Are you unsatisfied with your current reality? Fear not, the Garden of Y2K Computer Graphics welcomes you with open arms.
(Single from an upcoming fantasy album + 2 extra tracks)
With summer slowly sliding into autumn, we figured a little contemplative ambience was in order, and Japanese artist Sabi, who released on Mono a _long_ time back with .MODs under the name of Taro, and has since done excellent work for net.labels like Inpuj.
On this EP, beautiful, puretoned sinewaves mix with sampled ambience from real-life, as “Yello Sand Back” gives us the subtlest drifts of sound ever, “Johdo” iterates in the smallest of ethereal beats, and “Uki 3 2” has what sounds like Japanese street scenes twinned with gorgeous limbo-floating wonder.
A prime candidate for Winamp perma-repeat and curiously womb-like, we suggest you make a Freudian statement to be reckoned with, and download four thousand years of eternity, yours for the toying with, courtesy Sabi.
Release Date: 2002/09/14
3 free WAV tracks of deep minimal techno and deep electronic music for monoKraK netlabel (www.monokrak.net)
Mastering by Pheek (audioservices.studio)
jacket by かにくみーとい
mabiko character design by cosgaso
mastering by 得能直也
01.back to
02. overcast
03. hallucinate
04. gate
05. magical stick
06. sign of fate
07. without sky
08. paradox
09. memory path
10. reproducibility
//04 gate//
風が吹く 頬を撫でる 日が陰る 夏みたいに
雲が鳴く 星が降る 夢を見られる日まで
//07 without sky//
何回も見すぎて忘れてた景色は
昼過ぎの時計と何処かへと過ぎ去るの
いつもの電線も火照ってる体温も
すべては思い出す夢の中しまわれて
見えているつもりの提出の期限も
忘れないふりして街の電波耳すます
遠く青い空と冷え切った気温にも
立った浮足にもいつの日か気づけない
夢で見たのはすこし違う友達と
明日が来ればもっと遠くなる景色
魔法はいつかそっと通り過ぎていく
照れてた落書きは消したまま
壊れてた日常は静かに手のひらを反して
濁る目で見つめてるMSゴシックの防空壕
あの時ははっきりと見えてた空の向こうの色
確かにしまい込んで
Maltine Records 2022
With all the amazing music that gets released on other labels that I include in my mixes, I always feel like I’m neglecting the amazing music that is released on Digital Distortions.
So, this is the second of a new mix series that, in conjunction with the BRAWLcast podcast, will feature exclusively tracks released on Digital Distortions. The mixes will feature on the BRAWLcast but will also appear here on Bandcamp with the unmixed tracks and the mix available in lossless formats.
released September 10, 2022
01. W+P: Doug Adamson
02. W+P: Chris Roman
03. W+P: Carlo Pearson
04. W+P: Charlton Ravenberg / Remix: Dennis Bunton
05. W+P: Neil Mallory / Remix: Dennis Bunton
06. W+P: Rob Murphy
07. W+P: Pat Hime
08. W+P: Joby Osman / Remix: Rory St John
09. W+P: Joby Osman, Guy Fforde & Dan Yeomans
10. W+P: Joby Osman / Remix: Blackmass Plastics
11. W+P: Carlo Frio
12. W+P: Nick Byrne
13. W+P: Pat Hime
14. W+P: Jack Carel
15. W+P: Rory Lemon
16. W+P: Fina Rodriguez
17. W+P: Joby Osman & Guy Fforde
18. Compiled and mixed by John Bushby
PRESET X
(Working In Progress)
Segundo adelanto del Ep RESET por DJ Falazia
credits
released February 7, 2021
Producción Musical y composición por G. Sanzana, Mastering por Paulo Rojas.
license
i’m back from sweden. it was *fucking* nice in there, allthough the weather could’ve been nicer but still i enjoyed my staying in there.
anyway, here is the next release. i really wonder how could i kick all the inactive members awake. it seems that only orlingo and me are the active people in voodoo and if this isn’t gonna change you can except some major changes in the group.
after all i hope you enjoy this mellow drum&bass track. it’s compiled a bit out of an live track done by me, but only just a bit, don’t judge it too hard since it’s still an mod. but enjoy it!
-awhileagoiheardatruckmakingbasesoutside!
.substance
1997/09/12
PPFPESSco [ The Psycho Paranoid Flower Power Electro Shit Song Company]
is an experimental project from Italy. for more music visit:
bandcamp.com/search?q=PPFPESSco&item_type=t
www.discogs.com/es/artist/6842954-PPFPESSco
All music composed by PPFPESSco.
track 4: “Frost” remix of original track by S4lem.-
Logotype by PPFPESSco.
artwork by Sábila Orbe.-
This album contains different track for v/a compilations from cian orbe, witch spectra, paracelsian records and other netlabels.
TERR116: “Bride Stones / False Vacuum” culls two new electro-acoustic works by Luke Lund.
The idea of sonifying events occurring over geological and cosmic timescales unites the longform soundscapes of this double header. From the sense of tectonic mountain-birthing forces and gentle millennia-long microscopic erosion of rock formations in “Bride Stones,” to “False Vacuum’s” mental imagery attempting to fathom a theoretical collapse of the universe and death of time itself, they serve as entry to an extraordinarily vivid yet alien soundsphere.
“Briganti,” the first section of “Bride Stones” is a slowly evolving, poetic journey performed in Todmorden, West Yorkshire. Created live, although largely airy and ethereal, its delicate synthesizer movement is combined with a dynamic and unpredictable generative technique that completely disintegrates environmental recordings made around the craggy peak of Snowdon and rocky beaches of Llandudno. Together they create a narrative of deep naturalistic planes that penetrate each other and metamorphose into thick swells of tonal, near melodic vapor; the hush of air and rain sculpting rock over eons; vistas of isolation on desolate tectonic plates of stone grinding and crashing into sonorous metal… The later-recorded second and third sections employ the same approach but in studio.
Next to the triptych piece sits the volatile two-part “False Vacuum.” Created from synth parts based off a performance at New River Studios, it is fused with abstracted urban London field recordings, dissociated spectrally to maximum extent. The dread-raising pendulum-like drone pushing and pulling sets up a menacing pulse within which fluid interweavings and manifold clusters of textural apparitions burst and dissipate. A sensory overwhelming, dense mesh of haunting crescendos of discordant howls and a vicious microscosm of screeches darting through the stereo field and the human audio range.
Two dramatic narratives — both highly dynamic and abound with precise details of psychological subtlety. Both engrossed in wayward energies and wilderness of pure sound.
released September 2, 2022
— 1: Sounds, generative system, synth
Live performance at The Golden Lion, Todmorden UK, Aug 11th
Source recordings made in Llandudno and Llanberis
Edited at Solace
— 2-3: Sounds, generative system, synth
Live set reproduced and mixed at Solace, Aug 29th
— 3-4: Sounds, fx, synth
Synth patch written live at New River Studios, London UK, Aug 13th
Source recordings made in UK throughout Aug
Final collage and production at Solace
— Mixed and mastered Aug 29-31st
давным-давно инопланетяне расселились по планете Земля, чтобы сохранить её культурное разнообразие. никто не знает, что из этого вышло, но нам удалось собрать и расшифровать несколько записей из разных стран. лишь некоторые треки получилось адаптировать к привычным нам мелодиям и ритмам, эти записи мы и предлагаем вашему вниманию.
released September 2, 2022
обложка – Leonid Zarubin www.instagram.com/miaou_for_all
анимация – Nutnutz www.instagram.com/nutnutz.art
Our first CD release for over a year features a new moniker to TCFSR, although not a new artist. Steve Tree has been working with Dental Drill, primarily as Except Buses then tourmaline hum since 1985. Over the past decade Steve has released solo work as Lone Cosmonaut. He now steps away from his work as Lone Cosmonaut to create an album of IDM oriented tracks under the name WebCam’.
released September 5, 2022
All tracks & cover image: Steve Tree
Album production & CD pack design: Dental Drill
One of my biggest concerns about the modern world is the growing scarcity of dark skies available to humanity. So many kids grow up without ever once seeing the Milky Way or appreciating first hand the scale of the cosmos spread out across the sky above. Everything is hidden behind a haze of orange light pollution that blankets our urban skies from every direction. How can we as a species understand our place in the great scheme of things if we never even look up? How can we maintain a sense of perspective and humility?
To help promote stargazing as a fundamental human activity, I have begun a series of albums to hopefully serve as a sound track for stargazing, the kind of music one might listen to while leaning back under an inky sky and taking in the vast expanse of the great sky river. I call this series “Music For Stargazing” and this is my first volume in this collection.
Mostly beatless and largely percussion-free, this music seeks to evoke the majesty and mystery of our cosmos and to facilitate pure enjoyment of our beautiful universe and our place in it. I hope you find it as useful and inspiring in your stargazing activities as I do.
After having celebrated their 15th anniversary in May, dUASsEMIcOLCHEIASiNVERTIDAS – dSCi are about to start their Piknik Tour, where they’ll be presenting their new record “卌“.
The 5-track EP will be out on vinyl through Associação Terapêutica do Ruído – ATR (their siamese entity which is dedicated to promoting DIY concerts and to releasing and distributing records), together with the labels Bar Marfil Records, Experimentáculo Records, Gaffer Records, Lepers Produtcions, Neonparalleli, Red Wig, TECNOFOSSIL and Wallace Records and digitally through the netlabel Enough Records.
Recorded and mixed at HAUS studio in Lisbon by Pedro Ferreira, mastered at Hukot studio in Barcelona by Milo Gomberoff and with artwork by Ivan Heidel, “卌“ includes the vocal participations of G.W. Sok (the ex-singer of The Ex and many other bands and projects) and Denis Siggi Alekseev (the driver of the mythical van Gazelle of Death, with who dSCi have crossed the whole Russia on their Balalouka Tour in 2019) and it will be available on vinyl during and after the tour and digitally from the 9th September.
HORRORLᐃNDS“The Implicit Order is an experimental artist from US.
For more of his music and his updated visit:
theimplicitorder.bandcamp.com/
soundcloud.com/theimplicitorder
instagram.com/theimplicitorder
Filmy Ghost is an experimental, ghostly music project from Rancagua, Chile, created by Sábila Orbe. Links:
hearthis.at/filmy-ghost/
archive.org/details/fav-sabila_orbe02
freemusicarchive.org/music/Filmy_Ghost
open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
hearthis.at/filmy-ghost/
– All stems, sounds, music by The Implicit Order.
– Mixed, cover collage by Sábila Orbe.-
bonimedia.pl/samples/sample_koty.mp3
OhmYmers second album explores the forest at dawn, and the darkness you recieve from the wooden lampposts when you venture there. In other words dark nordic ambient music
Artwork by the Infamous D
Dedicated to Devlin, Erin, Bria and D
– Astral Sound “Underwater Chorus”
The sounds of decapods, sporadically accompanied by those of fish. The sound of an old rusty chain attached to a small boat. The entrance and docking of a large ship in the port to receive or discharge cargo and people. These sounds synthesize the underwater chorus captured with a hydrophone, at Sitia’s port in Crete, on November 21st 2021.
2 – Lieutenant Caramel “Les archives d’Iran 1999 du Lieutenant Caramel”
Recorded at Shiraz’s house of strength, Iran, 1999.
Sounds assemblage by François-Emmanuel Fodéré in 2022
3 – Montreal city shredder “Shredding Branches 2”
branches being shredded in a Montreal residential neighborhood (Hochelaga-Maisonneuve), made on June 17, 2021.
Mastering by François-Emmanuel Fodéré in 2022
Cover art by Slopoésie
earS110 – September 2022
Four Little Pasted-Up Things
brought to life by CRGIII & LJDB
Once upon a time a Danish person offered a Kansan two recorded synthesizer improvisations named “Televizor” and “Home Town.” The Dane proposed that the Kansan use these recordings as building blocks to sculpt collaborative bits of audio art. Accepting this offer, the Kansan cut the recordings into bits, edited them with digital sound effects, arranged them into various patterns, added bits from his own original sonic concoctions, and glued everything together to produce four unique compositions. A variety of late 20th and early 21st Century technologies helped make the whole plan come to life. The process of gluing together these sound collages gave birth to the titles of the finished recordings and of the collection as a whole. The results are presented here, along with the authors’ hopes that listeners may crack a smile or two while taking in this exhibit.
GvM has dropped ‘Slide Sonatas I.’, his new album of futuristic slide guitar sounds.
The neo-cubist, semi-deconstructionist blues protagonist returns in full swing, delivering 12 tunes of boogie, chill, inventiveness and craftsmanship. One, ‘Space Digger #1’, has already been out for a while as the first single, accompanied by a spectacular Lego Classic Space 1980’s retro sci-fi music video: https://youtu.be/S4dWDOW2dG0
Getuss 1st EP.
Track Listing:
01. my breackfast
02. open door
03. closed window
04. solid ground
Music by Getuss
Artwork by tayama
Design by Occupied Territories
Markus Masuhr – The Dub Theory „Chapter Seven“ (Insectorama140)
It’s time for the next part of my Dub Theory Series. The Dub Theory Chapter Seven brings 6 new purely functional loop-based dubtechno tracks designed to take you on a journey through forests and mountains to the sea. Slow down your life and go in search of rest and relaxation into the depths of echoes and chords, surrounded by wobbling basses and constructs of danceability in last days of this Summer.
Tracklist:
1.Dynamic Reaction
2.Summer Nights
3.Orange Beach
4.Blue Water
5.Deep Infinity
6.Tortuous Ways
Insectorama140
all tracks by Markus Masuhr
Mastering and Artwork by Markus Masuhr
