A gain in altitude can provide a shift in attitude. Though at times uneven, any assistance is welcome when climbing the slopes of life. A veteran escalator, having helped many ascend, is deserving of celebration and esteem.
Featuring escalator, escalator-triggered bass and snare drums, trumpet, electric guitar and bass, background vocals, and shaker.
нашему лейблу исполнилось 12 лет!
традиционно в свой день рождения мы выпускаем большой праздничный сборник, представляющий собой срез современной андеграундной экспериментальной музыки – от техно и хауса до нойза и брейккора, от чиптюна и синтвейва до айдиэма и эмбиента.
огромное спасибо всем, кто следит за нашим движем и помогает ему двигаться дальше! все самое крутое, конечно же, впереди!
приятного прослушивания!
credits
released November 6, 2023
обложку и анимацию сделала Настя Апрельская.
3 free WAV tracks of deep minimal techno for monoKraK net label (http://www.monokrak.net)
mastering by Pheek
Julian’s slow and cinematic debut EP eases the senses while taking you back to a time when things were easier and the world was a cozy and loving place.
The EP contains a lot of laid back tunes with minimal drumming, accompanied by a wide range of enviromental foley sounds, which even further give the impression of travelling through the memories of things that once were.
Alltogether a great EP for either listening or for use under video productions.
Julian Winter’s latest 5 track EP “Home” is a combination of autobiographical tracks, describing his short journey through Europe in the fall of 2018. Each city is portrayed by a flavor of its ambient sounds combined with Julian’s musical interpretation of the untangleable combination of a city’s impression and his own mind state at the given time.
Each track manages to translate a strong emotional impression, ranging from nostalgic up to a dramatic sense of being overcome by one’s own existence. This wild diversity of feelings enables “Home” to grab your attention, and pull you into the composer’s brain in order to get a clear view from his perspective, to take you along on his journey.
On a musical level, the depiction is realized by laid back guitar melodies and piano parts, which are accompanied by Julians trademark rhythmic variations using real percussion instruments. His use of post production and editing manages to give “Home” an extremely organic and up to date feel, thus making it qualify as a worthy successor to all of his previous work.
All tracks written, performed and produced by Julian Winter, except for “Paris”, which was written by a female member of Anonymous.
Mixed by Gerrit Elbrink.
The Necrophile Humingbird Netlabel present NIHILLBIENT by REfugEEs From Beyond.
“Post Illbient Music for Dark Ambient Lovers”
Improvisation session recorded the 29th january 2023 at the Cave Haven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku
Tracks titles are loosely based on the films of David Lynch & Gaspar Noé.
I can imagine what a lazy Artificial Intelligence or a crazy netlabel runner would say to explain how this album really brought the language of dreams or nightmares to the ears like if these both directors did it :
Every listener is going to get a different thing. That’s the thing about music. Illbient is like a car, a vehicle that allows you to go within. It’s a mental technique. You don’t need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere. We will not develop the transcendental way the nihilist spirit can upleavel oneself to certain zen spirit. Of course it won’t make disappear the civilians bodies massacred by bombs, but sometime like these days the world is so dark that you need this kind of dark meditation to heal your soul… The current from beyond dictate everything, you have to be true to that or you’re dead.
Life is a short game. If you want to be bisexual, pansexual, do it. Every single life is about construction and destruction. We are happy persons. When happy persons make dark music, it becomes funny. The truth is that… if you put any idea out there that’s kind of flashy, you have many, many people that are going to be copying it. This happens whether you do movies, paintings or music. Death is not evil. Death can be good news. It all depends. Some people come to this world and live in hell so birth is not always positive. Death can sometimes be positive.
Dedicated to those forced to commit unassisted suicides.
Culture Horn Sound System return with a brand-new EP entitled Jah Creator. For this release, the heavyweight sound system from the town of Kremenki in the Kaluga region in Russia, teams up with the mighty Sammy Gold to deliver a fresh vibe!
Sammy Gold has been in the scene since the late 70s, when he started as a toaster and later in the 80s as a singer. Getting his influence from artists like Dennis Brown, Jacob Miller and Rod Taylor, he worked with many producers like Rus Muffet, Ras Kuntus and High Elements releasing music on Roots Injection, Cubiculo Records and many other labels.
Jah Creator is offered for free download from Bandcamp. As it usual in most of the releases of Culture Horn, the first composition is in a dubplate style (based on classic roots tune Higher Field Marshall by Peter Broggs). The second composition is the main track. Each track includes the obligatory dub version. The compositions were recorded back in 2016 and since then they have been played on various dances and streamed in radio broadcasts.
The EP is dedicated to Jah and his deeds. Peace and love to all.
“Flayte Neo Sur” summarizes the methodologies of 10 years of sound composition for performing arts by the composer Jayson Hernández (1992). The main inspiration for this work is the collaboration with five electroacoustic composers: Valentina Aguilera, Ariel Fernández, Matias Alarcón, Antonia Valladares and José Miguel Candela, who, in a featuring capacity, contribute to the composition of the album.
The album comprises 5 pieces, each of which is infused with elements inspired by Granja Sur, multifocality, and the re-signification of a territory that emerged post-dictatorship in Chile, located in the southern outskirts of the capital. Each piece is associated with an aphorism proposed by the composer. The invitation was to improvise in an electroacoustic key and then compose based on this experience, induced through a somatic practice that allowed a connection with the archives and repertoires of the geography.
Inspired by observation and recording, the album seeks to challenge the concept of the periphery from a political perspective. Its primary influences are local artists from the southern area of the capital, such as muralist Oficio Erico and the UFO Group, poet Juan Carreño and the Vlop Cinema Collective. The album also reflects on aesthetic experiences in peripheral territories, particularly in Granja Sur and its surroundings, where the composer gathers local testimonies and symbols as elements that shape the soundscapes of the compositions.
Jayson Hernández
(Santiago, Chile. November 2023)
Hi-speed Hyperflip, derived from the Golden ratio.
Track Listing:
01. This Is Not Dariacore This Is Uncore
02. Hyper Surf
03. Halo
04. Hell Dilemma
05. Just Keep Singing
06. I Knew You Were Kids Room Man
07. Sorasenai
08. Catch The Galaxy
09. Flight To Splatsville
Music by nottanishi
Artwork by Occupied Territories
released November 2, 2023
sevensy (aka Austin Brooks) creates music that directly facilitates imaginal sojourns, wherein the message is the sound itself. sevensy mixes electronic and natural sounds with processed guitars and acoustic instruments and has released his music with Mahorka from the time of the label’s inception.
His musical themes ‘unfold into an unusual landscape’ so that it is often impossible to tell where one ends and another begins.
“Form emerges, as fragile as a snowdrop’s blossom, as solid as a mountain, then recedes and is transformed. Awareness witnesses the interplay of all things. “Reckoning (creation)” aims to musically depict this metamorphosis. Acoustic or treated electric guitar forms the basis of every piece, though this may not be evident upon first listening. Layers of synthesisers and bass are interwoven with fragments of melodies that coalesce and dissolve.”
Cover artwork: Jan Brooks
Pass through to an unknown domain, and witness an intangible procession of intelligence – and the lack thereof. A known unknown, contrasted with its contrapositive, yields a self-similar absence of informative variation. Yet such leaps are still insightful, logically winnowing and ultimately implying an uncertain something about the state of things.
Featuring unaccompanied improvised clarinet with reverb.
Euphoria echoes of unpredictory sensory inputs.
Euphoria echoes of self-justifying circulation of intensities.
Euphoria echoes of the girl that won’t return your love but is totally worth it.
Euphoria echoes of the desert called our culture.
Euphoria echoes of sleeping cat shadow,
of meaning making machines,
of the cognitive dissidents,
of feast that eats itself.
Euphoria echoes of tikkun olam.
Euphoria echoes of veiling their vices in virtuous words.
Euphoria echoes of male desire for salvation through gadgets.
Euphoria echoes of her who was here long before the apes started dreaming of gods.
Euphoria echoes of inotai, adonai, you and i….
Este es un disco que debe ser explorado en detalle, una experiencia auditiva que encapsula la esencia de la experimentación y la evolución constante que define el Techno en su forma más pura. No te pierdas esta joya sonora que emana de las profundidades de la vanguardia electrónica.
Producido para Monofónicos Netlabel. Medellín, Colombia 2023.
Mastering: Pheek – audioservices.studio
What excitement when two artists that we have published separately with different projects join forces to release a first album together… and even more so when it sounds like an achievement. This is indeed the case of Break On Beacons, where we find at the beats Valgidrà from Rennes and at the synths Innocent But Guilty from Bordeaux (half of Wintermute, among others : indierockmag.bandcamp.com/album/rubber ), two French electronic musicians whose collaboration finds its origin in IBG’s remix and collective projects, in which Valgidrà took part several times. The later has been following the work of IBG for a while, finding common ground in his trip-hop/abstract fiber, while Foolish Records’ founder discovered the music of his new playmate through IRM Netlabel, particularly with the album “Watched Watchers” (indierockmag.bandcamp.com/album/watched-watchers) and the EP “Daily Grinders” recorded with Konejo (indierockmag.bandcamp.com/album/daily-grinders-ep), both released in 2021. From the start, when listening to this joint project whose name evokes the exploration of unmarked paths, the idea of getting off the beaten track and especially the limits that we unconsciously have imposed ourselves, we feel both in familiar territory and at the same time heading towards the unknown in a more cosmic way than expected from the two. We recognize the deep, dark and ethereal textures with subtle melodic patterns of IBG – whose sound seems to have evolved this last year from heavy and radical drone (cf. his brilliant Anteraks project along with Uburgründ from Romania) towards something more aerial, between electronica and trip-hop, and also Valgidrà’s signature beats at the crossroads of abstract groove and dry IDM as well as his sense of rhythmic vocal samples, on the title track for example. And yet, “An uninterrupted flow of images, shapes and colors…” constantly gives the sensation of tending towards unexplored horizons, somewhere between outer space and inner landscapes, an album which casts off towards an “elsewhere” made up of both sonic adventures and introspection, epic times and suspended moments, dreams and disillusionment. In a word : a gem !
Aufnahmen von 2016/17
steel sculpture “Poised” by Moretto (1994)
design by EMERGE
GoH-637: Sado Rituals – The Desert of Unclean Spirits
Sinister, dark ambient noise walling from dry places inhabited by banished demons. Distant winds and demonic howlings meet ever-fluctuating noise textures.
GoH-635: guru bobol – PANDEUCABRE
Seven dreamy, hypnotic compositions made with analogue synthesisers and distant vocals. A captivating, oniric trip into the blurry, mystical dreams. Just check this atmospheric masterpiece!
GoH-639: The Desolation Of The Present – Melancholy
A fantastic space dark ambient trip to the distant, uninhabited lands. The second one from an absolutely talented artist.
Bump. (Bump Badump) Badump. ((Bump Badump) Badump) Badump. (((Bump Badump) Badump) Badump) Badump.
Featuring drum machines (Roland 606, 808, 909), mallet drum kit, electric guitar, synthesizer, voice, and effects.
Various Artists Compilation only with creative commons producers.
Compiled, cover collage: Sábila Orbe.
Each track composed by the respective artist. Links:
– Humanfobia: https://archive.org/details/fav-mist_spectra
– Filmy Ghost: https://archive.org/details/fav-sabila_orbe02
– Geomant:https://soundcloud.com/user-187518543/
– maxstack: https://soundcloud.com/maxstack
– Thomas Biesaart: https://soundcloud.com/thomasbiesaart
– Sonic Kitchen: https://soundcloud.com/sonic_kitchen
– cg19: https://soundcloud.com/thecg19
– Brett Marlar: https://soundcloud.com/brett-marlar
– C.S_Kelly_Music: https://soundcloud.com/cskelly
– KRXXK GOT A KRXXKED HAIRLINE: https://soundcloud.com/407krxxk
– Sebedeus: https://soundcloud.com/sebedeus
The Necrophile Hummingbirds Netlabel presents A SEED IN TIME by Spore Designers.
Composition : HOMO | Recomposition : OresteS
“Timeless Psychoactive Music for Ambient Music Lovers”
In early August 2023, I was having a hard time navigating the Threshold Of Boredom (cf. Sleazy Peter Christopherson). Most of my contacts were on holidays and I was feeling lonelier than ever.
Having too much (?) time on my hands and having just been acquainted with Bull Of Heaven (check them!), I decided to tackle my pathological impatience and gardening disability by creating a sound piece lasting as long as possible (within my possibilities); it ended up as SEED IN PROGRESS, 20 hours long.
I invested, digested and regurgitated a good deal of my released and unreleased music into it, acquiring a small crumb of patience by every sound effect taking, literally, 40 hours to complete, during which I had to go on with the “rest of my life” and wait.
When I made SEED IN PROGRESS available, Orestes kindly offered to rework it into something else, with numerological wisdom, condensing the original 20 hours into 3 hours, 33 minutes, 33 seconds.
Here we are. Here it is. Here we is.
(The original 20-hours SEED IN PROGRESS is freely available from musicforunion@gmail.com. It is very different from this, with much more silence and much less activity, for which i am so grateful to Orestes. All Hail The Necrophile Hummingbirds In Our Souls.)
So these words by HOMO tell all about it, I just answered to the amazing sound piece HOMO did (be sure to check it!), I could add that the essence of creation is that chat through time and space between dreamers, like a being split in so many parts trying to understand what happens. But is it really necessary not to keep silent this, when You can dream of the future ?
(first) Video Art Clip is here https://youtu.be/xz-U1563yTE
This is a Humanfobia Compilation 7 track EP. Witch tracks from different compilations appearances and a couple of exclusive songs.
All tracks mixed, additional sound effects, cover design by Sábila Orbe.
vocals in all tracks, model in the cover: Mist Spectra.
track 2: stems provided by 16bard.
track 3: stems provided by Restricted.
track 4: stems provided by Thomas Park.
track 6: stems provided by Sonic Kitchen.
Humanfobia is a dark experimental, witch house, vaporgoth music duo from Chile.
For more music visit:
humanfobia-official.bandcamp.com/
/open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/
Updates:
instagram.com/mist_spectra/
tumblr.com/mist-spectra
deviantart.com/mist-spectra
Do you remember myspace???
Once upon a time, a long, long time ago, there was a wonderful place called the cyberspace that was like an Eldorado for artists, except you didn’t have to kill its inhabitants to steal their property and land. .
In reality it was more about sharing resources freely, but I won’t tell you the full story of the Internet. Just know that there was a certain idea of a free world that emerged, it was a bit like a second chance for humanity to do not reproduce in virtual reality the errors of the real world. Unfortunately, we can date the death of this utopia with the arrival of Facebook and the massive invasion of settlers that followed. Myspace was therefore a sort of social network for artists and art lovers, to share, discover and collaborate, the ancestor of Soundcloud, and Bandcamp… At one point a horrible mobster called Rupert Murdoch decided to buy it. The artists were surprised to say the least, because as soon as he arrived he decided to show how powerful he was, for him since he owned it, he could do what he wanted with his new toy. He changed everything and removed, among other things, free downloading and triggered a real exodus. Myspace was dead, the website may have continued for a few years as a ghost ship, but nothing more. Today, in theory we should be talking about cicadas, but it doesn’t matter, it’s as if the colony of musical ants had gone crazy. After a first sale to Epic Games with the basic promise of respecting the spirit of Bandcamp, (promises only work for those who believe in them) Bandcamp is sold again, but this time no more promises and the buyer wants to fire the team that has been working for Bandcamp for years. What will the new buyer do with his toy? For him, is Bandcamp anything other than a brand with a huge customer base?
I could also talk about Free Music Archives, it was another very cool place for Creative Commons enthusiasts before it was sold.
Will the community of artists who broadcast their music on Bandcamp wait patiently for the next episode?
Or, following the example of Wire magazine, as many of us use Bandcamp,
Wouldn’t it be really cool to make it a sort of cooperative? Each artist contributing a little money to buy Bandcamp and then it could become a common resource for musicians and music lovers across the planet?
It would be a nice resurrection for the free world utopia ?
Well, I say that… but you will no doubt have noticed the explicit title of this album : No Sales Allowed. We don’t sell our music, both because we don’t want it becomes a merchandise and because we want to show what could be the world if everyone share its best. And for us this resource, this alternative to Bandcamp already exists, it’s called Internet Archive.
Dedicated to those who fight against colonization by commercial society by sharing their creations freely.
Ohmmmm…
Uhmmmm…
Ermmmm…
Hrmmmm…
…
Aha!
Featuring gongs, synthesizers, orchestra, ethnic drums, and shaker.
Visuel : Béa
Director’s cut : Iliaque
credits
released October 20, 2023
Samples :
EE7A – No summer (CC-BY-NC-SA)
www.zenapolae.com/zen184
EE7A – Sacrifice (CC-BY-NC-SA)
www.zenapolae.com/zen184
GoH-371: Vampiir Nazarenii – An eyeless savior
Subterranean drones, metallic, ritual beats, deformed black metal shrieks and whispers to bring visions of ultimate blasphemy. Haunted Black Industrial dressed in sick, harsh, lo-fi sound.
From the land of the Rising Sun comes Overwrite, a beautiful album created by musician Tomoo Kosugi.
Overwrite composed of 10 songs is an album that matured for a year. An album that sounds like music that could be born naturally from the landscape itself. Quiet, cloudy and languid; ambiental and beautiful, but full of details that make the sound experience an unforgettable journey.
It’s a very beautiful and calm album that will stay in your minds for many months, especially now when the seasons are starting to get colder.
GoH-140: Ilya Delire – Nmlss
A concept album from the author of extraordinary “Higanbana” (GoH-084). Masterful work of ambient and drone completed with industrial and noise elements.
Sermons is bolus’s first full length release and originally started as a soundtrack to an imaginary film, but became a composition in it’s own right during production.
It moves from undulating rhythms and samples derived from satanic possession and religious fervour, to organs and the drone – drone-like compositions usually attributed to Bolus.
An outstanding collaboration between two artist friends Abu Ama and BedouinDrone who are both renowned for their previous solo releases and collaborations on Mahorka (Abu Ama: “Totem” double cassette, BedouinDrone: “The Border” cassette, “Abandoned Villages” digital, “Taliban” with Runi Graph, “Tipping Point” cassette as Pedro Maras, and their collaboration project shabaH: “1” cassette) and elsewhere.
A very special album that just deserved some very special release edition. The occasion for another Mahorka dream to come true. Yes, it is a pro-pressed 12″ LP with outstanding design courtesy of Brett Tassenon and Angel Draganov.
Released October 14, 2023 as free (cc) digital download and limited (300) pro-pressed 12″ vinyl edition.
The vinyl contains tracks 1-6 of the digital release. The digital release contains one bonus track (7).
Calligraphy art by Brett Tassenon
Cover artwork design by Angel Draganov
“Thanks to Ivo Petrov and the Mahorka crew”
Minimal, descriptive or imperative. Pluralism, peaceful or pressured. Solitary pondering in striking contexts entails a diversity of perception, if nothing else.
Featuring synthesizers, effects, bass, drum kit, voice, and electric guitar.
