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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

a.d.du.nord – Sana Grano

a.d.du.nord – Sana Grano
[Eg0_207]

a.d.du.nord

“Sana Grano”

A.d.du.nord is a musician who doesn’t work in a particular style but is guided by ideas of the moment without feeling compelled to maintain a single sound aesthetic. His first releases have been a few minimalist drone tracks published in 2018. He now aims to create some kind of “post-music” that is “strange and dysfunctional”. In short, a.d.du.nord is a project for free experimentation, where everything is possible.

Sana Grano is some kind of mixtape that gathers ten one minute long improvised sequences created with granular synthesis tools. The choice of samples was purely intuitive, and the results are partially aleatory. But if you listen between the lines, you may find reminscences of dub and afrobeat.

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posted 21 May 2019

Eniac – Cangiante

Eniac – Cangiante
[IYE33]

Eniac

“Cangiante”

his project (Eniac), has started in 1997 as an experimentation on the use of feedbacks and tape loops. In 1999 he started publishing music with a tape (split with Cria Cuervos); then the project evolved in different directions over the years: computer music, glitch, anche elctreoacoustic. He released music for recodx label like: Acustronica, Adaadat, Almost Halloween Time, Cathedral Transmissions, Chew-Z, Creative Sources, Edison Box, Many Feet Under, Sonospace, Touchin’ Bass.

Cangiante represent a point of view on the past (20 years) and on the future (the new projects will be under the name of Fabio Battistetti and Brezza).

The tracks have been composed at Blue Angle studio, between 2018 and 2019, using recordings and loops from the personal archive, including a short excerpt from a track recorded in 1999.

The titles of the tracks are quotes and references to past influences over the course of 20 years and visions of the present:

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posted 20 May 2019

V.A. – angst vs. anticyclic new trauma guarded and ripped despite engagement

V.A. – angst vs. anticyclic new trauma guarded and ripped despite engagement
[ACPS 1027]

V.A.

“angst vs. anticyclic new trauma guarded and ripped despite engagement”

01. DYSTOPIAN LEGACY – Støberiet 08:59
02. experiment#508 – The Path Was Clear 11:58
03. CHANGING PERSPECTIVES feat TEETH OF DIVINE – The Green Book 09:03
04. SOFIA BERTOMEU – Abstract Thought 06:53
05. STUDIO KO-OP – Don Trumpee 11:08

cover art by Claus Poulsen
design by EMERGE



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posted 19 May 2019

The Dry Mouths – Memories From The Pines Bridge

The Dry Mouths – Memories From The Pines Bridge

The Dry Mouths

“Memories From The Pines Bridge “

Jam brutal desde Almería (Spain) producido por los propios The Dry Mouths.

Grabado en Sonobalance Studio por Victor Ortiz asistido por Alberto Chamorro & Daniel Ruiz

The Dry Mouths:
Christ O. Rodrigues: guitarra, theremin
Andy Reyes: bajo
Josh Morales: Batería

Artwork por Iván Carreño

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posted 17 May 2019

Xavier Mussat – Provided for Courses

Xavier Mussat – Provided for Courses
[Eg0_206]

Xavier Mussat

“Provided for Courses”

After 5 years spent exploring improvised and noise guitar, Xavier Mussat opened a parenthesis without his usual instrument. He recorded abstract sound ambiances to be used as background sounds to accompany the work of his students during the intuitive drawing classes he gives. Here simplicity prevailed : he used the cheap internal microphone of his computer and several objects (bowls, balls, crumpled paper, table, and finally a hint of prepared banjo), as well as remixed sounds taken from videos of snowy landscapes. Experimenting with the austerity of a minimalist aesthetic, he extracted 4 tracks from these raw textures and materials.
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posted 15 May 2019

Matti_T – Farewell

Matti_T – Farewell
[phokes133]

Matti_T

“Farewell”

An endless ending.
Or object of change.
Tears; that run dry.Matti T says goodbye to music producing. Hopefully it’ll be just for some time. His talent is brilliant. But it seems that he emptied himself in emotional and musical processes to some extent. Please enjoy his so far final release at Phonocake, a sixty minutes mix of old and new tracks.

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posted 11 May 2019

KiB – Lithuanian Metrica

KiB – Lithuanian Metrica
[EEM046]

KiB

“Lithuanian Metrica”

Take a pipette and drip a drop of water on your own palm. Transparent drop, full of invisible organisms, chemical elements, and personifications. Looking at the drop, thoughts are spinning. With the other hand rub the drop until the drop penetrates the skin and disappears. Hands need lots of water, but it’s enough for this time. Look at the lake…

The album was based on Lithuanian Chronicles, history and historical personalities, who might be connected to each in strange ways. While working on each track special attention was given to convey with sounds all the aspects of each historical personality and their influence on the history of Lithuania.

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posted 09 May 2019

Various – Noise Factory 2018 ‘klangtiegel’

Various – Noise Factory 2018 “klangtiegel”
[ACP 1202]

Various

“Noise Factory 2018 “klangtiegel””

Arne Heisch
Lu Laumer
Dieter Mauson
Wolfgang Neven
Dan Penschuck
Sascha Stadlmeier
Henning André Voss
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posted 09 May 2019

Spintribe – Phantoms EP

Spintribe – Phantoms EP
[DigitalDiamonds063]

Spintribe

“Phantoms EP”

Phantoms EP by Spintribe will elude and distort your senses with the duo’s engaging take on pleasantly unpredictable and evolving progressive techno. Their smooth, dreamy, atmospheric soundscapes and deep, brooding pads give the EP a cloud nine feel while going hand in hand with their funky bass lines, stabby synths and rock-solid drums. All in all the EP has impeccable production quality, intriguing narrative, well-crafted sound design with playful changes and drops and will leave you staring up at the sky on those wind-swept, day time festival dance floors.
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posted 08 May 2019

Shekuza – De Sica

Shekuza – De Sica

Shekuza

“De Sica”

“The album De Sica is made using custom modular patching systems for synthesis and composition in which the analogue and the digital join hands: a continuous signal through patch cables performing analogue voltage control of an almost infinite variety of parameters and available hardware modules.

Many forms of music simultaneously existing locally and accessible in the global exchange are creating a continuum of events–geographically and historically–musical works that transcend discrete performances. Relatively differentiated musical objects (releases, labels, creators) or images of music can be ‘dequantized’ into a continuity of known and undiscovered structures. Music is continuous with everyday life from which it emerges.

The creative force on this album is sourced from personal stories and since it is part of an infinite music space, its undulations between music and noise are deeply interconnected with community, society, and politics.” (excerpt from liner notes on the USB-booklet)
credits
released May 8, 2019

Miha Šajina · composition, recording, production
Blacklisted Mastering · mastering
Maruša Hren · USB booklet
Luka Prinčič · liner notes, design, executive production
Lina Rica · video support, source graphics
Stella Ivšek · promo design, Rentgen streaming

Thanks to Duška, Nepal and Tibet.

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posted 08 May 2019

Zenapolæ – 20 Years in 4T Minutes

Zenapolæ – 20 Years in 4T Minutes
[zen187]

Zenapolæ

“20 Years in 4T Minutes”

a musical journey along Zenapolæ’s timeline celebrating its 20th anniversary

Nik, aka 4T Thieves, from Finland, has crafted an awesome 4-deck live remix of 23 tracks taken from Zenapolæ’s catalog, in roughly chronological order. this 40-minute continuous remix track beautifully reflects the label’s development over time, at the same time creating its own, unique atmosphere. from our electronic beginnings, through the dark ambient phase, into its present more experimental orientation.

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posted 08 May 2019