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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Yogurt for Breakfast – Help Wanted

Yogurt for Breakfast – Help Wanted
[pn249]

Yogurt for Breakfast

“Help Wanted”

Yogurt for Breakfast – Help Wanted

The release “Help Wanted” by Yogurt for Breakfast (Emilio Adasme) is a journey that involves the painstaking deconstruction of a sonic fragment into unique spaces, where the sample comes alive, being played like an instrument, as the performer explores the complex relationship between rhythm, melody, and timbre. It is the beautiful experience of witnessing a beat flow and stretch into a passage full of layers — or listening as it suddenly collapses into itself, sounding almost like a guitarist juxtaposing rapid passages, pauses, and fluctuating melodies that hover in the limbo between tone and rhythm.

It is expression carried to its highest potential: using the smallest grain of sound and shaping it into an architecture that is both intricate and thrilling. At times we are given glimpses of its raw material; moments later, we witness its metamorphosis and allow ourselves to be enveloped by its striking presence. It’s astonishing to hear how something so tiny becomes disassembled, revealing its inner complexity — and even more exciting when we recognize its origin, yet find it transformed into something entirely different.

It’s funny that the majority of these sounds feel both familiar and unfamiliar at the same time, creating a strange duality of closeness and distance. We experience a kind of Berenstain-syndrome effect, where we believe we recognize something even though we are not certain what it is.

To sum up, I find it remarkable how something so small and recognizable can turn into such a complex, unsettling monster — all thanks to the exploration of sound with the sensitivity of someone playing an instrument, where fluidity breathes life into something that feels both familiar and entirely new.

José Miguel Barriga
(Santiago, Chile. January 2026)

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posted 15 January 2026

Dee Dee Poo – disfunk

Dee Dee Poo – disfunk

Dee Dee Poo

“disfunk”

Dee Dee Poo – disfunk
So, here’s Jag Wacoa with Herr Klaus in their Schlafzimmer. Found some tracks, he said. Actually, pretty strong, he adds. Oh ja? Herr Klaus asks, not convinced – he’s being piss-artistly discouraged. Take a listen. Herr Klaus does. Well well. Not so bad. But let’s do add some details. So they do, add some syncopation, some swishes and clicks, some boom, and here you go with some spruced up, heavyly layerd bedroom funk that will rob your sleep
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posted 02 January 2026

M-PeX – Dialugus

M-PeX – Dialugus
[enrmp556]

M-PeX

“Dialugus”

M-PeX – Dialugus
New album by Portuguese project M-PeX. Between electronica and Portuguese guitar, between piano and silence, the album DIALUGUS unfolds as a journey in waves – fragments becoming flow, rhythms that breathe, light that fades and returns. Each track is an act of listening, and each listening becomes a dialogue – between stone and sky, between shadow and brightness, between what is spoken and what is felt. Created within the PRALAC artistic residency, released by Enough Records, with artwork by Marco Madruga, this album by M‑PeX is dedicated to his grandmother, Celeste Pinheiro, born on 25.05.1925. This year marks her centenary. This album breathes with her.
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posted 02 January 2026

ardleg – Radio Pirate

ardleg – Radio Pirate
[LCNLP233]

ardleg

“Radio Pirate”

ardleg – Radio Pirate

The Necrophile Hummingbird Non Profit Netlabel presents Radio Pirate by ardleg.

“When the music is over… the radio is still on air”

One more Plunderphonics Masterpiece ! Would say the virtual sandwich man… When you reach a difficult point… listen the F… word : épreuve… in the 21st century… would say the insane translator… but me, I’m only speaking of the track number 21… when you realize that yes, it’s a challenge, and this pirate radio isn’t going to hack your brain, but… it’s tight close.

– So never give this kind of album to sensitive people like me !!

– That said, I really like it, it’s very disruptive and the kind of thing that’s perfect for end-of-the-world holiday meals.

– In the 23rd I heard the voice of God. (The French call it “dieu”)

– No, I’m just speaking normally, I don’t see what you mean.

– Do you want to release it on the Necrophile Hummingbird Netlabel on December 30th?

– I’d love to. It’s unusual, but a nice culmination. What are you going to do now that the music is finished?

– Oh, nothing, may be, just keep creating really beautiful, psychoactive music.

– Is this practically an introduction?

This could have been written by an Artificial Intelligence… If there are only Artificial Intelligences behind the screen, what the point to keep it human ?
Perhaps because when the lines are blurred, we need to focus on what is the real humanity : unsubdued & untamed & underground.The Necrophile Hummingbird Non Profit Netlabel presents Radio Pirate by ardleg

“when the music is over… the radio is still on air”

One more Plunderphonics Masterpiece ! Would say the virtual sandwich man… When you reach a difficult point… listen the F… word : épreuve… in the 21st century… would say the insane translator… but me, I’m only speaking of the track number 21… when you realize that yes, it’s a challenge, and this pirate radio isn’t going to hack your brain, but… it’s tight close.

– So never give this kind of album to sensitive people like me !!

– That said, I really like it, it’s very disruptive and the kind of thing that’s perfect for end-of-the-world holiday meals.

– In the 23rd I heard the voice of God. (The french call it “dieu”)

– No, I’m just speaking normally, I don’t see what you mean.

– Do you want to release it on the Necrophile Hummingbird Netlabel on December 30th?

– I’d love to. It’s unusual, but a nice culmination. What are you going to do now that the music is finished?

– Oh, nothing, may be just keep creating really beautiful, psychoactive music.

– Is this practically an introduction?

This could have been write by an Artificial Intelligence, because if there are only Artificial Intelligences behind the screen what the point to keep it human ?
Perhaps because when the lines are bluried we need to focus on what is the real humanity : unsubdued & untamed & underground.

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posted 30 December 2025

Sobria Ebrietas & Iliaque – Déluge

Sobria Ebrietas & Iliaque – Déluge

Sobria Ebrietas & Iliaque

“Déluge”

Sobria Ebrietas & Iliaque – Déluge

French artists Sobria Ebrietas & iliaque continue their frequent collaborations with Déluge, the final release in an arc of four collaborations across four labels.

Both artists have long been active in the electronic music, free and CC net label scene. They present their music collaborations across many different net labels, linking the net label scene in a creative way.

The other releases in this series are:

Anamnèse (on the Phonocake label)
Carnation (on Enough Records)
Amberol (on the attenuation circuit label)

Also, check out Calluna, another Collaborative release by Sobria Ebrietas & iliaque on TCFSR
https://tcfsr.bandcamp.com/album/calluna

You can find a wider selection of their work on their own Bandcamp pages
sobriaebrietas.bandcamp.com & iliaque.bandcamp.com

released December 19, 2025

Cover photo : Béa

Visuel : Iliaque

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posted 19 December 2025

reFUGeeS From Beyond – Novy Put'

reFUGeeS From Beyond – Novy Put'
[LCNLP232]

reFUGeeS From Beyond

“Novy Put'”

reFUGeeS From Beyond – Novy Put'

The necrophile hummingbird non profit netlabel presents Novy Put’ by reFUGeeS From Beyond
“End Of System Music for End of Time Music Lovers”

Improvisation recorded the 7th October 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole https://www.soloist.ai/atelierkol We did a trilogy of double albums and I thought why don’t we try to do a Quadruple album under the same name ? And we did it. Next we released all the 4 album inside this 4 hours album. What a mess indeed.

Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku

About the artwork I took this photo the 1st May in London, I didn’t know I was a slave, I didn’t know I will be free few weeks later. I do know I will never go back to such toxic relationship. Thanks to Psyché Pelik for being there during this spawn.

Dedicated to all the people who died in 2025 to allow the super rich people to make more profit. Never forget that, behind any illusions, there are only the people at the top waging war against the bottom people. To end the war, it needs not only to cut their heads, but also to change ourselves, because we have let them climb to the top. As long there will be the exploitation of the one by the others, there will be people at the top of the exploited pyramid.

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posted 17 December 2025

Niclas Tamas – Roads Through the Mirror – 3. Poetry: Canvas of the Soul's Eye

Niclas Tamas – Roads Through the Mirror – 3. Poetry: Canvas of the Soul's Eye
[zen320]

Niclas Tamas

“Roads Through the Mirror – 3. Poetry: Canvas of the Soul’s Eye”

Niclas Tamas – Roads Through the Mirror – 3. Poetry: Canvas of the Soul's Eye

universal archetypes in orchestral ambient pieces

Roads Through the Mirror is a conceptual music project spanning 11 orchestral pieces, each approximately an hour long, with a completion timeline of 4-5 years.

Inspired by Andrei Tarkovsky’s films and Marcel Proust’s exploration of time, the series aims to musically articulate themes like spirituality, nostalgia, dreams, and nature.

The project delves into the Time-Space-Thought Theorem, utilizing Sonic Archetypes to explore the interconnectedness of human existence through music.

Exploring ascension and enlightenment through sound

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posted 08 December 2025

Valerie Bourquin and Ed End – 7 Marvels

Valerie Bourquin and Ed End – 7 Marvels
[LCNLP231]

Valerie Bourquin and Ed End

“7 Marvels”

Valerie Bourquin and Ed End – 7 Marvels

The Necrophile Hummingbird non profit netlabel presents 7 Marvels by Valérie Bourquin and Ed End.

“Essential Music for Organic Music Lovers”

Recorded and mixed in Franche-Comté in November 2025.
Sometimes the sonic worlds of certain people collide, and albums like 7 Marvels are created.

The artwork was created using a Marvel comix hijack done with woodblock print by a Kathmandu artist, to incorporate it into our own culture is a clever way to combat cultural imperialism. So special thanks to Bardo Matrix, the publishing house founded by Angus MacLise and Ira Cohen, which published Cohen’s 7 Marvels.

Dedicated to those who refuses that war become their reality and know that despite the whole History horror, it seems still not enough for humanity to learnt.
So we hope each one will struggle, by any ways possible, against the militarism and all the wars.

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posted 05 December 2025

Coffee Faith, I See The Sound Project – (10PM-35) Coffee Faith & I See The Sound Project – Mentas

Coffee Faith, I See The Sound Project – (10PM-35) Coffee Faith & I See The Sound Project – Mentas

Coffee Faith, I See The Sound Project

“(10PM-35) Coffee Faith & I See The Sound Project – Mentas”

Coffee Faith, I See The Sound Project – (10PM-35) Coffee Faith & I See The Sound Project – Mentas
“Mentas” menandai babak baru bagi COFFEE FAITH setelah jeda panjang beberapa tahun. Lagu ini menjadi pintu pulang, sekaligus titik loncatan untuk kembali menyapa pendengar yang merindukan warna khas mereka.

Di karya ini, COFFEE FAITH menggandeng Jovan dari I See The Sound Project. Kolaborasi ini menghadirkan sentuhan unik lewat penggunaan Tube Harp buatan tangan Jovan sendiri—alat musik yang memberi karakter suara organik, hangat, dan berbeda dari rilisan-rilisan sebelumnya.

“Mentas” adalah pertemuan dua dunia: eksplorasi sonik COFFEE FAITH dan eksperimen visual-audio I See The Sound Project yang mengiringi percobaan COFFEE FAITH dalam mengawali babak barunya.

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posted 05 December 2025

Timezone Lafontaine – Unrealest

Timezone Lafontaine – Unrealest
[BSOG0152]

Timezone Lafontaine

“Unrealest”

Timezone Lafontaine – Unrealest

Some records speak to the moment. Unrealest documents it.

With his ninth blocSonic release, Timezone Lafontaine crafts an album that’s as intellectually dense as it is sonically raw. This is the artist in full architect mode-constructing a sonic space where broken tech, political unease, and identity fatigue all collide into an abstract reality you can live inside. If only for 37 minutes.

“Big Picture” turns advertising jargon into philosophical horror. “Tech Noir” explores seduction as surveillance. “The Ratio” gives voice to the creative’s dilemma in a world built for consumption. Together, these songs form a kind of audio collage—fragmented, frenzied, and painfully accurate.

TZLF’s collaborators lean all the way in. Headsnack, CM aka Creative, 34Pro, Blak Madeen, Donnie Ozone, and Cheese N Pot-C all show up not just as guests but as co-conspirators. Their verses aren’t just about skill, they’re tethered to the album’s themes like layers in a shared thesis. “Let’s Go” is less a cypher and more a collective manifesto.

What elevates Unrealest is its emotional depth. Amid the data paranoia and cultural critique, there’s a search for connection, for creative meaning. “Stay High” and “Victory Lap” show a different side of the project—where resistance becomes rhythm, and the act of creating is a form of healing.

Sonically, the album fuses lo-fi textures with hi-concept execution. It’s dusty, distorted, and filled with spectral voices—some sampled, some real, all relevant. It’s not trying to polish the sound of the moment, it’s trying to record the feeling of living through it.

Timezone Lafontaine doesn’t offer escapism. Unrealest asks you to stay. To look. To listen.

Because sometimes the only way through unreality… is to make something real.

After a few years, it’s great to finally have a new album by the man who’s been bringing us the incredible 20-Minute Workout on Tha Bloc Report! This album is such a beautiful sonic and lyrical journey… mega thanks to Timezone and all collaborators!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 02 December 2025

reFUGeeS From Beyond – Don’t Microwaves Your Brain

reFUGeeS From Beyond – Don’t Microwaves Your Brain
[LCNLP230]

reFUGeeS From Beyond

“Don’t Microwaves Your Brain”

reFUGeeS From Beyond – Don’t Microwaves Your Brain

The necrophile hummingbird non profit netlabel presents Don’t Microwaves Your Brain by reFUGeeS From Beyond.

“MicroWave Music for Organic Music Lovers”

Improvisation recorded live the 17th April 2025 at the Cave Heaven in Foucherans. This is not a Fast Electronic Feast. More our usual insane improvisations.

If you’ve never listen anything from us, you might not press play, instead protect your ears and listen our other albums first. https://unclassable.tumblr.com/

Dedicated to all the young people who died of brain cancer because of their cellphones.

A study in 2008 was without doubt about it, but another in 2024 is more than doubtful.

Anyway — you could stick your head in a microwave oven: it’s perfectly safe… as long as you don’t turn it on.

If you think it’s actually microplastics in the brain, or some other industrial poison — hexane residues, pesticides, ultra-processed food — maybe you’re right. Or maybe you’re wrong.
Most likely, there isn’t a single cause. Our environment, just like our bodies, has become such a toxic dumping ground that tracing back the origin of anything is almost impossible.

The only certainty is that the curve keeps rising.
And it won’t stop until we stop the mobsters running this capitalist circus.

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posted 30 November 2025

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

Steven Leak, LR Friberg, Marco Lucchi

“Storlien – Åre – Järpen”

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

The train moved like breath held just below the surface. Its low hum vibrated through the bones of the carriage, steady and almost imperceptible. More rhythm than sound, more presence than noise. Outside, the world passed in dissolving layers.

Norway, then Sweden. But no hard border. Just a slow merging of landscape, a quiet shift in the light.

Forests, thick with pine rose like sleeping giants, then opened without warning into lakes, still, black, mirror-like. They caught the last threads of evening like secrets too soft to speak aloud. In the water, the sky folded back into itself, perfect and inverted. Hills floated upside-down. Trees had double roots. It was hard to tell what was reflection and what was real.
Now and then, a village blurred past. Red-painted houses. Green, damp gardens. Fences wrapped in ivy. Curtains drawn halfway closed, as if the dusk were something to be filtered rather than embraced. Smoke curled faintly from chimneys that looked too delicate for fire.

Golden light moved across the train windows. Not from inside, not from any lamp, but from the outside world gilding the glass. It cast halos where there should be none. The air inside the carriage thickened.

And then…

Chris blinked. A flash of confusion passed over his face like a short-circuited dream. His accent, all Texan resonance tempered by too many books and long thinking hours, rose into the stillness.

“Okay… how the hell did I end up here?”

His voice cut the silence but didn’t break it.

Fabian turned in his seat, slow, like someone coming up from underwater.

“I thought this was a dream,” he said quietly, mostly to himself. He rubbed his palms together absently. As if trying to verify the texture of the moment.

Across the aisle, Elin and Linn met eyes. It wasn’t recognition, it was confirmation. Something in them both said: “this again.”

Elin shrugged first. Small, almost imperceptible. Shoulders barely moved. Linn mirrored it, but hers was more calculated. A shrug that meant “I have no idea but I’ve already started parsing it.”

Chris let out a single half-laugh. Not humor. Friction.

“Well,” he said, glancing out the window, “I always wanted to see the fjords.”

Elin didn’t smile. She was still watching the landscape slide by.

“There are no fjords in Sweden,” she said dryly.

Linn turned to her. “What about Gullmarn?”

Elin frowned slightly. “Where even is that?”

“Bohuslän,” Linn said, the word folding easily into the quiet. “Never been there. But I know.”

Chris exhaled slowly and leaned forward, elbows on his knees.

“Okay, enough. There should be a baseline to this. A rule. A reason. Something to pin it to. Why did it happen again?”

Elin looked around the carriage. Her gaze landed on the folded seats, the patterned upholstery, the soft overhead lighting that didn’t flicker. The soft sway of the train as it curved slightly left, following the contours of a lake she didn’t recognize.

“I’m home right now,” she said, carefully. “Or, obviously…” she paused, took in the unfamiliar timbre of the train “…not.”

Fabian leaned his head back, closed his eyes for a second, then opened them again.

“Maybe,” he said, slowly, “we’re being pulled together. By something.”

The sentence hung there. Unfinished, but trembling with implication.

All four of them fell quiet. Not a stunned silence. A listening one.

The train rolled on. Outside, the light kept folding over itself, oranges into purples, sky into lake into sky again. Inside, four people sat in the pulse of something too big to name. Each of them thinking the same thought, the same question, in slightly different words.

And somewhere deep in the hum of the rails, it almost felt like the question had already been asked.

Not to them.

But through them.

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posted 22 November 2025