This is not a Tape Vol.3 [0kbps103]
A01-Solo 05 – Piano Clusters 1
A02-Raw Material V – 02 – OtherSounds
A03-EEtudes V-14 PMin-2
A04-No-Is II – 17 Myray (short)
A05-Solo 04 – Bleep
A06-EEtudes V-01 Serie12-Alg1
A07-Raw Material V – 07 – Inst1
A08-Raw Material IV – 13 – AstraNoise (short)
A09-EEtudes On The Run 17 – MultiKey
A10-What’s Normal – E01 – VHF 3
B01-EEtudes IV-03 GminKey-2VoicesAlt
B02-Raw Material V – 08 – RF+
B03-Noisam 04 – Fx_03-04-05
B04-EEtudes V-16 PMin-4
B05-Ratio III -04-Myyms (short)
B06-EEtudes On The Run 18 – SerialBackwChorus
B07-Noisam 02 – Cry and rain (short)
B08-Dead Tunes – E1 – Slow
B09-14-EEtudes IV-12 FromCmajToFmin+bridge
B10-EEtudes III-20 1Key-1expand-2NewTriads
MAV [0kbps103] Records, September 2016
Sanctuary, это следующий, после Hedgehog Feathers, опыт работы в стиле джаз-фюжн. Писался он примерно год, на трех разных квартирах, которые Артём успел за это время поменять. Здесь уже не использовался саксофон, но было большое количество клавишных партий и гитарных соло. Также в этом альбоме впервые использовались более новые и качественные семплы ударных инструментов.
«Первоначально хотел объединить песни концепцией сыпучих тел, но потом от этой идеи отказался. От нее остались только названия двух композиций — Flour и Sawdust. Затем я обратил внимание на какое то общее умиротворенное и спокойное настроение целого альбома и решил назвать пластинку Sanctuary, то есть, место, в котором всегда можно укрыться и отдохнуть от всех проблем. К этой концепции непосредственно относиться название последней композиции — Sheltering Shell. Так, что у меня получился альбом-убежище от ежедневных проблем и хлопот.»
P.S.: «Был у меня и «проклятый» трек, который постоянно зависал, самоизменялся, уничтожался и попросту не хотел нормально записываться, но чтобы уберечь слушателей, я не скажу который это трек.»
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Press & Support :
– ХРУЩЁВКА: hrushevka.org?p=4636
Dødssynd [0kbps102]
01 – forkynnelse
02 – dum boogie
03 – fristelse
04 – avstamning
05 – stump
06 – snøskred
07 – dødssynd
08 – utgang
Peter L. : guitar, bass, sampling
Cover art by el sol funebre (elsolfunebre.tumblr.com)
MAV [0kbps] Records, August 2016
After the release of Everything Has Changed; Nothing Is Different, the Bulls originally intented on creating a series of five EPs, each with five songs, but that eventually evolved into a new album and the five EPs! Thus began the idea of a six month release schedule! So Bulls fans… get ready… more dopeness to come! What… you’re just discovering the Bulls? Well, dig… check this out and then check out their back catalog.
Many thanks goes out to The Impossebulls for continuing to bring that classic hip-hop in this era of mumble “rappers”, trappers and twerkers. Perhaps some day boom bap will once again be considered hot. Davy J… I hope that your generation can rectify the situation… your dad is doing a good job teaching you… perhaps other dads are teaching their youth, as well. Word.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
Miguel Jauregui (aka Basstk)
(Valparaíso, Chile. Agosto / August 2016)
%20-%20CD%20COVER%20ART.jpg "Øystein Jørgensen & Chris Silver T. – DOORS")
Un album genialmente experimental que suena a ciencia ficcion, creadas a partir de instrumentos analogos, grabaciones de campo en diferentes lugares de la ciudad, sintetizadores que proyectan sonidos de lo mas escalofriante, mil millones de capas sonoras que se van interconectando entre todo ese universo del sonido de Gartner.
Producido por Juan Esteban Ceballos Gartner
Colaboraciones de:
snk.1 con Juan C. Gutiérrez y el Metro de Medellín
snk.2 con Juan Sebastián Gartner en el bajo eléctrico
snk.11 con Lucero Pineda en el moog y teclados
Masterizado por PHEEK – https://audioservices.studio
Producido para Monofónicos Netlabel 2016
Este material está bajo licencia de Creative Commons 2.5
Medellín, Colombia – 2016
il Russo [0kbps101]
0
1
2
3 (with TastoEsc)
MAV [0kbps] Records, August 2016
Linear Obsessional is delighted to release this mesmeric work as a free download as a precursor to an album of shorter works to be released later in the year…
credits
released July 17, 2016
Capacity & Resistance was recorded on two plumbutters, cocoquantus, sidrax and tetrax.
I have no doubt that Routier (pn109) was composed for the most part with hardware; its sound betrays it. Each beat has its own personality, every glitch, strike, synthesizer and noise in general is carefully aleatoric (Is it possible for the casual to be meticulously cultivated also?) and fits perfectly.
The experience of the autor is also important when it comes time to produce. The broad musical baggage of Luis Marte, the production of numerous festivals, collaborations, and his constant research with new media allows him to interpret through his own prism tendencies that are raw, that do not tend to sail together in the ocean of electronic sound.
What do we have then?
Seven sessions riddled with singular concepts , rhythmic and minimalist, analog and digital, interlaced into a whole and conforming parity, exquisite and of good taste when it comes to relating each noise, beat, glitch, synthesizer, machine, module and who knows what other gadget worthy of praise between the jumble of cables and connections in the studio of Luis Marte.”
Eduardo Yáñez (aka Gozne)
(Quilpué, Chile. Agosto / August 2016)
Feast your ears! This eagerly-awaited EP is a musical summit in all respects: a meeting of minds returned from remote audio peaks with a knapsack of treasure.
The Canteens fuse their digital experiments with the wiles of ancient folklore, creating a palette that is all their own. Each track is a bittersweet quest, moving from melodic flute ditties to sonic fuzz barrage, from lo-fi tinkering to laser-synth pyrotechnics. These warm-hearted tunes are guided by a firm hand on the tiller, with a daydream nod to the darker shores…
So, lay back and relax on this trans-Europa express and immerse your lobes in a mildly-threatening aural treat!
As with the previous album, The Bulls enlist a little help from good friends and legends… the most notable of which is one of the founding members of the great Stetsasonic and one of the most distinctive voices in hip-hop… Daddy-O! Of course that’s not all… the great Kyle Jason lends his voice to the album… as does the talented Anime Oscen. Last, but surely not least… our own The Honorable Sleaze drops a verse!
This dope new album isn’t all, though… in the coming five months, The Bulls are dropping the 5×5 series of EPs. One each month featuring more new music! Also, very soon, fans will be able to purchase “Devil’s Work”… a limited edition box set containing the album and all five EPs, so fans don’t have to wait to get all that fresh music into their ears! We’ll let you know when that becomes available. For now… we hope you enjoy the new album.
A very sincere thank you to The Impossebulls and all collaborators for delivering yet another underground / independent / netlabel hip-hop classic. Sleepers will sleep… those who are woke will hear it. blocSonic’s going to continue to wake ’em. Word.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
With all that in mind Kamizdat is joining the celebration of low-barier D.I.Y. music publishing revolution, the annual celebration day called The Netlabel Day on 14. July.
The title of this collection of Slovenian artists refers to an idea that the debate around free, libre and open access enabled almost costlessly by the Internet is framed by the understanding of the concept of property. This seems almost an historical point, a disruption that has marked almost two decades since the appearance of the MP3, but we believe it is still one of main roots of the many problems regarding online culture and art today.
40106 Schmitttrigger / 4093 Quad NAND / 4006 18-stage Shift Register / 555 Timer IC
The recordings are experiments with DIY tone and noise generators, with Svann working systematically, exploring the unique features of the specific circuits of his lunchboxes on a track-by-track basis.
Track titles should be understood according to this classification, and consequently also the separation into part A and B. A number of rhythmical and enriched Bass’n’Noise tracks are mixed in between pure complementary metal–oxide–semiconductor tracks.
The release is conceived as a classic double album, with two covers, two titles and two chronologies regarding the tracks on the respective album. Please consider these chronologies.
Formato: Lp digital
País / Ciudad: España / Barcelona
Fecha Publicación: Julio 2016
Genero: Electrónica
Estilo: Techno
Portada: René Navarrot
Canciones:
1. Acid 2
2. Doping Pong
3. Dragonfly Shadow
4. Sputnik Ok
5. Uff
6. Welcome To The Furure
7. Que Le Diable T’Encule (Feat. Wozsch)
Formato: Ep digital
País / Ciudad: España / Barcelona / Madrid
Fecha Publicación: Julio 2016
Genero: Electrónica
Estilo: Techno, Electro
Portada: Albertgave
Canciones:
1. Langax – Adrenaline intro
2. Langax – Adrenaline
3. Ángel García – Gugugú
4. Periodo Particular- Isi
5. No Human – Arid Badlands
6. MegaHast3r – Haka
Canciones:
1. Succesfull Failer
2. Falling Up Stairs
3. The Kult
4. Atlas
5. Fake
6. WorKK
7. Drone People
8. Forevers Aloners
9. Loop Trip
Nacido en Madrid (España), Alberto Vázquez, conocido artísticamente bajo el alias de Chuzausen, vive y crece en Vigo desde los 3 años de edad. Lleva realizando desde hace más de 12 años música en trackers (Impulse Tracker, Scream Tracker…). Ha sido integrante del Netlabel Alemán “Rump Funk Records” y del Portugués “Enough Records”. También ha colaborado en directo con el sello Vigues “Parafuso”. También como músico y técnico de sonido en distintos proyectos audiovisuales.
