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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

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Wello Horld! I like music and run this website. http://konrad-behr.de

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea

“Demand the Impossible / The Sofia Intuition”

released February 1, 2026

A. Stefan Christoff – Demand the Impossible

01. A sky entrance
02. Arc
03. Turning in the Bosphorus
04. Demand the Impossible

An album recorded in Sofia, Bulgaria one late evening in October 2023
Recorded and mixed by Yoncho Pavlov at AD 57, Sofia, Bulgaria
All piano compositions are original improvisations by Stefan Christoff

B. Open to the Sea – The Sofia Intuition

1. Please stop loving me
2. I will not wake you up
3. I recognise you
4. Bodies in contact

Reworks of Stefan Christoff’s original piano recordings with:
Saverio Rosi – OP-1 with wind instruments, double bass, synths
Matteo Uggeri – laptop, samples, random drumming
Enrico Coniglio – guitars

Mastered by Ryan Morey
Original artwork by Catalina Villegas-Burgos
Layout by Angel Draganov

Síntesis boreal

Esta pieza surgió como una experimentación con la idea de los triángulos, sus búsquedas de balance y de síntesis. Me sentía atraída por la energía del sol y los eventos cósmicos como eclipses y auroras boreales, así que los puse a danzar y a atravesarse. Cuando escuché el álbum de Stefan ‘’Demand the Impossible’’ sentí que mi experimentación le venía perfectamente por el juego de voces entre el bajo y las notas un poco más agudas e insistentes de esta obra. De algún modo, veía también los triángulos en su música y los tonos ‘boreales’ sobre fondo oscuro. En ambas obras: la musical y la visual, percibo desplazamientos y formas que se cruzan. Cuando ambos triángulos se encuentran, ¿es el sol un testigo de aquel eclipse o es acaso una fuerza oculta?
– Catalina Villegas-Burgos. (album artwork artist)

///

It felt unlikely that this recording session would actually happen in Sofia, Bulgaria, but I am really happy that it did and I can share this moment in time. I had played a concert in Sofia that same evening hosted by Tsvetan Tsvetanov of the experimental Bulgarian National Radio program Alarma Punk Jazz. After the show finished I rushed over to the basement studio, AD 57, just before midnight. Sound engineer Yoncho Pavlov generously agreed to record this session super late and we recorded until just before 2 am in the morning. After the session I ran back to the apartment where I was staying with Canadian activist scholar Ezra Winton, packed my bags and rushed to the airport for a flight to Berlin that was set to depart at around 6am.

Despite all the rushing around this recording, the mood and feeling of the sound reminds me of the stars. In certain parts of Sofia there aren’t a lot of street lights and the sky feels close to touch. The mountains that shape the Bulgarian landscape also hold a presence and vibe in the capital city. While playing piano I was thinking of the sky above, the stars and the lands around Sofia and the Balkan region. This project is important to me because of my Bulgarian roots, my father is Macedonian Bulgarian. It was a long road from growing up in Canada to finally making it back to Bulgaria and to finding a path to work on this recording and music in Sofia. I hope that you can feel the emotional resonance in the piano tones.

Another layer to this recording is the fact that recording took place in the context of the Israeli state’s military attacks on the Palestinian people in Gaza. The recording took place in November and the horrifying news coming out of Gaza spanked an intense need to take action around the world. In the week before this recording I had been with friends at protests and events to mobilize for Palestine in Montréal, Amsterdam and London. I was often thinking about Palestine during this recording session and the critical importance of sustaining an involvement and finding ways to support Palestine throughout my lifetime. Walking with and supporting the Palestinian struggle for freedom and against colonialism is one of the essential progressive causes of our time, we must never be silent and always find ways to stand up when Palestine is in the headlines and critically when it is not. I certainly was thinking of my Palestinian friends and comrades around the world who have played such an important role in my life over the last decades throughout this recording, that is the honest truth. I hope that you can hear the sense of commitment and urgency around supporting Palestine that I have carried and acted upon my entire adult life.

Thank you for listening to this solo piano recording from Sofia, it means a lot to me, sending love from Montreal.
– Stefan Christoff.

[mhrk478]

posted 01 February 2026

R cord – Distant Pressure

R cord – Distant Pressure

R cord

“Distant Pressure”

In Distant Pressure, R cord broadcasts from a city that hums itself to sleep. Echoes ripple through concrete, guiding a lone driver on a neon Night Drive. Beneath the streets, the Subharmonic Field breathes, bending time. The air tightens—Distant Pressure—then breaks into Waves of memory. Deep In (I a-b Reedit) sinks the listener below signal and thought, with Fingers in the Noise tuning reality by touch. At dawn, Distant Echoes – the Radiant Edit fades, and the city remembers it was alive.
posted 31 January 2026

slowerpace Èü≥楽 – ŸÖÿ¥ÿßÿ∫ÿ®ŸàŸÜ EP

slowerpace Èü≥楽 – ŸÖÿ¥ÿßÿ∫ÿ®ŸàŸÜ EP

slowerpace 音楽

“مشاغبون EP”

After nightfall, the lost boys take the streets, turning motion into raw roar.

RELEASE #42
愛を込めて作られ

⏐ Follow me on Instagram
⏐ instagram.com/slowerpacemusic
credits
released January 15, 2026

CREDITS TO PRODUCERS >>> SOUNDS LIKE WATER – LASZLO BENCKER – BLUE PILOTS PROJECT – NARCOSE – LUIS JR – JENS BUCHERT

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posted 28 January 2026

Smooth Genestar – As if music would not be a message

Smooth Genestar – As if music would not be a message

Smooth Genestar

“As if music would not be a message”

Ladies & Gentlemen,

as if music would not be a message – We are very sure you know that and will listen. Music, no matter what musical genre you prefer, is always a message – and a language, spoken and understood by all.

Dear music lovers, Smooth Genestar did it again. Nearly 6 years passed since the release of his last album, and so he felt it has become time to cook some new, delicious groove snacks for you.

Within the last 18 months, he worked on a lot of tracks, all of them handcrafted for you with love. He worked obsessed on every little detail and every little feature, of course always with a subtle portion of humor, as you may notice on the one or other title of the tracks.

What can you expect from this brandnew release? Well, a handpicked choice of 22 tracks out of 30 tracks he has produced within the last 18 months. So, get ready for 4 hours and 3 minutes of deep, groovy, melancholic and tasty flavoured Downbeat, Lounge, NuHazz, TripHop and Chillout tunes – spiced with a good portion of retro flavours and deepness.

For that, he did some serious musical research and work to create authentic beatz, deep and rolling basslines and, of course, jazzy chords and dusty, livind pads and background atmospheres. Most of the musical spices is played and recorded live to keep the human touch.

Overall, you can say, his goal was to serve great tracks for your perfect or even unperfect moments. These 22 tracks will fit nearly all of your moods. May it be as background music while sitting with people you love, for doing your studies, for your way home after a hard day on work, for driving at night, for dreaming or just for your new years day chill out session.

Have a nice christmas and a happy new year!

And now… get into the tunez and enjoy the music!

With best wishes from germany,
CYAN

Smooth Genestar dedicates this music in love to Zeynep.

In addition, he pays tribute to Mr. Paul Hardcastle, a man and musician who influenced him absolutely most with his musically smoothness. Thank you for this kind of gentle smoothness!

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posted 22 December 2025

Varios Artistas – Mixtape #15

Varios Artistas – Mixtape #15

Varios Artistas

“Mixtape #15”

El mixtape #15, bajo el título “Latir y combatir”, reúne una serie de canciones y piezas sonoras publicadas por Fuego Amigo Discos en el 2025. Combina su acción con el “Mixtape #14” publicado en el mes de Septiembre de éste año.

Éste compilado define un punto de encuentro real, en el que las vibraciones acústicas, las canciones pop sintetizadas, la sustancia rock y el pulso de la electrónica experimental coinciden y fluyen deliberadamente, sin marcaciomes ni fronteras.

Como desde hace 15 años, el sello vuelve a ampliar éste 2025 las márgenes sonoras. Las canciones, su composición, exposición y amplificación al universo suceden libremente y se combinan acá como un gesto sensible, artistico pero también como acción cultural beligerante.

Foto Portada: Diaz José
www.instagram.com/guerrilla_108/

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posted 21 December 2025

Psicadence – 繋がりの狭間で

Psicadence – 繋がりの狭間で

Psicadence

“繋がりの狭間で “

NOP-889
Infinite Series #002Previous volume from Infinite Series:
#001 – E U P H O R I A 永遠の – 孤独な少女、愛らしい少女
noproblematapes.bandcamp.com/album/–83

Originally released by Psicadense in June 2025
Now, for the first time, it’s available in physical format
Mitwirkende

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posted 19 December 2025

iT / Irena Tomažin – Another Crying Game

iT / Irena Tomažin – Another Crying Game

iT / Irena Tomažin

“Another Crying Game”

(NB: very special hand-made BOX is in the works!)

Some songs on Another Crying Game began to take shape at the very start of the iT project, but as short fragments they did not find their form or place on the first album. After a long period of oscillation between emergence, forgetting, gestation and rewriting, and alongside later songs, at least some have now found their place and form.

Some songs were originally created for specific dance-theatre performances and were later given new lyrics and additional melodies. For instance, The Night of the Soul emerged in 2007 during a creative process at the Grotowski Institute’s Atelier programme in Poland. The simple melody of Vsemu kar je blizu (a short poem by Hafiz) was composed for the performance Rodeo by Maja Delak and Mauricio Ferlin in 2007, while the melody and part of the lyrics for Just the Way It Is were developed during the process and as part of the performance Out of Discord with Joséphine Evrard in 2010. The first audio fragments and drafts of Happiness were written around 2006, as were the drafts for the song Počasi. The rest appeared sporadically, in pieces and fragments, over the following years. Song Realnost iluzij, is based on Anja Novak’s poem of the same name and is part of her interdisciplinary poetry collection Rane rane (Wounds Wounds).

Another Crying Game is an echo of the the first iT album, Crying Games, released in 2011 by rx:tx, Projekt Atol.

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posted 15 December 2025

Various Artists – CHORDS AND ECHOES – TWO

Various Artists – CHORDS AND ECHOES – TWO

Various Artists

“CHORDS AND ECHOES – TWO”

Chords and Echoes is the big year-end compilation. This is episode 2 of 2 with the last 23 tracks by dubtechno artists from all over the world. Many thanks to all artists who make this compilation something very special with their track. 170 minutes of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks fit for the cold season.
Button: https://creativecommons.org/licenses/by-nc-nd/4.0/
posted 12 December 2025

Coffee Faith, I See The Sound Project – (10PM-35) Coffee Faith & I See The Sound Project – Mentas

Coffee Faith, I See The Sound Project – (10PM-35) Coffee Faith & I See The Sound Project – Mentas

Coffee Faith, I See The Sound Project

“(10PM-35) Coffee Faith & I See The Sound Project – Mentas”

“Mentas” menandai babak baru bagi COFFEE FAITH setelah jeda panjang beberapa tahun. Lagu ini menjadi pintu pulang, sekaligus titik loncatan untuk kembali menyapa pendengar yang merindukan warna khas mereka.

Di karya ini, COFFEE FAITH menggandeng Jovan dari I See The Sound Project. Kolaborasi ini menghadirkan sentuhan unik lewat penggunaan Tube Harp buatan tangan Jovan sendiri—alat musik yang memberi karakter suara organik, hangat, dan berbeda dari rilisan-rilisan sebelumnya.

“Mentas” adalah pertemuan dua dunia: eksplorasi sonik COFFEE FAITH dan eksperimen visual-audio I See The Sound Project yang mengiringi percobaan COFFEE FAITH dalam mengawali babak barunya.

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posted 05 December 2025

Tom Bragl – Pielesh

Tom Bragl – Pielesh

Tom Bragl

“Pielesh”

A very welcome return to Tom Bragl, who has appeared on Kahvi a few times over the years. An excellent epic eleven track album of hard and fast beats, interspersed with subtle details throughout. With echos of Solar Fields, Pielesh is a fitting album to see out the cold in the winter season and blow out the cobwebs for the New Year.
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posted 05 December 2025

Nonsen – Nonsen

Nonsen – Nonsen

Nonsen

“Nonsen”

released November 2, 2005

Nonsen:
Martin Strakoš — zpěv, elektroakustická kytara, klarinet, basklarinet, příčná flétna, ewi, saz (4), indiánská flétna (4), elektrická kytara (1), terénní nahrávky (6)
Petr Mazúr — piano, akordeon, zpěv
Marek Stibal — elektrická kytara, zpěv
Saulo Paiva — trubka
Ondrej Kolenič — baskytara
Stanislav Kocanda — bicí

Hosté:
Maja Bolić — zpěv (4)
Anežka Matoušková — zpěv (5)
Livio Almeida — saxofon (1, 2, 6)
Adam Veřmiřovský — violoncello (2, 3)
Radio Necho (Václav Nevrlý, Miroslav Přívětivý, Adam Veřmiřovský, Martin Strakoš) — volná improvizace (7)

Tomáš „Federsel“ Procházka — národní umělec (6, 7)
Lukáš Kurtin alias Ježíšek — tulák malebnou českou krajinou (3)
Inženýr Vladimír Mikulka — moudrý hlas z rádia (6)

Nahráno doma a ve zkušebně v letech 2023–2025.
Smícháno Honzou Balcarem ve studiu Bros v roce 2025.
Na obalu a doprovodných materiálech jsou použity fotografie obrazů Andrzeje Cieslara.
Grafickou podobu obalu vytvořil Pavel Lauko.

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posted 04 November 2025

dESUS – Pomalo

dESUS – Pomalo

dESUS

“Pomalo”

In a fog-drenched city, “POMALO” echoed through abandoned warehouses and midnight alleys. dESUS had woven roots and rhythm into steel and smoke — dubtechno pulsing with heartbeat bass, whispers of ancient drums beneath digital rain. Each track felt like memory reborn: the hum of machines meeting the warmth of earth. People didn’t dance; they drifted — lost between echoes, caught in the timeless loop of roots and reverb. When the last note faded, silence carried the groove, as if the city itself kept breathing POMALO.
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posted 30 October 2025

WivWav – Elektronische Meuk Vol. 1

WivWav – Elektronische Meuk Vol. 1

WivWav

“Elektronische Meuk Vol. 1”

Elektronische Meuk Vol. 1 is a collection of tracks, of music that I like to make. While at first these tracks don’t seem to have a red line connecting them, by being made by the same artist they inherently share the same sonic palate and feelings that I, the artist, put into them.

This album features electronic music with a focus on texture. Containing feelings ranging from confusion, melancholy, monachopsis, lagging behind everyone else, to restlessness, sudden boosts in energy that you don’t know what to do with and many more.

This album exists because I want to release things, for the sake of creation. To make music, be able to share it with people and thereby share a little piece of me.

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posted 29 October 2025

Jus Recondo – 22825

Jus Recondo – 22825

Jus Recondo

“22825”

22825 constituye el cuarto material solista publicado por Jus Recondo, y el segundo a través del sello Fuego Amigo Discos.

Se trata de una improvisación grabada en una sola toma, sin edición, que se desarrolla con un clima denso y por momentos agobiante. Los bucles y samples están presentes como en trabajos anteriores pero en este caso se suman elementos melódicos que contribuyen a la espesura del ambiente creado.

El arte de tapa forma parte de una serie de imágenes creadas con inteligencia artificial, continuando lo propuesto en la portada de 19225, anterior lanzamiento por Fuego Amigo Discos.

——
22825 is the fourth solo release by Jus Recondo, and the second through the label Fuego Amigo Discos.
It is an improvisation recorded in a single take, without editing, that unfolds in a dense and at times overwhelming atmosphere. Loops and samples are present, as in previous works, but this time melodic elements are added, contributing to the thickness of the created environment.
The cover art is part of a series of images created with artificial intelligence, continuing the concept introduced on the cover of 19225, Recondo’s previous release with Fuego Amigo Discos.

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posted 22 October 2025