What is the nature of uncertainty? Is it a true thing that is unknown, or an unknowable thing that is true? How can we search for things when we don’t know their shape? And what is an answer if it is simply more questions in disguise?
Featuring improvised piano.
« Train to Nowhere » est une partie de la soundtrack de mon émission « OddTheater », que j’essaie sans succès de continuer et d’entretenir depuis presque deux ans maintenant. Ainsi, dans le cas où je décide d’abandonner la réalisation de vidéos sur internet, j’ai pris l’initiative de tout de même partager les musiques d’ambiante que j’ai composées et produites pour ladite émission, afin qu’elles ne pourissent pas dans mes dossiers, restant complètement inutiles.
Il n’y a pas de réel lien entre les différents morceaux. Ils peuvent être écoutés dans l’ordre de l’album, tout comme séparément.
Certains morceaux comme Detectives (2), Lost Files (6) ou The Lair (7) sont faits pour pouvoir être joués en boucle.
Par ailleurs, The Woods (4), Silent passenger (5), Lost Files (6), ou Red Hand (9) peuvent être séparés en deux parties chacun. Vous retrouverez en morceau bonus (en téléchargeant l’album), les morceaux 4, 6 et 9 séparés en deux parties. Le 2nd morceau étant divisé en cinq parties, ce serait franchement un peu chiant de toutes les séparer, donc flemme pour celui-là. (vous les séparerez vous-mêmes si vous êtes motivés, les distinctions entre parties ne sont pas si floues)
Enfin, une version acoustique d’Alleviated est disponible en morceau bonus avec le téléchargement de l’album. Celui-ci est entièrement gratuit mais si vous estimez que mon travail le mérite, un achat à prix libre est bien évidemment le bienvenu.
– GabyQuartz
Previously released at edition unicatipH. A rehearsal mix recorded April 2017 at the Pollite Space, Oldenburg. Editing, montage and final mastering by Thorsten Soltau at Studio Lichter Raum, Schortens.
For this occasion E|S|O were:
Der Höfliche Harald
Herr Penschuck
Arne Wilken
Thorsten Soltau
& Nelson Wreckley
Twelve years later Gabriel Mendes (a.k.a. Augen) is back. Over this time he hasn’t stopped releaseing and his music is becoming more interesting each time.
Driftia Diaries is a journey into abstract electronics and the result is a complex and even paradoxical musical balance, disconnected and interconnected, fresh and warm, lyrical and strange, all at the same time.
So if you’re in the IDM scene you will find here a remarkable recommendation for a stimulating and captivating musical immersion on headphones.
Bon voyage!!!
At the beginning of the year, Sascha Müller (Psychocandies) asked me if I wanted to do my part for Netlabel Day and contribute a track. Full of enthusiasm, I immediately agreed, only to later realize that time was running out. Too much on my mind, too many projects at once – my problem again. At the last minute, I found a track that had been hidden in my infamous drawer since 2021. Since I recognized potential, I got to work on it, as always at the last minute, changing a few nuances here and there and giving my Waldorf Pulse a voice again.
The theme of the track is “Stupid Love” – a reflection on how crazy love can sometimes be. Whether it’s the passion for music, the relationship with your better half or the incessant urge for toxic bonds and intense, physical music – love has many facets.
As always, you can download the track for free from my Bandcamp profile and from today you can also hear it somewhere in the vastness of this stream during the online stream for Netlabel Day.
Support is welcome, downloads are welcome, sharing is welcome.
Album art is provided by the fantastic Nineki, who can be found on various platforms, including twitter and instagram. Please consider showing them support, they’ve been fantastic to work with!
This project is dedicated to George, Joan, Faith, and my Professors, all of whom made my experience in a new country absolutely wonderful.
I hope you enjoy!
In a world where everything inexorably descends, futility pervades. Despite going down, detritus piles up, leaving two possible outcomes – it messily agglomerates beyond the point of practicality and causes the end, or it fits together just so. But instead of forming a precise and solid structure, at the moment where it is needed most, it simply disappears.
Featuring electric keys, ethnic percussion, synthesizers, strings, balalaika, and effects.
Wusa, formerly known as Band Zoo, has officially adopted its new name – a moniker inspired by the rich history and philosophical teachings of the Khawagaka tradition. Khawagaka itself is a doctrine inscribed on ancient manuscript leaves from the Samasthamarta civilization. The discovery of these Khawagaka manuscripts has unlocked a gateway to delve deeper into the history and traditions that gave rise to this profound teaching.
The Khawagaka doctrine, along with its spoken language and script, was first introduced in the band’s previous album. This latest release delves even further into the origins of Khawagaka teachings and the culture from which they emerged. It also explores the impact of knowledge industrialization and technological advancement on cultural values and traditions.
Wusa’s musical project is part of Rully Shabara’s long-term artistic endeavor centered around the Khawagaka manuscript, which encompasses language, script, belief systems, mythology, philosophy, history, and culture. This ambitious project operates under the auspices of the Khawagaka Historical and Cultural Archives Institute, an independent organization dedicated to tracking, excavating, preserving, and disseminating all findings related to Khawagaka history.
The Wusa music group functions as a division within the Rijmana Council, tasked with interpreting Khawagaka teachings and culture, and popularizing them among contemporary society through modern mediums such as music, film, and other formats. The names of the Zugrafi script and the Zufrasi spoken language were also coined by the Rijmana Council.
Attempting truth, one tries many things. Up, down, left, right, directions that are seemingly expansive yet form a stricture we wish to free ourselves of. What is a diagonal pitch? Can things overlap, separately? And what exists beyond the horizon of the manifest?
Featuring clarinet “sightreading” (improvisationally interpreting) the cover image, itself titled “True Glimpses 1” by Franziska Baumann (franziskabaumann.ch).
Sam Nacht: Saxophone and effects.
Óscar Santis: Bass mbira and electronics.
Sam Nacht: Recording, mixing and mastering
Óscar Santis: Cover art
Buy:
newromanianweird.bandcamp.com/album/live-at-x-imental-5
~
The recording of our live act from X/imental #5 (16.03.2024, Escape Underground Hub, Timișoara, Romania).
Not all those who are lost wander – the Waldos of the world are indelibly located, yet uncertain nonetheless. Considering their predicament, confusion ensues, growing at a self-speeding rate. Beyond a certain point, quadratic challenges prove insurmountable, and we are forced to accept the incomplete.
Featuring synthesizers, drum machines, strings, arpeggiators, and effects.
# Earsheltering – Radioshow # 6 Netlabel Day 2024 July, 14th 2024 19h00
(Central European Summer Time UTC+2)
https://www.internet-radio.com/station/netlabelday/
https://netlabelday.org/
01_Cable Street Beats
02_Fuckin Bastard
03_Outro
by ¡No Pasarán! “Seize The Power !” earS096
04_Holiday in Gaza
by Grrzzz “Traumamix – La_Chose” earS080
05_got to turn it on
by Zoogoo “Scraggled a far” earS012
06_alien old vynal
by Zoogoo “Zancing” earS040
07_injection is expected for today
by Planetzoo “Life, this strange discharge” earS037
08_Préliminaires
by LAAG “Le Parfum de Jean” earS055
09_Ciel De Cuivre
by Red-Jack S. Xander “Le Parfum de Jean” earS055
10_Well of souls
by William Cleevant “Evilfrance” earS100
11_Infernal Drones for Dante Alighieri
by David M. Paganin “Sonic Sand Mandala” earS088
12_troubles
by Bruno_Bernard “Textures” earS111
13_Alone And Starlit Skies
by Nurses With Knives “Just A Fading memory-The Collected Edition” earS105
14 Marvivo
by Micusnule “Necktar 2017 vol2”
15_WHAT IS NECKTAR 2017 ? www.necktar.info
by Ardleg & Co. . .
16_J’ai mangé tout les enfants pourris
by Micusnule “Necktar 2017 vol3”
17_Cet homme est un monstre
by BeNe GeSSeRiT “Necktar 2017 vol4”
18_Mais j’ai rien demandé moi
by Planetaldol “Necktar 2017 vol1”
19_From Spread to Revelation
by Ben Presto “Necktar 2017 vol4”
20_Alastrip
by Cortex “Necktar VII”
21_Union Natural
by Ardleg “Necktar 2017 vol5”
22_La machine de Picasso
by Ben Presto “Necktar 2017 vol5”
23_Pheromones (It’s a Mind Bending Substance)
by Sun Om Sun “Necktar 2017 vol7”
24_Revolusong
by Ardleg “Necktar 2017 vol6”
released July 6, 2024
The creation of this special compilation has been a labor of love that unfolded over the course of more than two years. This project, spearheaded by Ivo Petrov of Mahorka and Niki Stanchev (Autonomaton, EcoSCi records), and sequenced by Origin_Blueprint (www.aurora-compilations.org), stands as a testament to the power of collaboration. Each track featured in the compilation carries the essence of the individual whose influence transcends boundaries of genre and time. While many of the contributors are long-standing Mahorka artists, collaborators, and cherished friends, a few new names have also been brought on board by Ivo, Niki, and Origin_Blueprint to complement the perspectives and complete the journey.
The spirit of unity and shared passion for music that permeates this compilation is a true testament to the dedication and commitment of all those involved in its creation. The seamless blend of established artists and emerging talents showcases the evolving landscape of electronic music, while also paying homage to the enduring bonds of friendship and collaboration that have shaped the Mahorka community. As listeners embark on a sonic journey through this carefully crafted compilation, they will be enveloped in a tapestry of sounds that not only entertain but also inspire, a reflection of the collective creativity and vision that defines the Mahorka ethos.
The lineup of artists and bands in the second chapter, each with links for more information about them and access to their music:
– Rez ( soundcloud.com/jjrez )
– Illicit ( soundcloud.com/ruffah-ras )
– Sai ( sssai.bandcamp.com )
– Valgidrà + Konejo ( valgidra.bandcamp.com / konejo.bandcamp.com )
– Ivan Shopov ( www.ivanshopov.com )
– Weldroid ( weldroid.bandcamp.com )
– Autonomaton ( ecoscirecords.bandcamp.com )
– Moki McFly ( ikalopa.bandcamp.com )
– Hypnos ( mahorka.org/artist/hypnos )
– Abu Ama ( abuama.bandcamp.com )
– 4T Thieves ( 4t-thieves.bandcamp.com )
– Obhod ( soundcloud.com/anton_pau )
– Mystified ( mystified.bandcamp.com )
– Adonai Atrophia ( veluvian.bandcamp.com )
– Jon Shuemaker ( jonshuemaker.bandcamp.com )
– Fallen ( thechildofacreek.bandcamp.com )
– Sevensy ( sevensy.bandcamp.com )
– Brainquake ( brainquake.bandcamp.com )
– {AN} EeL ( panpanpanaviandistresscall.bandcamp.com )
– LR Friberg ( aurora-compilations.org / motivational-music.one )
Mastering by Origin_Blueprint / aurora-compilations.org
Artwork by Origin_Blueprint / aurora-compilations.org
Respected Remixes to 花譜 (KAF).
Track Listing:
01. LieDeeDonk – Act
02. temura – ひらく、放射熱
03. λμκικαζε – アーメンブレイクより
04. ハヤトムラカミ – 心臓と絡繰の模倣
05. ITHAQUA – 痛みを埋める
Curated by λμκικαζε
Artwork by Occupied Territories
