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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Natalia Kamia, Stewart Miller, and other invisible entities – We jammed on our little green aircraft

Natalia Kamia, Stewart Miller, and other invisible entities – We jammed on our little green aircraft
[Eg0_176]

Natalia Kamia, Stewart Miller, and other invisible entities

“We jammed on our little green aircraft”

We welcome back Natalia Kamia on eg0cide, a few years after her collaborative work Cluster with Ayato. This time she teamed up with Stewart Miller from USA Both of them have studied music in academic settings, but in order to expand the expressive potential of their crafts, they have turned to utilizing extended techniques for their main instruments – for Natalia the piano, for Stewart guitars – and using objects/processes that were probably never intended to be musical. All of the tracks from their album “We jammed on our little green aircraft” were compiled from recordings that they had passed back and forth through the internet.

The result of this collaboration is a fresh & intriguing work that deliberately ignores the traditional hierarchies between sounds and focuses on attending to their particularities, without trying to polish them too much. Stewart and Natalia are not afraid of collisions. Their music passes by the non-contradiction principle and the narrow conceptions of music as “harmony”; their sounds dance, float, slip, crash and start running again without following a precisely perceivable logic: you just have to accept them as they come & go. They form a dizzy, unstable world that is in the same time very material and completely unreal, sometimes joyously agitated, sometimes more restrained and plaintive. These tunes often keep some kind of twisted groove, as in some forms of free jazz.
I won’t pretend to know who or what the “other invisible entities” credited as co-creators of the album might be, but having listened to it several times I’ve realized that even goldfishes might learn to sing, and that plants need to pee sometimes. Maybe we just have to experiment with different ways of feeding pianos and guitars ? “Meow!” answered the swinging spoons…

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posted 08 April 2018

Distopya Home – Too Good To Be True

Distopya Home – Too Good To Be True
[004]

Distopya Home

“Too Good To Be True”

Track List :

1. Love Is Dead
2. Equality (Begundal Lowokwaru Cover) ft Arief Budianto
3. Feminist Justice ft Wisnu Adi
3. Love Song Of Albert Camus
4. Origin Of Species
5. Radical Ecology
6. State Orgasm
7. To Much Punk Will Kill You

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posted 07 April 2018

CM aka Creative Hop For Scholars XE

CM aka Creative Hop For Scholars XE
[BSXE0018]

CM aka Creative

“Hip-Hop For Scholars XE”

Back in 2013 CM aka Creative independently released a album packed with dope beats, rhymes & collabos… including a feature by Maryland based EMCEE Substiantial. Today we’ve got the re-release of that album done the only way we know how, as an Xtended Edition with a bonus disc packed with new remixes by Cheese N Pot-C, Off Beat Entertainment, Bigga Thomas and many more! That’s right kids… more beats and rhymes for you to bump in your rides! Enjoy.

I know it took hella long to finally get this special Xtended Edition out to your blocSonic fans… THANK YOU for your patience, CM! Psyched to finally drop it! Thanks as well to all original and remix collaborators!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 23 March 2018

Split Phase – Compendium

Split Phase – Compendium
[nvr050]

Split Phase

“Compendium”

Time for a special and long overdue release here at noisyvagabond! For our 50th release we present a gigantic collection of tracks (43 to be exact for a total of 6 hours of music!) from Split Phase. Split Phase was a live electronic duo hailing from Upstate NY consisting of myself (c. ‘transient’ martin) and Mike McInotsh active for a period roughly through 2010-2014. For our live shows, we were joined by Nate Vanslyke on lights and visuals. I provided the musical backing via loopers and a plethora of synths and effect processors while Mike provided the rhythms via an acoustic and electronic drum kit. Split Phase was an attempt to make music in real time which generally was made with sequencers or computers and bring those types of sounds into an improvised live process. As such, the music lost some of it’s precision but gained much in the way of humanized passionate expression. Presented here is a small selection of the countless hours of recordings we amassed practicing and creating on a near daily basis. You will find an eclectic mix of genres ranging from jazz, funk, drum and bass, dub, techno, downtempo, and more as we were never interested in pigeonholing ourselves into any particular sound. I hope you can find something in this compendium that moves you. One day the fates will realigned and new Split Phase music will be churned out. Until then, ENJOY!

Acknowledgements: Thanks to Carmen Chiles for letting us include our remix of her track ‘Love is’ and Sarah Winton for providing vocals for ‘Compromise’.

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posted 22 March 2018

Jonas Reif – Rand Corp

Jonas Reif – Rand Corp
[foot273]

Jonas Reif

“Rand Corp”

The first release in 2018 came from Denmark. Jonas Reif provided us
three track EP. Svimmel (means dizzy): “I wanted this track to express shifting emotions, I also wanted to blend different signature elements of genres
such as acid, DnB, Breakbeat”. Faser (means phases): A movement through different states of mind. Flerform (means multiple forms): “I was inspired by 80’s aesthetics and
old skool funk, which I wanted to put in the context of acid/IDM”.
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posted 22 March 2018

MRTN-CSTR – ((–SEKU -_- EKU–))

MRTN-CSTR – ((–SEKU -_- EKU–))
[pn129]

MRTN-CSTR

“((–SEKU -_- EKU–))”

“For some years now, the Córdoban producer Martín Castro, aka MRTN-CSTR, has been surprising us with his creations, ever since releasing his debut album “Kr0m” through Pueblo Nuevo in 2014. This time he presents “((- -SEKU -_- EKU- -))“, an album comprising 7 tracks with an aesthetic he has developed through “patches”, which he designs himself for the software “Reaktor” from “Native Instrument.” These allows him to create an idiosyncratic style, with industrial sounds, granular trips, and glitches, as he develops a penetrating IDM with intense and sometimes devastating environments that make us think for a few minutes that we are in an empty and abandoned city, where only robots live and humans are extinct.

With a sound marked by broken and changing percussion, approaching that of new-acid, “((- -SEKU -_- EKU- -))“, produced by one of the most talented current musicians in Argentine electronics, is a highly recommended album.”

Alisú
Modismo Netlabel
(Valparaíso, Chile. Marzo / March 2018).

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posted 17 March 2018

Onde Poussière – Imperceptible

Onde Poussière – Imperceptible
[Eg0_173]

Onde Poussière

“Imperceptible”

https://eg0cide.com/2018/02/24/eg0_173-onde-poussiere-imperceptible/
Onde Poussière is the experimental / free improvisation duo of Doedelzak (analog synthesizer) and Kecap Tuyul (prepared guitar (2015-2016), no-input mixer (2017-…))

rleee ènuOnde Pous sière’sotpniOe’tnthird al bume consistsobanéoof improvi sationsua osrrecorded separatelyspcd someeroufilugo inmnilééiimm i ‘ptstsFrance s neuonsome-eée tnusrain mnaE JapanLlse snsome dodefying rlvtithe logicttitgiiJnamof timetaases, theyeeapsau iépra.ssenl nuttcdifwere thenérpias’lr esrsuperimposed toeeeen edreFrtlmseelu makeiao ,géarthem actauin non-rsoé-interaction theesselmul smaterial eeeéiused ismteqtdntppnceoat, iediverse andstenesPrLa toedp ntiéonot rso eyèpsvsnrsm cnnieimportant lc.aisdtateuiio. rese.n

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posted 16 March 2018

Art Electronix – Inside The Box

Art Electronix – Inside The Box
[SCM-1801]

Art Electronix

“Inside The Box”

Art Electronix comes back releasing with our netlabel offering you a straight remix EP of one of their tracks. Just like the style of the genre, this release is the stirring in various forms of the primal matter of the first track, and stil it renders a powerful shot of all the Artist’s feature.
But let Egene and Katerina themselves tell about the concept of “Inside The Box EP:
«At the end of this summer our colleague from Poland (who works under the pseudonym Ixirell) wrote to us to send him samples from the title track.
After that, we invited another DJ and musician from Ukraine (Breaksage) to write down his version as well.
The cover was developed by the VJ Lena Dzhurina.
The concept of this work is primarily in the minimalism and psychological mental hooks, which often have to be worked out by creative people working with a limited set of tools. Thus, the idea of this collection is an example of how a musician using a small set of instruments, depending on personal perceptions, skills and psychological qualities, is able to come up, develop and transform a certain musical idea, inviting an outside observer to immerse himself in the inner world of the creator and his approach.
And it is this minimal approach that suggested the title of the track, since the music was made using only two box devices (a bass synth and a drum machine).
We recently learned about the experiment of Ludwig Wittgenstein, who showed that people are not able to understand each other to the end. This experiment was called “The Beetle in a Box” and we were interested in the concept that there are many interpretations of how the creative idea should develop and only when compared with already known paradigms a person can make some sort of conclusion, such as: it’s original, and it is primitive, or it pleases, and it saddens, but these conclusions can still be wrong or misunderstood. Therefore, we decided to tie together the idea of imperfection of human relations, the frequent inability to correctly understand one’s inner world and the chance to minimalism, as a way to return to the source. To that state without piling up with all sorts of concepts, where you can try to realize what kind of “Beetle or bug” is inside your box, and also whether you can be considered a beetle what lies in your neighbor’s box».
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posted 10 March 2018

Anxiety & Sarah – Nyctophilia

Anxiety & Sarah – Nyctophilia
[WAC11]

Anxiety & Sarah

“Nyctophilia”

Anxiety & Sarah – Nyctophilia

Track list:
1. Ansietas
2. Just Pretending to Understand
3. Kol Nidre
4. Merewind
5. Parasomnia
6. Semoga Mimpi Indah dalam Meninggalkan Dunia
7. Slinkies Whispering Feverishly In A Wet Tunnel
8. This is Half a Duet

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posted 03 March 2018

Baltazar – After Kansai

Baltazar –  After Kansai
[pn128]

Baltazar

” After Kansai”

“When listening to a sound work, the first thing that presents itself is the sound as a mass; however, in this work of Baltazár, it is the space that is defined around these masses which constitutes an equal or greater presence. I do not mean the silence, but the wake that each sound wave leaves when it is diluted in the process that produces a particular effect or modulation. The sum of these sonic wakes composes a new plane that is separated from the melodies and blocks of noise that make up this work. From “reading between the lines” one passes to “hearing between layers”. It is a constant game of associating and linking what is happening between these, entering the rhythm from the multiple directions through which reality appears to us on a daily basis.

As for sound, it oscillates between acoustic melodic parts and granules of noise that collapse in a cloud of digital processing; in the range of phrases composed of saturated coupling and the reverberation of pure tones.

If we had to make a parallel with painting, we could say that the figure and the background are clearly defined in each piece of “After Kansai” and both alternate in order to approach and move away from the plane in which we inhabit as listeners. The first tending to have few elements with clearly defined lines and the second like a great density of volumes that move in independent directions and sensations that come together and disentangle themselves.

Silence exists in the form as well as the emptiness in the background, but never between them. The sound leaves traces and these traces are those that are structured as the fundamental component of this work.”

Óscar Santis
Noise musician & visual artist.
(Concón, Chile. February 2018)

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posted 28 February 2018

Joewee Love! – Joewee Love!

Joewee Love! – Joewee Love!
[01]

Joewee Love!

“Joewee Love!”

Only two personel of this band, Jose a.k.a Pepenk dan his wife. the materials ideas are based on his life journey, start from dating until married. even now, they have kids!. Enjoy three disco track from them

Joewee Love!

Track list:
1. Cinta (Love)
2. Mengharapkanmu (Hoping you)
3. Selamanya (Forever)

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posted 22 February 2018

fascinating earthbound objects – eelahoo

fascinating earthbound objects – eelahoo
[nvr049]

fascinating earthbound objects

“eelahoo”

My second release under the guise of ‘fascinating earthbound objects’ finds it’s way to your ears in the form of this 20 track album. Running the gamut of unrestricted genre exploration, expect a little bit of everything.
Enjoy!
-c. ‘transient’ martin
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posted 21 February 2018

Spacebirds – Spacebirds-1 (2010) Deluxe Edition

Spacebirds – Spacebirds-1 (2010) Deluxe Edition
[LV001-Rd]

Spacebirds

“Spacebirds-1 (2010) Deluxe Edition”

The Spacebirds project was born in 2008 in Moscow. The composition of the group is an ironic understanding of synth dance music 1980-1990-ies and, in the first place, from genres such as New Wave, Synthpop, Spacesynth, Disco, Synthdance. Most of the songs Spacebirds recorded using children’s musical instruments (synthesizers Casio SA-21, SA-46, etc.), mobile analog gadgets (Volca Series from Korg) and even software based on Android (Caustic-3, SunVox, etc.). Spacebirds music is upbeat, ironic “toy synthwave / post new-wave” with a strong sci-Fi and space themes and, of course, with nostalgia for 80 years. The project exists as in the format of One-Man-Band and a full lineup of three or four musicians.
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posted 21 February 2018

The Perfect Failure (?) – The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir

The Perfect Failure (?) – The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir
[Eg0_170]

The Perfect Failure (?)

“The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir”

Le cadavre du chat noir is the 5th volume of the perfect failure (?) / l’échec parfait (?)
featuring Antropik, Ayato, Benoît Rouits, Charles premier, Deltanik, Delikbeyin, Doc Demagol, Doedelzak, Extrasystole, Half Evidence, Herr DJ Deppenhorst, Janne Nummela, Jeremy from Boise, Natalia Kamia, psph.S, roger mpr, Siu, Slo-blo, Torbill, Sysma, Kecap Tuyul , XtetX Ensemble, Yoshwaku, 3HNT- and some anonymous contributions

We fear this stuff is not bad enough. We have to make something worse, so your contributions are still welcome for next volumes. Don’t be shy and send us your most disastrous sounds : https://eg0cide.com/info/contribution-call-the-perfect-failure/

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posted 17 February 2018

Ölü Körpē – vol. 2 – Mira, la bruja no esta quemada

Ölü Körpē  –  vol. 2 – Mira, la bruja no esta quemada
[WAC10]

Ölü Körpē

” vol. 2 – Mira, la bruja no esta quemada”

Ölü Körpē vol. 2 – Mira, la bruja no esta quemada

Track list:
1. My Lai, 1968
2. Yes, Vomit Comet.
3. Possibilities are Endless; Train Stations, Airports, Foreign Lands

So much had happened since my last collection of sounds. I decided to “embark” to new, unfriendly shores with drones, noises, and a bit of pseudo free-jazz. Not as melodic as “Travel,” I reckon, but no less fun.

As far as subject matter goes, “Mira, la bruja no esta quemada” (which means “look, the witch is unburnt” in english, by the way) rolls around things that can’t go away no matter how hard we wish them to disappear; maybe the mundane (desire to travel) or the somewhat heavy (massacre and cover-ups).

Please, do use headphones/headsets while listening to the tunes. There are some interesting movements there. Don’t forget to drink some water and watch the witch go unburnt.

Achmad Luthfi

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posted 08 February 2018