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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electronic

Escape Now! – Lichtung

Escape Now! – Lichtung
[phokes100]

Escape Now!

“Lichtung”

Breathe. Invisible micro worlds. In darkness.

Escape Now!’s music went more and more microscopic in the years after 2003. Starting from the IDM electronica point he eventually arrived in the ambient domain. Lichtung is a fifty minutes laid back microscope universe, visualizing this path.

Please do not wonder, the release will be published as catalogue number 100, that was not set until now. A festive compilation was thought to go with this number but this was not realized so far, so let’s party and compile later, maybe with the 150 or 200 : )

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posted 16 June 2017

C_C – Impendulo

C_C – Impendulo
[D!HR-34]

C_C

“Impendulo”

For its 34th release, Da ! Heard It Records is warming up the machines to trace some new paths.
Impendulo is C_C’s new cassette.
Packaged in quasi-monochrome illustrations with quasi-absurd architectural tendencies, the visuals emphasize the kinetic art and foreshadow what one is about to hear: chain reactions and strange angles; it all moves and it all hits.
This cassette is an absolute beat garage!
Think of a little place where things are done by hand, geared towards total customization, fine-tuning; truly without concession and C_C is the boss. He’s the one with his nose under the hood and adjusting everything by ear. In total contrast with factory and chain-work sound, C_C knows how to use a system as Low-Cost as Low-Fi. Not afraid of getting his hands dirty!
The electronic sound is played from the fingertips, and it’s audible: the patterns aren’t dull and the rhythms brilliant.
It also plays with codes, and plays with them in a laid-back way, arm hanging out the window, headlights fully on. It advances tirelessly, entertaining without using, definitely more auto-reverse than auto-stop. Natural born bottom-of-time, C_C plays it in four-wheel drive, for all terrains, and completely versatile in all respects. He alternates straight hitting lines, feedback turns, and reverb drifts, and allows himself to ride right in the middle, his kick as pressed as the pedal, larsen melodies comfortably settled in the backseat.
At full speed, it’s blinking from all sides, counterpoint at every corner. With always one ear on the rearview mirror, and the GPS evidently out of order… drifting away from the roots is inevitable. In Impendulo, one is thus neither here nor there, but rather on unknown territory with no markers, never safe, but always sound. Welcome to the fourth (rid)dimension, this four-track game that summons hormones and neurons, active listening, and active dancing.
The drum is electronic and its skin is unbreakable, and in a thousand miles, it will still be playing, unfettered. One hit up, one hit down, the rhythmics spar without any low hits and most importantly without the rotundity that fishing for sound can bring. With C_C, it’s refined and chiseled by ear on the mixing side. The composition is stripped of anything superfluous, reduced to the bones, and you feel it in your bones: trans, love it or leave it.
Impendulo, the 34th release of Da ! Heard It Records is distributed under a Creative Commons BY_NC_ND license.
The album is fully listenable and downloadable at the following address:
http://www.daheardit-records.net/en/discography/dhr-34
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posted 12 June 2017

Torin Bell – Rain EP

Torin Bell – Rain EP
[elyt10]

Torin Bell

“Rain EP”

Rain EP by alternative hip hop/electronica producer Torin Bell, is a collection of three short instrumentals filled with peace, tranquility and joy. The relaxed, unhurried pace of the music, playful melodies and unique chord progressions, definitely make you rest and catch the moment. Amazing tunes that stay with you long after listening.

“The project is centered around water and each track uses the rain within it’s backdrop to provide a soothing white noise alongside various synth waves to create the coming and going of the rain in the spring.
I wanted to create a atmosphere of peace and the rain usually helps in doing so.”(Torin Bell)

Enjoy!

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posted 07 June 2017

ono – cha​-​ken

ono – cha​-​ken
[EPV_202 ]

ono

“cha​-​ken”


■ EPV_202

Theme for “Kansai-Cha-han-Reserch-Project”

■ bonus item
wallpaper for iMac & iphone6&7

:: Rule of Cha-ken(Kansai Cha-han Reserch Project) ::

First rule of Cha-ken : You do not talk about Cha-ken.

Second rule of Cha-ken : You do not talk about Cha-ken.

Third rule of Cha-ken : When someone sads stop or goes limp,Cha-han is over.

Fourth rule of Cha-ken : Only two guys in a Cha-han.

Fifth rule of Cha-ken : One fight at a time.

Sixth rule of Cha-ken : No Cleanliness,No Prejudice.

Seventh rule of Cha-ken : Cha-han go on as long as they have to.

Eighth rule of Cha-ken : If this is your first night at Cha-ken ,you have to fight.

■ artist info
:: ono ::
http://epv-artists.tumblr.com/post/59677262412/ono

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posted 05 June 2017

N3rgul – Rave Leviathan

N3rgul – Rave Leviathan
[EE024]

N3rgul

“Rave Leviathan”

Rave Leviathan explores occult themes and its cornerstone is the witch-house movement. It’s darker, oozier, and meant to convey a theme of nihilism overall. Pieces of it move from slow depression heavy themes into fast paced and aggressive riffs. It is an overall movement in music dedicated towards keeping up the aesthetic and noise of those who seek music away form normalcy and with a bit of an obsession with the occult. As always, within the transgressive.
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posted 30 May 2017

Hypercube – Genetic Transplant

Hypercube – Genetic Transplant
[EEM022]

Hypercube

“Genetic Transplant”

Genetic Transplant album by Hypercube can be described as an inner journey into osmotic abstract ambient defining the space over post-humanity evaporated circuits and multi dimensional genetic modified patterns, a way to explore unpredictable forms and intramural visions in relation to life and extinct systems.

The resulting music does at times resemble anxious rhythms and complex configurations of tranquillized expressions.

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posted 29 May 2017

Electronic Senses – Skey

Electronic Senses – Skey
[384]

Electronic Senses

“Skey”

An electronic journey through various genres could define the sound in Electronic Senses by Skey. 11 tracks of Epic sounds, great melodic hooks and some very nice vocals appear in a couple of the tracks.
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posted 28 May 2017

Alejandro Rojas-Marcos, David Area & Tomás Gris – Trails

Alejandro Rojas-Marcos, David Area & Tomás Gris – Trails
[PT056]

Alejandro Rojas-Marcos, David Area & Tomás Gris

“Trails”

Alejandro Rojas-Marcos: clavichord
David Area: electronics
Tomás Gris: soprano sax, viola, cello & objects

All tracks recorded live in Detruita Sonon, Madrid, between 2015 and 2016

Cover art: Mario Sarramián

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posted 28 May 2017

Massimo Ruberti – Live @ MainOff Festival 2017

Massimo Ruberti – Live @ MainOff Festival 2017
[NN_Perform026_05_17]

Massimo Ruberti

“Live @ MainOff Festival 2017”

Electronic music performance for the NN Performing digital series by Massimo Ruberti in Old School da Anto Pub in Palermo during Nostress Netlabel partnership in MainOFF Festival 2017 organized by Brusio Netlabel. The performance consist of many electronic remixed tracks from Massimo Ruberti discography in Nostress Netlabel and not only.
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posted 22 May 2017

MigloJE – Perception

MigloJE – Perception
[384]

MigloJE

“Perception”

MigloJE is the master of ambient drone at Kahvi, and here is some of his newest work in the form of a 15 track album.

Each track merges into the next, creating 84 minutes of pure sound, gradually building and then fading away, with layer upon layer of subtle elements.

Perfect for that rainy afternoon or a lazy day in the sun.

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posted 16 May 2017

TNKS – Nostalgic Happiness

TNKS – Nostalgic Happiness
[SCM-1701]

TNKS

“Nostalgic Happiness”

Three years after their debut album (‘Gate One’, released by Sucu Music as SCM-1405), TNKS come back with their second effort, ‘Nostalgic Happiness’. The music on offer here is a very good blend of electronics and melody, with a lot of space provided by soundscaping guitars and sequenced synthesizers.
​Not a frontal attack to the listener’s synapses, but a tentacle-like embrace of their aural dimensions and souls.
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posted 15 May 2017

WENIG DUO – Studies on event​-​density

WENIG DUO – Studies on event​-​density
[PT055]

WENIG DUO

“Studies on event​-​density”

WENIG DUO | Studies on event-density
LIVE AT PENINHA

“Wenig Duo focuses on the activity of silence where the space works as an amplifier and assumes an important role in the performance.
With a crystallized language, the music of the duo is attentive to detail, it’s written and invites the listener for a greater awareness of the sound where this duo, formed by the musicians Guilherme Rodrigues and André Hencleeday operate.
The instrumentation is variable.”

“O duo WENIG foca-se na actividade do silêncio numa performance e no resultado deste enquanto amplificador do espaço.
A música do duo, já com uma linguagem cristalizada, é uma música atenta ao detalhe, de suporte escrito e que convida o ouvinte para um retiro de maior consciencialização do som do espaço, da música e dos seus envolventes.
É formado pelos músicos Guilherme Rodrigues e André Hencleeday e é de instrumentação variável.”

Guilherme Rodrigues – Cello and Objects
André Hencleeday – Electronics

Recorded by Carlos Santos

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posted 13 May 2017

V.A. – Ayra

V.A. – Ayra
[brh16]

V.A.

“Ayra”

From aeras, ayra; meaning wind, breeze, aura. In this compilation: Glenn Sogge, Atrio Serenade, Lingua Lustra, In Vitro and Inés Liedo, Boson Spin, Ivan Black, Twin Peetz, Capisconne, Moolsaasa, Eckul feat. La Marée, DDO, Doublereflect, Portchistot, Bicho Raro, Ohuican, mrscientificterms, Theo Nugraha, Ovni Noir, TSS Tortue Super Sonic .
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posted 10 May 2017

BeatMyth – One Hand Clap

BeatMyth – One Hand Clap
[KAM024]

BeatMyth

“One Hand Clap “

Myth: a sacred story, a set of beliefs, a way to make sense of the world, to connect the dots. A notion that is also the name of one of the first tracks made by BeatMyth (in 2007). It was one of many pieces in that raw and forward-thinking style, characteristic for the next half decade. But, the mythical narrative can be said to have started in Novo mesto, that town just halfway between Ljubljana and Zagreb. Exchanging the guitar and the amp with two turntables was the best deal ever. And there we also have the beginnings of the praised jazz-funk-rock group Moveknowledgment, and PlankTon’s turntables and records were part of it. Dance parties soon ensued at the local pub and the locals were going bat-shit-crazy, driven by the fast jump-up breakbeat science from the UK. It was all LTJ Bukem’s fault. And perhaps Fatboy Slim’s too.

After a few years in the urban setting of Ljubljana, there was more and more electronic music knowledge on the table. Igor and his flatmate Mitja Pritržnik were dabbling in writing and production, laying down some charged breakbeat tracks, inviting N’toko – PlankTon’s partner MC at many drum’n’bass gigs – for an ad-hoc recording session. And Mitja’s sister giveth the project the name. At the backdrop of that time were musical influences such as Adam Freeland and Hyper, gigs with the “Illegal crew”, a drum’n’bass crew on the rise, and production discussions with its chief MarkoMan. Lots of hours of tedious work behind the computer resulted in BeatMyth’s debut: “Your Own Two Heads”, an industrial electro-punk collection of bangers.

In the poetics of this work, one can sense the history of personal musical growth: the beginnings in doom metal and the sense of immediacy of jump-up and harder strains of drum’n’bass. Active as a DJ in the last decade, PlankTon moved exceedingly firmly into the contemporary breakbeat scene, very much in line with what can be found on BeatMyth’s first two albums. However, proper appreciation of this project is not possible without taking into account the live performance of PlankTon and N’toko, who have until now always presented BeatMyth in an outgoing onslaught of beats, basslines, synth-stabs, and fast vocal ranting, animating many a sleepy auditorium into something akin to a small riot. And to furthermore bring the tentacles of this project’s context to light, it must be said that at the core of the project stands a multiskilled producer and audio engineer, whose areas of work go beyond mere clicking around his DAW: robotics workshops for kids, technical support for art installations, analogue synthesizer repairs, audio studio building, mastering and mixing a variety of different projects, and live sound.

And finally, this, the third album maturely brings up musical material created through a different approach, a different attitude, and mixes it up with that signature outgoing electro-punk vibe of the previous two albums. This attitude is purposefully playful. It’s a move away from the dance floor, away from the dictate of the live spectacle into an exploration of sound-based sample-heavy trickery. Still, it by no means represents an abandonment of the basic, ever-present principle, the pillar of this sound: firm musical decisiveness and a never-ending search for dynamics in balance.

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posted 05 May 2017

ps – Self-Doubt Mountain

ps – Self-Doubt Mountain
[enrmp401]

ps

“Self-Doubt Mountain”

Introspective drone / ambient / noise / shoegaze album. This album is about yearning for the deeper meaning of things, asking yourself if you really want to climb those steep slopes that drive you further and deeper into the mountain range. Why do we crave what is out of reach? Why do we want the unsustainable? What drives some to blindly follow their dream while others settle for the safe obscurity? Photo by Sandra Vallaure.
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posted 05 May 2017

Hana Sent – Lampoooni

Hana Sent – Lampoooni
[51bts052]

Hana Sent

“Lampoooni”

“Lampooni” is the debut EP by Hana Sent, our novel ghost electronic music composer. The release drives you through six sweet sketches of faint colors; crayon paints describing a candid and sunny world, not without some nostalgic and spellbound aftertastes. Some melodies recall the works by Conrad Schnitzler for the playful approach to electronic composition. “Lampoooni” alludes to an imaginary retro-gaming, dreamy sounds and candy worlds, mixed with casual acid trippy-house sometimes recalling the late eighties. A very fresh release by 51beats to celebrate the incoming spring season.
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posted 02 May 2017