After the first volume which was a tribute to the netlabels scene & the second volume with our main artists, here it comes ‘Circuits Imprimés vol. 03’. This time we invited some of our favorite artists to make their own ‘PCB’ sound. A nice way to celebrate 5 years of our netlabel. Abstract, IDM, Glitch or whatever the style, you’ll find on this final volume some great interpretations of what we call ‘Circuits Imprimés’. We hope we have succeeded to connect all this electronic components together to achieve a complex electronic circuit. But those ‘PCB’ tracks are not intended to be printed only on your hard drive, but to be printed in your brain…/…
– Compiled by Pleq & Syndrôm –
featuring: Valance Drakes – Maps And Diagrams – Roel Funcken – Architect – Dirk Geiger – C.H. District – Syndrôm – Karsten Pflum – EU – Pleq and Hajimeinoue – Lauki – Sifa Dias – The Green Kingdom – Sense – Yvat – Joel Tammik – Tim Koch – Joseph Auer (Lackluster Pitchmix) – Fedaden – VNDL – Poborsk – Tapage
Kanukanakina, explorer of the circuit board, returns to EdP with three short tracks.
Revealing of his experience and experimentation with circuit bent objects, these stimulating sounds take you on a trip through a never crossed path. Enjoy the soundscape!
Akènes is a new album by ultra-prolific artist D’Incise, from Switzerland. In D’Incise rich and multiform discography, this record is to be connected with his masterpiece Cendre et Poudre.
Composed between 2009 and 2010, Akènes saw d’Incise turn towards a more organic way of producing music. A real deconstruction of the rhythmic and melodic structures leading to an extremely free type of electronica.
This record is co-produced with french label Drone Sweet Drone.
“When talking about music with people, for saying things like “this beat is taken from …” i often get replys like: “yeah maybe, but i like it anyways.” If there wouldn’t be these “but, anyways” i’d be fine with it. We’re all stuck in the 18th century mentally. In the Middle Ages “componere” still had the original meaning of “to enclose”. It was taken for granted to derive new chorales from older ones. Usually parts of such compounds were composed but not completely new works. Whole works were crafted (=facere) which is a facile idea of mechanic humility, something we should care about.”
The Plastic Jazz Orchestra was formed by Bernd Burnson in late 2006 as an ensemble electronique for modern music. Tragically Bernd Burnson passed away in summer 2007 and left behind a bunch of young people determined to create something completely different, something new in terms of musical expression. So the tracks from ’39°’ by The Plastic Jazz Orchestra had never been compositions in their origins but handcrafted pieces of what we call music.
Miguel Pipa dá-nos a ouvir as entranhas das suas maquinarias e quinquilharia. Através do “circuit-bending” – técnica que explora percursos alternativos nos circuitos impressos – ele guia-nos por uma viagem electrizante, mas não sem alguns percalços!
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