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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electronic

Baltazar – After Kansai

Baltazar – After Kansai
[pn128]

Baltazar

” After Kansai”

Baltazar – After Kansai
“When listening to a sound work, the first thing that presents itself is the sound as a mass; however, in this work of Baltazár, it is the space that is defined around these masses which constitutes an equal or greater presence. I do not mean the silence, but the wake that each sound wave leaves when it is diluted in the process that produces a particular effect or modulation. The sum of these sonic wakes composes a new plane that is separated from the melodies and blocks of noise that make up this work. From “reading between the lines” one passes to “hearing between layers”. It is a constant game of associating and linking what is happening between these, entering the rhythm from the multiple directions through which reality appears to us on a daily basis.

As for sound, it oscillates between acoustic melodic parts and granules of noise that collapse in a cloud of digital processing; in the range of phrases composed of saturated coupling and the reverberation of pure tones.

If we had to make a parallel with painting, we could say that the figure and the background are clearly defined in each piece of “After Kansai” and both alternate in order to approach and move away from the plane in which we inhabit as listeners. The first tending to have few elements with clearly defined lines and the second like a great density of volumes that move in independent directions and sensations that come together and disentangle themselves.

Silence exists in the form as well as the emptiness in the background, but never between them. The sound leaves traces and these traces are those that are structured as the fundamental component of this work.”

Óscar Santis
Noise musician & visual artist.
(Concón, Chile. February 2018)

Button: by-nc-sa
https://pueblonuevo.cl/after-kansai.htm
https://pueblonuevo.cl
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posted 28 February 2018

Dislocations – Planetary Dislocations

Dislocations – Planetary Dislocations
[AR_076]

Dislocations

“Planetary Dislocations”

Dislocations – Planetary Dislocations
Planetary Dislocations” is a journey through space, from lush garden worlds to barren exoplanets. It is a sonic landscape intent on portraying inconceivably far away places and unimaginable circumstances, a dream about intelligence, technology and the future.

Simulations of random behaviour lead us through an artificial organic space. The machines become our nature, as we venture into the abyss.

Freee download at: https://archive.org/details/AR-076

Button: by-nc-nd
https://www.abstraktreflections.net/releases/dislocations-planetary-dislocations
https://www.abstraktreflections.net
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posted 28 February 2018

Deltahedron – Generation of Power

Deltahedron – Generation of Power
[EEM030]

Deltahedron

“Generation of Power”

Deltahedron – Generation of Power
Energy is harnessed from natural elements by the use of power plants and this industrial EP shines a light on the inner workings of such places. Each power plant has a different feel and process but heavy basslines and tight rhythms will ensure a continuous operation.
Button: by-nc
http://www.electronemitter.net/releases/deltahedron-generation-of-power/
http://www.electronemitter.net
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posted 26 February 2018

Joewee Love! – Joewee Love!

Joewee Love! – Joewee Love!
[01]

Joewee Love!

“Joewee Love!”

Joewee Love! – Joewee Love!
Only two personel of this band, Jose a.k.a Pepenk dan his wife. the materials ideas are based on his life journey, start from dating until married. even now, they have kids!. Enjoy three disco track from them

Joewee Love!

Track list:
1. Cinta (Love)
2. Mengharapkanmu (Hoping you)
3. Selamanya (Forever)

Button: by-nc-sa
https://archive.org/details/HS01JoeweeLove_201802
https://hotsaucerecord.wordpress.com
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posted 22 February 2018

fascinating earthbound objects – eelahoo

fascinating earthbound objects – eelahoo
[nvr049]

fascinating earthbound objects

“eelahoo”

fascinating earthbound objects – eelahoo
My second release under the guise of ‘fascinating earthbound objects’ finds it’s way to your ears in the form of this 20 track album. Running the gamut of unrestricted genre exploration, expect a little bit of everything.
Enjoy!
-c. ‘transient’ martin
Button: by-nc-sa
https://archive.org/details/nvr049
https://noisyvagabond.wordpress.com/
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posted 21 February 2018

Spacebirds – Spacebirds-1 (2010) Deluxe Edition

Spacebirds – Spacebirds-1 (2010) Deluxe Edition
[LV001-Rd]

Spacebirds

“Spacebirds-1 (2010) Deluxe Edition”

Spacebirds – Spacebirds-1 (2010) Deluxe Edition
The Spacebirds project was born in 2008 in Moscow. The composition of the group is an ironic understanding of synth dance music 1980-1990-ies and, in the first place, from genres such as New Wave, Synthpop, Spacesynth, Disco, Synthdance. Most of the songs Spacebirds recorded using children’s musical instruments (synthesizers Casio SA-21, SA-46, etc.), mobile analog gadgets (Volca Series from Korg) and even software based on Android (Caustic-3, SunVox, etc.). Spacebirds music is upbeat, ironic “toy synthwave / post new-wave” with a strong sci-Fi and space themes and, of course, with nostalgia for 80 years. The project exists as in the format of One-Man-Band and a full lineup of three or four musicians.
Button: by-nc-sa
https://archive.org/details/lv001-rdSpacebirds-Spacebirds-12010DeluxeEdition
https://laservisarec.blogspot.de/
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posted 21 February 2018

BAD GIRL – live 171117

BAD GIRL – live 171117
[ACP 1131]

BAD GIRL

“live 171117”

BAD GIRL – live 171117
live @ re:flexions ° villa, Augsburg, 17.11.17
photography by Dan Penschuck
recording, mastering and design by EMERGE

Bad Girl
(based on Florence – Italy) is the solo project of Leonardo Granchi.
Started playing electronic music with the band Downward Design Research he approaches to continue the expression of their imaginary sound through the use of the machines.

Button: by
https://emerge.bandcamp.com/album/live-171117
http://attenuationcircuit.de/
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posted 18 February 2018

Massimo Ruberti – Granchite Yumtruso PT 2

Massimo Ruberti – Granchite Yumtruso PT 2
[NN_EP033_02_18]

Massimo Ruberti

“Granchite Yumtruso PT 2”

Massimo Ruberti – Granchite Yumtruso PT 2
Nostress Netlabel is proud to release ” Granchite Yumtruso PT 2″, the new digital EP by Massimo Ruberti, an artist from Livorno (Italy) who usually define himself as a “Trafficker of sounds and images”. The album is the second part of the EP “Granchite Yumtruso PT. 1 “, released by Nostress Netlabel exclusively for Netlabel Day 2016 organized by the Chilean netlabel M.I.S.T. and which involves Netlabels from all over the world. EP “Granchite Yumtruso PT 2” closes a cycle of sounds that gradually stratify with exotic and colored atmospheres, with distant echoes that rest on long carpets with an antique flavor. The voice of Ada Doria in “Wilderness Falling” and “Cosmic egg traveling blues” seems to come out of an 1870 gramophone as it disperses vibrations in the Sahara desert. The sax of Fabio Leonardi paints well-defined shades of color. Notable orchestral arrangements of Roberto Mangoni in “Cosmic egg traveling blues”. The songs were recorded at Dogana D’acqua Studio. The disc has been mixed and burned from Francesco Landucci to Poderino Recording Studio.
Button: by-nc-nd
http://www.nostressnetlabel.net/NN_EP033_02_18.html
http://www.nostressnetlabel.net/index.html
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posted 12 February 2018

Kri Tik – North Capital

Kri Tik – North Capital
[398]

Kri Tik

“North Capital”

Kri Tik – North Capital
The perfect release for the cold winter and deep snow is North Capital from Kri Tik. A minimalist and delicate nine track album consisting of cold icy sounds reminding of ice crystals hanging in the air, and deep snow all around.
Button: by-nc-nd
http://www.kahvi.org/releases.php?release_number=398
http://www.kahvi.org
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posted 12 February 2018

Pigeon Hole – INVASION EP

Pigeon Hole – INVASION EP

Pigeon Hole

“INVASION EP”

Pigeon Hole – INVASION EP
Thick with West Coast flavor and head-nodding basslines, Pigeon Hole delivers a monster mini EP that beautifully reflects the duo’s hiphop roots and production prowess.
https://sleevelessrecords.bandcamp.com/album/pigeon-hole-invasion-ep
https://sleevelessrecords.bandcamp.com
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posted 12 February 2018

Ölü Körpē – vol. 2 – Mira, la bruja no esta quemada

Ölü Körpē – vol. 2 – Mira, la bruja no esta quemada
[WAC10]

Ölü Körpē

” vol. 2 – Mira, la bruja no esta quemada”

Ölü Körpē – vol. 2 – Mira, la bruja no esta quemada
Ölü Körpē vol. 2 – Mira, la bruja no esta quemada

Track list:
1. My Lai, 1968
2. Yes, Vomit Comet.
3. Possibilities are Endless; Train Stations, Airports, Foreign Lands

So much had happened since my last collection of sounds. I decided to “embark” to new, unfriendly shores with drones, noises, and a bit of pseudo free-jazz. Not as melodic as “Travel,” I reckon, but no less fun.

As far as subject matter goes, “Mira, la bruja no esta quemada” (which means “look, the witch is unburnt” in english, by the way) rolls around things that can’t go away no matter how hard we wish them to disappear; maybe the mundane (desire to travel) or the somewhat heavy (massacre and cover-ups).

Please, do use headphones/headsets while listening to the tunes. There are some interesting movements there. Don’t forget to drink some water and watch the witch go unburnt.

Achmad Luthfi

Button: by-nc-sa
https://archive.org/details/WAC10OluKorpeVol2MiraLaBrujaNoEstaQuemada
http://watchpineapplepress.wordpress.com
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posted 08 February 2018

Number Eleven – Flying Bricks

Number Eleven – Flying Bricks
[EEM029]

Number Eleven

“Flying Bricks”

Number Eleven – Flying Bricks
A stupidly named EP, with unthinkable cover, and idiotic track names.

This EP includes the very first track of Number Eleven. A sandbox where random ideas and experiments merged into incomplete forms while searching for sounds and compositions, which sometimes became source material for new tracks. From this sandbox emerged the first few ideas of the way the first album Indefinable should reach its end, how the Blur should start, and how Protrusion should sound.

Button: by-nc
http://www.electronemitter.net/releases/number-eleven-flying-bricks/
http://www.electronemitter.net
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posted 05 February 2018

Hafid Kurnia dan Tebatabata – The Day After We Were Alone

Hafid Kurnia dan Tebatabata – The Day After We Were Alone
[WAC09]

Hafid Kurnia dan Tebatabata

“The Day After We Were Alone”

Hafid Kurnia dan Tebatabata – The Day After We Were Alone
Track list:

1. 3AM (1.44)
2. We waiting for the moon, but the sky was so tired (2.17)
3. Fajar (2.21)
4. 5AM (1.44)

all sound was created by guitar, by Hafid Kurnia
all track was recorded at Soda Pop Records
artwork by Tebatabata

instagram.com/hafid.kurnia
instagram.com/tebatabata

Button: by-nc-sa
https://archive.org/details/WAC09HafidKurniadanTebatabataTheDayAfterWeWereAlone
http://watchpineapplepress.wordpress.com
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posted 26 January 2018

Walt Thisney – Vaudou stellaire

Walt Thisney – Vaudou stellaire

Walt Thisney

“Vaudou stellaire”

Walt Thisney – Vaudou stellaire
The Necrophile Hummingbird presents Vaudou Stellaire by Walt Thisney & Chromatic.
A collaboration done like a new year gift to every listeners who keep their ears open as their mind.
Also one more attempt to break all the borders…
.
Tracks are recreations from Galactic Voodoo by Walt Thisney
http://freemusicarchive.org/music/Walt_Thisney/Galactic_Voodoo/
Created in the space between 2017 and 2018.
Chromatic was mostly a plunderphonic project but this time no sample were harmed during the process…
It was such a joy to walk the bridges between our both musical universe,
I hope you will enjoy the vibration.
Thanks a lot to the three Foucherans fairies for their voices on tracks 2/7/11.
Button: by-nc-sa
https://archive.org/details/VaudouStellaire
https://archive.org/details/le-colibri-necrophile
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posted 25 January 2018

V.A. – Goodnight Graffiti Soundtrack

V.A. – Goodnight Graffiti Soundtrack

V.A.

“Goodnight Graffiti Soundtrack”

V.A. – Goodnight Graffiti Soundtrack
Thematic return to the past. These are the words which characterize the fortieth release of the publishing house. It is a reference to a younger “sibling” ArtAttack in a form of a graffiti document depicting “train bombing” in different parts of world (Belgium, the Netherlands, Spain, France, the Czech Republic, Slovakia, Portugal, Denmark, Greece, Italy, Austria and Great Britain). It is also a compilation of songs created especially for particular events connecting multiple producers.

GOODNIGHT film: www.youtube.com/watch?v=2f2M_KhlQZA

https://ajlavmjuzik.bandcamp.com/album/goodnight-graffiti-soundtrack
https://ajlavmjuzik.bandcamp.com
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posted 21 January 2018

Noise Ladder – Miszka

Noise Ladder – Miszka
[EEM028]

Noise Ladder

“Miszka”

Noise Ladder – Miszka
Noise Ladder is art project created by Nicolas Lafay in 2015. It explores the field of noise music through performances which confront body with technology and cassette records.

The name was inspired by Jacob’s ladder, the famous moog filter technology as well the chimney sweeps.

Button: by-nc
http://www.electronemitter.net/releases/noise-ladder-miszka/
http://www.electronemitter.net
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posted 20 January 2018

OOAME – Milanese Nwas

OOAME – Milanese Nwas
[AT056]

OOAME

“Milanese Nwas”

OOAME – Milanese Nwas
Milanese Nwas is the sound of weightless bytes, carefully weaved to accompany the listener into a realm of self-generated paradoxical melodies. It’s music freed from the heaviness of pulse, liberated from the dictatorship of sequences and the weight of measurement.

Each track lives, like insects and plants, as if autonomous agents of a digital biosphere taken control of the computer and created a collection of aural epiphanies.

Working with custom designed softwares and advanced digital synthesis techniques, OOAME builds a self evolving micro-world of augmented harmonies in which the composer’s will acts as a mean of observation, rather than control, focusing on details of a larger and everchanging autonomous process. 


Delicacy and fragility merge with pulverized melodies, fractional phrases and quasi conscious noise bursts, giving life to the Nwas concept (“noise” pronounced in French). Milanese Nwas is an experimental act of investigation of self-organizing art, searching for emotion and poetry in the silicon mind: a journey in the beauties of an impalpable artificial wildlife.

Button: by-nc-nd
http://www.acustronica.com/milanesenwas.html
http://www.acustronica.com
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posted 14 January 2018

V.A. – LEGS IS DEAD

V.A. – LEGS IS DEAD
[LEGS​-​NET 150]

V.A.

“LEGS IS DEAD “

V.A. – LEGS IS DEAD
released December 31, 2017

(Mostly) Mastered By Threshold Driven Mastering

(Mostly) Sequenced At Random By Bee Pritchard

https://legsakimborecords.bandcamp.com/album/legs-net-150-legs-is-dead
https://legsakimborecords.bandcamp.com
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posted 14 January 2018