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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Ruoho Ruotsi – Amuse​​​-​​​gueules Vol. 3

Ruoho Ruotsi – Amuse​​​-​​​gueules Vol. 3

Ruoho Ruotsi

“Amuse​​​-​​​gueules Vol. 3”

Amuse​​-​​gueules Vol. 3 happens after dusk. On a damp night in 1Q84, Aomame nurses her verre à absinthe, at a hotel bar in Shibuya as 10 Sides of Ethel Ennis floats out from the jukebox with a gratuitous level of lusciousness. Meanwhile, El Sapo dreams of endless battles of contrasting memories.

The Amuse​​-​​gueules series (‘lil hors d’œuvre appetizers) has been a platform for experimentation, a tabula rasa of sorts, for RR to upend older, unfinished ideas while introducing new ting and refining studio technique. Since Volume 1, I’ve versioned a number of riddims, repurposed long-form spoken word from Chocolat and tucked Ethel Ellis under warp garridge basslines, all while managing to pull off an indisposable slice of “afterburn rave” delectability.
credits
released December 1, 2021

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posted 02 December 2021