TNTCL 0. – The Incident
TNTCL 0.
“The Incident”
Jazzaria – Multifaceted
Jazzaria
“Multifaceted”
In the time we have, there is much to appreciate. Fresh angles are precious, as it is easy to fall into a seeming sameness. Though ultimately we tend to opt for comfort, the journey to other perspectives is what gives contentment context. Music is multifaceted.
Featuring clarinet.
LR Friberg – Twenty Thousand
LR Friberg
“Twenty Thousand”
Artwork & Mastering: Origin_Blueprint.
Layout: Aria Argento.
Alessandro Ciccarelli & Milena Punzi Anfossi – All’improvviso. An imaginary soundtrack
Alessandro Ciccarelli & Milena Punzi Anfossi
“All’improvviso. An imaginary soundtrack”
Milena Punzi Anfossi: cello, coils, lyre, bass gopichand
The Juge – Music To Listen To While Walking Through Abandoned Buildings
The Juge
“Music To Listen To While Walking Through Abandoned Buildings”
Ejler Berry – SchizoPolyRoids
Ejler Berry
“SchizoPolyRoids”
Sqvire – Extradimensional 召喚
Sqvire
“Extradimensional 召喚”
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About the album:
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“This is a story about a foolish mage and apprentice who are tasked with summoning beasts from alternate dimensions to wage war. Unfortunately the apprentice goes digging into his master’s research and decides to try and summon himself a girlfriend, which ends up snowballing into him causing the apocalypse. Samples are all the
beats that felt more magical and synthy that I found while plundering.”
~ Sqvire
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About the artist:
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“I started Sqvire mainly to explore new visual styles with no rules: whatever I think is cool. I have admired the barber beats movement from afar for a while, and was finally moved to start plundering lo-fi beats from discovering undersaken’s “cope for lack of meaning” series. Since starting though I’ve developed a love for many more styles of music and plan to experiment a lot sonically and visually. It’s all fueled by excitement and love for the music and art I’m discovering.”
~ Sqvire
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sqvire.bandcamp.com/music
instagram.com/sqvire_vapor?igsh=MXE2cndlYzU5MTFmYg%3D%3D
Julien Palomo + Fabien Robbe – Miniatures
Julien Palomo + Fabien Robbe
“Miniatures”
Released September 21, 2024 as free (cc) download and beautiful limited edition digipak CD.
“This, our second album, is a collection of synthesized short pieces.
Whether you deem them abstractions due to their strange harmonic contents, or figurative of strange places, is up to you. The key word here is “atmosphere”. They convey no message, they were not created with any intent.
In saying what they’re not, we’re saying they are pure imagination at play. They deal with mental images and perceptions, before language creates order – and falsehoods – out of the plasma of free association.
During their making we never discussed them, bar a few technical points ; never defined them, never worded anything. We never ever mentioned we were actually “doing” them, and really discovered them afterwards.
Of course, we will never succeed in saying nothing. We’re subjects. And the very fact we have to write something about it is the heart of the paradox. But at least we can try. We all deserve a good vacation from meaning. There are other forces at play, like sound.”
Mr. inn – Death At The Arcade
Mr. inn
“Death At The Arcade”
Petroglyph Music – The September Equinox 2024 (Compilation)
Petroglyph Music
“The September Equinox 2024 (Compilation)”
released September 22, 2024
Jazzaria – 1.8125
Jazzaria
“1.8125”
Precise and detailed calculations can be unnerving – unerringly uncanny results we know are right, yet feel are somehow off. The universe is parsimonious, and so we expect pithy causes and succinct structures. But information has layers – apparent complexity underlies organization that our intuitions may miss.
This 29/16 track features synthesizers, acoustic guitars, bass guitars, piano, and effects.
Ninth BiT – 1001
Ninth BiT
“1001”
Recorded live with drums, modified hard disks/wwii dynamo bass, circuit bent fx , synnths & devices
Ninth Bit is
Psychiceyeclix – Electronics
Lucas Wright – Drums
Recorded by Ninth Bit
Mixed/Mastererd by Psychiceyeclix
Kevin Miller – initial concourse aftermath
Kevin Miller
“initial concourse aftermath”
All of the music is completely improvised, and was recorded using a few different basic sound setups from virtual amp plugins.
The titles, for the most part, have nothing to do with the music on any level.
Sýček – IV
Sýček
“IV”
released September 17, 2024
Sýček je známý jako posel smrti, ale v české alternativní hudbě byl vždy přízviskem pro hudební antižánr krautrock, který tuzemské kapely do svých repertoárů zařazovali jen velmi sporadicky. Motorické bicí, hypnotické melodie, repetitivní struktury, minimalistické texty a heslo méně je více ale tuto kapelu charakterizovalo od prvních songů. Jejich debutové album „I” (vyšlo u NAAB) bylo v roce 2017 nadšeně přijato hudebními kritiky ( nominace na cenu Vinyla a zařazení do TOP10 českých desek za rok 2017 mezinárodního magazínu Beehype.) Po tom, co kapela hojně koncertovala a absolvovala i několik evropských tour, ale přišlo delší odmlčení zapříčiněné rozpadem původní jihočeské sestavy.
Sýček jako fénix vstává z popela v minulém roce, kdy frontman a zpěvák skupiny Libor Staněk II. společně s kytaristou Richardem Steinem (Pokora) do nové formace přizvali Jakuba Zháňala (ex Acute dose), Ambroze Šuleje (Krstní Otcovia) a Adama Křizovenského s Nataly Středovou (GRÜNT).
V současnosti už tedy česko-slovenská kapela Sýček na podzim 2024 vydává po sedmi letech druhou studiovou desku s lakonickým názvem „IV“. Nové uskupení se navrací tam odkud Sýček vzlétl poprvé: ke krautrockovému vzývání, které fanoušky uvádí do… more
credits
releases September 17, 2024
Recorded, mixed and mastered by Ondřej Ježek at Jámor studio: Leden až červen 2024.
All songs by Sýček
Libor Staněk II. – zpěv, kytara, texty
Richard Pokora Stein – kytara
Ambroz Šulej – basa, kytara zpěv
Jakub Zháňal – bicí
Naty Středová – syňtáky, zpěv
Adam Křižovenský – kytara, bubínky, trumpeta, saxofon
Honza Podskalský – zpěv
LP released with Polí5 and Vlna Records
Artworks: Štěpán Blaschko
Wilfried Hanrath – Inter-Ference
Wilfried Hanrath
“Inter-Ference”
live @ ultrablack interference of mille plateaux
Cologne, July 27, 2024
Wilfried Hanrath: live guitars and effects
Yoshiwaku – I Joyfully Await The Exit
Yoshiwaku
“I Joyfully Await The Exit”
The Necrophile Hummingbird netlabel presents I Joyfully Await The Exit by Yoshiwaku.
“Suicidal Music for full of Hope People”
Live improvisation recorded in July 2024 at the Cave Haven in Foucherans.
This is a kind of tribute to Frida Kahlo.
en.wikipedia.org/wiki/Frida_Kahlo
Beware If you are fragile avoid to listen this, because it’s quite heavy material. Suicide is a no return operation, think twice before to exit.
If you know what you are looking for turn off the light and listen loud.
Special thanks to the Studio112’s urban explorer for the sleeve photography.
Note that the quote on Bizarre Death Wish is not by Frida Kahlo but Rebecca Martin.
Same thing for Viva La Vida…
Dedicated to those conscious that they are human viruses and prefer persevere to survive because they know that staying in this world will change it at some point. Well, never give up. And you will see the dawn.
This album and all the albums of the netlabel are now on air on the Internet Radio Free Albemut h o r s n o r m e
http://www.horsnorme.org/Radio_Free_Albemuth/
Wahn – Drifted Vol. 2
Wahn
“Drifted Vol. 2”
Following the spectral echoes of “Drifted Vol. 1” (on AFTER AFFECTS REC, France), Wahn returns, debuting on Mahorka, with “Drifted Vol. 2”, a deeper plunge into the abyss where despair looms heavier, yet faint glimmers of hope still emerge like distant stars in an endless night. The soundscape is darker, more cinematic, with grainy textures crackling like fractured memories. Lush, slow-motion atmospheres stretch into the void, embracing the listener in a weighty melancholy, where piano keys occasionally pierce the darkness like fragile rays of light, offering fleeting moments of solace.
In this second chapter, Wahn pushes deeper into the balance between hopelessness and the persistence of light. Cinematic undertones weave through the tracks, amplifying the immersive sense of narrative. The sub-bass resonates like a rumble from the earth’s core, making the body itself an instrument in this journey, grounding the ethereal melodies with a tactile, visceral presence. The ambient realms are thicker, more haunting, yet at times they break open to reveal a brief but tender embrace of warmth. Each track unfolds like a slow, mournful exhale, drawing the listener deeper into an intimate dance of sorrow and fragile hope.
Join Wahn as he continues this odyssey, where textures grow darker, the light more elusive, and the journey more introspective. Drifted Vol. 2 is a cinematic exploration into the profound depths of despair, with sub-bass vibrations and fleeting moments of light that make the experience as physical as it is emotional.
Composed, produced and mastered by Wahn
Artwork : Erwan Charier
soundcloud.com/Wahn
Released September 13, 2024
Floating Mind – Multi Directional
Floating Mind
“Multi Directional”
3 free WAV tracks of deep minimal techno and deep minimal electronic music for monoKraK netlabel (http://www.monokrak.net)
Mastering by Pheek (https://audioservices.studio/)
MRTN-CSTR – Radiam
MRTN-CSTR
“Radiam”
MRTN-CSTR‘s recent offering to Pueblo Nuevo, the EP titled “Radiam”, appears with music soaked in the “gamer” spirit, but not necessarily in its sonority, which is developed through other methods. By this I mean that while it alludes to the aesthetics of video games, in terms of speed and energy, at the same time it moves away from the rudimentary 8-bit sound associated with its origins.
Castro has labeled his work “Midi Art”, a production based on the use of sequencers that interact with both hardware and virtual devices, and whose characteristic is music that circulates in fast tempos, perhaps relating to the AFX world or the more digital Squarepusher, to name a couple of popular references. In this album we can hear short melodic lines that overlap and evolve carefully and, sometimes, frenetically, as in “Integraton” or in “Radiam”, the title track for this release.
These are four carefully crafted compositions, which enjoy a well crafted audio mix, with a mastering that does not sacrifice timbres in favor of volume, and an interesting point of view and musical personality, which strengthens the career of the Argentine musician, who has already traveled the label’s road with two previous releases, oscillating in different electronic styles, always with his ears set on personal experimentation.
Claudio Pérez (Usted No!)
(Santiago, Chile. September 2024)
Jazzaria – A Plan
Jazzaria
“A Plan”
An enumeration of steps and procedures. A notion of what ought to be done – or at least a way to do things. A form of preparation, a preparation of forms, and a gathering of prerequisites. A Plan.
Featuring synthesizers and effects.
Kai Nobuko – Nothing To See. Hear.
Kai Nobuko
“Nothing To See. Hear.”
after you press play…
Fritz Gessler – near death experience
Fritz Gessler
“near death experience”
Have a nice NDE !
Jazzaria – Neck and Nape
Jazzaria
“Neck and Nape”
Neck and nape, through cityscapes, the racers swiftly sped:
though racer one once held the lead, the second comes ahead.
To and fro, they strive astride, that one might claim the prize –
a Sisyphean struggle, with a cyclical surprise.
Featuring piano and two violins.
L’Autre – Dans le miroir
L’Autre
“Dans le miroir”
The Necrophile Hummingbird Netlabel presents L’Autre Dans le miroir (aka In The Mirror by The Other)
“Nu Trip Hop for Self Reflection”
L’Autre is Antonella Porcelluzzi and Ed End.
Antonella Eye Porcelluzzi (lyrics and voices + voice pedals)
https://www.linktr.ee/AntonellaEyePorcelluzzi
Ed End (electronic noise + turntablism + khoomei voice)
http://www.horsnorme.org
Recorded live at the Cave Haven in Foucherans the 9th of March 2024.
Special thanks to jazz pioneer Art Blakey without whom this album wouldn’t be.
Dedicated to those who are not afraid to break through the mirror
Number Eleven – Pickled Alligators
Number Eleven
“Pickled Alligators”
Just dance more, relax and enjoy the party! Ingest everything the life has for pleasure and forget the life itself. Why?
A party that is a declaration of nihilism is not a party which instills relaxation – it is a neck gripping spasm of dread. Deeply embroided with loneliness, masked with pseudo-alpha psychopathy. The party has to be a celebration of life – wins and losses, a strive for connection and discovery, through honest communication.
Just bring your garbage on the table to tell us how You feel and let’s move! Bring yourself, with all your foibles and make me dance, rather than tell me how cool you are, playing someone elses words.
What taught you to be afraid? Your Pickled Alligators?
This is my party.
