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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

entropija – genealogija B: 2016-2018

entropija – genealogija B: 2016-2018
[EEM060]

entropija

“genealogija B: 2016-2018”

Continuing on from “genealogija A”, this is the second instalment of a retrospective collection. Including sounds from even before the start of entropija project, the album timeline spans almost 2 years, between August 2016 and June 2018. In contrast to previous album‘s colorful dynamics, this is a document of a more abstract side of entropija‘s performative spectrum. Clusters and bits of sound engage in complex interactions, trying to morph into a cohesive body, but the form seems to escape each time just before solidifying. Hints of order or harmony are quickly overwhelmed, and by the end, completely buried under layers of intersecting accidents. If there was a genre label suitable for this record, “liquid noise” would probably be it.
Button: by-nc
posted 20 December 2020