Recorded in Berkeley, California and Portland, Oregon.
Written by Dominic and Madeline Francisco.
Sanctuary, это следующий, после Hedgehog Feathers, опыт работы в стиле джаз-фюжн. Писался он примерно год, на трех разных квартирах, которые Артём успел за это время поменять. Здесь уже не использовался саксофон, но было большое количество клавишных партий и гитарных соло. Также в этом альбоме впервые использовались более новые и качественные семплы ударных инструментов.
«Первоначально хотел объединить песни концепцией сыпучих тел, но потом от этой идеи отказался. От нее остались только названия двух композиций — Flour и Sawdust. Затем я обратил внимание на какое то общее умиротворенное и спокойное настроение целого альбома и решил назвать пластинку Sanctuary, то есть, место, в котором всегда можно укрыться и отдохнуть от всех проблем. К этой концепции непосредственно относиться название последней композиции — Sheltering Shell. Так, что у меня получился альбом-убежище от ежедневных проблем и хлопот.»
P.S.: «Был у меня и «проклятый» трек, который постоянно зависал, самоизменялся, уничтожался и попросту не хотел нормально записываться, но чтобы уберечь слушателей, я не скажу который это трек.»
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Press & Support :
– ХРУЩЁВКА: hrushevka.org?p=4636
Ana Paula Santana González
(Guadalajara, Jalisco, México b.1985)
Sobre Ana Paula, en sus palabras:
Me interesan los sonidos constantes, maquinales, abrumadores. Me interesa la relación del sonido y el cuerpo humano, el cual entiendo como un material absorbente que incesantemente admite y reacciona a frecuencias del exterior. Me interesa la voz, la experimentación con los límites de nuestra voz y el fenómeno simpático entre la voz propia y las voces que nos apropiamos. Mi creación artística se sitúa en medio del campo del performance y la instalación y con frecuencia es motivada por ideas y fundamentos de índole antropológico.
My interest is based in constant sounds, machinelike , overwhelming. I’m interested in the relationship between sound and the human body , which I understand as an absorbent material that constantly receives and reacts to frequencies from outside. I’m interested in the voice , in experimenting with the limits of our voice and the sympathetic phenomenon between the own voice and the voices that we appropriate . My artistic creation is in the middle of the performance and installation and is often motivated by ideas and foundations of anthropological nature .
Enlaces:
https://soundcloud.com/anapaulasantana
www.anapaulasantana.net
twitter.com/Fanafauna
https://www.instagram.com/anafauna/
The Cherry Blues Project
Arte sonoro – música experimental – Dark ambient
Argentina, desde el año 2001
www.tcbp.blogspot.com
Torna un maestro del beat, un artigiano elettronico con un ep differente rispetto al precedente sempre su In Your Ears. Carmine aka Bainmass usa meno campionamenti ma produce sempre cose potentissime, fraseggi di beats che ci faranno muovere contenti.Non è necessaria la voce su questi ritmi, talmente sono belli. Un vortice diverso dal primo, ma sempre dolcissimo, meno elettronico ma caldissimo come sempre, perchè in Bainmass il sole e la rapadopa non mancano mai.
Dødssynd [0kbps102]
01 – forkynnelse
02 – dum boogie
03 – fristelse
04 – avstamning
05 – stump
06 – snøskred
07 – dødssynd
08 – utgang
Peter L. : guitar, bass, sampling
Cover art by el sol funebre (elsolfunebre.tumblr.com)
MAV [0kbps] Records, August 2016
Album “Blik” recorded mostly in the “live” via MIDI keyboard. The concept of old: music software, film fragments and other “sound”, randomly snatched from the Internet.
After the release of Everything Has Changed; Nothing Is Different, the Bulls originally intented on creating a series of five EPs, each with five songs, but that eventually evolved into a new album and the five EPs! Thus began the idea of a six month release schedule! So Bulls fans… get ready… more dopeness to come! What… you’re just discovering the Bulls? Well, dig… check this out and then check out their back catalog.
Many thanks goes out to The Impossebulls for continuing to bring that classic hip-hop in this era of mumble “rappers”, trappers and twerkers. Perhaps some day boom bap will once again be considered hot. Davy J… I hope that your generation can rectify the situation… your dad is doing a good job teaching you… perhaps other dads are teaching their youth, as well. Word.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
They have been busy releasing their music since October 2010 on diverse netlabels. Their first EP “One Dub Many Roots“, was released on the French netlabel LCL, while in 2011 their first long-player ”Reset all systems“ was released on Angel Dust Records. Their next album “Freedom of choice” was released in august 2014 again on LCL.
Dubophonic is proud to host their new album “Keep on moving”. It’s a compilation of 12 songs representing their unique and unconventional blend of dub & reggae. Modern and roots-elements are combined with drum/n/bass, electro, dubstep, indie rock heavy guitars, conscious lyrics and of course deep basses and delays.
Mastered by the pioneering artist, producer and peace activist Celt Islam, their new release (and their first on our netlabel) is a proof of the duo’s strength and innovation: writing reggae and dub oriented music with socially conscious lyrics and musically exploring different ideas, oscillating between danceable and meditative, powerful and calm, groovy and heavy, on their quest to define the far distanced borders of dub music.
Miguel Jauregui (aka Basstk)
(Valparaíso, Chile. Agosto / August 2016)
The title track has no refrain, no breakdown, just two long verses that keep on going and going. At first, the lyrics seem to be about those almost “stereotypically sexy” female adornments. The assumption that they are exclaimed with possible sexual aims is soon affirmed, but the lyrics of the second part of the track subverts the arousing into other daily phenomena not so typical of sexual hints.
%20-%20CD%20COVER%20ART.jpg "Øystein Jørgensen & Chris Silver T. – DOORS")
Desolate mountains with a philistine angel on top
The heavens’ pale lights terminally wielding;
White scapular with odorous jasmine wings,
Must undress of
Lush glimmering fire.
Innumerable blazing hallucinations;
The grey earth with its fathomless midnights
Forsaken and drunken of the blues
With a white philistine angel expiring above lesser fields – – –
Reality is the biggest enemy we’ve ever had.
A ten track album with a large array of different styles, deep basses and airy beats in Brightly lit shores to the muted and subtle Sixty Dragons. Listening carefully you could understand a few influences such as Tangerine Dream and Air but also some of the classic electronic work from the 90s.
Heck, there may even be a touch of some older Chemical Brothers in here somewhere, so listen for some pretty serious beats and tight basslines!
Tracks of choice for me are: Brightly Lit Shores, Sixty Dragons and Ganymedean Factory Visit with its cool lounge feel. #
Cover artwork by India-Lee
Mastering by Mnemonic
Un album genialmente experimental que suena a ciencia ficcion, creadas a partir de instrumentos analogos, grabaciones de campo en diferentes lugares de la ciudad, sintetizadores que proyectan sonidos de lo mas escalofriante, mil millones de capas sonoras que se van interconectando entre todo ese universo del sonido de Gartner.
Producido por Juan Esteban Ceballos Gartner
Colaboraciones de:
snk.1 con Juan C. Gutiérrez y el Metro de Medellín
snk.2 con Juan Sebastián Gartner en el bajo eléctrico
snk.11 con Lucero Pineda en el moog y teclados
Masterizado por PHEEK – https://audioservices.studio
Producido para Monofónicos Netlabel 2016
Este material está bajo licencia de Creative Commons 2.5
Medellín, Colombia – 2016
