René Muñoz Córdova – Л11л33
René Muñoz Córdova
“Л11л33”
Composed and produced by René Muñoz Córdova.
Cover art by René Muñoz Córdova.
Field Recording by Gosha Solntsev.
posted 16 December 2024
ccm submitter
Invisible Illusion – Escaping The Memory Hole
[LCNLP197]
Invisible Illusion
“Escaping The Memory Hole”
Seems this is part of a trilogy with Bukowski-A-Go-Go & Curse Of Knowledge
Still two days to take action as musician or fan “Over 600 musicians are speaking out to demand that major labels drop a lawsuit aimed to destroy the Internet Archive—and for their industry to take concrete actions to realign their actions with the interests of working artists. Sign their open letter now to show your support.”
https://www.savethearchive.com/
This is a little tribute to Internet Archive.
Musical Improvisation recorded live in October 2024 at the Cave Heaven in Foucherans.
Special Thanks to Enola for her hair extensions…
And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/
posted 16 December 2024
Au.B. – Your Music Is Boring
[EEM074.6]
Au.B.
“Your Music Is Boring”
This is what people said about this music and what this music said about theirs.
You want all music to be about euphoria to fuel your fantasy driven life, while this music is about the joy of discovery, to fuel the exploration of the way this universe operates.
It’s boring to you, because you like to fuel your euphoria driven fantasy. Your music is boring to me because it is all the same – tup tis to tis.
Part 6 out of 8 from Joy of Creation.
posted 16 December 2024
D-Fried – Images sur la mer
[phokes151]
D-Fried
“Images sur la mer”
Boarding the flying ship, which is also a submarine.
Breathe in the molecules that tell stories.
Adventure stories of places beyond the known.
Jordi Saludes alias D-Fried has moved to a city by the sea and studies the waves and nature there, sitting right in front of the ocean when he produces music. One result is the album “Images sur la mer”, the images of the sea, an album that stimulates the imagination, a journey through soul and spirit.
Like with D-Fried’s first release on Phonocake, this release is presented with an amazing contemporary digitally version of an artwork by Buna. It is about the idea, that everything is connected and this idea reflects in oceans especially, since the oceans connect all the continents on our precious planet.
» artist shout outs:.
thanx to Buna, Dani, and Sven for their support
posted 16 December 2024
Jazzaria – The Right Amount of Purple
Jazzaria
“The Right Amount of Purple”
Inscrutable, ineffable, and just beyond our ken. The range of understanding, from without and from within – is not quite up to snuff to grasp all that there is to know. The Right Amount of Purple will illuminate the show.
Featuring something, with effects.
posted 15 December 2024
Luka Prinčič – DRAGX̶FUNK
[KAM073]
Luka Prinčič
“DRAGX̶FUNK”
Luka Prinčič recently also known as Prince Lucija (Crucial Pink, ex-Nova deViator and Deviant Funk) created a pile of music for a certain genre-transgressive stage show. On these originals and reworks of various degrees Prinčič is joined by bouquet of members from the collective The Feminalz. The shuffling team of collaborators presents itself in the usually peculiar and ambivalent light on the new productions, stealing melodic and textual images in a mix of instrumental club tracks and lyrically generous songs that function both as performative moments and repeatable musical hooks.
DRAGX̶FUNK is a transgenre mutation, a fluid entity, jagged pop, electro-funk, techno-cabaret, a schlager, and soft alternative, queer to the core, satire and tragedy, sharp and fun indulgence for the dance of bodies and brains, activism and hedonism, which would all like to steal your attention.
DRAGX̶FUNK is pronounced /dɹæɡɑːfʌŋk/.
credits
released December 5, 2024
Luka Prinčič · music, production, arrangment, recording, mix
Maja Delak · vocals and lyrics on Stoj Đoni, Hočem več, and Tossing Lawrence
Nataša Živković · vocals and lyrics adaptation on Lubricate Me and Ljubo
Veronika Valdés · vocals on Handy One
Daniel Petković · vocals and lyrics on Jst ga res ljubim
Leon Marič · vocals and lyrics on Aplauso
Jan Rozman · vocals and lyrics on Minica
Loup Abramovici · vocals on Heaven
The Feminalz · back vocals and co-writing
Josipa Tadić · graphic design
Maruša Hren · printing & usb booklet
Luka T. Zagoričnik, Luka Prinčič · executive production, promotion
Just Start The Funk contains percussion samples and music parts from Michael Jackson’s Don’t Stop ‘Til You Get Enough.
Handy One is based on “Why Don’t You Do It Right” composed by Kansas Joe McCoy, lyrics adapted by Bela Pikalo from “My Handy Man” by Andy Razaf and first recorded by Ethel Waters.
Lubricate Me lyrics adapted by Nataša Živković from “Shave ‘Em Dry” by Ma Rainey
Echoes is based on Olof Dreijer – ‘Echoes From Mamori’
Aplauso composed by José Antonio Farias Mackey as “Esmeralda” originally performed by Javier Rodriguez.
Heaven written and composed by David Byrne and Jerry Harrison
Music initially written for the stage show “Image Snatchers present: Mad Jakale in a Film We Haven’t Seen” by Maja Delak premiered on 9. December 2023 and produced by Emanat.
produced by Emanat emanat.si
released by Kamizdat kamizdat.si
with support from the City of Ljubljana
posted 15 December 2024
Joan Lavandeira – Pain recordings
[pn239]
Joan Lavandeira
“Pain recordings”
“Pain recordings” is a complex sound collage that delves into the fragments of memory emerging from personal relationships. Blending electronica, industrial, drone, noise, and bass music, the album offers an abstract and evocative experience, where traces of human connections manifest in structured forms.
This double album plays with the abbreviations M. and J., drawing from Robert Smith’s approach in the track “M” from “Seventeen Seconds”. The song references Albert Camus’ novel “La Mort Heureuse”, where the character Patrice Mersault feels jealous of his girlfriend Marthe’s other lovers, beginning with the phrase Hello image.
The album’s focus is not on raw emotion but rather on the ways memories—fuzzy, distorted, and at times disorienting—filter into consciousness. Each track acts as an autonomous yet interconnected fragment, reconstructing the vestiges of human interactions. Industrial landscapes, deep basslines, and the raw textures of noise create an unsettling atmosphere, where sounds echo past moments, reconstructed and deconstructed in a sonic quest for meaning through drone.
The music of “Pain recordings” embraces a fragmented sonic aesthetic, in which rhythms and melodies emerge and disappear like memories dissolving over time. It’s a work that captures the incomplete and fleeting nature of memory, offering an experience that is as challenging as it is hypnotic. Listeners are invited to navigate these passages of broken sounds and saturated textures, finding their own interpretations in what lingers between the sounds.
Rather than presenting a linear narrative, the album unfolds as a mosaic of sounds that invite reflection on the fragility of memory and how past events are reconstructed in fragmented ways in our minds. “Pain recordings” is, ultimately, an experimental sonic exercise, where relationships and memories become raw material for an exploration that feels as cerebral as it is emotional.
Joan Lavandeira aka randomVOLT
(Barcelona, Spain. December 2024)
posted 15 December 2024
Jazzaria – Return to Balance
Jazzaria
“Return to Balance”
Events occur – time passes. What happened still happened, yet enough stillness gives separation. Ideally, this detachment is partial – a boon of timely perspective, allowing appreciation of other things while retaining connection to that which was.
Featuring clarinet.
posted 15 December 2024
c4 – Synapse Propositions
[s65157]
c4
“Synapse Propositions”
Synapses are firing on all cylinders…
posted 13 December 2024
dgfy – Lolicore EP
[mi326]
dgfy
“Lolicore EP”
With over 15 edited releases, the Portuguese artist dgty finally arrives at MiMi Records. He is one of the few national artists who embraces otaku culture and, along with it, blends breakbeat and lolicore to create an experimental sound full of textures.
In this EP/Single with just two tracks, dgty gives us everything: fast and frantic beats, exploring lolicore with distorted, high-pitched voice samples, and the use of loops and glitch atmospheres to create a sense of deconstruction, maintaining a constant tension.
Lolicore EP is the name of this record, and right from the title, we can see the irreverence that reflects the provocative attitude of the music, almost as if it were a sonic transgression.
An EP perfect for fans of experimental electronic music and otaku culture.
posted 12 December 2024
Various Artist – Earsheltering: 20 years of noise – RV 666
[earS119-RV666]
Various Artist
“Earsheltering: 20 years of noise – RV 666”
Radiovision vs. Earsheltering
EARSHELTERING: 20 years of noise
earsheltering celebrates is 20th anniversary in 2024 with a various artists release as a tribute to RADIOVISION.
Thanks to all artists & friends who supported this project & also EARSHELTERING since 20 years, especially Alkbazz providing a wonderful artwork within short timelines & Françis Baume for Amazing sampling from Radiovision to create interludes between each tracks.
The release is available as a free virtual double disc available on archives & bandcamp(s). Disc 1 is dedicated to Radiovision serie and disc 2 is dedicated to Radiovision Eveil serie.
1 video clips by CorteX is also made available.
Radiovision is an educational program which was launched in 1955, combining a school radio program with a slide show and a booklet. Forgotten today, it was a great success until the 1980s.
The slideshow and booklets were received on request by schools a few weeks before the radio program was broadcast. The colored slideshow pictures were larger and in a higher definition than the television image could offer. Paintings, engravings, manuscripts and old photographs were rendered with a higher quality than television couldn’t reach. It was therefore particularly useful for Geography, History of Arts and Natural Sciences classes.
The teacher had to manually ensure synchronization between images and sounds, triggering the transition to the next slide at each the sound signal.
During the 70s, in addition to the combination of sounds and still images, radiovisions became part of a more complete multimedia system, from an educational and tools point of view, and made up the radiovisual file. Each week, two programs from the “Radio-awakening” series would be associated with the radiovision, developing complementary aspects of the subject dealt with, along with educational documents gathered together in a file (15 to 20 pages of program content analysis, bibliography, texts, photographs, maps, etc.).
From the 1974-75 school year onwards, a flexy 7 inch disk would be part of the package for a few files, and then it developed to become more systematically; in the 80s, audio cassettes took over the flexy 7 inch disk.
posted 11 December 2024
Luneta Freedom Jazz Collective – Mga Matang Pumipikit Sa Langit
[mhrk421]
Luneta Freedom Jazz Collective
“Mga Matang Pumipikit Sa Langit”
Luneta Freedom Jazz Collective is an experimental jazz group from Manila, Philippines. Their first studio album “Ethos”, was recorded and released in 2015, followed by “Inland Empire” in 2017. In 2021 the project debuted on Mahorka with their third album, “Slaves and Masters”.
“Mga matang pumipikit sa langit” (translates to “Eyes closing to the sky”) is their fourth album and second on Mahorka, released December 7, 2024
“Mga pinagbabatayang kaisipan at paniniwala tungkol sa pinakapuso ng kalikasan ng tunay na nandito at umiiral, na nagsisilbi namang pinakasahig ng iba pang mga kaisipan at paniniwala.”
The album as a whole is grounded on the profound engagement with the foundational ideologies and convictions concerning the nature of that which genuinely exists and prevails, serving as the primary basis for all subsequent thoughts and beliefs that underpin human thought and belief. Offering a nuanced perspective, each moment delves into different facets of human cognition, reality, and perception, mirroring how foundational ideologies about reality shape and are shaped by these elements.
Luneta Freedom Jazz Collective are:
Hamzah Nubia – Guitar
Rahiem Tashan – Percussion
Althea Segunda Katigbak – Keys
Akilah Marasigan – Sax
Dustin “Xenokrates” Bones – Bass
Maleeq Ras Nashiem – Drums/Theremin
Artwork by Maleeq Ras Nashiem
posted 11 December 2024
Fake Cats Project – Fake Cats Mini-Projects. Hauntological Sessions Autumn 2021
[ACP 1429]
Fake Cats Project
“Fake Cats Mini-Projects. Hauntological Sessions Autumn 2021”
Igor Levshin – Virtual ANS, Guitar, Upright Electric Senkov Bass
Alexei Borisov – Various Synths, Guitar, Radio
Sasha Zayats – Toy Electric Drums
Kirill Makushin – Voice, Accordion
Music / Performed / Recorded / Mixed : Fake Cats Project, 2024
posted 10 December 2024
Au.B. – What Is This Noise
[EEM074.5]
Au.B.
“What Is This Noise”
Noisy and chaotic experiments with where the music starts in the presence of sounds.
Material which is not preferred is the definition of noise. What makes music become noise? When it plays something that is not expected?
What if nothing is being expected, but it is just an experiment of things that did not become music yet? A by-product of exploration of how to explain an idea, before it has manifested.
Part 5 out of 8 from Joy of Creation.
posted 09 December 2024
IcelationWorks – Thule
[zen301]
IcelationWorks
“Thule”
deep dark soundscapes to shake your basement
posted 09 December 2024
Kevin Miller & Jukka-Pekka Kervinen – blind spot
[PT166]
Kevin Miller & Jukka-Pekka Kervinen
“blind spot”
Kevin Miller – electric guitar
Jukka-Pekka Kervinen – electric & acoustic guitars
Recorded between 8/18/24-9/26/24
Jukka-Pekka Kervinen – electric & acoustic guitars
Recorded between 8/18/24-9/26/24
posted 08 December 2024
Sounding – Euphonica, Vol. 1
[VSS161]
Sounding
“Euphonica, Vol. 1”
Immerse yourself in Sounding’s atmospheric soundscapes, crafted with love from Italy. A unique blend of experimental and ambient electronica, born from a passion for soundscapes and cinematic scores. 
all rights reserved
posted 07 December 2024
Various Artist – Warlock – Various artist files
Various Artist
“Warlock – Various artist files”
Friends in Music
The Art of Collaboration
A Musical Journey Together
United Voices
Collaborative Creations
Sounds of Friendship
The Power of Two (or more!)
Musical Alchemy
Partners in Harmony
Shared Passion
The Art of Collaboration
A Musical Journey Together
United Voices
Collaborative Creations
Sounds of Friendship
The Power of Two (or more!)
Musical Alchemy
Partners in Harmony
Shared Passion
posted 04 December 2024
Neko – Windfall (Mahorka Edition)
[mhrk419]
Neko
“Windfall (Mahorka Edition)”
Refreshed from a year’s meditation and fuelled by a lethal combination of extra strong coffee and those lotus biscuits with the cream in the middle, Neko, the premier act to emerge from Bristol’s thriving Japanese language post rock/electronica micro scene (population 1) are back with “Windfall”, their second EP, following on from their highly acclaimed 2023 debut “King Louie”.
Like most second releases, it’s a more mature collection of songs than its predecessor (fewer songs about 5 a side football, more songs about complicated IT jobs and desperate attempts to avoid middle aged spread) that sees the band, now with vocalist Yuka Suzuki as a full time member, polish and develop their distinctive sound.
Teaming up again with producer Dom Mitchison, the EP’s four tracks are a vibrant melting pot of styles and ideas. Yuka Suzuki’s ethereal vocals are the one constant, through the dreamy “Stack Overflow” and “Kleshas” to the moody guitar lines and Donna Summer style synths of “Almost Forgotten”. The slow-building title track “Windfall” brings the EP to a pounding, cathartic conclusion.
The band will be undertaking a short tour towards the end of November to promote the release, with dates in Cardiff, London and hometown Bristol currently pencilled in. The “Windfall” EP is available for listening on Spotify and other music streaming services, while officially released on Shoredive Records (on CD) and Mahorka (cassette).
The Mahorka Edition cassette includes a whole exclusive B side of spectacular remixes of the original EP tracks by Asshole Galaxy, Tawdry Otter, Brainquake, popon and Suzuki.
Released November 22, 2024
P&L 2024 under exclusive license to Mahorka and Shoredive Records
Written and performed by Neko, 2024
Lyrics by Yuka Suzuki
Recorded and Engineered by Dominic Mitchison @ Humm Studios, 2024
Mastering of the original EP tracks (Side A) by Shawn Joseph @ Optimum Mastering, 2024
Mastering of the remixes (Side B) by Weldroid, 2024
Neko:
nekoneko.bandcamp.com
facebook.com/nekonekoband
instagram.com/nekonekoband
youtube.com/@nekobanduk
Asshole Galaxy: mahorka.org/artist/asshole-galaxy
Tawdry Otter: suitablybizarre.bandcamp.com
Suzuki: soundcloud.com/suzuki
popon: soundcloud.com/popon_tonichan
Brainquake: brainquake.bandcamp.com
posted 04 December 2024
Au.B. – Electromagnetic Radiation
[EEM074.4]
Au.B.
“Electromagnetic Radiation”
An experiment with functions the composition and sound design take in communicating the idea of music.
All of the tracks share the same lead melodies and most of the patterns, but they use completely different samples.
Which part of the music remains the same? The ideas or the ways they are perceived? If the perception is different, how do you know the ideas were the same?
Part 4 out of 8 from Joy of Creation.
posted 03 December 2024
Mimamamis – Calvary
[mi325]
Mimamamis
“Calvary”
Calvary, the latest work from the Japanese project Mimamamis, is a deep dive into the abyss of harsh noise, a true auditory calvary that pushes the listener to the limits of sonic endurance.
The album, consisting of just three tracks, brings chronic feedback, massive distortions, and extreme saturation. Each track is an attempt to force the listener to confront the discomfort of repetitive, brutally compressed sounds.
Mimamamis makes no concessions, and the result is a work that approaches the concept of calvary: an unrelenting journey that is difficult to endure, yet fascinating at the same time. In terms of structure, the tracks of Calvary are minimalist, but not in a conventional sense. They slowly build in heavy layers of noise, creating a sense of suffocation and oppression.
In summary, Calvary by Mimamamis is a radical work within the harsh noise genre, distinguished by its ability to provoke discomfort, pushing the listener to confront their own emotional resistance to the brutality of the sound.
posted 02 December 2024
Ejler Berry & The Sauce – Hinstrumentoold
Ejler Berry & The Sauce
“Hinstrumentoold”
Bla bla bla etc. Ad libitum
all rights reserved
posted 01 December 2024
Origami Repetika – Emerald Waveforms
[s65156]
Origami Repetika
“Emerald Waveforms”
“Soundscapes crafted, stories told, With each note, the magic unfolds, Retro computer music, a treasure of old.” – Copilot AI
posted 30 November 2024
Iliaque – Palimpseste
Iliaque
“Palimpseste”
A new mix of shoegaze, breakbeat, ambient, drum’n’bass… we can call it Drum’n’gaz !
posted 30 November 2024
PATATATTAK – ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)
PATATATTAK
“ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)”
Dub remix of a track played by ETHNOFONIK 2024 ORCHESTRA @ Théâtre de l’Agora (Evry, France) in november 2024.
Nardanina is a traditional song from Georgia.
all rights reserved
posted 28 November 2024
