photo by Dan Penschuck (feindesign.de)
design by EMERGE
Recorded in 2019-2020 in Strasbourg and Montreal by Teewee and Albérick
Mixed and mastered by Albérick
“Tick tock tick. Time trickles away softly and time flows off hard, steadfast as ever. Time travel might make you dream off but you cannot stop time or turn back, even if that is your dearest wish. The hourglass is running, at that steady pass, water is flowing, an ongoing stream, and everything we do or did is in the past. Time is ticking and will not stop, not for anyone, not ever …”
Unlike on his debut EP on Mahorka – a trip through abstract territories, blending dissonants and rough waves of emotion rumbling, here on this 9 track album Brainquake explores common songstructures and sounds. Overtones, dissonants and layers still provide that emotional layer but with a softness uncommon for his works. There is even some optimism in the sound palette and melodies? In sound it kind of reminds of those great 90’s electronica/ambient/idm albums we all grew up with but adding that minimal touch and rhythms and some more contemporary production. As a whole this album evolves presenting a changing approach to a constant, common sequence. Variations on a theme but quite diverse. All tracks are at 110 beats per minute and as the ongoing sequence flows on, it showcases the different interplay of underlays and thrifty build up.
As most albums this one is best listened to in full but that doesn’t minimalize the vigour of the compositions by themselves. Take your time and use the strength of repetition. Sleep, snooze, listen, dance to it, it’s ambient, idm, experimental, leftfield, pop and endzeit emotronica as much as it is not.
released October 25, 2020
All tracks composed 2018-2020, compiled and recorded for Mahorka, autumn 2020 by Marc Ceulemans at Hemel Centraal (Belgium)
Cover artwork by Marc Ceulemans
Alpha Centauri es Cristian Leonardo Abaca.
Batería en “Requiem”, “Perpetua Majestad” y “Post Mortem”
Percusión en “Requiem” y “Perpetua Majestad”.
Voz en “Perpetua Majestad” y “Solitude”.
Piano en “Gymnopédie Número 2”.
Flauta traversa en “Solitude”.
Músicos invitados:
Federico Favrot: bajo en “Requiem”.
Ernesto Romeo: sintetizados, teclados y mellotron en “Requiem”.
Martin Piccioni: bajo en “Perpetua Majestad” y “Solitude”.
Gaspar Fernández: guitarra en “Solitude”.
Martín Arias: guitarra y efectos de guitarra en “Perpetua Majestad” y “Post Mortem”.
Manuel Schillagi: bajo en “Post Mortem”.
Letra de “Perpetua Majestad” Cristian Leonardo Abaca.
Eduardo Vignoli: ingeniero de grabación, mezcla y masterizado.
Equalizado por Eduardo Vignoli y Cristian Leonardo Abaca.
Grabado en Estudio Ludico, Estudio laboratorio La sista del fauno y otros estudios de Rosario y de Buenos Aires
Editado por Planeta X Discos (P) 2020
Los covers son “Solitude” de Black Sabbath y “Gymnopédie Número 2” de Erik Satie.
New Japanese sampling grinder, tellur 1st debut EP is here! The fusion reaction of Footcore/Mashcore/Lolicore styles and put all his might into making this EP.
Track Listing:
01. Chemical Bass
02. Dirty Mashup 3×3
03. 1st style
04. Grind the 2D Girlfriend
05. Fluff (Footcore Remix)
Music by tellur
Artwork by V1V404
Design by Occupied Territories
Ghobi are : Lele: guitars , effects, French horn
Giro: bass, effects
Palla: drums, percussions
Mastered by: Simone Giorgi
The “Wollstonecraft / Stele” project is a split within Ghobi itself, originating from works on improvisational and transversal material, where horn color most of the tracks creating atmospheres which can be dark and then turn into airier stanzas. The project is the result of transversal listenings that inevitably had a significant impact on the sounds and structures of the tracks. The recording is rather lo-fi by choice, bringing out the specific and living atmospheres of the parts which recorded live, and this would have otherwise meant losing its true nature. The project is divided ideologically into two parts: Wollstonecraft (more airy) and Stele (darker). We can’t forget to mention the vocal contribution on some occasions (on the tracks Julian date, Volgo, Eleven Days…) by Anna with whom we have active a collaborative project/ensemble named Wollstonecraft Air
On a Winter Day, first released for streaming and download in digital stores, is gifted by Gaetano Fontanazza to the beloved Sucumusic so that also the Creative Commons community could enjoy this album of ambient music.
On a Winter Day is a state of mind, where everything may seem frozen to the eyes but not to the soul.
It is that right time to slow down and let the nature and the heart speak.
It is a deep journey where every emotion is dilated.
music by Arthur R.Gaerdes aka Dj ARG aka Faceless Junkies Deluxe , art by Jukka-Pekka Kervinen
ARG LIFE
Acid on Acid is Heaven on Earth
Techno against Narcissism
Motherfuckin’ Bass in ya Face
This album responds to an inescapable need to interact, from my creative work, with the serious events that have occurred in Chile since the social outbreak of October 2019 to date. These are urgent compositions, made in the late night of the impact, thus responding to the inhumane act of political-economic power. Once again, this power has exercised the most brutal violence against the Chilean people, through someone else’s hand. So never again!
José Miguel Candela
(Santiago, Chile. Octubre / October 2020)
Sub Persona
by Lifecutter
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1.
Sub Persona I 06:04
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2.
Sub Persona II 06:39
3.
Sub Persona III 03:43
4.
Sub Persona IV 03:51
5.
Sub Persona V 02:32
6.
Sub Persona VI 06:46
7.
Sub Persona VII 07:05 video
8.
Sub Persona VIII 04:21
9.
Sub Persona IX 03:48
10.
Sub Persona X 05:06
about
Music which captures the underlying relation between human beings and natural forests: Lifecutter presents his vision in the soundtrack for the short film and research-art installation Sub Persona.
Managing forests is not a subject of everyday conversations, seldom even theoretical thinkings. But for the art tandem PLATEAURESIDUE these topics are the core of their artistic and also research work in which they connect landscape ecology and new media like film and photography and later exhibit them in various gallery spaces.
For the project Sub Persona they invited Domen Učakar to accompany their visual work with the audio setting. Domen Učakar has been performing and publishing music under the moniker Lifecutter for more than six years now and Sub Persona is his fourth album and a second one (after Safe Place – 2016 with Iztok Klančar) which has been made with a tight connection to a strong visual work.
The music captures the relation between humans and forests, which are the condition for life existence on Earth and at the same time an important economic resource. The ambient sonic structures may at first seem to communicate a feeling at peace with the current situation, but as the unnamed compositions progress they unveil the sheer brutality, the suspense of the dead silence and the… more
credits
released October 17, 2020
Domen Učakar · music, recordings, mix
Daniele Antezza, Dadub Mastering Studio · mastering
P L A T E AU R E S I D U E · texts, photos, graphics, webcover
Tina Ivezić · graphic design
Luka Prinčič · operations
Andrej Pervanje · promotion, production
Field recordings from the album Biodukt by Martina Testen and Simon Šerc were used in Sub Persona compositions II, III, V and VII with permission from Pharmafabrik Recordings.
Samples from the stems that Loke Rahbek (Croatian Amor) made freely available during the release of the album Love Means Taking Action were used in composition Sub Persona II.
Album release accompanies the research project Sub Persona by the award-winning art duo PLATEAURESIDUE. The art installation with a short film was exhibited in Ljubljana at the International Center of Graphic Arts (MGLC) between October 2019 and February 2020. More at: www.plateauresidue.com/sub-persona.
4T Thieves is back with a small EP called ‘The Spiritual Kitchen of Pop’. Moods is created with sounds produced by Pandacetamol. Taking his style towards a more beat driven lofi, The Spiritual Kitchen of Pop is a small dynamic EP before the release of his new album in December 2020.
Solid Colour Groove, Garden in the Rain, Dynamic Funk Squared and The Spiritual Kitchen of Pop were featured during the live performance at Mascot, Helsinki in January 2020.
credits
released October 21, 2020
Artwork ‘The Most Precious’ by Aaron Jasinski
Slenko, Sinead (Sylvia?) & Hyde
credits
released February 20, 2020
Like Furry & Bukka’s “Party! At Home,” this record is more documentary than album. A collection of moments, caught in the wild and imprinted onto magnetic tape, during the first two nights of the new year.
Track 4, “Dec. 31, 2019,” contains an impromptu recitation of C. M. Slenko’s last poem of the decade. Tracks 6 and 14 capture Henry Hyde’s newest composition in the act of becoming.
Over 20 tracks, “slush” finds SSH re-visiting old memories from Slenko & Hyde’s back catalog, and crawling out of the past into new improvisations, inspirations, and interpretations.
All filtered through substance and sleep-deprivation — and a heavy dose of tape hiss — “slush” is unedited and uncertain, but honest and unwavering in its’ direction — forward, with one last sweeping backward glance, to survey the past for relics we will carry with us into the future.
Imagine waking up in the middle of the night, looking outside the window and noticing that something has actually changed. The world is still there, it sleeps but it is present, mocking you constantly and slowly showing itself .
Anyway now something seems to cover reality with a thin layer of bright glue, an ambiguous material that hides the features of things and that unfolds the world under a different, bright light.
You walk, this concrete is soft, the walls of the houses are covered with morbid, viscous, beautiful materia.
This world speaks to you, it tells you a different story. You could stay here forever and forget an imposed, harsh past. In this new vision, however, the past coexists, it lives and it embraces you, forever wrapped in a flaming rodeo loop. A giant puppet show put up by family and friends.
“Colla” is a metaphor, a hope for a different dimension, where thought generates tangible content without too much effort.
The streets of Sant’Angelo are now populated by… more
credits
released October 20, 2020
Music by: Carlo Giustini
Mastered by: Andrea Porcu
Original collage by: Michael J Hentz
Record label: Lᴏɴᴛᴀɴᴏ Series
Publisher: ROHS! RECORDS
Copyright © 2020 ROHS! RECORDS, All Rights Reserved
Nicolas Tourney is a french experimental musician and sound designer, also owner of the label Snow in Water Records. His new album Gloucester consists in 23 experimental compostions based on a precise methodology, gear and sound material.
As the artist says himself “For Gloucester, the device used brings together a 1/8 violin, a viola, a pure data processor and a ring modulator.
It is a work of sound evocations around Charles Olson’s Maximus Poems. I use a projectivist method, freely inspired by the theoretical work of the American poet. In the field of possibilities thus opened, this research allows spatialization in a neutral listening space.
This work was developed during a stay at the Performing Arts Forum, a kind of European Black Mountain College.”
▼✞▼”
Available in lossless format in EK4T3 Bandcamp:
https://ek4t3.bandcamp.com/album/various-artists
Co-release between Cian Orbe [Witch Spectra] (Chile) netlabel &
EK4T3 (Italy).
This v/a compilation contains single tracks of some of the most important Cian Orbe/Witch Spectra artists & collaborators. Netlabels created by Sábila Orbe, from Rancagua, Chile.
With the support of Mist Spectra in cover artworks and contact with the artists.
They have imposed a state of siege of the Homelands, they have burned down the harvest, they have abused and lied, here we talk in new languages, likewise, the justice is made up, territories are defined, the overvalued fall, the stillness rises and the movement doesn’t decrease, communication and action goes on, dictators, rapist, and killers against the wall, here we stay and move, here we fly, never is outside, a new rhythm is heard, colors, vehicles, and movement, never is outside.
José Rojas
(Edimburgo, Escocia. Octubre 2020 / Edinburgh, Scotland. October 2020)
Tocan el blues. Using the Blues patterns framework. Perhaps the best album by Gossweiler + Darisbo partnership. Recorded probably in 2013, it waited for several years for release. Whenever the two artists met, they remembered, “What about that blues record?” A vida tem dessas coisas. Hey yeah. Tell me what you gonna do.
credits
released October 11, 2020
Peter Gossweiler: drums, cymbals
Guilherme Darisbo: electric guitar, cymbal (9)
Sleeve by Darisbo, on art by AI @ boredhumans.com/art.php
Each song has the title of a short story by Horacio Quiroga.
This fourth pack in this series of free downloads represents my love for Reggaeton and Dancehall, especially as expressed in my recent album Visa On Arrival.
This time around, mash-ups & bootlegs of some of my favorite Indian-origin artistes expressing the island vibrations: Apache Indian, Super Cat, Reggae Rajahs, & Raja.
I debuted these tracks at my memorable set at Goa Sunsplash festival 2020!
credits
released October 14, 2020
