Oldie but goldie!
Tracks list:
Intro From Space
Ghost
NY In Night
Lullaby From The Moon
End of The Ride
Pulse
Summer Tape
Interlude
Frees
Low Emotion
Backstage
Street Art (Bonus Track)
4U (Bonus Track)
Space Outro
Zhang Yi
bass, sequencer, synth, backing vocals, engineering
Equipment Used: Roland MC 50, Roland R8, Roland VS8, Clavia Nordlead 2, bass, guitar, mic.
These songs were recorded in a 2-day session in the end of May 2014. The bonus track was recorded in fall 2014.
Mastering by Chris McCormack for Blacklisted Mastering, UK.
All songs by DFHK.
recorded in bilbao in july 2017
recorded, mixed and mastered by ilia belorukov
cover by MKLMB
thanks to miguel and elena, anya, MKLMB
Spirit Redux is a set of previously unreleased tracks, 1 and 2 were outakes from Spirit Replica, 3 from Hypnos.
Recorded between 2014-2017.
Track 1 recorded at Bedford Hollow.
Track 2 and 3 recorded at Seamonster Sound by Mike Baker.
Linden Pomeroy is a musician and sound artist based in Worthing, West Sussex UK, applying field recordings, tapes, voice and treated guitars into compositions from expansive drones, to delicate ambient ballads.
Released by Pilot Eleven Netlabel (PE19) on 23 March 2019 under a Creative Commons Attribution-ShareAlike 4.0 International license CC BY-SA 4.0.
*AVAILABLE FOR DOWNLOAD ONLY UNTIL JUNE 16th, 2019.
Work on ‘Everywhere, at the end of time’ was all consuming
as you can imagine. All work and no play, all work and no play.
In celebration of its completion and only for a limited time*
here is a surprise golden farewell.
Compliments of the house.
Offering you one last chance to raise a charged glass for
those we lost along the way, for all the works, for those ghosts
from our past, for our uncertain future and for The Caretaker.
You are of course welcome to purchase me a drink if you find
this work to be of personal value.
As the old saying goes “I’m the type of guy who likes to know
who’s buying their drinks, Lloyd.”
Thanks eternally for your support.
C’est fini.
tevin + ghost = thost
took a few poems and spit to produce this thing. this audiobook will help you perfect your inner child “there’s a ghost in my room hiding my shoes.”
Aũkštai (“Floors”) is a result of how overthinking leads the mind to multiple directions while searching for answers in the surroundings. These 5 stories reflect on how the mind works in different situations, whether it’s a cup of coffee in the morning by the favourite clock ticking down the time of waiting, taking a dog for a walk with thoughts of self-doubt, or whether it’s stone-tied drowning in the sea of paralysed body cells.
Dreamlike walk through inner depths, as if you were walking on thick ice surrounded by misty void and could wake up any second. The sounds reflect a journey through grief, anxiety, finding peace in solitude.
27 february 2007…12 years ago… My first album in Pueblo Nuevo Netlabel.
“‘Mestizo‘ fusiona electrónica con sonoridades autóctonas y voces ancestrales, con el objeto de encontrar un lenguaje que se posicione en el presente, pero que a su vez, tenga su base en nuestra memoria sonora histórica.
‘Mestizo‘ es un trabajo colaborativo, donde han aportado con sonidos y samples los siguientes músicos e investigadores: José Pérez de Arce (samples del disco “Son-Ido” en tracks 1-3-4-5-6), Matorral (samples de guitarra acústica en track 2, voces en track 5), Lluvia Acida (samples de zampoñas y ocarinas en tracks 2-3-4), Michel Durot (samples del tema “Ying Yang” en track 4), Pablo Cornejo (diversos samples en tracks 2-3-4), Tatevari (sample de ocarina jarra en track 3). Gracias a ustedes esta música fue posible.”
“‘Mestizo‘ is a mixture of electronics and ancient local sounds and voices. The idea is finding a language based in our historical sound memory, but firmly placed in the present day.
‘Mestizo‘ is a collaborative work, where the following musicians and researchers contributed the sounds and samples below: José Pérez de Arce (samples from “Son-Ido” album in tracks 1-3-4-5-6), Matorral (acoustic guitar samples in track 2; voice in track 5), Lluvia Acida (zampoñas and ocarinas samples in tracks 2-3-4), Michel Durot (samples from “Ying Yang” theme in track 4), Pablo Cornejo (assorted samples in tracks 2-3-4), Tatevari (ocarina jarra sample in track 3). Thanks for making this music come true.”
Mika Martini
(Santiago, Febrero / February 2007)
Hello. I stumbled across your blog and now want to throw my plug at you. I just released A Flat Thing, my ninth album as The Hathaway Family Plot. If you’ve never heard of me before (and you probably haven’t), my music could be described as avant-garde noise/pop from Buffalo, New York. I like the term “garage art.” It’s mostly piano and electronics and distorted kazoo. Some singing and some straight-up yelling. Trying my best to come up with something that sounds new and different and interesting.
All my albums are Creative Commons BY-NC-SA. I don’t imagine becoming wildly successful, so I just want to be heard by some sympathetic ears. I hope you like it.
Thanks for listening,
Kevin
a.k.a.
The Hathaway Family Plot
Earthlings’ is the result of Rangga’s interpretation after previously studying the works of Steve Reich. This album also became the beginning of Rangga’s work in electronic music.
Santi’s original “Music, the Only Way” tells a playfully dystopian story: “In a not so far away retro-future, a group of self-aware, compassionate robots have taken upon themselves the task of resolving humanity’s oldest paradox: its tendency for endless destruction and chaos despite its longing for boundless creativity and joy.
After a thorough examination of humanity’s greatest attempts and defeats, they have come to a consensus. All other previous paradigms and executions have failed. Music is the only way to save the humans”.
In this special compilation which marks the 50th release of Tropical Twista Records, five stunningly diverse producers come on board and recreate their unique renditions of Santi’s dark yet light-hearted space odyssey.
Acknowledgments: Santi extends his special thanks to Ivan Palmegiani for his tasteful curation of this compilation.
国内外のレーベルから精力的に作品をリリースしているtaura yorihisaによるノイズ・アンビエント作品。アイザック・アシモフの短編作品に着想を得た本作は、極端にエディットされたギターに、環境音とビットクラッシュノイズが絡まり、今までの作品よりもラフでざらついた音像となっている。アンビエント、シューゲイズ、ドローン、ノイズミュージック……来るべき夜へ、ジャンルを越境していく音の旅路。
美しい日常の風景をモノクロに塗ってしまうかの様な空気の音。
今作は込み上げる内省を見ざるを得ない事を世界に写しこむ様な音で、taura氏の音楽はそういう色彩が元より強かったのだが今作はもっと抑えた嗚咽の様な形で発現してる様に感じます。
リスナー体験としては泣き腫らした後の様な穏やかさを感じられる事でしょう。
尚今作は私はイヤフォンよりもスピーカーで聴かれる事を推奨します。
takasi(gravel’s end)
硬質とも言へる音響の芸からは、星が見え始める「あの夕刻」を思ひ出させる。
空の色が滲み、主観的な時間がじつくりと進んでいくあの時空。だが、其れにも終わりは訪れるのである。また次に訪れる朝まで歩かねばならぬのだ。
さふ、夕刻への感傷だけではない。夜明けへの希望も彼の音楽は観させてくれるのである。
Tia Rungray(音楽家)
文字の通りに音の層に包まれる体験．
いかなる場面においてもyorihisa tauraの音楽は程よい緊張とリラックスを生み出してくれます．
ヘッドフォンでも，スピーカーでも．
音に意識を向けながらでも，何か作業しながらでも．
そんな期待のさらに上をゆくニューリリースです．
24歳一般理系大学院生(一浪)
