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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

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This license lets others distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation. This is the most accommodating of licenses offered. Recommended for maximum dissemination and use of licensed materials.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Federico Dal Pozzo & Friedemann Von Rechenberg – live @ live @ re​​​:​​​flexions sound​​​-​​​art festival

Federico Dal Pozzo & Friedemann Von Rechenberg – live @ re​​​:​​​flexions sound​​​-​​​art festival
[ACP 1187]

Federico Dal Pozzo & Friedemann Von Rechenberg

“live @ re​​​:​​​flexions sound​​​-​​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
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posted 21 February 2019

V.A. – for in ember load dark ribs ere cedar of rotten deed in no grace soever

V.A. – for in ember load dark ribs ere cedar of rotten deed in no grace soever
[ACPS 1024]

V.A.

“for in ember load dark ribs ere cedar of rotten deed in no grace soever”

01. GERALD FIEBIG – From A to B (Munich Time-Slip) 08:42
02. TRIBE OF ASTRONAUTS – Exterior Machine Unit 09:36
03. TONI DIMITROV – Backyard Rain 10:04
04. HgM – Cimitero Monumentale, Avgvsta Tavrinorvm 07:22
05. DREKKA – 45°45’03.1″N 4°49’13.7″E 27.IX.2018 18:23 11:43cover art by Claus Poulsen
design by EMERGE

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posted 07 February 2019

Toxic Chicken – Trash On Tape

Toxic Chicken  – Trash On Tape
[s65008]

Toxic Chicken

“Trash On Tape “

Toxic Chicken – Trash On Tape

Side A

1 K-Josh
2 drumnbaseallinurface (part1)
3 drumnbaseallinurface (part2)
4 metal&tcbeats (toxic chicken & Herman Bilderberg)
5 Heile Selassi
6 do you dig anarchy?

side B

1 re
2 sick in the head (hi fi edition)
3 headstruck
4 Valececo2
5 Purple B (cheese music)
6 golden brown
7 thai32
8 ACI2
9 someone to love

~
Hey boss, not tryin to get anyone in trouble but the shift before me screwed up. They put this tape in the trash when it obviously belongs in the treasure bin.
~

Trash On Tape by Toxic Chicken is now available on sub65

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posted 01 February 2019

Old Europe – Kurgan Jack

Old Europe – Kurgan Jack
[s65007]

Old Europe

“Kurgan Jack”

Note from the the producer:

Some time a go, when I was digging in my graveyard to get rid of some bodies, I stumbled over some clay tablets with strange geometrical patterns on it. After much research I found out that they belong to the Sredni Stog Culture of the DDII settlements at the Dnieper valley and constitute the oldest musical notations known to archeology. Interestingly, they are a couple of centuries older than any known text so far.
I spent the last months deciphering the instructions to recreate the music of these pre-archaic indo-europeans using modern means of sound creation and processing. Of course we do not know what instruments they originally used to play these notations and which frequency correlates exactly to which note in the sheet – future research may shed some light on this topic; all I can do at this moment is to give you my subjective interpretation of these clay tablets.

The accuracy of this account is disputed.

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posted 24 January 2019

Petrolio & Gus Ring & LDX#40 – live @ re​​:​​flexions sound​​-​​art festival

Petrolio & Gus Ring & LDX#40 – live @ re​​:​​flexions sound​​-​​art festival
[ACP 1185]

Petrolio & Gus Ring & LDX#40

“live @ re​​:​​flexions sound​​-​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
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posted 24 January 2019

Genetic Trance – Mongolian Sunrise Over A Ukrainian River

Genetic Trance  – Mongolian Sunrise Over A Ukrainian River
[s65002]

Genetic Trance

“Mongolian Sunrise Over A Ukrainian River “

~
She held his hand tightly, layed her head against his shoulder and said ‘There’s no place in the universe I’d rather be right now than here with you by this river watching the Mongolian sunrise.’
~
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posted 07 January 2019

CRANK STURGEON – a v 12 10 18

CRANK STURGEON – a v 12 10 18
[ACP 1181]

CRANK STURGEON

“a v 12 10 18”

live @ villa, Augsburg, 12.10.18
cover art by Claus Poulsen (artwerk.menneske.dk)
recording, mastering and design by EMERGECRANK STURGEON explores the unwieldy commingling of noise and performance through the use of thrift store electronics, incongruous actions, and costuming reminiscent of supermarket aesthetics. Whether meditating on a roll of amplified packing tape or instructing an audience to fill Crank’s pants with water, the result has been a double-decade odyssey of noisy mishaps, inflatable parades, and accidental theater; feats destined for the shelves of ever-grinning and mesmerizing obscurity.

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posted 30 December 2018

Theodor Steiner – unnamed, untitled

Theodor Steiner – unnamed, untitled
[djummi.013]

Theodor Steiner

“unnamed, untitled”

On his debut the Cologne resident of choice, Theodor Steiner, who not just works solo, but also runs the Band Blarg together with Torn Vega, you maybe already met here on djummi-records, presents two atmospheric and noisy overdrive bass improvisations. Spontaneous, uncut and truly deep!
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posted 26 December 2018

BELLEROPHONE – Uses of Gravity

BELLEROPHONE – Uses of Gravity
[ACP 1173]

BELLEROPHONE

“Uses of Gravity”

originally released in 2014

Recorded and mixed at bellerohome by D. Santziliotis in Athens, Greece, using: Roland Juno 6 and Roland System-100m synthesizers, Korg MS20, Roland RE-201 space echo and Uher 4000 Report Studio tape recorder
Mastered by James Plotkin
Artwork and design by Georgia Simogianni; photos by G. Simogianni.

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posted 07 December 2018

PHILIPPE NEAU – Place where we listen​.​.​.

PHILIPPE NEAU – Place where we listen​.​.​.
[ACP 1172]

PHILIPPE NEAU

“Place where we listen​.​.​.”

mastering by Raffaele Pezzella (Sonologyst)
photography & design by EMERGE
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posted 25 November 2018

HOLZKOPF – Post​-​Neo​-​Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany

HOLZKOPF – Post​-​Neo​-​Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany
[ACP 1165]

HOLZKOPF

“Post​-​Neo​-​Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany”

Improvised music by Holzkopf using a sampler, MIDI controlled feedback, a pretzel with paper bag and a beer bottle.

live @ Ganze Bäckerei, Augsburg, 07.07.18
recording, mastering, photography and design by EMERGE

Holzkopf is Western Canadian musician Jacob Audrey Revington Taves. A decidedly non-traditional musician, they have mainly used budget bin samplers and drum machines in combination with tape recorders, mixing board feedback and raw data sounds. Varying from deconstructed dance music to harsh rhythmic noise to delicate and soft soundscapes, Holzkopf performances channel influences as diverse as industrial, dub, microsound and gospel musi

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posted 03 November 2018

Various – Noise Factory 2017 “klanggänge”

Various – Noise Factory 2017 “klanggänge”
[ACP 1166]

Various

“Noise Factory 2017 “klanggänge””

Arne Heisch
Greta Neven
Dan Penschuck
Wolfgang Neven
Markus Schwill
Sascha Stadlmeier
Henning André Voss



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posted 25 October 2018

A DISEASE CALLED MAN – Getting Darker

A DISEASE CALLED MAN – Getting Darker
[ACP 1158]

A DISEASE CALLED MAN

“Getting Darker”

A Disease Called Man is Djordje Miladinović
Recorded And Produced At Raven’s Nest, March Of 2018.
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posted 15 October 2018