Recorded direct to 4 track in one day 2004.
released June 28, 2004
Thanks to Banksy for cover art.
GORGE.IN has completed its 10th anniversary compilation “GORGE OUT “HERE” 2022″. The total number of tracks is 45, and the total time is over 2 hours and 40 minutes. A terrifying adventure of madness is enclosed here.
This monster compilation proves it. The bootists (as the artists who create gorges are called) came from 20 regions across Japan, from Hokkaido to Okinawa, and from abroad, including Germany, the U.S., Argentina, Aotearoa (New Zealand), Nepal, and many other countries. Gorge is a mix of gorges from every region of the world, a music that can be found anywhere in the world and nowhere else in the world.
The backgrounds of the participants are diverse. Techno, Dubstep, Hip-hop, Ondo, GQOM, Rock, Noise, Punk ・・・・. All kinds of genres coexist here, swallowed up on the extremely open and vast wildness of Gorge music.
You may be asking, “Is this real?” Despite being active since the early days of Gorge, the recordings include bootists DJ Nanga, MVVM, and others whose existence is in doubt. George Jukemura is deceased, and his sound files came to us by fax. “Isn’t this fictional?” I would like to answer, “The truth is that music exists here”. The existence of this 45-tracks of awesome vibration is unquestionably real. What other information do we need?
Gorge’s last ten years have been “embryo”. With this album, Gorge’s true story has finally begun to unfold. What comes next? Please listen to this album and look forward to it.
Aphex Megos
второй EP электронного проекта из Минска: коллаж, собранный из воспоминаний о Голубых озёрах и Нарочи.
альбом посвящён прекрасному белорусскому северу.
холодная музыка роботов – IDM и Glitch – резко контрастирует с красотой живой природы, но где-то есть точка соприкосновения.
«Poŭnač» – это попытка её обнаружить.
credits
released April 22, 2022
обложка – Blood Burner
TAR150
@iamxato
More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar
credits
released April 22, 2022
Written and Produced by Nils Edte in Stuttgart, Germany.
Remixes made by Laura BCR and Laima Adelaide in Germany.
Visual design and cover art by Studio Bewegtbildgrafik
bewegtbildgrafik.de
Mastering by Jorge Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2022 – All Rights Reserved
released March 21, 2022
released March 20, 2022
Enregistré entre octobre et décembre 2021 par Vitesse et Précipitation a Marseille.
Mixé en février 2022 par Richard Cuvillier a Lille.
Laura : violon alto et chant
Lucien : banjo et chant
Emil : bendir
“Eternal Values was written within the first year of me moving to Chicago. Acclimating to the constant noise & bearing witness to countless days of grey skies in a city filled with violence left me feeling hopeless some days.
Eventually, I was able to take a step back from everything and process these feelings into sound. Not only was I getting acquainted with my new found surroundings but I was also dealing with a loss in the form of a relationship that spanned many years. Truly all 5 stages of grief were poured into this EP, especially the more ambient songs. Finally it became almost overwhelming and I felt it needed to be heard.”
credits
released March 18, 2022
released March 15, 2022
Music by Forin: soundcloud.com/forinmusic
Art by instagram.com/therealmueseum
Mastering by fixedmastering.com
Monumental всегда был и остается за мир во всем мире.
___________
Monumental has always advocated for peace in the whole world, and still does.
credits
released March 7, 2022
Sounds from different sources, different locations, different times, unrelated picture, all of them creating a new reality.
Your reality will never be mine, I am the only person who knows where all those sounds come from and when they were recorded and how they were assembled.
credits
released February 4, 2022
Composed, recorded, mixed, mastered by Cedrik Fermont at Syrphe, 2022.
RUBBER MUFFIN has been releasing D-TRASH albums over the last decade, whether it was his exciting collab album with MEAT PARADE, his Breakcore lampoons on “Duck Core”, or 2019’s chiptune laden “Itzy Bitz”. This errant release of new tunes offers a combination of his different kinds of styles. The album is an experimental adventure through his disastrously charming brain.
credits
released March 4, 2022
Mastered_by : Living~Stone
Cover_by : Jubal Brown
Thanks to: Geoff, Sean, Jay, Slawek, Adam, Amrita, Paula, Alex, Delfi, Jubal, Slava, Metroid, Ripley, Babes, Friends, Strangers, Fans, MN, Coffee, Cigarettes, Batteries
Minimalism | Pattern Music | Modern Composition | Algorithmic Composition
The new work of the Minc project contains single lengthty composition, in which pattern notes evenly fill each bar, that creates the effect of a constant “pulse”. Chromatic percussion, bassoon, piano, deep bass, cello and viola are involved. The composition is fully generated automatically.
Composed And Recorded 26 Feb 2022
Composed By dmbac
Mixed By Ilya Grudina
This album is Inspired by the Nooscope Manifest by Pasquinelli and Joler, and its view of AI as an instrument of knowledge extractivism while using an analogy with optical media. In Comfort of the Darkness, jjsauma presents a collection of tracks where he lets AI create its own interpretation of music by building dub versions of the tracks created for this project. In this case, a test of the Nooscope Manifest was applied as a filter for a multitrack recording. These tracks were conceived as glitch/techno/ambient and were given a dub treatment by an amorphous entity with human-like characteristics programmed by jjsauma using Max/MSP. Human behaviour, bias, inconsistency and failure are part of the new aesthetic created by using AI in arts and industry, showcasing uncertainty as a precondition of dialectics, as opposed to the certitude of traditional computational processes.
While AI raises a lot of questions, it produces its own vision of the world, and this album is a representation of AI’s… more
credits
released February 28, 2022
material from around 2016-2018 mostly made from live recorded interactions and recordings that were digitally mangled by unintelligible supercollider patches
credits
released February 22, 2022
cover art work by Dark Philipp
1- Díxomo o Tío Freud
2- End of the Republic
3- Golpes de Peltre
4- GAO Report
5- Goebbels’ Pupils
6- Manual de Juegos de Guerra
Producción, Diseño y Gráficos de Durán Vázquez – Vigo, 2021
Publicado el 19 de enero de 2022
