eduardo f. rosario. san juan puerto. enjoys simple things, good food, some tv shows, books on art, politics, fiction or comics. studied composition at the conservatory of music of pr. started working with a prepared/modified guitar trying to expand the instrument’s sonic palette toward something timbrically richer and less attached to its history; in the present, working with whatever’s available, including programming (pd specifically) or found objects or places.
the pieces on obsolescencia programada were recorded and assembled using a hacked toy as the main sound source, pure data for digital sound processing, and recording software for basic finalizing. improvised processes. errors were always welcome; being understood as new possible paths instead of nuisances to be corrected.
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