Bad Girl
(based on Florence – Italy) is the solo project of Leonardo Granchi.
Started playing electronic music with the band Downward Design Research he approaches to continue the expression of their imaginary sound through the use of the machines.
Track list:
1. My Lai, 1968
2. Yes, Vomit Comet.
3. Possibilities are Endless; Train Stations, Airports, Foreign Lands
So much had happened since my last collection of sounds. I decided to “embark” to new, unfriendly shores with drones, noises, and a bit of pseudo free-jazz. Not as melodic as “Travel,” I reckon, but no less fun.
As far as subject matter goes, “Mira, la bruja no esta quemada” (which means “look, the witch is unburnt” in english, by the way) rolls around things that can’t go away no matter how hard we wish them to disappear; maybe the mundane (desire to travel) or the somewhat heavy (massacre and cover-ups).
Please, do use headphones/headsets while listening to the tunes. There are some interesting movements there. Don’t forget to drink some water and watch the witch go unburnt.
Achmad Luthfi
This EP includes the very first track of Number Eleven. A sandbox where random ideas and experiments merged into incomplete forms while searching for sounds and compositions, which sometimes became source material for new tracks. From this sandbox emerged the first few ideas of the way the first album Indefinable should reach its end, how the Blur should start, and how Protrusion should sound.
W&P by Sacha Rush
Mastered by Retouched
Cover by John Brahms
1. 3AM (1.44)
2. We waiting for the moon, but the sky was so tired (2.17)
3. Fajar (2.21)
4. 5AM (1.44)
all sound was created by guitar, by Hafid Kurnia
all track was recorded at Soda Pop Records
artwork by Tebatabata
GOODNIGHT film: www.youtube.com/watch?v=2f2M_KhlQZA
The name was inspired by Jacob’s ladder, the famous moog filter technology as well the chimney sweeps.
Each track lives, like insects and plants, as if autonomous agents of a digital biosphere taken control of the computer and created a collection of aural epiphanies.
Working with custom designed softwares and advanced digital synthesis techniques, OOAME builds a self evolving micro-world of augmented harmonies in which the composer’s will acts as a mean of observation, rather than control, focusing on details of a larger and everchanging autonomous process.
Delicacy and fragility merge with pulverized melodies, fractional phrases and quasi conscious noise bursts, giving life to the Nwas concept (“noise” pronounced in French). Milanese Nwas is an experimental act of investigation of self-organizing art, searching for emotion and poetry in the silicon mind: a journey in the beauties of an impalpable artificial wildlife.
(Mostly) Mastered By Threshold Driven Mastering
(Mostly) Sequenced At Random By Bee Pritchard
duo from Paraguay & Argentina.
kurundu is an amulet for rituals in south america.
un amuleto de luz flotando radioactivo por un rio de sud america.
cello,field recordings,electronics,loops direct rec in buenos aires.
improvised performance and looping to two channels.
no other post rec process.
field rec from Paraguay and Argentina.
Only one permanent member (Achmad Luthfi), Ölü Körpē – “dead baby” in Azerbaijan – creates and carries instrumental/ambient/noise. The material ideas are based on readings and spectacles that are resistant to confusion, discomfort and jumble because that is what happens when a person is confronted with a strange situation; a dead baby.
