Filipe Miranda from Portugal gave us an opportunity for sharing one of his album. Movimento (Movement) consists of four tracks, overall it has laid-back atmosphere.
Music and choreography improvisation session with Filipe Miranda and Joana Jardim, for the project’s first rehearsal at Viana do Castelo (Teatro Casino Afifense), in 2019. Recorded live on stage, rehearsal environment, with a Zoom H1n. Guitar by Filipe Miranda.
Artist Yuriplus makes his debut on MiMi Records with Past Product Sleep Sounds EP, a sonic immersion featuring four ambient and drone tracks designed for relaxation and deep sleep.
With ethereal atmospheres and minimalist textures, the record offers a contemplative experience, ideal for moments of rest, meditation, or creative focus.
The EP presents an introspective journey that blends electronic sensitivity with an analog aesthetic.
Past Product Sleep Sounds invites the listener to slow down and reconnect with their inner silence.
Compuesto y Masterizado por Pablo Reche en Buenos Aires
Foto de tapa: Pablo Reche
Edición digital: Díaz José
www.instagram.com/guerrilla_108
También disponible edición física CD slim
Catálogo 2024 | FAD 222
Equipotenziale 003 marks the final chapter in a conceptual trilogy exploring the equilibrium of psychological, spatial, and narrative forces. Through layered symbolism, nonlinear structure, and abstract imagery, this concluding part resolves tensions established in the previous entries. It examines the convergence of identity, memory, and perception within a framework of artistic equilibrium—where all points hold equal potential. The work’s resolution is not an end, but a stabilization, suggesting continuity beyond closure. This paper analyzes the trilogy’s arc and posits 003 as a meta-commentary on storytelling in post-contemporary visual media.
AlmabuenA is a fresh trip hop duo from Spain and The Netherlands. Made up of legendary studio master Barend and masterful club beat juggler Almudena. They’ve been f&%$ing up the scene these days, fast tracking remixes left and right. We couldn’t be happier to be a part of it.
love sella is a legendary renoise producer and cyberwitch/-bitch. Creating dense and energtic electronic punk music for the crazed.
You can find the other half of this lovechild baby here:
mlemrecords.bandcamp.com/album/the-alan-watts-theme-love-sella-remix
Echoes of Lichen speak in green,
Ancient tongues, quiet and unseen.
The ground heaves with Tectonic Pulse,
Earth’s deep memory, slow and convulse.
Bioluminescent Veins ignite the dark,
Living stars with nature’s spark.
We Respire in Fog, unseen, alive,
In vapor’s hush, we drift and thrive.
A Moss Signal, faint, begins to weep—
Calling to those the soil keeps.
Under the Nocturnal Canopy, we lay,
Returning to life’s silent decay.
music for interactive theater performance “how to perform resistance”
by the youth club of Junges Theater Augsburg
@ City Club Augsburg, 17.05.25, as part of 375 years of the festival of peace Augsburg
concept, voice recording, directed by Harald Volker Sommer
composition, recording, mastering, photo, design by EMERGE
Something discovered – invented, considered, imagined. Set aside. Forgotten. Lost. Mourned. Wondered. Mythologized. Lionized. Reconsidered. Reinvented. Replaced?
Featuring improvised piano.
V/A Compilation inspired in 2000’s Horror Movies. A new century of Horror.-
Compiled, cover collage artwork by Sábila Orbe.
Each track composed by the respective artists. Links:
– Topi Reta: archive.org/search?query=kermesse+records
– Blix Six: blixsix.bandcamp.com/ // soundcloud.com/blixsix-1
– Noxpox: noxpox.bandcamp.com/
– Filmy Ghost: freemusicarchive.org/music/Filmy_Ghost
– Morpheus Project: morpheusproject.bandcamp.com/
– IRÎS: www.facebook.com/sonical70911
– el_masmore: elmasmore.bandcamp.com/
– Pillars of Golden Misery: www.instagram.com/pillarsofgoldenmisery/
– Gothwitch: insatiablevoid.bandcamp.com/
– Yoshiwaku: yoshiwaku.bandcamp.com/
– PIRATE Tapes: www.horsnorme.org
– RDKPL: rdkpl.bandcamp.com/
– Mean Flow: meanflow.bandcamp.com/
– Humanfobia: humanfobia-official.bandcamp.com/
Kaoshipnótico is a tool for psychoexploration, to experience in my inner space the reasons for the absurdity of modern life trying to give meaning to the general nonsense obtaining different results, some of them manifested in sound forms.
In Kaoshipnótico everything begins with a sound, the only organized unit, to that sound I will add my complexity and it will be the DNA of the piece to which other layers will be added, other oscillators and effects, to achieve chaotically transmuted visceral constructions that they express with a language more precise than words my idea of life.
The expression of Kaoshipnótico reflects what it means to live in the terror imposed by violent, authoritarian, primitive societies, a paradise of exploitation, confusion and destruction where reality is manipulated and trying to live on the margins of its ruins.
Kaoshipnótico@YouTube
Tilting saints has meanings two – it could refer to saints askew. But “tilting at” could also be our purpose: challenge the holy.
This 5/4 version of “When The Saints Go Marching In” features clarinet, xylophone, shakers, synthesizers, trumpet, melodica, cello, and drum machine.
“This recording is a deliberate act of listening as thinking, a ritual engagement with sound as sovereign and self articulating. It seeks no allegiance to narrative conventions nor does it ask the listener to tether meaning to fixed symbols. This is sound emancipated from the burden of story, a form of nonverbal divination that gestures toward the ineffable. It does not bow to the logic of colonizers or the formulas of consumerist industry. It is sound standing on its own feet, barefoot on ancestral soil.
At the core lies the concept of zero, not as absence but as the fertile void of infinite becoming. Zero is the resonant silence from which all frequencies arise and return, where hierarchy dissolves and one becomes both interpreter and contributor. This recording is less a composition and more a sonic commons: open, recursive and indeterminate. The intention is not to impose meaning but to generate space where meaning can emerge co-creatively. This project rests on a necessary inversion, to listen as an act of collective becoming.
It is what happens when we stop trying to master meaning and instead make space for it to rise on its own, free from human malice.”
Released May 9, 2025 as free (cc) digital download and beautiful limited cassette edition.
Moki Mcfly is a music producer from Manila, Philippines. He is known for his atmospheric instrumental production which incorporates sound elements from nature and extensive use of jazz and tagalog samples. His fondness for acoustic sounds caused his music to come over as unusually nocturnal and warm. Space and texture remain not just formidable, but remarkably relevant aking inspiration from jazz, folk, and experimental as well as the whole canon of electronic music. He has been regarded as ambient, trip hop, some combination of the two, and expiremental. Moki Mcfly prefers to exercise an ideological distance from the genres he usually falls into, while maintaining an organic appreciation for all music forms and styles. His sound is a cross-pollination of the arcane and the futuristic, where he guides you through his train of thought, displacement and discourse. A swank noise of clever phrases, poetic flashcards and split references, even if they’re essentially about nothing in particular where narration is unspoken.
Noise which is not nihilistic mixed with positivity which is gritty. For those who deal with and appreciate the whole.
Perfection looks unnatural and repulsive, but imperfections are beautiful. Pleasure is painful, but healing your wounds is joy.
The album was created and released during a period of turmoil in this world – a global pandemic, an increasing number of wars, an epidemic of propaganda and false news, ever prevalent ignorance, while the AI revolution is elevating shortcomings of our minds to unforeseen levels. There is so much pain in releasing accumulated tensions and yet releasing them is inevitable and necessary, always leading to a relief.
The Batcave was a weekly club-night launched at 69 Dean Street in central London in 1982. It is considered to be the birthplace of the Southern English goth subculture. It lent its name to the term Batcaver, used to describe the early fans of gothic rock music, who would adorn themselves in Batwing coffin necklaces to distinguish themselves from other goth clubs. [Wikipedia]
A Fidget Toy have uses in therapeutic helping to tolerate anxiety, frustration, agitation, boredom, and excitement. [Wikipedia]
Improvisation recorded live in February 1983 at the BatCave Haven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku
Special thanks Alizé and Aimy who built the fidgets on the artwork sleeve.
Dedicated to all those who continue to create free music despite being more than ever nonsense in such a society.
“To say this is an original piece of music is an understatement. It is a lucid combination of sublime sonic fusion of genres and a piece of music for those who get lost in their thought with the right soundtrack. Giving that vibe of part feeling and part emotion, ‘Origins #5’ feels like a concept for the introverted and an anthem for the subtle genius.
The video has a matching avant-garde vibe and way about it. Meaningless to those who never bother and meaningful to those who are aware of their surroundings, we get an obscure marriage of sight and sound done in such a way that makes it as captivating for the mind as it is captive in the heart.”
Jammerzine.com
Official music video:
youtu.be/OP97hYaviwk
