://soundcloud.com/kell-kill
– ROSY CHEEKS: rosycheeksla.bandcamp.com/
– Kim Guy: https://soundcloud.com/kimguy
– Matt Bowen: apowainmelodies.bandcamp.com/
– Savonarola: https://soundcloud.com/savonarola
– tone tone: archive.org/search.php?query=creator%3A%22Tone+Tone%22
– ChocoChurros: https://soundcloud.com/chocochurros
– Filmy Ghost: https://open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
– Humanfobia: humanfobia-official.bandcamp.com/

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posted 12 June 2022

Laurent Fairon – Passage du rollifer

Laurent Fairon – Passage du rollifer

Laurent Fairon

“Passage du rollifer”

New back-from-the-archives album for the first time on the internet, Passage du Rollifer is a ‘lost album’ I recorded back in 2018 which eventually never materialized anywhere. A collection of 8 tracks with the usual loops, sequences, collages and found sounds, it also features three ‘songs’ where I’m reading some of my own poetry in French. Both instrumental tracks and ‘songs’ are special to me, dealing with personal issues of childhood traumas, adult fears and loss—themes I’m not usually dealing with, in music or else.
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posted 26 April 2022

Various Artist – Witch House Music [The Haunted Horror Collection]

Various Artist – Witch House Music [The Haunted Horror Collection]
[None]

Various Artist

“Witch House Music [The Haunted Horror Collection]”

Collection of Humanfobia & Filmy Ghost collaborations, remixes to other artists, etc.

†▲👻†▲ 👁†▲👻†▲ 👁†▲👻†▲ 👁†▲👻†▲ 👁

humanfobia-official.bandcamp.com
humanfobia-official.blogspot.com
open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra

witchspectra.bandcamp.com
archive.org/details/fav-witch_spectra

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posted 30 March 2022