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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

reFUGeeS From Beyond – Don’t Microwaves Your Brain

[LCNLP230]

reFUGeeS From Beyond

“Don’t Microwaves Your Brain”

The necrophile hummingbird non profit netlabel presents Don’t Microwaves Your Brain by reFUGeeS From Beyond.

“MicroWave Music for Organic Music Lovers”

Improvisation recorded live the 17th April 2025 at the Cave Heaven in Foucherans. This is not a Fast Electronic Feast. More our usual insane improvisations.

If you’ve never listen anything from us, you might not press play, instead protect your ears and listen our other albums first. https://unclassable.tumblr.com/

Dedicated to all the young people who died of brain cancer because of their cellphones.

A study in 2008 was without doubt about it, but another in 2024 is more than doubtful.

Anyway — you could stick your head in a microwave oven: it’s perfectly safe… as long as you don’t turn it on.

If you think it’s actually microplastics in the brain, or some other industrial poison — hexane residues, pesticides, ultra-processed food — maybe you’re right. Or maybe you’re wrong.
Most likely, there isn’t a single cause. Our environment, just like our bodies, has become such a toxic dumping ground that tracing back the origin of anything is almost impossible.

The only certainty is that the curve keeps rising.
And it won’t stop until we stop the mobsters running this capitalist circus.

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posted 30 November 2025

V.A – The World Is Mine – vol.03

[EPV_224]

V.A

“The World Is Mine – vol.03”


■ EPV_224

I have neither knowledge, the experience nor money.
However, the world is mine.

artwork by fkhr

:: artist ::
SHOMOMOSE
epv-artists.tumblr.com/post/59674033351/shomomose

sanmi
epv-artists.tumblr.com/post/59674072417/sanmi

– (fkhr)
epv-artists.tumblr.com/post/59673577393/minus

Y:E:T
epv-artists.tumblr.com/post/59673765842/y-e-t

Yusuke Nishiyama
epv-artists.tumblr.com/post/59673609188/yusuke-nishiyama

AUCHRE
epv-artists.tumblr.com/post/59678378494/auchre

Yoshitaka Hikawa
epv-artists.tumblr.com/post/59673609188/yusuke-nishiyama

Itsuqi Doi
epv-artists.tumblr.com/post/59677708085/itsuqi-doi

AMERICAN GREEN
epv-artists.tumblr.com/post/59678438338/american-green

[.que]
epv-artists.tumblr.com/post/59674189287/que-nao-kakimoto

gift
epv-artists.tumblr.com/post/75563242537/gift

Tomonari Nozaki
epv-artists.tumblr.com/post/59673931142/tomonari-nozaki

Senna
epv-artists.tumblr.com/post/59674055678/senna
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posted 29 November 2025

Saito Koji – Waveform Transmission

[EPV_223]

Saito Koji

“Waveform Transmission”


■ EPV_223

all tracks by Saito Koji
photo by Saito Koji

■ artist info
epv-artists.tumblr.com/post/59674092436/saito-koji

:: track list ::
01.Helplessness Loop_01
elementperspective-04.bandcamp.com/album/helplessness-loop-01

02.Womb_02
elementperspective-04.bandcamp.com/album/womb

03.Elephant_01
elementperspective-04.bandcamp.com/album/elephant

04.Elephant_04
elementperspective-04.bandcamp.com/album/elephant

05.Helplessness Loop_02
elementperspective-04.bandcamp.com/album/helplessness-loop-02

06.Womb_01
elementperspective-04.bandcamp.com/album/womb

07.Last Rain
elementperspective-04.bandcamp.com/album/on-the-noise-sea

08.hope loop_02
elementperspective-04.bandcamp.com/album/hope-loop-02
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posted 29 November 2025

Gintas K – The Third Policeman

[ACP 1467]

Gintas K

“The Third Policeman”

The Third Policeman was recorded live, without any overdubs, using computer, MIDI keyboard, and controller / 2025.

The album is a subtle allusion to Flann O’Brien’s absurdist novel The Third Policeman, reflecting its surreal and enigmatic atmosphere through sound.

Button: by
posted 28 November 2025

ryohei kurihara – afterimage of words, a place beyond return

[mi348]

ryohei kurihara

“afterimage of words, a place beyond return”

Another debut in the label’s catalog. Ryohei Kurihara releases his two-track mini EP titled “Afterimage of Words, a Place Beyond Return”, bringing us his ambient drone, echoing traces of his previous works.

The record sounds like sonic shadows that linger in memory, guiding us toward a territory where return is impossible—only slow, radiant contemplation in gentle waves of sound.

It offers nearly 20 minutes of layered sonorities that reveal an emotional space where silence breathes between grainy textures. Kurihara shapes frequencies with meditative precision, allowing each drone to unfold like a blurred memory.

The result is a sensorial crossing that deepens the meaning of the title, where words disappear but sensations remain to this day.

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posted 26 November 2025

Pandacetamol – Below The Surface

[mhrk467]

Pandacetamol

“Below The Surface”

Released November 15, 2025 as digital download and in beautiful limited digipak CD edition.

The mighty Pandacetamol returns with an album of chunky and mysterious IDM. This release is a spectacular first solo endeavour for him on Mahorka, after the collaboration album of Autonomaton + Pandacetamol, two albums of Cognition Delay (the group of him and Jeremy Rice / Abdicant), plus some outstanding remixes and compilation appearances.

Positively addicted to his hardware music machines, the 12 tracks on “Below The Surface” have analogue warmth, cut through by glassy FM tones and intricate percussion. The overall effect is dizzying and immersive. Look below the surface and find a deep ocean of sound.

Written and produced by Paul Alexander

Mastered by Black Particle
Cover artwork by Paul Alexander

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posted 26 November 2025

Various Artist – November ᐁ Experimental ᐁ Electronic Compilation

Various Artist

“November ᐁ Experimental ᐁ Electronic Compilation”

Compiled, artwork collage by Sábila Orbe.
model, photo: Mist Spectra.-

Each track composed by the respective artists. Links:

– EP-SILO-N: soundcloud.com/ep_silo_n/
– BLACKCANNON: soundcloud.com/blackcannonz
– vekoN: vekon.bandcamp.com/ // soundcloud.com/vekonvekon
– Tachy Bunker: soundcloud.com/tachy_bunker /// tachybunker.bandcamp.com/-
– Pepsy666: pepsy6661.bandcamp.com/
– Paranoised: paranoised.bandcamp.com/
– Andy Seven Ltd.: andysevenltd.bandcamp.com/
– MubisMusic: mubismusic.bandcamp.com/
– passage.: passage-atx.bandcamp.com/
– Humanfobia: humanfobia-official.bandcamp.com/
/// humanfobia.jimdofree.com/

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posted 25 November 2025

V.A – The World Is Mine – vol.02

[EPV_222]

V.A

“The World Is Mine – vol.02”


■ EPV_222

I have neither knowledge, the experience nor money.
However, the world is mine.

artwork by fkhr

:: artist ::
Arizono Kazuhiro
(epv-artists.tumblr.com/post/59678423158/arizono-kazuhiro)

masato abe
(epv-artists.tumblr.com/post/59677632315/masato-abe)

fekk.
(epv-artists.tumblr.com/post/59677879016/fekk)

SWAN KID SUE
(epv-artists.tumblr.com/post/144184116847/swan-kid-sue)

etc.
(epv-artists.tumblr.com/post/59677979769/etc)

yokotsuka yuuya
(epv-artists.tumblr.com/post/59673714896/yokotsuka-yuuya)

Augustus Bro
(epv-artists.tumblr.com/post/59678349390/augustus-bro)

Koen Daigaku
(epv-artists.tumblr.com/post/119253397287/koen-daigaku)

pele
(epv-artists.tumblr.com/post/59674211408/pele)

The Vanities
(epv-artists.tumblr.com/post/59673958579/the-vanities)

yu kadowaki
(epv-artists.tumblr.com/post/59673684633/yu-kadowaki)

Junya Nishimura
(epv-artists.tumblr.com/post/129128715732/junya-nishimura)
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posted 23 November 2025

etc. – Ignorance

[EPV_221]

etc.

“Ignorance”


■ EPV_221

all tracks by etc.
photo by fkhr

■ artist info
epv-artists.tumblr.com/post/59677979769/etc

:: track list ::
01.intro
elementperspective-01.bandcamp.com/album/epv-042

02.abide
elementperspective-04.bandcamp.com/album/abide

03.bitterfly (version)
elementperspective-04.bandcamp.com/album/bitterfly

04.endless #03
elementperspective-04.bandcamp.com/album/endless

05.boil point
elementperspective-04.bandcamp.com/album/still-sequence

06.aglaia
elementperspective-04.bandcamp.com/album/still-sequence

07.collide
elementperspective-04.bandcamp.com/album/still-sequence

08.suspended
elementperspective-04.bandcamp.com/album/suspended

09.still has it
elementperspective-01.bandcamp.com/album/epv-015

10.appears
elementperspective-01.bandcamp.com/album/epv-015

11.still_sequence
elementperspective-04.bandcamp.com/album/still-sequence
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posted 23 November 2025

Substak + LR Friberg – The White Between Words

[mhrk468]

Substak + LR Friberg

“The White Between Words”

Substak is the alias of Kostas Staikos, a sound artist based in Athens, Greece. His work moves through the deeper end of electronic music – drone ambient, space ambient, dub ambient, electronica and hypnotic minimalism – always shaped by a sense of inward movement. In Greek there is a verb, εμβαθύνω, meaning “to deepen”, and this perfectly captures the core of his practice: a continual descent into texture, resonance and the subterranean pulse of sound. For Kostas, Substak is less a name than a method – “sub” for low frequencies and introspective moods, “stak” from his own name. An abstract container for experiments, escapes and the slow building of a personal sonic language.

LR Friberg is a Swedish composer, mastering engineer and narrative artist whose work bridges sound and speculative fiction. Her music begins in mathematical processes – cellular automata generating evolving harmonic structures – and grows into immersive, emotionally driven ambient landscapes. Each piece functions as both music and world-building: sonic fragments of the ongoing fictional universe she writes, where light, place and connection shape atmosphere as much as melody. Her focus is precision, mood and storytelling through sound.

Though coming from different angles, Substak and LR share something essential: music as escape, experimentation and dialogue. Kostas describes collaboration as a natural way to trade ideas and deepen sound. LR finds that Kostas’ textures integrate flawlessly into her frameworks, opening spaces she wouldn’t reach alone. The admiration is mutual – LR is one of Kostas’ favorite artists to work with, and she sees every collaboration with him as an invitation into new terrain. Together, they create ambient that is both grounded and atmospheric, abstract and emotional – a meeting point where deep minimalism and narrative generativity merge into one evolving sound.

***

She’d been coming to the fjord every morning that week.

The city behind her stirred and hissed. Gulls shrieking over dumpsters, tram line clattering in rehearsal for rush hour. Bells rang out from the cathedral, mistimed and overlapping, like no one had agreed what hour it was anymore.

But out here, by the water, time did something else. It slowed. Not gently. More like a held breath. More like waiting.

Trine leaned against the railing, fingers curled around warm steel.

“I used to think peace would feel like sleep,” she said quietly, not looking up. “But it doesn’t. It feels like aftermath. Like the pressure that settles after the shattering stops.”

A silence answered. The kind that wasn’t empty, just unseen.

“I can track calm the way I used to track anomalies. There’s data in it. Repeating patterns. Subtle recursions. A kind of… harmonic delay. Not static. Not passive. Just a system cooling slowly, pretending it isn’t still under load.”

The wind shifted slightly, brushing the back of her neck. She didn’t shiver, but her breath caught, like someone had just stepped up behind her. Like something was about to speak.

“Stillness lies,” she said, lower now. “It tricks you into thinking nothing’s moving. But all the while, pressure builds. Currents gather.”

A ripple formed far down the fjord. Not wind. Not current. Too precise.

Trine watched it. Didn’t follow it with her eyes, just… marked it. Like you do with a noise in a dark house.

“Maybe that’s all there is now,” she said. “Residual motion. Echoes with memory. The shape left behind after a convergence.”

She closed her eyes. The world didn’t vanish.

But it did watch. Not hostile. Not kind. Just… observant.

“I don’t need the world to disappear anymore,” she whispered. “Just give me pause. Enough to decide if I still belong in it.”

She opened her eyes. Stayed still. Waited.

Then, finally, turned. Not with urgency. Not with fear. But like someone who knew she’d been seen, and didn’t need to run.

The city waited behind her.

And something else, just outside knowing, waited with it.

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posted 22 November 2025

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

Steven Leak, LR Friberg, Marco Lucchi

“Storlien – Åre – Järpen”

The train moved like breath held just below the surface. Its low hum vibrated through the bones of the carriage, steady and almost imperceptible. More rhythm than sound, more presence than noise. Outside, the world passed in dissolving layers.

Norway, then Sweden. But no hard border. Just a slow merging of landscape, a quiet shift in the light.

Forests, thick with pine rose like sleeping giants, then opened without warning into lakes, still, black, mirror-like. They caught the last threads of evening like secrets too soft to speak aloud. In the water, the sky folded back into itself, perfect and inverted. Hills floated upside-down. Trees had double roots. It was hard to tell what was reflection and what was real.
Now and then, a village blurred past. Red-painted houses. Green, damp gardens. Fences wrapped in ivy. Curtains drawn halfway closed, as if the dusk were something to be filtered rather than embraced. Smoke curled faintly from chimneys that looked too delicate for fire.

Golden light moved across the train windows. Not from inside, not from any lamp, but from the outside world gilding the glass. It cast halos where there should be none. The air inside the carriage thickened.

And then…

Chris blinked. A flash of confusion passed over his face like a short-circuited dream. His accent, all Texan resonance tempered by too many books and long thinking hours, rose into the stillness.

“Okay… how the hell did I end up here?”

His voice cut the silence but didn’t break it.

Fabian turned in his seat, slow, like someone coming up from underwater.

“I thought this was a dream,” he said quietly, mostly to himself. He rubbed his palms together absently. As if trying to verify the texture of the moment.

Across the aisle, Elin and Linn met eyes. It wasn’t recognition, it was confirmation. Something in them both said: “this again.”

Elin shrugged first. Small, almost imperceptible. Shoulders barely moved. Linn mirrored it, but hers was more calculated. A shrug that meant “I have no idea but I’ve already started parsing it.”

Chris let out a single half-laugh. Not humor. Friction.

“Well,” he said, glancing out the window, “I always wanted to see the fjords.”

Elin didn’t smile. She was still watching the landscape slide by.

“There are no fjords in Sweden,” she said dryly.

Linn turned to her. “What about Gullmarn?”

Elin frowned slightly. “Where even is that?”

“Bohuslän,” Linn said, the word folding easily into the quiet. “Never been there. But I know.”

Chris exhaled slowly and leaned forward, elbows on his knees.

“Okay, enough. There should be a baseline to this. A rule. A reason. Something to pin it to. Why did it happen again?”

Elin looked around the carriage. Her gaze landed on the folded seats, the patterned upholstery, the soft overhead lighting that didn’t flicker. The soft sway of the train as it curved slightly left, following the contours of a lake she didn’t recognize.

“I’m home right now,” she said, carefully. “Or, obviously…” she paused, took in the unfamiliar timbre of the train “…not.”

Fabian leaned his head back, closed his eyes for a second, then opened them again.

“Maybe,” he said, slowly, “we’re being pulled together. By something.”

The sentence hung there. Unfinished, but trembling with implication.

All four of them fell quiet. Not a stunned silence. A listening one.

The train rolled on. Outside, the light kept folding over itself, oranges into purples, sky into lake into sky again. Inside, four people sat in the pulse of something too big to name. Each of them thinking the same thought, the same question, in slightly different words.

And somewhere deep in the hum of the rails, it almost felt like the question had already been asked.

Not to them.

But through them.

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posted 22 November 2025

rADio eNd – Mantra Wave

[LCNLP229]

rADio eNd

“Mantra Wave”

The Necrophile Hummingbird netlabel presents Mantra Wave by rADio eNd

“Trance music for tribal music lovers.”

This album is just a solo improvisation recorded at the Cave Haven (Foucherans) in 2022.
I would have enjoyed that someone upgraded or transformed it, but maybe it wasn’t necessary.
Sometimes the raw thread is the real fabric.

I coined the term “Mantra Wave” with this album but already in previous albums I was using it when talking about to keep the whole improvisation instead to reduce it to the essential.
I won’t define it here — you can sense it yourself.
Since my first steps with CorteX, I’ve been trying to create psycho-active music more inspiring than the usual standards.
Since the Yoshiwaku shamanoise tracks, I’ve focused on the power of repetition to carry the listener into trance.
Since Multiple Personality 3, with its overlong ritual tracks, we left behind the notion of “standard tracks” to explore durations usually found only in instrumental minimalism, serial music, or certain techno constellations.

Was rADio eNd simply listening to the Earth, amplifying her voice?

Turn off your brain.
Let the wave wake your soul.

I made the artwork without AI, but disliked it because it looked too much like something made by an AI.
So I asked an AI to update it as if it had been made by a human… Well… Then I only kept the statue to edit my artwork.
The circle closes.

Special thanks to the creator of the Longo dance for the Mbouiiiii!!!!! concept — a joyful reminder that one can free body and mind through vibration, breath, and surprise.

About healers, guides, and those who teach freedom

In France, more than ever, many people claim to heal everything with countless techniques, generally for money.
Some may offer better listening than doctors trapped in the machinery of big pharma — doctors who, despite their knowledge, can truly resolve only part of the world’s illnesses.

But many “healers” are only selling illusions, playing with people’s hopes, offering dependence instead of autonomy.

Fortunately, some too much rare ones genuinely take care.
They show not how to rely on them, but how to stand on one’s own feet.
They guide the person back to their own inner tools — until the guide is no longer needed.

This album is dedicated to those who do not heal minds and bodies, nor fix energies,
but who teach each person how to do it themselves…
and to all those who learn alone, quietly, without any master.

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posted 20 November 2025

Neosintetico – La voz de la energía

[pn247]

Neosintetico

“La voz de la energía”

Electronic reggae with vocals, tambourines, and guitars sets the tone for “La voz de la energía”, an album that fits seamlessly into the Pueblo Nuevo catalog thanks to its exploratory drive and sharp aesthetic vision. Here, glitch emerges as a kind of Jamaican spiritual force — deep rhythms and dense atmospheres converge with analog basslines that roar like rocket launches, a playful nod to Kraftwerk, bursts of jazz trumpet, modulated frequencies, and reversed beats.

Each track unfolds as an immersive experience where styles blur and intertwine — dub, breakbeat, glitch, among others — enriched by a vivid tapestry of samples that expand the listening field. The result is a diverse, restless, and consistently surprising sonic journey that keeps the listener attuned to the vibrant creative energy of Neosintetico.

Review by Felipe Baradit (@felipebaradit)
(Concón, Chile. November 2025)

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posted 14 November 2025

Invisible Illusion – Altered Signal

[LCNLP228]

Invisible Illusion

“Altered Signal”

The Necrophile Hummingbird netlabel presents Altered Signal by Invisible Illusion.

“Mystical Post-Industrial Music for Experimental Music Lovers”

Sometime you need to go back to something more rough more free more spontaneous. This album was unplanned it just birth from one session using a lot my electric frequencies generator mix later with several field recordings. I chose to deal with my very outsider music voice on several tracks. And added a few of related single experiment to achieve them.

For the artwork I used a head paint by my great-grandfather and next I changed it for a portrait made in wax by him too, because in this album I dig the origin of my life and its singularity to understand why the lines between my monikers are tangling so much these days. I mean CorteX and Yoshiwaku as well as Invisible Illusion have no more any real difference… Perhaps it’s related to the longtime stuck with rADio eNd which was an attempt to eradicate all them.

My great-grandfather was an orthodox believer, he made a lot of icons is whole life during, but he was also studying hypnosis and magnetism already in the 1920s years, so I hope he understood before is death in 1978 that all churches are against spirituality. Religion is a plague, especially in Europe where so many people have been massacred during several centuries, just because of being different, or more human than these god’s bureaucrats, do I say, these mobsters addicted to power. My great-grandmother was organizing spiritism meetings at home. I’ve always seen them together till her death in 1981. My first years I thought he was very impressive despite being quite silent, like only watching the people and indeed later I learnt he was already dead before my birth. Now I’m running a museum with the handcraft and paints they did as well as my art. Because I enjoy self sabotage I wrote the handcraft room is still not open, but in reality it’s already set, so if you travel by france, feel very free to visit the place https://soloist.ai/atelierkol/musee-hors-norme

A shorter version of Makeshift Bandage is available on this album https://archive.org/details/Jeff_Sampson_Ed_End_Tian_Keng

Dedicated to those mediums who turn the signals they receive into music.

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posted 09 November 2025