Eraser Ears – Blocks & Shapes
Eraser Ears
“Blocks & Shapes”
liminal electronic soundscapes
posted 31 January 2026
ccm submitter
Guillaume Blache – Fragments oubliés
Guillaume Blache
“Fragments oubliés”
Guitars, electronic devices – Guillaume Blache
I, II & IV- Guillaume Blache
III – Turlough O’Carolan (1670-1738)
Mastering – Diego Gaucho, Caracol musicalestudio
Art cover – Marcos Viso, all rights reserved
posted 31 January 2026
reFUGeeS From Beyond – Under The Radar
reFUGeeS From Beyond
“Under The Radar”
The Necrophile Hummingbird Non-Profit Netlabel presents Under The Radar by reFUGeeS From Beyond.
“Forbidden Music for Unknown listeners”
Improvisation recorded the 20th December 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku
“We are like Ulysses, hidden under the sheeps, safe from the eye of the Cyclop. It’s time to retaliate before he catches us.”
Special Thanks to Seebille for helping this album to come alive.
Dedicated to all the ICE victims, especially Renee Good & Alex Pretti but they are only the top of the ICEberg. https://en.wikipedia.org/wiki/List_of_deaths_in_ICE_detention and to anyone struggling against ICE, Fascism and Imperialism.
(In france the cops are killing too, this month it was El-Hacen-Diarra. In Iran it’s more than 20 000 protesters killed, 40 000 are in jail and can be executed quickly. Cops are not the only murderers, more than 70 000 Palestinians killed between October 2023 and 2024. In Rojava the kurdes are in danger and 50 000 civilians have been already displaced. What a sick world…)
Spread the ICE List to help the resistance https://icelist.is
Visual Artwork done without IA, good old edit of my photographies.
posted 30 January 2026
未明 – kaerimichi
未明
“kaerimichi”
–
■ EPV_231
–
■ artist info
epv-artists.tumblr.com/post/59678658356/yoake
–
■More Info
https://elementperspective.com
–
■ EPV_231
–
■ artist info
epv-artists.tumblr.com/post/59678658356/yoake
–
■More Info
https://elementperspective.com
–
posted 29 January 2026
Group of Seven – Experiences in Ethereal Texture
[zen324]
Group of Seven
“Experiences in Ethereal Texture”
Sometimes revolving, always evolving. Sometimes calming, occasionally disturbing.
posted 26 January 2026
hiyohiyoipseniyo – CANNED PELLET
[23DSK08]
hiyohiyoipseniyo
“CANNED PELLET”
CANNED PELLET by hiyohiyoipseniyo
————————————————–
An absurd lo-narrative in directories.
“Mastega_i_conserva”
Digital entropy and exquisite corpses:
Jbird – regurgitator
Q*bert – digested idea
Bergson – canned ‘risa’
… until meaning becomes lo-bitrate.
“Classifica_i_rebutja”
E G A G R Ò P I L A enllaunada
__________________________________________________
Merci:
Nefasto Celiba, Eulàlia Clarineto, Fuzzy KQ i Mitx Xonix
Dismemberments:
Alma
Arkanoid
Beethoven — 33 Variations on a Waltz by Diabelli in C major, Op. 120
Fetiche Maya
Goody
J-Bird
Manic Miner
Minecraft
Ninja Gaiden
Pong
Q*bert
Test Drive
Wolverine: Adamantium Rage
Xonix
. . .
… y muchas risas enlatadas.
__________________________________________________
linktr.ee/hiyohiyoipseniyo
hiyohiyoipseniyo.hotglue.me
>>>23DISKETTES<<<
Òscar Hidalgo Aguilera
Manresa-Lleida, November 2025
posted 26 January 2026
Jazzaria – The Practiced Tone and the Drop of Blood
Jazzaria
“The Practiced Tone and the Drop of Blood”
Periodically, things happen. The specifics depend upon whom they are happening to. Regardless, it can be understood as the union of two sets – that which is expected, and that which is not.
The expected is best met with preparation – practice makes perfect, when a thing can be practiced.
The unexpected requires something else – it asks of us a certain height. To achieve what we can, and to go beyond it, even – especially – imperfectly.
Featuring clarinet.
posted 25 January 2026
Ilia Belorukov & Vasco Trilla – Hog Rubber
[PT179]
Ilia Belorukov & Vasco Trilla
“Hog Rubber”
Ilia Belorukov – modular synthesizer
Vasco Trilla – percussion, transducer speakers
Recorded on September 7-9, 2024 at kuda.org in Novi Sad, Serbia
Recorded, mixed and mastered by Ilia Belorukov
Vasco Trilla – percussion, transducer speakers
Recorded on September 7-9, 2024 at kuda.org in Novi Sad, Serbia
Recorded, mixed and mastered by Ilia Belorukov
posted 25 January 2026
Patrick Quinn – microvisioning
[ACP 1462]
Patrick Quinn
“microvisioning”
Philosopher Jane Bennett’s concept of “microvisioning” describes Henry David Thoreau’s devotional practice of keenly observing and focusing on small details of the natural world. She explores this idea in her book, Thoreau’s Nature: Ethics, Politics, and the Wild. She writes that microvisioning transforms nature into something “beautiful, sublime, and Wild.”
Every summer I leave my home in New York City to return to my roots in the Midwest, where I am able to practice my own version of microvisioning. Armed with an array of microphones and different listening devices, summertime in the Midwest has allowed me to sonically engage different environments in a deep, meaningful, and wild way.
All of the recordings contained in this album were recorded across the Midwest during the summer of 2025.
posted 21 January 2026
KYO – Outtemporary
[Insectorama221]
KYO
“Outtemporary”
In the orbital city of KYO, a new dubtechno signal dropped: Outtemporary. Static Flow powered the reactors, a steady pulse holding time in suspension. Along the Driftline, ships slid without thrust, guided by bass and delay. At the Peripher, shadows listened as Echoform folded memories into sound. When systems failed, Aftershape emerged—residual rhythms rebuilding the future from reverberation. The city survived by looping forward, forever out of time.
credits
released January 16, 2026
Insectorama221
all tracks by KYO
Mastering & Artwork by Markus Masuhr
posted 20 January 2026
Various Artist – Informátor OOII
Various Artist
“Informátor OOII”
Druhá polovina osmdesátých let, Československo. Zpoza železné opony sem různě konspiračně a pokoutně pronikala i divná hudba, hudba nová jiná odlišná, nové postupy, nové nástroje i nenástroje. Samozřejmě vnímavější domácí hudebníky ihned zaujala a zkoušeli napodobovat i zkoušet zcela po svém. Pomocí kutilství, národu vlastnímu, tvořili, hráli i nahrávali. Současně vznikla potřeba nejen se prezentovat doma, to zcela mimo oficiální instituce, ale i ukázat těm na Západě, že umíme, že nejsme jen národ Gotta a častušek. Iniciátorem byl Tonda Hlávka z Veselích Filištínů, kazety se kompilovaly u Vítka Hofhanzla. Zúčastnili se tak hlavně přátelé okolo VF, ale v té době byla scéna natolik malá a uzavřená, že přátelé byli všichni kdo začali tvořit industrial, postindustrial, různé zvukové experimenty atd.Ale obě kazety, které byly propašovaný přes hranice a vyšly pod hlavičkou italského labelu Old Europe Cafe a belgického Corrosive Tapes nejsou jen o industriálu. Je to průlet mnoha styly od postindustriálu, nové vlny po postpunk, sound experiment až po romský folklor.
“Poslouchej skrz sluchátka. Jsi majitel jediné kopie. Kopie je chráněna Dolby. V Praze jaro 1989 Československo!!”
The second half of the eighties, Czechoslovakia. From behind the Iron Curtain, strange music was also penetrating here in various conspiratorial and subtle ways, new music, different, new methods, new instruments and non-instruments. Of course, the more receptive domestic musicians were immediately interested and tried to imitate and experiment in their own way. Using DIY, a craft of their own, they created, played and recorded. At the same time, there was a need not only to present ourselves at home, completely outside of official institutions, but also to show those in the West that we can, that we are not just a nation of Karel Gott and chastushki. The initiator was Tonda Hlávka from Veselí Filištínů, the cassettes were compiled by Vítek Hofhanzl. Mainly friends from around VF participated, but at that time the scene was so small and closed that friends were everyone who started creating industrial, post-industrial, various sound experiments, etc. But both cassettes, which were smuggled across the border and released under the Italian label Old Europe Cafe and the Belgian Corrosive Tapes, are not just about industrial. It is a journey through many styles, from post-industrial, new wave to post-punk, sound experiment to Romani folklore.
posted 20 January 2026
Holy Fanda & The Reverends – The End of The Road
Holy Fanda & The Reverends
“The End of The Road”
released January 19, 2025
Holy Fanda
–
guitars, banjo (3), bass (1, 2), harmonica, vocals
Nick Jennings
–
drums, banjo (5, 6), bass (3), vocals (5)
Jarda Svoboda
–
harmonium (2, 3, 5, 6)
Tommy Levecchia
–
trumpets (1, 2)
Jakub Schmid
–
trumpets (2, 4, 5)
Vojta Noha
–
clapping hands (4), vocals (3, 5, 6)
Music Holy Fanda
Lyrics Holy Fanda with Alasdair Bouch (1, 2, 4, 6)
and with Noah Treacher (3, 5)
Recorded by Vojta Noha, Nick Jennings and Jarda Svoboda in 2014 and 2015 and with Ondřej Ježek in 2025 in Prague
Mixing Ondřej Ježek (studio Jámor)
Produced by Nick Jennings & Holy Fanda
Mastering Gargle & Expel, Dublin & Prague
Label Polí 5 / 2025 / EPP 285-1
Cover art Carton Clan
Photo FH archives
With this edition thanks to Dalton, Noah, Martin and more
posted 20 January 2026
Autonomаton – Collected not lost 2015-2025 vol.1: drone and teknoiz
[mhrk476]
Autonomаton
“Collected not lost 2015-2025 vol.1: drone and teknoiz”
“Collected not lost” is a decade of Autonomaton’s work, outside of LPs and EPs, collected. The music was released in the period from 2015 to the end of 2025. It’s done mostly through dubbing and overdubbing sound approaches. Both computer and hardware were used. Programmed or live. The tracks included have been released mostly on VA collections of works, through various online labels from around the globe: Animal Breaks (BE); Treetrunk (USA); DIGITAL DIZZY (UK) – dismissed; EcoSci (BG); eden.deeply (AU); Linear Obsessional Recordings (UK); Petroglyph Music (NOR); Studio 4632 (USA) – dismissed; Cian Orbe (CL); We are all ghosts (UK); Cousin Silas Emporium (UK); Doomcore Records (DE); L.O.T.R (FR); Attenuation Circuit (DE); Mahorka (BG); and couple of self-released entities. Included are various (re)mixes, versions and rebuilds for different artists like Cousin Silas, Passenger of Shit, Mystfied, Emerge!, Protuberance, Teeth of Divine and couple others. These three albums will take you mostly through 3 aspects of Autonomatons sound – teknoiz, ambient drone and dub breakz, reflected also in the title of each volume. The music on the albums will follow this trajectory, starting with noises and drones, then turning to more fluffy ambient and in the final chapter entering the zone of dub and breakz.
All music couresty of Nikolay Stanchev a.k.a. Autonomaton
posted 20 January 2026
Jazzaria – Local Optima
Jazzaria
“Local Optima”
Local optima aren’t – plurality runs counter to true highs. Yet such sweet spots are satisfying nonetheless, and worth indulging in from time to time. Ideals, subjective or otherwise, are still a matter of perspective, and benefit from such reflection.
Featuring electric keys and effects.
posted 18 January 2026
Toxic Chicken – Nostalgia
[s65166]
Toxic Chicken
“Nostalgia”
“Nostalgia is a file that removes the rough edges from the good old days.”
– Doug Larson
– Doug Larson
posted 17 January 2026
Falésia – Música Pobre
[mi352]
Falésia
“Música Pobre”
It is yet another new artist joining the MiMi Records family.
In this strange space–time condition saturated with information, where the excess of data overrides sensory experience, the Anthropocene no longer presents itself as a future hypothesis but as an immediate, almost physical presence, breathing down our necks.
It is within this horizon of slow collapse — ecological, technological, and symbolic — that over the past decade Nuno Afonso, under the heteronym Falésia, has been searching for liminal sonic territories: landscapes at times volcanic, at times stratospheric, where beauty is still reassembled out of strangeness and deviation.
Música Pobre emerges as one of these singular microcosms: a technological reality that insists on remaining primitive, almost archaic, as if electronics were here less an instrument of progress and more a trace — a remainder, an active ruin.
Between echoes of Mark Fisher’s theoretical formulations, broadcasts from distant and exotic radios, and a panoply of electroacoustic devices, a piece takes shape, divided into two sides that are also two visions of the same world: a fracture, rather than an opposition.
posted 16 January 2026
Atomai – SIGNALAI 3
[EEM076]
Atomai
“SIGNALAI 3”
Atomai constructs a bridge between the hiss of the past and the synthesis of the future.
SIGNALAI 3 continues ambient journeys through old tape recordings and new inventive adaptations of audio technology.
An exploration of signal processing by manipulating found footage, tape artifacts and integrating harps, strings and flutes.
posted 15 January 2026
Yogurt for Breakfast – Help Wanted
[pn249]
Yogurt for Breakfast
“Help Wanted”
The release “Help Wanted” by Yogurt for Breakfast (Emilio Adasme) is a journey that involves the painstaking deconstruction of a sonic fragment into unique spaces, where the sample comes alive, being played like an instrument, as the performer explores the complex relationship between rhythm, melody, and timbre. It is the beautiful experience of witnessing a beat flow and stretch into a passage full of layers — or listening as it suddenly collapses into itself, sounding almost like a guitarist juxtaposing rapid passages, pauses, and fluctuating melodies that hover in the limbo between tone and rhythm.
It is expression carried to its highest potential: using the smallest grain of sound and shaping it into an architecture that is both intricate and thrilling. At times we are given glimpses of its raw material; moments later, we witness its metamorphosis and allow ourselves to be enveloped by its striking presence. It’s astonishing to hear how something so tiny becomes disassembled, revealing its inner complexity — and even more exciting when we recognize its origin, yet find it transformed into something entirely different.
It’s funny that the majority of these sounds feel both familiar and unfamiliar at the same time, creating a strange duality of closeness and distance. We experience a kind of Berenstain-syndrome effect, where we believe we recognize something even though we are not certain what it is.
To sum up, I find it remarkable how something so small and recognizable can turn into such a complex, unsettling monster — all thanks to the exploration of sound with the sensitivity of someone playing an instrument, where fluidity breathes life into something that feels both familiar and entirely new.
José Miguel Barriga
(Santiago, Chile. January 2026)
posted 15 January 2026
Jazzaria – Angular Sax
Jazzaria
“Angular Sax”
A baffle makes all the difference. If baffled, consider – shifted. Though much remains similar, a new perspective offers altered wavelengths.
Featuring overdubbed tenor saxophone.
posted 15 January 2026
Various Artist – Digital Family Vol. 12
[DigitalDiamonds113L]
Various Artist
“Digital Family Vol. 12”
Prepare to expand your consciousness with VA Digital Family 12, expertly curated by Alic! This collection showcases tracks from visionaries like Adamson, Brun Balanced, Anyer Quantum, Gone West and many more, merging Psychedelic Techno with Progressive elements.
posted 13 January 2026
Sonvol – Indian blues romance
[ACP 1471]
Sonvol
“Indian blues romance”
sounds: Sonvol
edit & design: Sonvol
art: Maja Pekolj
edit & design: Sonvol
art: Maja Pekolj
posted 13 January 2026
GodHatesGodRecords – Anti f:Orm Volume 12
GodHatesGodRecords
“Anti f:Orm Volume 12”
Anti f:Orm Volume 12
Curated Patrick masson.
Cover art Thierry Massard.
Master Niko Deck at Le Belgicide. (nikodeck@gmail.com)
2026 God Hates God Records.
Mitwirkende
veröffentlicht am 1. Januar 2026
“Tout est possible, nous ne sommes pas limités par la technologie,
ou les instruments. Nous ne sommes limités que par notre état d’esprit”.
Don Buchla.
Thank you to all the artists present for this flight number 12 !
posted 10 January 2026
Humanfobia – ᐁ Living in a Haunted House ᐁ EP Version
Humanfobia
“ᐁ Living in a Haunted House ᐁ EP Version”
all tracks by Humanfobia.
track 5 in collaboration with Innocent Darkness.
track 6 in collaboration with noxpox
Humanfobia is an experimental, vaporgoth duo from Rancagua, Chile.
EP version of V/A ᐁ Living in a Haunted House ᐁ.-
posted 09 January 2026
Jazzaria – Dubiously Superior Powers
Jazzaria
“Dubiously Superior Powers”
Claims are often made that such and such is, in some ways, superior to this and that. Neither this nor that are deeply considered – they are but side characters to the heroics of such. Yet when scrutiny is applied, superiority is revealed to be merely difference, where its directionality is subjective and complex. The imposition of power over difference becomes a dubious mark.
Featuring Teenage Engineering OP-Z synthesizer and riser effects.
posted 07 January 2026
Koen Daigaku – Eureka
[mi351]
Koen Daigaku
“Eureka”
Koen Daigaku opens MiMi Records’ 2026 catalog with this EP that explores atmosphere, patience, and emotional scale.
Across expansive compositions, Daigaku blends sustained tones, gentle harmonics, and slow-moving melodies into immersive soundscapes that feel both intimate and vast.
Eureka invites listeners to pause, breathe, and drift, capturing a sense of elevation and calm that resonates long after the final note fades, with quiet confidence and refined compositional restraint throughout.
A must listen!!!
posted 05 January 2026
