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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Lamont Kohner – Beckons

Lamont Kohner – Beckons

Lamont Kohner

“Beckons”

It’s finally Summertime, but press play, close your eyes and you’d never be able to tell. Lamont Kohner’s third single for RP lands with a roomy bass pulse and a dusty loop that slowly splits open to reveal white noise-crusted dub chords and a thumping traincar rhythm. BECKONS does what it says on the tin, with minimal side effects, drawing us into the seedy nightlife of Kohner’s noir cityscapes and neon vapors. Following the irresistible groove of BECKONS is CLOSE IT, a slightly more traditional dub techno affair, recalling the Detroit strains of Deepchord and Echospace while also conjuring a thick-as-a-brick rhythmic foundation that goes even further back to the first couple Maurizio 12″s in Germany. The whole thing congeals into that trademark Kohner shuffle, and we’re once again sitting back in a darkened taxi, window half open, smoke wafting out into the greasy streets. Falling beneath the music’s spell, you feel compelled to close the window – we’re doing something intimate in here.
posted 11 July 2019