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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Lost In Transmission – Source Reactor Bootleg

Lost In Transmission – Source Reactor Bootleg
[enrmp553]

Lost In Transmission

“Source Reactor Bootleg”

Lost In Transmission – Source Reactor Bootleg
Post-industrial electronic ambient project Lost In Transmission is the latest collaboration project between artist Astrid Bellefroid (the source for cover-art photography, field-recording, guitar, ukulele, percussion and vocal-Fx sounds) and Doc.AtmosfearCrush (the reactor of sounddesign and beats). The music is an experience in heavy use of modern possibilities in manipulating natural sounds, re-synthesized, sliced and rearranged, to create an organic, quite danceable sonic cinema for the mind. By listening to the “source reactor bootleg e.p.” you will enter a world of sound made of stoner-electro, trip hop, groovy melodies from the synthwave worlds while some acid got poured all over it.
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https://enoughrecords.scene.org/release/enrmp553
https://enoughrecords.scene.org
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posted 15 October 2025

Substak – Σφαῖρα

Substak – Σφαῖρα

Substak

“Σφαῖρα”

Substak – Σφαῖρα

Σφαῖρα, an EP inspired by ancient Greece, wasn’t just a geometric shape, it influenced their understanding of both the Earth and the universe.

What begins as light ambient soundscapes slowly transforms, drawing you into a world of resonant drones. It’s an exploration of sonic depth, from the subtle to the profound.

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https://tcfsr.bandcamp.com/album/-
https://tcfsr2.wixsite.com/tcfsr
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posted 09 October 2025

REfugEEs From Beyond – Dadacore Insane Explosion

REfugEEs From Beyond – Dadacore Insane Explosion
[LCNLP225]

REfugEEs From Beyond

“Dadacore Insane Explosion”

REfugEEs From Beyond – Dadacore Insane Explosion

The Necrophile Hummingbird presents Dadacore Insane Explosion by reFUGeeS From Beyond

“dada music for dada lovers”

Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

Improvisation recorded the 5th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole
It’s real Dadacore because for each track Psyché Pelik randomly chose a word from a page of Tristan Tzara’s anthology. Also during the last song recording the mixing desk went into a gliding flight… And this will be a double explosion…

Dedicated to the freaks those are breaking any rules but under love.

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https://archive.org/details/refugees-from-beyond-dadacore-insane-explosion/
https://archive.org/details/le-colibri-necrophile?sort=-date
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posted 06 October 2025

Francisco Ali-Brouchoud + Óscar Santis – Supervolcán

Francisco Ali-Brouchoud + Óscar Santis – Supervolcán
[pn246]

Francisco Ali-Brouchoud + Óscar Santis

“Supervolcán”

Francisco Ali-Brouchoud + Óscar Santis – Supervolcán

Supervolcano: An Eruption of Trans-Andean Noise

This record marks an encounter as spontaneous as it is unexpected between two seasoned figures of the Chilean and Argentine sound scenes. Both Óscar Santis and Francisco Ali-Brouchoud have long contributed—almost militantly, through multiple projects—to these niche communities devoted to experimentation and noise, rooted on either side of the Andes, with Valparaíso and Buenos Aires as their epicenters.

The material on this album stands as a clear testament to this ongoing crusade for two very specific reasons: first, it represents the duo’s only performance to date; and second, it was captured live at Estudio Libres, with a small audience sharing the recording space alongside the performers.

These circumstances highlight the importance of intuition, adrenaline, chance, synergy, and deep listening as key elements shaping the outcome of such experiences. Their presence is felt in the atmosphere of introspective tension, suffocating suspense, and explosive catharsis that punctuate the various moments of this free improvisation—later segmented into a series of tracks for this release.

The album title, “Supervolcán”, as well as those of each piece, conceptually allude to the planet’s major volcanic phenomena, particularly so-called “supervolcanoes”: which possess a magma chamber a thousand times larger than that of a conventional volcano and therefore produce gigantic eruptions capable of radically altering the environment where they occur. The sessions evoke fascinating sonic images linked to these geological beasts, which lie semi-dormant along the great Pacific Ring of Fire. The timbral characteristics and frequency range incorporated thus allow them to be easily associated with imagined events such as melting tectonic plates, volcanic radiation, pressurized geysers, rivers of boiling lava, the emission of flammable gases; or even, why not, drilling with heavy machinery, open-pit mega-mining, an environmental disaster in the Andean mountain range, or a hallucination caused by lithium fever.

Miguel Masllorens.
(Buenos Aires, Argentina. October 2025)

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https://pueblonuevo.cl/catalogo/supervolcan/
https://pueblonuevo.cl
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posted 05 October 2025

Friberg, Fialkiewicz, Strasser – Field Repairs

Friberg, Fialkiewicz, Strasser – Field Repairs

Friberg, Fialkiewicz, Strasser

“Field Repairs”

Friberg, Fialkiewicz, Strasser – Field Repairs
Elin shifted again. Not quite moving, more like settling further into her own skin. “For me… I think home isn’t a destination. It’s not about finally arriving somewhere perfect. It’s…” She paused, eyes softening, searching the air for language that wouldn’t betray the feeling. “It’s what happens in the space between arrivals. The in-betweens. The moments no one curates. Where you’re not being watched. Where nothing is being proven. Just… the next step, taken without performance.”
Her breath caught, barely audible, then continued.
“It’s the field repairs,” she said. “It’s the coffee. It’s the pulse of continuity. Presence, not spectacle. Not grand gestures. Just… rhythm. The kind you don’t notice until it’s missing.”
Linn felt something loosen in her chest. Not release, just recognition. The words didn’t land on her. They moved through her. As if they’d already been there, just waiting to be named.
Then, quieter, Elin added, “And maybe… I ran out of places to escape to. I don’t want to be in motion anymore.”
She opened her eyes and met Linn’s. Unshielded. Steady.
“Being here with you, it feels like that. Like maybe home isn’t a structure, or a city, or an address.”
She exhaled, slow. “It’s you. It’s this. A moment I don’t have to edit, or narrate, or earn.”
Linn swallowed, something heavy and luminous catching in her throat.
“I think I’ve been searching for that longer than I want to admit,” she said. “The kind of presence that doesn’t ask for performance. Just… stays.”
Elin smiled then. Soft, warm, unrushed. A kind of answer that didn’t need to be spoken.
“Then maybe,” she said, “we’re already there.”
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https://threewaydance.bandcamp.com/album/field-repairs
https://threewaydance.bandcamp.com
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posted 27 September 2025

Grupo Perdido – Las Ruinas Nuevas 0ST

Grupo Perdido – Las Ruinas Nuevas 0ST

Grupo Perdido

“Las Ruinas Nuevas 0ST”

Grupo Perdido – Las Ruinas Nuevas 0ST
GRUPO PERDIDO – LAS RUINAS NUEVAS OST
(Manuel Embalse, Gustavo Obligado, Franco Calluso,
Alan Serué, Pablo Reche y Julián Galay)

Mezclado por Diego Martínez (A.S.A) en Estudios Ñandú en julio y agosto de 2023.

Distribuido por Antes Muerto Cine y Fuego Amigo Discos

ᓚ₍ ^. .^₎

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https://fuegoamigodiscos.bandcamp.com/album/las-ruinas-nuevas-0st
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posted 26 September 2025

PIRATE Tapes – Sub Rosa

PIRATE Tapes – Sub Rosa
[LCNLP224]

PIRATE Tapes

“Sub Rosa”

PIRATE Tapes – Sub Rosa

The Necrophile Hummingbird netlabel presents Sub Rosa by PIRATE Tapes.

“Mystical Music for Philosophy Lovers”

Recorded live the 28th October 2024 at the Cave Haven in Foucherans.
Guitar Hero : Studio 112
studio112.bandcamp.com
Disc Jockey : Yoshiwaku Mushotoku
yoshiwaku.bandcamp.com

“To think is always to experiment—not to interpret, but to experiment—and experimentation is always the present, the new, what is in the process of becoming.” Gilles Deleuze

Video Art Clip is here
youtube.com/watch?v=TQL3oqwGEX4

Dedicated to those who are changing everything with their wholeheartedly love.

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https://archive.org/details/pirate-tapes-sub-rosa
https://archive.org/details/le-colibri-necrophile?sort=-date
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posted 23 September 2025

REfugEEs From Beyond – Art of Sabotage

REfugEEs From Beyond – Art of Sabotage
[LCNLP223]

REfugEEs From Beyond

“Art of Sabotage”

REfugEEs From Beyond – Art of Sabotage

The Necrophile Hummingbird netlabel presents Art of Sabotage by reFUGeeS From Beyond.

“Subversive Music for Activists”

Improvisation recorded the 27th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed only electronic devices) : Yoshiwaku Mushotoku

Like Dadacore Insane Explosion this is a double album under the same title. I mean, different tracks for two album with the same title, if this sabotage is more clear. This one is the “nocturne” one.

Dedicated to the saboters, especially those fighting against work slavery and antidemocratic gov like in france.

For the english speakers there is an article on openculture with the CIA link to view it. www.openculture.com/2024/11/the-cias-simple-sabotage-field-manual.html

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https://archive.org/details/re-fugee-s-from-beyond-art-of-sabotage
https://archive.org/details/le-colibri-necrophile?sort=-date
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posted 14 September 2025

José Miguel Candela – Afectos del Desastre

José Miguel Candela – Afectos del Desastre
[pn245]

José Miguel Candela

“Afectos del Desastre”

José Miguel Candela – Afectos del Desastre

“Afectos del Desastre” (Affects of Disaster) was an immersive performance installation created in 2023 by DESARTES, the Arts and Disasters Unit of CIGIDEN (Research Center for Integrated Disaster Risk Management, Chile). Its objective was to delve into the emotional dimension of the human experience in the face of socio-environmental disasters related to economic practices. The installation combined live performance with new media elements to convey the experiences of three disasters that occurred in Chile, based on social research conducted by CIGIDEN: the fires in Santa Olga (consequence of the practices of the timber industry), the pollution in Puchuncaví, and the drought in Quillagua (both consequences of the mining industry’s practices). Each event was explored through a specific tunnel within the installation, offering a unique perspective on the performance. A quadraphonic acousmatic composition related to the addressed case was presented in each tunnel (which interacted with the performance), along with texts of testimonies from those who experienced these disasters firsthand. The music’s structure included a random distribution of some materials, allowing different versions to emerge each time. This album is, therefore, one of the many possible versions of the work.

From outside the installation, one could hear the three quadraphonic environments interweaving into a 12-channel sonic whole, an experience I attempted to replicate in the final track of this album, titled “Afectos del Desastre” (Affects of Disaster).

The papers related with the research carried out by CIGIDEN mentioned above are the following:

1) Puchuncaví: Tironi, M. (2018). Hypo-interventions: Intimate activism in toxic environments. Social Studies of Science, 48(3), 438-455.

2) Quillagua: Acuña, V., & Tironi, M. (2022). Extractivist droughts: Indigenous hydrosocial endurance in Quillagua, Chile. The Extractive Industries and Society, 9, 101027.

3) Santa Olga: González Gálvez, M., Gallegos, F., & Turén, V. (2021). Unfinished extinction and the velocities of capitalist sacrifices in the woodlands of central Chile. Tapuya: Latin American Science, Technology and Society, 4(1), 1939491.

José Miguel Candela
(Santiago, Chile. Septiembre / September 2025)

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https://pueblonuevo.cl/catalogo/afectos-del-desastre/
https://pueblonuevo.cl
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posted 03 September 2025

Yoshiwaku – Colonoscopy Without Anesthesia

Yoshiwaku – Colonoscopy Without Anesthesia
[LCNLP222]

Yoshiwaku

“Colonoscopy Without Anesthesia”

Yoshiwaku – Colonoscopy Without Anesthesia

The Necrophile Hummingbird netlabel presents Colonoscopy Without Anesthesia by Yoshiwaku.

“Shit Music for Scatology lovers”

When you live fully in present time…
Life is full of surprise, it’s up to you to enjoy them.
So do I. Monday 14th April 2025 a colonoscope dove into me.
Here is the story in music.

Dedicated to all explorers who do not colonize the lands they discover.

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https://archive.org/details/yoshiwaku-colonoscopy-without-anesthesia
https://archive.org/details/le-colibri-necrophile?sort=-date
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posted 31 August 2025

Trixie Delight – Brittle

Trixie Delight – Brittle

Trixie Delight

“Brittle”

Trixie Delight – Brittle
It’s been over ten years since since the last full album by Trixie Delight (Peeling Strawberries on dhat≈´rƒÅ records dhaturarecords.bandcamp.com/album/peeling-strawberries ) and around a decade since her EP releases on TCFSR.

Sleep tcfsr.bandcamp.com/album/sleep
Submarine tcfsr.bandcamp.com/album/submarine
Night tcfsr.bandcamp.com/album/night

She also has three releases on her own label ‘Trixie Delight For Charity’ where the proceeds are donated to the charity ‘Phone Credit for Refugees’. trixiedelightforcharity.bandcamp.com

As part of our 40th anniversary year Trixie has finalised her new album.

To get you in the mood here is an album length EP of remixes of a track from the album, entitled Brittle.

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https://tcfsr.bandcamp.com/album/brittle
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posted 23 August 2025

REfugEEs From Beyond – Etrange Constellation

REfugEEs From Beyond – Etrange Constellation
[LCNLP220]

REfugEEs From Beyond

“Etrange Constellation”

REfugEEs From Beyond – Etrange Constellation

The Necrophile Hummingbird netlabel presents Etrange Constellation by reFUGeeS From Beyond.
“Electronicosmic Music for Space Shamans”

Improvisation recorded the 25th July 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole. Track 6 is a solo test done before the session, edited with the today stormy weather. Etrange Constellation means Strange Constellation. There is the english translation of the track titles below :
1. Emergence Of The Time Of Myth
2. Outside Inside
3. Levitation
4. Extra Sensory Experience
5. Somewhere Else Immersion
6. Emergence Under The Rain

Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

I wanted for this one to use french titles, because it’s our native language, of course nations are plagues, we are from earth or beyond, depend on from where you are, and despite we are so happy that people from around the earth and beyond listen to our music, it’s very sad to use the empire language instead of our own one (aŭ via lingvo) to communicate.

A few hours later, our bodies lay in the woods beneath the hermitage cave from the angels valley, surrounded by a shamanic musical circle. Yet our spirits had already departed.
Time is not linear; wavelets surround every event for those who know how to perceive them.

Immersed in the dream, I picked stars, not ordinary stars, lightholes, coming from those constellations that were in the sky and reflected beneath the earth.
We were the links between those who danced.
In each one I placed a seed of that light.
Let’s see what will grow.

I think you can feel it in the music.

Dedicated to those who are not afraid to dream.

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https://archive.org/details/refugees-from-beyond-etrange-constellation
https://archive.org/details/le-colibri-necrophile?sort=-date
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posted 10 August 2025

PIRATE Tapes – POP Of The POT

PIRATE Tapes – POP Of The POT
[LCNLP219]

PIRATE Tapes

“POP Of The POT”

PIRATE Tapes – POP Of The POT

The Necrophile Hummingbird Netlabel presents POP Of The POT by PIRATE Tapes.

“Shoegazing Music for Chillwave Lovers”

Summertime is summertime… So imagine PIRATE Tapes goes record a BBC session, and you won’t be far from what you can listen here. It’s mostly based on “And so it goes again” the sequel of that track from Hippy Death Day and “a mere sonic ecstasy”, our most shoegazer side, but as well as along the last years we collected several noise pop tracks, not that much pop, but often removed because being too much poppy, like the True Love Color song removed from Oddschool. Maybe POP has never been so desirable…
So what about POT ?
As surprising as it can be you can sound highly psychodelic, create the perfect music to listen high on weed without smoking it. I have not smoked since years because music is a better dope for me. On another side, I love psychedelics and Stu’ may be totally stoned while recording his part. There is no difference between shamans and psychedelic lovers : (Rooting/Flexibility/Love) they both are able to remove their roots form the floor the time to flight and go back after spreading and sharing love.

Dedicated to all those who remain fluid so as not to be imprisoned in dogmas.

“Your freedom extends my freedom to infinity” quote from an anonymous free dreamer.

There is no Video Art Clip, you may noticed that next to the Death Of Video Art I’m not creating anymore Video Art, this is not a coincidence but it may be temporary… also you can still watch this one done for And so it goes https://www.youtube.com/watch?v=1RD4wK3XuXI

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https://archive.org/details/pirate-tapes-pop-of-the-pot
https://archive.org/details/le-colibri-necrophile?sort=-date
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posted 01 August 2025