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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Fernando Bocadillos – A Day at the Sound Market

Fernando Bocadillos – A Day at the Sound Market
[VSS115]

Fernando Bocadillos

“A Day at the Sound Market”

Iniciando 2021 con un lanzamiento muy especial. ♥

Desde Argentina, Fernando Bocadillos nos visita de nuevo para esta vez, presentarnos un poco de su material en solitario.

“El último fetiche. Inusitadamente satisfactorio. Se desliza por casi una hora entera. Pequeños temas engarzados el uno con el otro en una sola canción. El rostro de una mujer casi beatificada. El himno de un hombre crucificado. La santidad merecida de la paz. Ese extraño y raro oasis en medio de el caos de todos los dias. una guitarra nueva (La Faim SG), y dos noches y media inspiradas, de musica torpe pero nutriente. Los viajes de las brumas de los sueños, diurnos y nocturnos. Pactemos una tregua con esos momentos no musicales y disfrutemos del ocio como quien espera en una terminal de autobuses a que llegue un abrazo renovado. esa chispa, ese ámbar que destroza la obscuridad. La letanía soportable de los santos y de los borrachos y de el interior de las iglesias y los burdeles (probablemente sean lo mismo pero con mas o menos ropa).”

released January 17, 2021

Music & production by Fernando Bocadillos.

fernandobocadillos1.bandcamp.com

A burgundy colored Faim SG guitar was Used in all tracks, Mixcraft for recording the tracks and a little bit of chorus and a pinch of compression and overdrive for the jazzy/unjazzy tones. No amp was used, all the guitars were injected straight into the computer audio board.
Bass: Caiola Mobel Precision.
Classical guitar: Antigua Casa Nuñez.

Dedicated to the memory of EVH.
Cover photo: Ornella Muti, 1971

[VSS_115]

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posted 17 January 2021

The Eternal Returns – Autumn Introspection

The Eternal Returns – Autumn Introspection
[zen223]

The Eternal Returns

“Autumn Introspection”

an autumnal journey to the void and back to the surface, and three lessons learned along the way

parental advisory: explicit sounds & rhythms

www.zenapolae.com/releases/zen223/zen223__The_Eternal_Returns__Autumn_Introspection__02_First_Lesson.mp3

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posted 17 January 2021

Luís Antero – Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water

Luís Antero – Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water
[mi281]

Luís Antero

“Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water”

After a few years of absence, Luís Antero returns to MiMi Records with another field recording record. “Sound. Earth. Water.” is the main theme that served as the soundtrack for the film made in 2020.

Quoting Carlos Alberto Augusto: “Life, the sounds of life, mark the soundscape. As long as there is life, there is sound.”

A 15 minutes track where we connect to Earth through field recordings by Luís Antero and the mastery with which he manipulates the sounds of Nature.

This is the sound of the Earth that we step on, that we feel, that we live, that we long for … This is the primordial element of the landscape, the sound. And the sound is life.

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posted 17 January 2021

DR – Matrjoschka

DR – Matrjoschka
[mhrk262]

DR

“Matrjoschka”

DR (Dominic Razlaff) is a sound artist from Germany. He uses synthesizers, acoustic instruments (Ukulele, Cavaquinho, Guitar), field recordings, tape loops and granular synthesis to create soaked in melancholy ambient / drone soundscapes.

A bit after debuting on Mahorka with his highly acclaimed collaboration album with Blanket Swimming (“The Lightning Gallery”) he found an old sketch, unfinished Ukulele piece, which was a little bit boring recording, but had something special to it. Out of it he made some tape loops (with a Fostex x-15) to see what can come out and really liked the results. From these tape loops the three “Matrjoschka” compositions were finished. The release title comes from the “matrjoschkas” that have been around him in his living room, the only decoration that links to his ancestry from his father’s side, born and growing up in east Europe and central Asia.

Released December 28, 2020

All music by Dominic Razlaff

Cover artwork photo by Dominic Razlaff

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posted 17 January 2021

das_synthikat – dystopia is fun 2​.​0

das_synthikat – dystopia is fun 2​.​0

das_synthikat

“dystopia is fun 2​.​0”

Mit dystopia is fun sind wir vor fast 2 Jahren gestartet. Damals haben wir Musik noch mit dem Handy-Mikro aufgenommen – low tech, low life. Aber eigentlich sind die Songs zu schade für lo-fi. Also haben wir das ganze Album nochmal neu aufgenommen. Diesmal macht es auch Spaß, es zu hören.

Dass wir in einer Cyberpunk-Dystopie leben, ist schon lange nichts neues mehr. Wir haben es uns im total-überwachten Kapitalismus gemütlich gemacht. Es macht so viel Spaß, sich dagegen zu wehren – dystopia is fun.

Wenn die ganze Welt klar geordnet ist, in welchem Rahmen kann sich Menschlichkeit noch bewegen? Wie errechnet man, ab wieviel Spaß das Leben sich lohnt, und gibt es eine Technologie nach dem Tod?

Wir warten geduldig daraf, dass der technische Fortschritt das Leben endlich für (fast) alle angenehm macht. Und wenn nicht – ewig müssen wir das ganze ja eh nicht mehr ertragen. Denn wenn der Cyberspace zur Realität wird, müssen wir uns gegen die Realität nicht mehr auflehnen.
credits
released January 9, 2021

phant (synthesizer + gesang), M (gesang + gitarre), nahra koebe (album cover)

Ausnahme ist _algorithmus: Wir haben in _algorithmus den Track “Evolution of One” von Colby Bedford verwendet (CC BY-SA 3.0)

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posted 16 January 2021

iGL & Alecho – From A Droplet

iGL & Alecho – From A Droplet
[DPH046]

iGL & Alecho

“From A Droplet”

iGL & ALECHO is an electronic music project from Athens, Greece, consisting of Konstantinos & Alexandra. The duo made its first appearance on Dubophonic Records during its live session at the Lockdown Online Festival, while their track “Time Capsule” was included in the compilation “Explorations In Dub / Lockdown dub” in year 2020.

“From A Droplet” is their debut album release. It is the story of a small atomic structure and ITS journey to the stars. So significant was this molecule’s appearance it would change worlds and be the matrix of life on this planet. It is a conceptual dub album revolving around the journey of life, from the water to the stars, as it is described through the titles of the tracks, but also through the inspiring artwork. A special moment in the album is the track “Limbs”, which includes a melody from Barrington Levy’s “Shine eye Girl”, which is completely reworked. We have also included as a bonus a special remix by Indamouse.

Produced by iGL & Alecho / Mastering: iGL & Alecho, Indamouse / Artwork by: Monte

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posted 16 January 2021

Molez – Álomkór

Molez – Álomkór

Molez

“Álomkór”

IGLOO MAGAZINE :: Best of 2020

igloomag.com/features/best-of-2020?fbclid=IwAR22ZJXUYy4F6gbpEacGTiYJhjPuzF1Cc003vbZ6Ya-lO4l-5VuHWqJNjAA

IGLOO MAGAZINE _ Molez :: Álomkór EP _ REVIEW

“Whether controlled or uncontrolled, each piece provides an intricate perspective of lo-fi modular electronics that straddles the lines between minimal glitch to downtempo acidic sounds.”

Read the full article here:
igloomag.com/reviews/molez-alomkor

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posted 16 January 2021

Fray Bentobox et son orchestre – Special Delivery

Fray Bentobox et son orchestre – Special Delivery

Fray Bentobox et son orchestre

“Special Delivery”

Affectionate tribute to decaying haunters and Monplaisir, through barqouey proggy psychey atmos impro electro bossa make-do whatever e nonsense. Otherwise, eseentially meaningless.
credits
released January 4, 2021

Shoutouts to pete’s truckin and morl (shrallock). Also, little pigs often look quite cute.

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posted 14 January 2021

KYOTY – Eliora bat Avraham v’ Sarah

KYOTY – Eliora bat Avraham v' Sarah

KYOTY

“Eliora bat Avraham v’ Sarah”

This song is in memory of Ali Burns.

All proceeds from sales of this song will be donated to Temple Emanuel Sinai’s Social Action Committee.
credits
released September 4, 2020

Written and arranged by Nathaniel Parker Raymond and Nick Filth.
Bass: Nathaniel Parker Raymond
Guitar, drums: Nick Filth

Mixed and mastered by Nick Filth.

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posted 14 January 2021

done with fish – Last Words, vol. 1

done with fish – Last Words, vol. 1

done with fish

“Last Words, vol. 1”

The cover of the EP features the Hubble Legacy Field image.

Although CC BY 3.0 license requires appropriate attribution when using this work, the creator does NOT demand to do that. Feel free to use this work in any way as if it was in public domain.
credits
released January 12, 2021

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posted 14 January 2021

Joseph – Grand Chien Sombre

Joseph – Grand Chien Sombre

Joseph

“Grand Chien Sombre”

En face A, Grand Chien Sombre est une chanson lancinante évoquant le fond de la nuit, portée par des sonorités synthétiques interprétés sur le langage de programmation musical Foxdot.
En face B, Aqua donne à des samples glanés dans la nature et dans les rues une unité concrète grâce à la manipulation numérique.
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posted 12 January 2021

Shinnosuke Sugata – The Actual Decade By Shinnosuke Sugata スガタシンノスケによる実際の10年間 (2011​~​2020)

Shinnosuke Sugata – The Actual Decade By Shinnosuke Sugata スガタシンノスケによる実際の10年間 (2011​~​2020)

Shinnosuke Sugata

“The Actual Decade By Shinnosuke Sugata スガタシンノスケによる実際の10年間 (2011​~​2020)”

今作は、私が作曲を始めた2010年の次年、2011年の年始に『2011』という曲を作ったところから始まりました。
その当時は家電量販店で買った通話用の1000円のステレオミニプラグマイクをPCに直挿しして、
フリーソフトであるAudacityで録っていました(Audacityはいまだに現役です)。
それをかのMy Spaceにアップロードしたのです。
それから毎年始に曲を作り、10曲貯まったのがこの作品です。
当初は、必ず西暦を歌詞に入れ、「前年を振り返り、本年を想う」というような趣旨で作っていたはずなのですが、
『2019』の冒頭で語られているように、終盤の曲ではそういった”ルール”はほとんど撤廃され、
作りたい感じで作ればいいというラフな姿勢になっていきました。
ですがまあ一応、個人的であれ、世間全体であれ、そういった時事を取り入れようとはしていたものですから、
友人から「『2016』の”謎の建物”って新国立競技場のことでしょ?」とか、
「『2019』の”ツノ”は亥年だからでしょ?」などと思ってもいなかったことを言われ、
面白かったのを覚えています(猪はキバだと思いますが)。
そしてさらに面白いのは、作った曲がその年にフラッシュバックするような場面が訪れることでした。
「うわ!今のこの状況、年始に歌ったぞ・・・。」ということが不思議と毎年ありました。
今年など清洲橋を歩いて渡るときに、殺されるのではないかとビクビクしたほどです。
もはや自分にとっては呪いのようになってしまっていたのかもしれません。
そういったこともあって、『2021』は、果たして作るべきなのか今非常に悩んでいます。
もうキリ良くやり切ったのだから、もうこの企画からは足を洗うべきなのか。
加えて、次回はコロナのことも絶対念頭に入れなければなりませんし。
とにかく本作は、序盤の曲など聞き苦しいことこの上なく、
発表することなど私にとっては恥をさらす以外の何事でもないのですが、
もし他の人がやっていたなら、絶対に聴いてみたいと思うはずですし、
なにより10年前の自分の野望を無下に却下できないというのもあり、
発表に踏み切りました。
credits
released December 30, 2020

作詞・作曲・編曲:Shinnnosuke Sugata
twitter.com/VisitToSugata

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posted 12 January 2021

Thme – Silesco

Thme – Silesco
[LONTANO-TP07]

Thme

“Silesco”

Cat.#: LONTANO-TP07
Release date: 27/01/2021
Format: Cassette, Digital

Il est scories; bris d’air, gravats poreux – ambiance
Île escortée des mers – flaque rose et salée –
Cratère ou lac – allante éruption de conscience;
Il explore, escalade, érode, laisse aller

Les orbes vaporeux des arcanes ; fumeroles
À percoler des mers – fleurs écloses, étoilées –
Boucles dorées – débris des coraux en corolle;
Il expose, environne, épouse, laisse hâler

Les courants, c’est l’escale attendue : les panaches
Et les vagues en fumées se manègent un couffin;
Marée basse, algues rousses – oursins glacés, ganache
Ou sorbet – voie lactée, lave brume en coussin.

(Poem by Arthur Bonny, co-founder of the literary review “L’Allume-Feu”, inspired by the sound and the cover artwork)

Recorded and mixed in Paris (December 2019 – May 2020) – Synthesizer, guitar, field recordings, piano, tape loops – featuring reworked pieces of Valotihkuu’s beautiful loops, microcassette, Marantz PMD 221, Tascam Portastudio.

An ode to brighter days. Thank you for listening.
credits
releases January 27, 2021

Music by: Théo Martin
Mastered by: Andrea Porcu
Original photography by: Tom Devianne
Record label: Lᴏɴᴛᴀɴᴏ Series
Publisher: ROHS! RECORDS

Copyright © 2021 ROHS! RECORDS, All Rights Reserved

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posted 12 January 2021