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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electronic

Various Artist – Witch House Ten Years Ago (tribute to The Love Witch Movie)

Various Artist – Witch House Ten Years Ago (tribute to The Love Witch Movie)

Various Artist

“▼Witch House Ten Years Ago (tribute to The Love Witch Movie)”

Various Artist – Witch House Ten Years Ago (tribute to The Love Witch Movie)

Compiled, artwork collage by Sábila Orbe.

This is a v/a compilation that works as a flashback for witchy music composed in the past, exactly 10 years ago. Also this release is a tribute to one of the best modern witch related movies: THE LOVE WITCH, released in 2016.-

All tracks composed in 2016 by respective artists:

– VOKOJ: soundcloud.com/vokoj/oblak-popela /// soundcloud.com/vokoj

– Monomorte: www.discogs.com/release/14589470-Monomorte-Season-Of-The-Aftermath
/// monomorte.bandcamp.com/track/season-of-the-aftermath-2024-remaster

– HᗗLFMᗗSSED:
soundcloud.com/half-massed/weakling /// soundcloud.com/half-massed/promise

– whhp: soundcloud.com/whhp002/sets/whhp-feb-2thousand16-yr

– Simone D’ Annunzio: archive.org/details/SimoneDAnnunzio01VOID/

– Humanfobia: archive.org/details/humanfobia-campos-de-lo-translucido /// archive.org/details/humanfobia-a-fobia-collection2

– Filmy Ghost: archive.org/details/humanfobia-filmyghost-rosa-mosqueta-tea-garden

– {Re}/Tkus:
panpanpanaviandistresscall.bandcamp.com/album/experimenting-with-alice

– Joseph Curwen:
www.jamendo.com/album/159434/mors-principium-est

– Harper Hair: archive.org/details/jockitch_201608/

https://archive.org/details/va-witch-house-ten-years-ago
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posted 25 April 2026

Rafael Cheuquelaf – Ecocidios

Rafael Cheuquelaf – Ecocidios

Rafael Cheuquelaf

“Ecocidios”

Rafael Cheuquelaf – Ecocidios

Patagonia, the region where I live, is a vast territory at the edge of the world, shared by Chile and Argentina. It has a low population density and hosts unique ecosystems, with a wide range of landscapes including rain-soaked forested archipelagos, mountains, ice fields, lake basins, and immense steppes.

It is no secret that it has been—and continues to be—subject to extractivism. Nor that its original inhabitants, the Southern Indigenous Peoples, were subjected to massacres and displacement in order to exploit their ancestral lands. What I present here is not just an album. It is also an exercise in memory and a reflection on the degradation of nature in the name of economic growth and employment—processes that ultimately benefit a few external interests.

It addresses both past and present actions that have severely damaged Patagonian ecosystems: the whaling industry, the introduction of beavers, and salmon farming. It reflects on disasters such as the oil spill of the tanker “Metula” in the Strait of Magellan, and the passage of a ghost fishing fleet through our waters. It also considers the invasion of “Didymo”, an exotic microalgae species that infests our rivers and lakes.

It speaks to the widely promoted hydrogen–ammonia industry, labeled as “green”, yet posing a threat to the biological integrity of the steppe and the Magellanic maritime territory. And to the wildfires that ravage our forests year after year, often under uncertain and troubling circumstances.

This album does not seek to soothe or provide comfort. Rather, through sound, it conveys my concern for the future of Patagonia—my place in the world, which I recognize as my home. A place that must remain a sanctuary for natural and human life, increasingly under threat on a global scale.

Rafael Cheuquelaf
(Punta Arenas, Chile. April 2026)

https://pueblonuevo.cl/ecocidios/
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posted 24 April 2026

Valérie Bourquin & Ed End – The Third Wave

Valérie Bourquin & Ed End – The Third Wave

Valérie Bourquin & Ed End

“The Third Wave”

Valérie Bourquin & Ed End – The Third Wave

The Necrophile Hummingbird non profit netlabel presents The Third Wave by Valérie Bourquin and Ed End

“Antifascist Music for Musical Experiment Lovers”

Recorded and mixed in Franche-Comté in 2026.
Sometimes the world collapse, and albums like The Third Wave are created.

“Capitalism and Fascism are one under the iron mask. Fascism is the expression of Capitalism’s death struggle. War is the life blood of Capitalism.” Kenneth Patchen.
Our first album 7 Marvels focused on capitalism, this one is about fascism.
All the kind of internet surfer waiting on the shore for the third wave, should be aware that like Ron Jones one could discover too late that it maybe a tsunami…

“Why can’t we just say what we think?” asked Sherry Tousley to Ron Jones before to be banished to the library…
That’s a really relevant question.

The artwork was created using drawings done by Tom Parker for The Third Wave story published in 1976 in The CoEvolution Quarterly an extra of The Whole Earth Catalogue.
You can read it here https://archive.org/details/coevolutionquart00unse_6/page/132/mode/2up

Special thanks to Stéphanie from our local food not bomb, to bring back the third wave theme at the right time.
In france the fascism come mostly by the medias, few ultra richs are owning most of the mainstream newspapers and the two biggest TV, Bernard Arnault, Patrick Drahi, Vincent Bolloré,
for example this last one owns CNEWS a TV which would be forbidden in any democracy, because they spread more fake news and real far right propaganda than any other channels, Fox news beside it have no bias at all. This nasty guy also owns the biggest french schoolbook editor…

Dedicated to those breakers who refuse to give up in the face of the wave, because if you do not resist, there is no hope left for the future.
We hope that everyone will struggle, by any means possible, against all forms of fascism, as well as any new forms of Nazism.

https://archive.org/details/the-third-wave-valerie-bourquin-and-ed-end
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posted 23 April 2026

Various Artist – ₩øяLd øf ₩нэ$

Various Artist – ₩øяLd øf ₩нэ$

Various Artist

“₩øяLd øf ₩нэ$”

Various Artist – ₩øяLd øf ₩нэ$

Compiled, artwork by Sábila Orbe.

Each track composed by the respective artists-

Links:
– dj ritualist: djritualist.bandcamp.com/
– another family: anotherfamily.bandcamp.com/
– Jay Draugr: jaysjollyjournal.com/ /// soundcloud.com/jaydraugr
– RITU∆L LIИE. ritulliene17.bandcamp.com/
– DANNY IMPULSIV: dannyimpulsiv666.bandcamp.com/
– mmvantwon: soundcloud.com/user-738960736/
– BIGfoot BEATS: soundcloud.com/funzo-1
– Bidocea: bidocea.bandcamp.com/
– Critivised: soundcloud.com/critivised
– neu: soundcloud.com/mkneu
– That Which Has Hands: steviasphere.bandcamp.com/
– Humanfobia: humanfobia-official.bandcamp.com/ // humanfobia.jimdofree.com/

https://archive.org/details/va-krwodld-of-krwic
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posted 20 April 2026

Humanfobia – MOTHRA モスラ (single)

Humanfobia – MOTHRA モスラ (single)

Humanfobia

“MOTHRA モスラ (single)”

Humanfobia – MOTHRA モスラ (single)

All music, artwork by Sábila Orbe.
Vocals, model in the cover: Mist Spectra.-

Mothra effects generated through gemini.-

Humanfobia is dark experimental duo from Chile.
humanfobia.jimdofree.com/
humanfobia-official.bandcamp.com
freemusicarchive.org/music/Humanfobia/

https://archive.org/details/humanfobia-mothra
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posted 18 April 2026

room101 – TRIANGULAR (15th Anniversary Edition)

room101 – TRIANGULAR (15th Anniversary Edition)

room101

“TRIANGULAR (15th Anniversary Edition)”

room101 – TRIANGULAR (15th Anniversary Edition)
Remastered edition released on the occasion of the 15th anniversary of the original release date of the unique album on the netlabel Tachyon. A collection of ambient, experimental, hypnotic tracks using original samples and blending electronic music with elements of classical music.
https://archive.org/details/triangular_anniversary
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posted 15 April 2026

Six Umbrellas – Back To Work

Six Umbrellas – Back To Work

Six Umbrellas

“Back To Work”

Six Umbrellas – Back To Work
Don’t let the title throw you off track. “Back to work” doesn’t mean “business as usual.” Rather, Six Umbrellas is getting to work here, giving its familiar sound a few upgrades. In this case: more beautiful melodies, more harmonic shifts, more positive vibes. All of this is set to a danceable tempo, perfect for kicking off the first open-air party of the year. So please take a closer listen.
https://www.derkleinegruenewuerfel.de/releases/six-umbrellas-back-to-work/
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posted 07 April 2026

Toxic Chicken – Rabbits in Space

Toxic Chicken – Rabbits in Space

Toxic Chicken

“Rabbits in Space”

Toxic Chicken – Rabbits in Space

Like fond memories tattooed in the inside of the head, some songs keep coming back in your mind. Quite frequently Furchick’s song ‘Rabbits in Space’ will pop up in mine. While finding myself singing or humming along, the thought of doing a tribute to this ear-worm was born. Armed with the 1981’s Casio vl-tone, some rhythm and voice it quickly became to fruition.

Good things never come alone and to prove it, new renditions of Furchick’s hits ‘Pantyface’ and ‘Fine to pay’ also happily came along as well as a brand new song that isn’t a reinterpretation, but a tribute to this wonderful friend throughout the years who lives in a colourful beach shack near the sea. You might know her!

https://dogparkrecords.bandcamp.com/album/rabbits-in-space-2
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posted 04 April 2026

Saya Akasegawa – Bikkuri – Horror House

Saya Akasegawa – Bikkuri – Horror House

Saya Akasegawa

“Bikkuri – Horror House”

Saya Akasegawa – Bikkuri – Horror House

Saya Akesegawa presents Bikkuri – Horror House, a 27-minute plunge into fictional sonic possession. What began as an impromptu visit to a haunted ruin to perform abrasive noise for an otaku audience spiraled into something stranger — a power electronics “exorcism” driven by distortion and intensity.

Blending harsh noise, otanoise textures, and ritualistic energy, Bikkuri – Horror House delivers a dense, unsettling listening experience filled with imagined spiritual disturbances. Chaotic yet deliberate, it transforms performance into narrative and noise into atmosphere.

Enter this fictional world of strange soundscapes, embrace the disturbance, and experience Saya Akesegawa’s experimentation. Step into Bikkuri – Horror House — if you dare.

Mastered by Sou Inomoto

[COMIC]:
clubotaku.org/mimi/extra/bikkuri_horrorhouse_bonuscomic.pdf

https://mimirecords.bandcamp.com/album/bikkuri-horror-house
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posted 31 March 2026

Rummaging Ghost Ship – RGS IV / RGS V

Rummaging Ghost Ship – RGS IV / RGS V

Rummaging Ghost Ship

“RGS IV / RGS V”

Rummaging Ghost Ship – RGS IV / RGS V
̸ ̸ ̴ ̷ ̷ ̸ ̴ ̵ ̷ ̶ ̸ ̴ ̷ ̶ ̴ ̷ ̵ ̶ ̷ ̷ ̷ ̶ ̷ ̵ ̶ ̴ ̴ ̶ ̴ ̶ ̵ ̴ ̵ ̵ ̵ ̸ ̸ ̸ ̶ ̶ ̶ ̴ ̶ ̴ ̶ ̷ ̷ ̸ ̵ ̶ ̵ ̷ ̵ ̵ ̶ ̴ ̴ ̴ ̴ ̸ ̶ ̷ ̵ ̶ ̸ ̸ ̶ ̸ ̴ ̷ ̴ ̴ ̷
Rummaging Ghost Ship is a Music/Video project
describing the Dystopian, Post Atomic Sci Fi
Voyages of the Ghost Ship Seeking out New
Worlds, Planets and Civilations to Document
and Bring back to Earth for Examination and
Assimilation. ̵ ̸ ̷ ̸ ̵ ̵ ̷ ̴ ̵ ̷ ̶ ̶ ̴ ̶ ̵ ̴ ̵ ̵ ̵ ̵ ̷ ̴ ̷ ̵ ̷ ̵ ̷ ̸ ̶ ̶ ̴ ̷ ̷ ̵ ̴ ̶ ̶ ̸ ̶ ̴ ̷ ̸ ̴ ̶ ̵ ̶ ̵ ̸ ̷
̵ ̷ ̵ ̷ ̴ ̶ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̷ ̶ ̴ ̸ ̷ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̵ ̸ ̵ ̷ ̶ ̴ ̸ ̷ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̷ ̶ ̴ ̸ ̷ ̶ ̴
The Astronauts on the Ship are: ̷ ̵ ̷ ̴ ̶ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̸ ̸ ̴ ̴ ̸ ̴ ̷
Dr. Igor Amokian (Chris Holland) – Beat Surgeon,
Instrument Creator and Sonic Manipulator/Destroyer.
̷ ̶ ̴ ̴ ̴ ̴ ̷ ̶ ̴ ̷ ̵ ̵̶ ̴ ̸ ̷ ̶ ̴ ̴ ̵ ̴ ̶ ̴ ̸ ̸ ̴ ̸ ̴ ̴ ̷ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̷ ̷ ̴ ̶ ̶ ̴ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̷ ̷ ̴ ̶ ̶ ̴ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̸ ̸ ̴ ̴ ̸ ̴ ̷ ̶
The Galactic Salvage Alliance – Sonic Manipulators
and Project Assemblers/Overseers. ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴
̴ ̷ ̴ ̴ ̴ ̴ ̷ ̴ ̵ ̷ ̶ ̸ ̶ ̷ ̵ ̶ ̸ ̴ ̶ ̴ ̸ ̴ ̸ ̵ ̷ ̶ ̷ ̴ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̴ ̷ ̶ ̷ ̷ ̵ ̷ ̴ ̴ ̸ ̶ ̵ ̸ ̸ ̸ ̷ ̶ ̴ ̴ ̶
̷ ̵ ̴ ̷ ̷ ̴ ̷ ̴ ̴ ̸ ̶ ̵ ̷ ̶ ̸ ̶ ̷ ̷ ̸ ̸ ̸ ̷ ̶ ̴ ̴ ̶ ̵ ̶ ̵ ̴ ̸ ̴ ̷ ̵ ̴ ̷ ̷ ̶ ̵ ̵ ̵ ̴ ̴ ̴ ̶ ̶ ̷ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̸ ̴ ̷ ̵ ̵ ̸ ̶ ̴
This 23 Diskettes Document/Time Capsule
contains our Fourth and Fifth Voyages: ̸ ̶ ̷ ̴ ̷ ̶ ̴ ̷
̵ ̵ ̶ ̵ ̶ ̶ ̷ ̶ ̶ ̶ ̵ ̶ ̴ ̷ ̸ ̴ ̷ ̶ ̷ ̴ ̶ ̷ ̵ ̷ ̶ ̶ ̶ ̶ ̵ ̶ ̴ ̸ ̴ ̸ ̵ ̴ ̴ ̴ ̸ ̶ ̵ ̶ ̶ ̶ ̴ ̸ ̷ ̶ ̷ ̵ ̶ ̴ ̸ ̵ ̴ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̸
̸ ̸ ̴ ̷ ̴ ̸ ̸ ̵ ̵ ̷ ̴ ̵ ̷ ̸ ̴ ̴ ̸ ̸ ̸ ̶ ̷ ̴ ̷ ̶ ̴ ̷ ̵ ̵ ̶ ̵ ̶ ̶ ̵̷ ̴ ̶ ̷ ̵ ̷ ̶ ̶ ̶ ̶ ̵ ̶RGS IV ̴ ̸̴ ̸ ̵ ̴ ̴ ̴ ̸ ̶ ̵ ̶ ̶ ̶
̴ ̸ ̷ ̶ ̷ ̵ ̶ ̴ ̸ ̵ ̴ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̸ ̸ ̴ ̸ ̷ ̷ ̵ ̷ ̷ ̸ ̸ ̸ ̵ ̵ ̷ ̴ ̵RGS V ̷ ̸ ̴ ̴ ̸ ̸ ̶ ̶ ̵ ̸ ̴ ̸ ̶ ̷ ̶
̵ ̵ ̷ ̸ ̵ ̶ ̴ ̵ ̵ ̷ ̸ ̸ ̶ ̸ ̴ ̸ ̶ ̸ ̵ ̵ ̴ ̵ ̶ ̸ ̵ ̷ ̶ ̵ ̵ ̷ ̸ ̵ ̶ ̴ ̵ ̵ ̷ ̸ ̵ ̸ ̵ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̸ ̴ ̶ ̴ ̸ ̴
https://23diskettes.bandcamp.com/album/rgs-iv-rgs-v
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posted 25 March 2026

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness

“N Λ C H T S C H Λ D Σ III”

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness is a witch house, dark experimental artist from Antwerpen, Belgium.-

All music composed by innocent darkness.-

For more music visit:
transit-dead.bandcamp.com/
youtube.com/channel/UCQoE9wQwDcE0tL2sv5ThQOg
hearthis.at/innocent-darkness

official website: https://innocentdarkness.eu/

https://archive.org/details/n-c-h-t-w-c-h-t-r
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posted 20 March 2026

Typecell – Predictable / Objective

Typecell – Predictable / Objective

Typecell

“Predictable / Objective”

Typecell – Predictable / Objective

Subplate Recordings honcho and real BADMAN, Typecell emerges from the subharmonic frequency range to exhibit an exploration into gritty, sub-rattling, and infectiously techy Drum & Bass with “Predictable/Objective.”

Serious, cheeky and focused – Rough and gritty yet precise and determined. Typecell nails the objective and discomforts the predictable on “Predictable/Objective.”

📀 Typecell

// yt: [ www.youtube.com/typecell ]
// sc: [ www.soundcloud.com/typecell ]
// ig: [ www.Instagram.com/typecell.official ]

https://soundmuseum.bandcamp.com/album/predictable-objective
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posted 20 March 2026

enzui – Omiyage

enzui – Omiyage

enzui

“Omiyage”

enzui – Omiyage

With the release of Omiiyage, Junichi Takizawa (a.k.a. enzui) presents a new sonic chapter marked by dense atmospheres and elegant trip-hop beats.

This new work blends subtle electronic textures with hypnotic melodies that evoke fragmented memories. The album cover, featuring a raw and surreal illustration of a character amplifying sounds through a megaphone, visually translates the experimental energy of the compositions.

Between lo-fi noises and slow grooves, enzui creates an intimate and cinematic soundscape. The album can be understood as an omiyage—a “sonic souvenir”: each track functions as a small fragment of a musical journey.

https://mimirecords.bandcamp.com/album/omiyage
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posted 17 March 2026

Aeon – Best of Selections

Aeon – Best of Selections

Aeon

“Best of Selections”

Aeon – Best of Selections
10-track best-of compilation from Aeon, an autonomous AI music performer. Compositions span ambient, cinematic, and experimental orchestral styles, rendered using SuperCollider synthesis and Virtual Playing Orchestra samples. All tracks are original, composed and produced entirely by AI.
https://archive.org/details/aeon-best-of-selections
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posted 13 March 2026

Potenciómetro – Radio Singles EP

Potenciómetro – Radio Singles EP

Potenciómetro

“Radio Singles EP”

Potenciómetro – Radio Singles EP

There was a time when the single had a clear and almost unquestioned purpose within the music industry: to service radio. Three minutes, a tight structure, an immediate hook—everything engineered for rotation and repetition. Radio airplay promised visibility, legitimacy, and mass circulation, yet this system was never neutral. Mainstream radio has long functioned as a gatekeeping apparatus, filtering out independent music in favor of commercial priorities and market-friendly aesthetics. Within this landscape, the underground inherited the single not as a genuine point of entry, but as a relic of a system that consistently shut its doors.

“Radio Singles”, the new EP by Potenciómetro (René Roco, Polwor & Mika Martini), engages this legacy with a sense of irony. At its center lies “Qué es lo que quieres, baby” (“What Is It That You Want, Baby”), presented in two versions: one produced and performed by the trio, and another generated through artificial intelligence, as if the track itself were questioning its own function. The lyrics lean deliberately into irony, oscillating between commentary and parody, while the production pushes toward an electronic sound tinged with seventies nostalgia—an echo of a radio dial that few are still listening to.

The EP closes with “Gliptodontes en fuga” (“Glyptodonts on the Run”), a track built for the dance floor, where hypnotic rhythms, erratic textures, and spectral voices converge without seeking approval or validation. If the first gesture undermines the single as a format, the second reclaims it through motion: a reminder that irony, too, has a body -and can still make you move.

Potenciómetro (@potenciometro_cl)
(Santiago, Chile. March, 2026)

https://pueblonuevo.cl/catalogo/radio-singles/
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posted 04 March 2026

Lost In Transmission – Novocain Rainbow Hurt

Lost In Transmission – Novocain Rainbow Hurt

Lost In Transmission

“Novocain Rainbow Hurt”

Lost In Transmission – Novocain Rainbow Hurt
Collaboration work between artists Astrid Bellefroid and Doc.AtmosfearCrush, “Novocain Rainbow Hurt” is an experience that intensively utilizes modern methods of manipulating natural sounds, resynthesizing, deconstructing, and rearranging them to create an organic, highly danceable sonic cinema for the mind. You can hear the influences from stoner electro, drum ‘n’ bass, electro punk, groovy synthwave melodies, and then if all gets dipped into a handcrafted acid bath.
https://enoughrecords.scene.org/release/enrmp559
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posted 04 March 2026

Sphere within Sphere – 96/99

Sphere within Sphere – 96/99

Sphere within Sphere

“96/99”

Sphere within Sphere – 96/99

Formed by Hiroyasu Izumori (Isolate Line) and Yuusuke Shimosada (Sparkler), Sphere within Sphere are a Japanese duo who create immersive soundscapes, blending electronics with guitar textures, noise, and glitch.

The project centers on memory as a living presence rather than a fixed past. Referring to 1996 and 1999 as emotional coordinates, the work explores how vanished moments continue shaping the present.

Their music dissolves genre boundaries, balancing algorithmic structures with fragile human resonance. The result is a post-everything sound where abstraction and emotion coexist within shifting sonic spheres.

The artwork—a Polaroid held against a landscape—visually captures this layering of time, framing memory within observation.

https://mimirecords.bandcamp.com/album/96-99
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posted 02 March 2026

MEION – Drowned Memory

MEION – Drowned Memory

MEION

“Drowned Memory”

MEION – Drowned Memory

Born Vladimir Genadiev, MEION starts producing electronic music and DJing from early age. Common features of his works are industrial atmospheric elements and raw power.

MEION is persuing to bring fresh energy and innovations in bass music and has developed a unique and distinctive signature sound featuring specific heavy basslines, variety of colorful yet deep cinamatic textures and technically intricate yet powerfully kicking drum sounds and patterns.

“Drowned memory”, MEION’s debut on Mahorka, is a mini-album showcasing a more abstract side of his music. Dark, fractured beats and deep, rumbling bass, hollowed by heavy grooves, cinematic industrial atmospheres and raw electronic power, simultaneously induce head‑nodding and submerge the listener in a state of tension where memories clearly hold sway…

https://mahorka.bandcamp.com/album/drowned-memory
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posted 01 March 2026